donate blood

Namaste,

You follow the 39 steps through blood bank doors. You fill out forms answering 20 questions on the donor consent form, such as:

1. Are you in good health today?

2. Do you have an infection now, or are you taking antibiotics now?

3. Since the age of 11, have you had yellow jaundice, liver disease, or hepatitis?

4. Have you ever tested positive for hepatitis?

5. Have you ever used a needle, even once, to take any drugs?

6. In the past three years, have you lived outside of the U.S., except Canada, Australia, New Zealand, Japan or Western Europe?

7. In the past 12 months have you traveled?

8. In the past 12 months have you received a blood transfusion?

9. In the past 12 months have you had a tattoo, ear or body piercing, acupuncture, accidental needle stick, or come into contact with someone else’s blood, or snorted cocaine or any street drug?

10. In the past 12 months have you ever had sex, even once, with anyone who has ever used a needle for non-prescription drugs?

11. In the past 12 months, have you had sex, even once, with anyone who has taken money or drugs in exchange for sex?

12. In the past 12 months, have you given money or drugs to anyone to have sex with you?

13. In the past 12 months, have you had sex, even once, with anyone who has had AIDS or tested positive for the AIDS virus?

14. Are you a female who, in the past 12 months, has had sex with a male who has had sex, even once, with another male?

15. Were you born in, or have you lived in, Cameroon, Central African Republic, Chad, Congo, Equatorial Guinea, Gabon, Niger, or Nigeria?

16. Have you had sex with anyone who was born or lived in any of these countries?

17. Have you been injected with bovine beef insulin?

18. Have you ever had a bleeding problem?

19. Are you a female who has had two or more pregnancies? 

20. Have you or any blood relative ever had a dura mater or brain covering transplant during head or brain surgery?

The questions are endless.

Finished circling N answers and doodling in margins, you agree and understand your blood and plasma will be tested for the AIDS virus and other diseases and if there is a risk your blood will not be used and you will be notified and you understand the answers are truthful and to the best of your knowledge and you sign the form and sit in a comfortable deep brown chair watching donors thumb old magazines, devour recipes and eye candy.

Your name is called. Outside plate glass in August haze shadow hills full of dense dark evergreens in hot sunshine beam down white blast furnaces magnifying brilliance.

Nurses pull air conditioned nightmare identity theory cards from files peopled with conversations and delight a slight acquaintance. Take a seat as a smiling nurse pricks your finger with a thorn asking thermometer questions, checking arms for signs of Needles, a California desert town.

You sign more forms you witness you provide credentials you slide into a main room where volunteers direct you to a reclining seat asking which arm left arm you say as she tightens the belt around your arm conditioning blood pressure pump as she swabs down arm holding needle veins out handing you a styrofoam ball telling you to squeeze every three seconds as a machine ticks off down below out of sight out of mind as your blood rocks back and forth inside a new time measurement piece measuring platelets.

You drink lemonade squeeze release squeeze release when machine stops she takes the pressure off takes the ball gone tape off needle out gauze band aid arm up for three minutes drink lemonade make small talk blood in plastic bag dark red liquid sealed documented evidence with bar coded lot number you get off table walk down a hall receiving a key chain after 100 donations.

You sit in shade looking at a universal key chain environment.

This implies you need to find keys, alphabets, script, bones, dust and calibrated songs of ghost dances for the space-time chain.

Two months later you will do it all over again with joy. Your blood goes to any Childlighter child with A negative. One in 16 (6.3%) with statistics, there are lies, damn lies and statistics not knowing who, just knowing  someone out there young and alive lives with your small anonymous gift of red language.

Metta.

The Pitch

Greetings,

The buzzer buzzed. Yes? Your 11 o'clock is here, said a voice. Send them in. 

The door opened. My secretary entered. This is Mr. Red Shirt and Mr. Yellow Shirt, she said. Thank you that'll be all, I said. I shook hands with the men. Welcome. I am Mr. Chandler. Have a seat please. Mr. Red looked at Mr. Yellow with distrust and suspicion. It's ok, I said. They put their machetes away and sat down.

You have five minutes, I said. Give me your pitch. Neither spoke. They were waiting for the other one to open his mouth. You have four and 1/2 minutes, I said. They stared at each other. You first, said Mr. Red. No, you first, said Mr. Yellow. I waited. 

You have four minutes, I said. Mr. Red Shirt broke the silence. Ok, he said, here's the pitch. It's a split fingered fastball over the inside of the plate. That's a metaphor. We propose a weekly...NO! screamed Mr. Yellow Shirt, not a weekly, a daily soap opera drama.

Ok, said Mr. Red Shirt, a daily drama. Whatever. It's a series about money, power, control, greed, corruption, love, betrayal, and political and social issues in a country with a king. The king is very old. Younger people behind the scenes with everything to lose and nothing to gain run the show.

Yes, said Mr. Yellow Shirt, that's good, so far. It's a docudrama about the conflict between rich and poor people. Stupidity vs reason.

I listened. You have two minutes. Mr. Red Shirt said, Yes. It's about a Red Shirt hero who works for an ambulance company. He rescues a Yellow Shirt woman who's been attacked by a group of Red Shirts in an urban jungle war zone.

Yes, and then? I asked. Mr. Yellow Shirt said, She comes from a very wealthy and influential family. She has a change of heart because of the violence. Through the daily drama she comes to empathize with the plight of her hero. They fall in love. This creates new conflicts.

