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A Century Is Nothing A Century Is Nothing
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The Language Company The Language Company
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Subject to Change Subject to Change
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Ice girl in Banlung Ice girl in Banlung
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Entries in history (137)

Friday
Feb272015

Omar's Book Club

Omar turned a page and read to his book club.

They were among the lost and looking tribe.

They were figments of someone’s imagination, caricatures of wild inventions in abstract designs spinning webs from the center. They laughed at everything with cosmic perspective.

Through laughter they regained their sense of delight inside the mystery.

Someone somewhere rang a bell. Noon’s mechanical hands said hello. Calibrated craftsmen hands read luminous dials. The facade of a Catholic church on a Spanish hill in a pueblo contained fissures and cracks in its foundation.

Long spider tentacles streamed from the base into dusty shadows where birds rested from flights of fancy along Roman walls covered in soft green moss. The church bells were old hollow iron shells with a broken clapper. Rusting heavy metal shreds in weeds weighed down wet script reading ‘O come all ye faithful’ in Sanskrit next to a book of poems written on Leaves of Grass by Walt Whitman.

Blood flowed down white walls soaking green stems in brown soil feeding roots beneath the surface. Roots had no shadows, below the surface of human awareness.

Their expectations were Southwest desert creation myths.

A young Anasazi girl shared her wind note vision.

My name is Kokopelli the humpbacked flute player. I am 1,000 years old. My image is found on petroglyphs or rock carvings and also on rock paintings or pictographs in kivas, on ceramics and woven baskets. The ancient ones, the Anasazi, regard me as a symbol of fertility, a roving minstrel or trader. People also call me the rainmaker, a hunting magician, trickster and seducer of maidens.

In the Pueblo myths my hump carries seeds, babies and blankets to maidens. I wander along the upper Rio Grande between villages carrying seeds and bags of songs on my back. Because I represent fertility I am welcomed during the corn- planting season and sought by barren women and avoided by maidens. If you listen well, you will hear my flute music echoing through canyons playing traditional songs.

She disappeared along fault lines in long undulating dry washes full of sagebrush playing her flute near rainbow mesas strewn with geological strata.   

Listen, said Little Nino, do you hear the music, clarity, gentle sweetness echoing through space? It’s sublime.

A flute joined the tribal tolling bell. Form whom the bell toiled and told?

Someone had passed on.

Sublime, said a person named Art, an unemployed American realtor. Survivors gathered around him admiring torn muddy glossy brochures of multilevel and split-level green and white pastel clapboard low mortgaged homes financed with borrowed capital surrounded by security walls decorated with barb wire and shards of glittering green glass.

Venomous Diamondback rattlesnakes, cobras, and African pit vipers attacked soft city folks on their trail of tears inside shadows coalescing like shape shifters, said Artsyfartsy. 

Domestic violence erupted inside hearts, homes, cities, villages, towns, and countries between resentful, bitter out-sourced wives, their alcoholic husbands, frustrated lovers, and their catatonic, aggressive video game programed kids. Someone called the feds.

The feds arrived, said everyone in the compound was Waco and leveled the place with heavy tank fire.

Prime time news, baby.

And then O Art?

Down on Mean Street near the Tigris River someone detonated a land mine under a diplomatic silver Suburban, shredding level-5 armor designed to protect it from RPG's, killing three American intelligence agents on the West Bank of heaven. Their cover was blown. Blood rivers flooded streets. An old woman of a displaced tribal nationality with a mop began her clean up operations. Shit happens.

Everyone in the region denied responsibility for the attack. Analysts said it was very sophisticated and similar to attacks against an evil empire in Iraq fueled by sectarian strife, poverty, greed, hatred, animosity, and stupidity fighting for power and control dating back to the Assyrian empire in 689 BC.

Thanks Art. Speaking of empires, how about this tasty morsel of history? Omar said, thumbing a page.

A Century is Nothing

Tuesday
Feb102015

TLC - Ankara Knife

“You are the director, audience and players,” said the owner.

Inside another series of interlocking blades was a Cambodian landmine museum. It revealed Geiger counters, radiation blast suits, screwdrivers, shovels, hi-tech metal sensors, fertile green rice paddies, farms, fields, 1,000 Angkor temples built with laterite stones by 300,0000 slaves in the 9th century, 6,000 starving overworked broken hearted pachyderms, topographical satellite survey maps showing extensive ancient agricultural irrigation systems, statistical charts, refugee relocation centers, rehabilitation co-pay deductible insurance policies, cremation ceremonies, and bereaved starving survivors accepting the loss forever of two million genocide family members.

1.5 million lost strangers disguised as tourists talking with full mouths spilled desire, fear, regret, ignorance and superstition while rappelling through nouns and verbs near stilted bamboo shacks inside submerged mangrove forests resembling Monet paintings replete with jungle vine hammocks, floating villages in a floating world, charcoal cooking fires, naked begging children, amputees, short term Australian nurses discovering dehydration in Siem Reap slums, laconic robotic Khmer teachers making $40 a month, 269+ orphanages with 12,000 orphans, a butterfly farm with 232 species and a silk worm weaving center in Stung Treng, Ratanakiri empowering fifty singing women threading thick and thin yellow salvia protein based fibers on spindles and looms near Son Le Tap Lake, the largest in Asia.

Thursday
Oct092014

jump out of your skin

backwards

hello soul - dream

a photograph

is a secret

about a secret

Thursday
Oct022014

leica "100" years - video

Recreating iconic Leica images.

Eye. Hand. Heart.

http://youtu.be/ssN3BiBRISk

 

Saturday
Sep132014

treehouse

I’m broiling on the balcony of my Oregon treehouse.

Getting down and dirty after 1,001 years away from the typewriter. Covered in construction dust and needing oil it’s a small portable dangerous machine. It’s capable of transforming life energies and weaving adventures. Threads follow the needle.

I am a peripatetic traveler, literary outlaw, photographer and journalist. I’m lucky to get it down now and make sense of it later.

I’m a mirror in the mandala of my labyrinth.

I am Labrys, from the Greek for a two-headed axe.

I write with passion and vision.

Short fast and deadly.

Punctuation is a nail.

My mirror reflects everything. I’m confidant and self- reliant. I explore the human condition.

Human energies, frequencies and vibrations reflect languages, lives and attitudes. I absorb being, joy, anger, jealousy, ignorance, desire, fear, passion and suffering. Hurl your thunderbolt unto death.

Meditate on the process of your death.

Suffering is an illusion.

I accept universal illusions. Wishes, values, attitudes, joy, belief systems and dreams project perceptions in my mirror. My mirror is free of dust. I evolve discovering emotional strength, trust, wisdom, peace and love.

I experience forgiveness with emotional honesty. I am tired of beating myself up. I know the words limitations,boundariesvulnerability and creativity in multiple languages. These truths don’t surprise you after 1,001 years of wandering.

Keep a diamond in your mind.

A Century is Nothing