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A Century Is Nothing A Century Is Nothing
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The Language Company The Language Company
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Subject to Change Subject to Change
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Ice girl in Banlung Ice girl in Banlung
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Entries in memory (49)

Sunday
Sep062015

Temporary management art - TLC 35

Bursa brought in a young teacher named Instant Bull. He didn’t last long. He missed the nightlife, friends and mommy who after 100 tearful years still did everything for her little baby boy. He was spoiled like everyone. He ran home pleading, Mother, may I grow up to be free and courageous? No. Go to your room, no dinner and no social network time bandits. Self-censorship is everything we believe and practice with mind body and soul so shut your trap.

Management brought in Spin, a schizophrenic alcoholic from Down Under. Night after night he carpet-bombed the teachers’ apartment with demonic deliriums.

“They’re here, they’re here,” he wailed in catatonic fits thrashing on the floor flailing nuclear arms into space. “Help me. They will kill me. Look, can’t you see them?”

“What can I do about this idiot?” said a scared shitless rail thin female Turkish/English teacher on temporary duty. The brilliant neurotic girl from Hoagie Sophia, her black hair clogging shower drains, addicted to TV, sugar and perpetual sadness missed her mother.

Communicating through sewer channels she told Constantinople management Spin had to go. They yanked him out like a bad molar.

She’d been with the company for five years as a Personal Tutor doing bi-linguine translations. Her English placation skills enabled students with false modesty. She’d quit for a translation job with another Istanbul company, discovered it wasn’t so hot after all and returned to TLC dragging her miscalculation.

Now she worked as a management spy. Istanbul gave her a title: Director of Personal Tutors. She traveled to nine centers evaluating and training tutors. She knew the system. Her social skills were shit. She was the perfect corporate drone head. 

Lucky met her in Ankara where she spied for a month. She spent her time chatting with her yet to be met and later to be left boyfriend in Johannesburg. “I hate Ankara.”

“If you want to play the blues you gotta pay your dues,” said Lucky.

“I’m tired of dealing with shallow minds above and below me,” she said sipping tea on the balcony. Bamboo listened.

“I am one of them, sent around to keep an eye spy on barbarian natives. They told me to train the tutors who’ve seen through my transparent disguise. I’m not fooling anyone but myself. I got the promotion I wanted and they used me.”

“Welcome to The Dream Machine.”

“In the future I will escape to Johannesburg and live with a paroled heroin junkie running a safari eco-outfit. I will wear an orange day glow jumpsuit emotionally attached to my despondent mother in Istanbul. Mama spends her life chained to a sink filled with life’s dirty dishes.”

Late one day as Lucky tended rose petals, thorns and fed Winter Hawk day old bread annoying idle businessmen slouched against a BMW downstairs yelling, “Where in the hell are all these crumbs coming from?” the director called from Constantinople.

“Would you like to move to Bursa?”

“Yes. When?”

“Next Monday. We need stability and maturity in the new center.”

“The center is a spiral of stardust. I’ll bring Bamboo. Thanks for the chance.”

His life was walking, writing, photography, helping others be more human, and spreading prosperity. Nurturing Bamboo as a calm lunatic he passed through with detached discernment. He was Mr. Fix-it, Mr. Dependable and a stable element in the periodic language table.

After he settled into Bursa, management realized they needed more temporary help. They brought in an experienced sadomasochistic Australian misogynist from another center to manage the show for ten days. He was fifty, a divorced womanizer with relationship and alcohol issues, an aggressive fool pawing female students and chatting with his twenty-one year old girlfriend in city E. He knew the TLC system and little else. He had a long running feud with management. They fired him.

The revolving TLC door circled through ineffective zones.

 “People here in Turkey,” said Zeynep, “are good at two things, eating and sitting. Sleeping and fighting are close behind.”

“Yes,” said a rag and bone merchant boiling clothing and animal skins for Omar’s palimpsests, “we are surrounded by fools and incompetents. Reading and writing is for people with time, money, critical thinking skills, courage, humor and a future. Not to mention social intelligence. Natives make perfect excuses. They celebrate their perceived victimization and prolonged adolescence with self-pity and loathing.”

“Have you eaten yet,” asked Curious. “We always ask people about food first in China.”

“It’s the same here,” replied Zeynep, “satisfying basic needs.”

A chorus of 15,001 Chinese university students sang, “The less I do, the less likely I am to make mistakes, and the fewer mistakes I make, they less I am criticized. It’s easier to do nothing.”

“Thanks for a long sentence filled with verbs and truth-value meaning,” said a Cambodian orphan caressing a Burmese ruby reflecting 10,000 things in an elegant universe.

“My name is May Be,” said a Turkish woman filing for divorce after centuries of emotional totalitarian terror. She faced her family, friends and strangers with fresh self-esteem.

“He lied to me. I saw through his deceit and irresponsibility. I sent him home to his mama. When he realized his stupid shallow emptiness he ran back pleading, exhorting, crying, bribing and threatening me with personal, physical and emotional disaster, trouble, death and so forth. I didn’t buy his song and dance. It’s rare for a woman here to file for divorce.”

Winter Hawk sang a single throated bird song: freedom’s knowing how big your cage is.

“Learning is easy. Remembering is difficult. We have storage ability and retrieval capability. Speak memory,” said Zeynep doodling on papyrus.