You have one minute. Wrap it up, I said. You go first, said Mr. Yellow Shirt. No, you go first, said Mr. Red Shirt.

You have thirty seconds, I said. One said, It's a struggle for equality. We've got the girl, the hero, soldiers, politicians, the Red Cross, millions of extras and direct distribution of television and film rights for Asia.

Good. Anything else? I said. Mr. Red Shirt and Mr. Yellow shirt looked at each other. Just one question, they said, When can we start shooting?

Our people will call your people. Thanks for coming in, I said. After arguing who'd take the first step they left.

The buzzer buzzed. Your 11:10 is here. Show them in. 

Metta.

Opportunity Cost

Greetings,

The opportunity of being on location, scouting film destinations is how you become native. You speak in mono-syllables and sleep forever as long as forever is. Be resilent, strong, cunning, exiled in cast off pajama clothing with floral designs and cartoon characters from dead regimes.

Especially on a Sunday near blue flowing rivers wearing tattoos along its arms climbing over sun burned shoulders as a tall Jaguar reveals her skin song. Her French big game hunter takes his time scaling long limbs, drowning inside wild black eyes exploring a thin Apsara dancer neck smelling desire unlike pleasure, a source of suffering, pain and hatred hearing rainbow heartbeat, exploring mountains, clearing brush, lighting a fire as his dogs flush prey.

What you don't see is fascinating.

Orange sun fires trees. 
Six people on a cycle pass. 
A voice asks for help. 
A woman desperate for love/security frames her vision through SLR optic glass. 
Before and now mean the same.
A neglected girl learns how to sew in a safe environment. 
A silver spoon decorates glass with music. 
A young girl draws portraits with poise and serenity. 
A gardener waters yellow and purple orchids at dawn.  
A stranger sits in a local market.
Cui Weiping, a female Chinese literature professor prevented from attending an international poetry conference as punishment for believing in free speech.

Read more... 

Metta.

The Careful and Amorous Project

Greetings,

We met a guesthouse one morning. She started talking. "Amorous is my husband. He's sick. Something he ate."

Careful is 31. She was born in Xinjiang, China.

In 1991 while working for Ramada International Hotels in Beijing I traveled to Xinjiang to act in a movie about a hero who dies at his post. They needed a foreigner. My Swiss GM said, "Go for it." For ten days we filmed at the Chinese National Petroleum oil fields deep in the Tarim Basin. I wrote about this little adventure in my traveling novel, A Century Is Nothing.

She remembered the film and famous scientist. He developed a new drilling technique. He died at his isolated post surrounded by test tubes, mathematical scribbles, rusty oil drilling rigs and sand dunes. Then the Chinese Communist Party Propaganda Department had to approve film scripts depicting famous heroes. Especially dead scientific-political ones. He's in the Chinese national scientific hall of fame.

She's a freelance magazine editor in Shanghai. Amorous is an engineer from San Detour, California. He designs financial surf boards studying the effects of wave theory using electromagnetic pulse detectors. They met at a house party in Shanghai.

"When he came in I saw a deer," she said. She was the hunter and he was the prey. She is highly talkative. He is brilliant and taciturn. They dated for a year and married last year. First in her home town of Hubai province and then in Tomorrow Land. 

They got her residency card. They returned to China and quit their jobs. They hit life's highway.

Careful remembers everything, especially the long ago past.

"When I was a little girl growing up in Xinjiang, all I wanted was a book. I grew up with mountains and rivers. One day I saw a newspaper floating in the water. I dried it out and tried to read it. I couldn't. Then, when I went to school there was a girl - her father worked with my father as a public servant - and her family was well off. She had books. I didn't like her but I pretended to so I could see her books. That's how I started to read.

"It was a real struggle for me in Shanghai. I had no formal education, but I could write. I forged a C.V. and got on with an advertising company. Good money. I was looking for the perfect love. Then I met Amorous."

"I want a home," she said. "We'll need to make a decison by May," he said. "We either return to the states or find new jobs in China." 

"Look," she said, "I'm in my early 30's. I want to start a family. I need a child."

"First we need a home," he said. "Everything's in storage."

"Ok," she said. "After we're done traveling and doing this project, we'll decided where we want to live."

"Fine."

"It was my idea this project," she said. "Amorous agreed."

The project involves using various masks and props to create mysterious, surreal images around Asia. They plan their shooting schedule, Careful wears the costumes and Amorous makes the images in a raw format.

They won an Oscar this year for:

"Best Supporting Partner While Traveling For A Year in Southeast Asia While Working On A Crazy Yet Meaningful Artistic Project In Diverse Exotic Locations Using Bizarre Masks and Costumes."

Metta.

Careful in Lhasa, Tibet.

Careful in Cambodia.

Synecdoche

Greetings,

A prospective home owner walks into a house with a real estate agent. There are numerous small fires burning.

"I really like this house," she says. "But I'm really concerned about dying in a fire."

"Yes," says the agent, "It's a big decision, how one chooses to die."

Synecdoche, a film written and directed by Charlie Kaufman concerns life, choices, dreams, art, relationships and death.

Always making choices.

Cast: Philip Seymour Hoffman, Catherine Keener, Samantha Morton, Hope Davis, Tom Noonan, Emily Watson, Jennifer Jason Leigh, Dianne Weist, Deirdre O'Connell.

Give a man a match and he's warm for a minute. Set him on fire and he's alive for the rest of his life.

Read more...

Metta.