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Entries in native american (10)

Monday
Jan252021

Kalapuya

The Kalapuya, a Pacific Northwest tribe speaking Penutian numbered 3,000 in 1780. They believed in nature guardian spirits and vision quests. Their shamans, amp a lak ya taught them how seeking, discovering and following one’s spirit or dream power and singing their song was essential in their community.

An ancestor shared a dream story.

“I speak in tongues, in ancient dialects about love. I share a story of our people living here for 8,000 years before where you are now. In forests, rivers and mountains all animal spirits welcome you with their love. They are manifestations of your being.

“I am grateful to welcome you here. You walked many paths of love to reach me. Some are narrow and smooth in places, wide and rocky in others. I am the soil under your feet. I feel your weight, balance, weakness and strength. I hear your heart beating as our ancestor pounds ceremonial drums. I feel the surging force of your breath fly through this forest. Wind accepts your breath. I am everything you see, smell, taste, touch and hear. I am the oak, fir and pine in your outer landscape. I am your inner landscape. I see you stand silent hearing trees nudge each other, ‘Look, one has returned.’”

“I love the way you absorb the song of a brown thrush collecting moss for a nest. I am the small brown bird saying hello. I am the sweet-throated song you hear without listening. Two night owls sing. Their music fills your ears with mystery and love.

“I am the warm spring sun on your face filtered through leaves of time. I am the spider’s web dancing diamond points of light. I am the rough fragile texture of bark you remove before connecting axe edge with wood. You carry me through this forest. Your flame creates the fire of love. I am the taste of pitch on your lips, the forest scent in your nostrils filling your lungs. It is sweet.

“I am cold rain and wet snow and hot sun and four seasons. I am the yellow, purple, red, blue, and orange flower from brown earth. I am an old dialect of Kalapuya tribes. I respect spirit energies. I hear with my eyes and see with my ears. I understand your love for the spirit power guardian.

“I am your ancestor speaking 300 languages from our long history. Now only 150 dialects remain. Language cannot be separated from who you are and where you live.

“I say this so you will remember everything in this forest. I took care of this place and now your love has the responsibility.”

ART

Adventure, Risk, Transformation - A Memoir

Annapurna Range, Nepal

Friday
Feb272015

Omar's Book Club

Omar turned a page and read to his book club.

They were among the lost and looking tribe.

They were figments of someone’s imagination, caricatures of wild inventions in abstract designs spinning webs from the center. They laughed at everything with cosmic perspective.

Through laughter they regained their sense of delight inside the mystery.

Someone somewhere rang a bell. Noon’s mechanical hands said hello. Calibrated craftsmen hands read luminous dials. The facade of a Catholic church on a Spanish hill in a pueblo contained fissures and cracks in its foundation.

Long spider tentacles streamed from the base into dusty shadows where birds rested from flights of fancy along Roman walls covered in soft green moss. The church bells were old hollow iron shells with a broken clapper. Rusting heavy metal shreds in weeds weighed down wet script reading ‘O come all ye faithful’ in Sanskrit next to a book of poems written on Leaves of Grass by Walt Whitman.

Blood flowed down white walls soaking green stems in brown soil feeding roots beneath the surface. Roots had no shadows, below the surface of human awareness.

Their expectations were Southwest desert creation myths.

A young Anasazi girl shared her wind note vision.

My name is Kokopelli the humpbacked flute player. I am 1,000 years old. My image is found on petroglyphs or rock carvings and also on rock paintings or pictographs in kivas, on ceramics and woven baskets. The ancient ones, the Anasazi, regard me as a symbol of fertility, a roving minstrel or trader. People also call me the rainmaker, a hunting magician, trickster and seducer of maidens.

In the Pueblo myths my hump carries seeds, babies and blankets to maidens. I wander along the upper Rio Grande between villages carrying seeds and bags of songs on my back. Because I represent fertility I am welcomed during the corn- planting season and sought by barren women and avoided by maidens. If you listen well, you will hear my flute music echoing through canyons playing traditional songs.

She disappeared along fault lines in long undulating dry washes full of sagebrush playing her flute near rainbow mesas strewn with geological strata.   

Listen, said Little Nino, do you hear the music, clarity, gentle sweetness echoing through space? It’s sublime.

A flute joined the tribal tolling bell. Form whom the bell toiled and told?

Someone had passed on.

Sublime, said a person named Art, an unemployed American realtor. Survivors gathered around him admiring torn muddy glossy brochures of multilevel and split-level green and white pastel clapboard low mortgaged homes financed with borrowed capital surrounded by security walls decorated with barb wire and shards of glittering green glass.