“Memories are for navigating now,” said Lucky. “What I’m telling you is true, or at least as much of it as I remember. I know I have false memories. Everyone does. Imagine people in a world without memory. No past. No things, objects, identification, grasping or attachment. Only patterns and sensation forms like flowing water or butterfly wings brushing air. Living in an eternal present.”

“You are brilliant. Let’s practice ZaZen.”

After meditating on the nature of comedic existence they witnessed human temerity, guilt, fear, shame and humiliation. Heavy sadness. Adult maniac manikins wore artificial death masks decorated with perpetual mediocre distracted confusion.

He’d seen it in the Middle Kingdom as Li Po and Tu Fu's poetic ink danced on parchment, expanding nature’s sublime story.

He absorbed it in Asia Minority seeing bored, tired idle people swallowing Xanax by the handful, eating grilled meat, playing backgammon and twiddling idle retired thumbs as Metro cars crammed with morose living dead idle humans dressed in black mirroring idle heart-minds zoomed to metallic industrial Ostim wasteland o-zones outside Ankara before returning at midnight filled with carved wooden caskets of wasted youth from the never-ending war in Serious on the Syrian border.

Gravediggers and headstone carvers enjoyed steady work with dead matter.

Saturday
Jul262014

poem - Jorge Luis Borges

Used up by the years, my memory
loses its grip on words that I have vainly
repeated and repeated. My life in the same way
weaves and unweaves its weary history.

Then I tell myself: it must be that the soul
has some secret, sufficient way of knowing
that it is immortal, that its vast, encompassing
circle can take in all, can accomplish all.

Beyond my anxiety, beyond this writing,
the universe waits, inexhaustible, inviting.

 - Jorge Luis Borges

from Poem Written in a Copy of Beowulf
translated by Alastair Reid  Read more…

 

Wednesday
Feb122014

discovery

"Keeping a journal has taught me that there is not so much new in your life as you sometimes think. When you re-read your journal you find out that your latest discovery is something you already found out five years ago."

- Thomas Merton  Read more…


 

Monday
Jul292013

Dream Sweeper

A Dream Sweeper contraption manufactured in Ha Noise, Vietnam remembered evolutionary and revolutionary Communist nightmares and B-52 bombers dropping millions of tons of ordinance on Laos, Nam and Cambodia with hallucinations and bliss evolving from a point of light traveling at 186,000 miles per second.

The efficient Dream Sweeper Machine collected unconscious talking monkey stories. From deep narrow Ha Noise alleys where death worship was a constant reminder of rapacious ancestors eating incense, dreams arrived crawling, flying, dancing, staggering, singing, laughing, weeping, and sighing into The Machine.

Dreams begged for mercy, pity, clarity, understanding and interpretation. How did I get here? What if I die here? Who will be my unconscious role model? Who will save me from ultimate absolute reality? Who will feed me in a Peoples’ Communist Paradise dream world where everyone shares toilets, kitchens, spoiled whining children and education is a waste of time and money?

Bored Asians existing with an emotional level of -7 exchanged drab artificial lives playing on Fakebook, a glorious electronic frontier of equality, equity and endless hi-tech distractions with firewalls, barbwire and rusty window gratings. Dark. Silent. Black is the night. Cold is the ground.

 

 

Monday
Jun112012

Picasso and Dali discuss life

They are speaking in A Century is Nothing.

"Have you thought of a name for your new work my friend?” asked Dali.

   “Guernica comes to mind,” Pablo said.

   “How appropriate,” Dali replied, stroking his exquisite mustache. “It will become a classic. It will connect the wild subconscious and rationality. It’ll make you famous, old boy.”

   Picasso’s Guernica commemorated the small Basque village of 10,000 in northern Spain. It was market day on Monday, April 27, 1937. In the afternoon waves of planes from the Condor Legion, Heinkel 51s and Junker 52s piloted by Germans blasted Guernica. Survivors found 1,660 corpses and 890 wounded people in the rubble.

   “Be that as it may,” Pablo replied. “Art historians and critics will have their say hey kid. It will shock supporters of social realism and propaganda art in France and Spain.”

   “How did you do it?” Dali queried.

   “From May 1st to June 4th in 1937 I made forty-five drawings on blue or black paper. I incorporated the bull, the horse, classic bullfighting figures and the lantern from my 1935 Minotauromachy. I used the weeping Dora Maar because she has always been a woman who weeps. Guernica is a bereavement letter saying everything we love is going to die. And that is why everything we love is embodied in something unforgettably beautiful, like the emotion of a final farewell.”

   “I still think your vision aspires to greater heights,” said Dali. “Your work contains your fantasies meeting the objective violence of history.”

   “You are too kind my dear Dali. People are talking about your work. Your intentional dreams, so strangely manifested, in the way you masterfully allowed your subconscious free rein on the canvas. Most amazing, your Persistence of Memory.”

   “You are too generous Pablo. I merely reflect the ongoing crisis in society, the surreal absurd nightmare, with shall we say, a twisted rather sordid but truthful elusive creative beast we must acknowledge to allow our perverse authenticity freedom wherever it leads us.”

   “So true my friend, for we are only the conduit of the magic,” said Pablo. “We paint what we see with our innermost senses, born by authentic inner visions.”

   “We are the mysteries speaking through the mysteries,” said Salvador.