Venomous Diamondback rattlesnakes, cobras, and African pit vipers attacked soft city folks on their trail of tears inside shadows coalescing like shape shifters, said Artsyfartsy. 

Domestic violence erupted inside hearts, homes, cities, villages, towns, and countries between resentful, bitter out-sourced wives, their alcoholic husbands, frustrated lovers, and their catatonic, aggressive video game programed kids. Someone called the feds.

The feds arrived, said everyone in the compound was Waco and leveled the place with heavy tank fire.

Prime time news, baby.

And then O Art?

Down on Mean Street near the Tigris River someone detonated a land mine under a diplomatic silver Suburban, shredding level-5 armor designed to protect it from RPG's, killing three American intelligence agents on the West Bank of heaven. Their cover was blown. Blood rivers flooded streets. An old woman of a displaced tribal nationality with a mop began her clean up operations. Shit happens.

Everyone in the region denied responsibility for the attack. Analysts said it was very sophisticated and similar to attacks against an evil empire in Iraq fueled by sectarian strife, poverty, greed, hatred, animosity, and stupidity fighting for power and control dating back to the Assyrian empire in 689 BC.

Thanks Art. Speaking of empires, how about this tasty morsel of history? Omar said, thumbing a page.

A Century is Nothing

Wednesday
Apr302014

whisper

There is a Native American legend that says, " If you have a secret wish, capture a butterfly and whisper your wish to it. Since butterflies cannot speak, your secret is ever safe in their keeping.

"Release the butterfly, and it will carry your wish to the Great Spirit, who alone knows the thoughts of butterflies. By setting the butterfly free, you are helping to restore the balance of nature, and your wish will surely be granted." 

Wednesday
Nov062013

sheep Girl

She held the flock, terrified, eyes abulge,
Huddled and frantic, tight as a knot
At the edge of Indian Highway 160
Fronting the big truckers balling that jack,
Throwing fists of rusty gravel
At the bellwether helter-skelter.
Her two Rez dogs nipped the laggards’ heels
So the fold held close on the threshold.

Thin and long and maybe fifteen
Willowy and ivory smooth
Her blue jeans tight on filly hips.
Awhirl, her long black hair,
Her neck all snap and pivot.
As she watched the trucks come hurtling
Then the sheep
Then the trucks come hurtling.

Then through a break in the careening rush
She bolted like a frightened colt
All knees and wild elbows
The Rez dogs springing and wailing
So the fold held close
And made the other side.

And I only just caught it
If caught it aright I did
Out the rear view mirror.
The Navajo sheep girl
All Indian, real Indian
Here on the Big Rez Crossing 160 and swallowed by the night.
Lost to the cowboy’s July Fourth charade,
Unsullied by fireworks and revival tent Jesus.

From Mountain Wizard, by Thomas J. Phalen.

Friday
Aug092013

Kalapuya

“I speak in tongues, in ancient dialects about love. Dialects of ancestors who lived here for 8,000 years before where you are now. In the forest near the river all animal spirits welcome you with their love. They are manifestations of your being.

“I am blessed to welcome you here. You have walked along many paths of love to reach me.

“My dirt path is narrow and smooth in places, rocky in others. I am the soil under your feet. I feel your weight, your balance - your weakness and your strength. I hear your heart beating as my ancestors pounded their ceremonial drums. I feel the tremendous surging force of your breath extend into my forest. Wind accepts your breath.

“I am everything you see, smell, taste, touch, and hear. I am the oak, the fir and pine trees spreading like dreams upon your outer landscape. I am your inner landscape. I see you stand silent in the forest hearing trees nudge each other. “Look,” they say, “someone has returned.”

“I love the way you absorb the song of brown body thrush collecting moss for a nest. I am the small brown bird saying hello. I am the sweet-throated song you hear without listening. At night two owls sing their distant song and their music fills your ears with mystery and love.

“I am warm spring sun on your face filtered through leaves of time. I am the spider’s web dancing with diamond points of light. I am the rough fragile texture of bark you gently remove before connecting the edge of an axe with wood. You carry me through my forest your flame creates heat of love. I am the taste of pitch on your lips, the odor of forest in your nostrils filling your lungs. It is sweet.

“I am the cold rain and wet snow and hot sun, and four seasons. I am yellow, purple, red, blue, and orange flowers from brown earth.

“Language cannot be separated from who you are and where you live.

“I say this so you will remember everything in this forest. I took care of this place and now your love has the responsibility with respect and dignity and mindfulness.”

Source: A Century is Nothing.