elemental

Curious beginnings determine her artistic sense of form, coloring stories of her village. Cutting, planting, harvesting, complete slow rhythm of life. Her skill shines with every new expression, her heart sings.

Her simple direct feeling is all sensation.

Art enables her this beauty. She describes what she draws. Her words fly through forests, colorful birds resplendent peacocks birds of paradise.

A blind conversation developed a through line. Turn a blind eye.

Blindness listened. Blindness heard muted laughter before intuition gestured pink floating word worlds.

Laughter danced with exhaled attachment.

Blindness danced on through late yellow faltering light penetrating bamboo leaves spreading themselves over banana baskets impaled on swinging posts. Literally.

A bike bell. A young girl sat quiet watching the V girl do her toenails. Cutting, trimming, lemon/lime soak, cuticles, clear before applying a silver hued glossy glean. Nail by nail.

Blindness solved the mystery of sight crying tears of silence. A van of blank faced white Europeans trapped behind glass held rampant desires and expectations on laps. Fidgeting with uncomfortable languages floating into inner ears. Assaulting their long painful strides navigating tomorrow’s promises.

Blindness resolved to practice the subtle art of Tai-chi with precision.

Blindness exchanged blue ink for a dark shade of green. A handheld hair dryer waved hot air over a shampooed head. Mirrors whispered secrets.

Elements of silence said farewell. A series of eyes investigated decompression while swallowing fresh yogurt with peach slices near afternoon’s languishing empty promises intent on discovering new, make it new day by day. Explanations have to end somewhere.

In her village, the other world, Blindness threaded new beginnings as her loom waited for pressure and tightness between notes feeling sunlight dress saliva beads blending a weave, texture, design, saying hello Beauty.

after ice

One day, Bliss's part-time lover said, buy me a TV.

NO.

You have a job, a TV, a mother, a 12-year old daughter, two brothers, no father and no husband. I gave you money to buy a bike for your daughter and she lost it, money for clothes, money for medicine, money for food, money for temporary naked lust and currency sobriety. You play me for a sentimental fool. You're fucking crazy.

Her arrival was sporadic at best. She visited at 8:37 for a shower, fucking and another shower. 

He explored her lips, thin neck, small ears, crest of skin throat, narrow brown shoulders, pinpoint breasts with tongue talk, flat belles letters, long legs and played his way into her valley of potential.

It is a gateway toward isolated animist villages up river. Up The River Of Darkness. Up the Tonle Srepok River. The Apocalypse Now river.

The river overflowed with extended tedious boring years of silence singing a slow meandering song before being punctuated by random acts of violence, gunfire, and exploding land mines swallowing eternal cries for mercy as innocent men, women and children were slaughtered in fields, homes, and villages along twisted dirt jungle paths or murdered inside animist cemeteries wearing crude carved faces remembering the dead with ceremonies, laughter, sacrifice and rice wine, hearing the low dull roar of high altitude bombers releasing enraptured napalm canister lightning bolts through clear skies rendering burning mountains and jungles obsolete, accompanied by the steady rhythm of a girl sawing ice.

Her frozen bright future dream evaporated.

Someone said there was a war, she said. My mother saw a plane. She thought it was a bird. She wove the image into indigo cotton with yellow, blue and red silk thread. All the women weave here. Men don’t have the patience.

They love hunting and killing. She saw a whirling bird, a helicopter. She wove it along with our traditional motifs; weavers, people carrying water, harvesting, dancing, sitting, resting, flowers, fields, cows, chickens, ducks, birds, banana and palm trees, rivers, sky and nature. She weaves our long story.

I weave after ice.

collecting dust

One day he climbed through the center of Bali inside magical light past an extinct sacred volcano at Lake Batur carrying spare ammunition, a small portable machine, a map carved on narwhal bone, a roll of scented four-ply toilet paper, codices or painted books and texts on bark paper called Amate, and cactus fiber including animal skins and dialogue of Mayan origin.

His hair caught fire. Gathering flames he lit a piece of bark for guidance. He mixed volcanic ash with water, creating a thick paste of red ocher, a cosmetic balm rich with antioxidants. He applied this to his skin to gain entry and passage through the spirit world of ancestors.

To become clay he created clay. He needed dust. He collected dust and minute grains of mica. Teams of gravediggers, weavers, butchers and typists explored rain forests, jagged mountains and impenetrable jungles collecting dust.

Hunters dived into, under and through massive Columbia waterfalls near tributaries where the confluence of Northwest rivers gnashed their teeth, snaking past abandoned Hanford nuclear plants where fifty-five million gallons of radioactive waste in decaying drums left over from W.W. II slowly seeped 130 feet down into the ground toward water tables.

The waste approached 250 feet as multinational laboratories, corporations and Department of Energy think tanks vying for projects and energy contract extensions discussed glassification options and emergency evacuation procedures according to regulations and Robert’s Rules Of Order inside the chaos of their well ordered scientific communities.

Tribal survivors ate roots and plants garnished with entropy.

Survivors passed through civilizations seeking antiquities. They reported back with evidence sewn into their clothing to avoid detection at porous India-Tibetan borders. They severed small threads along hemlines, Chinese silk gowns and Japanese cotton kimonos. Their discoveries poured light rays into waterfalls rushing over Anasazi cliff dwellings into sage and pinion forests.

Survivors arrived at a mythopoeic part of their journey. They reflected on the unconscious residue of social, cultural, ethical and spiritual values.

They needed masks. They needed to understand the underlying mysteries inside death masks. They confronted the realm of spirit. They bought masks in open air markets on their pilgrimage. Masks signifying the dignity of their intention thwarted demons and ghosts. They became spirits dancing in light.

Everything was light in their shamanistic interior landscape. They let go of the ego, Ease-God-Out, detached from outcomes, eliminated the need for control or approval, trusted their spirit energies, and remained light about it.

Inside light with slow fingers and long thin ivory nails they turned clay into pots. Spinning spirals danced on a wheel of time. They finished throwing them, used them for tribal ceremonies and smashed delicate clay pots to earth. They exploded into the air creating volcanic ash coating everything in a fine dust. He dug into the soil of his soul. He scattered raw turquoise stones on a trail of sacrificial tears, on a long walk through seasons and countries.

A Century is Nothing, Subject to Change.

Halloweenie

"I wish everyday could be Halloween. We could all wear masks all the time. Then we could walk around and get to know each other before we got to see what we looked like under the masks."
 - R. J. Palacio

"There was a time when the coming of this night meant something. A dark Europe, groaning in superstitious fear, dedicated this Eve to the grinning Unknown. A million doors had once been barred against the evil visitants, a million prayers mumbled, a million candles lit. There was something majestic about the idea."
 - Robert Bloch  Read more…

  

ugly chinese trash nepal and elsewhere

In a Bhaktapur, Nepal guesthouse it’s dinner time. Five Chinese aliens appear. Two males and three women. They are in their 20’s. They are armed with laptops, cell phones, and loud discursive language. This is normal.

Noise and confusion and interruptions and arrogant attitudes fit their life style. One girl is dressed like a flapper dancer from the roaring 20’s. Daisy Bell talks with her mouth full of rice. Her red diamond tiara squeezes her frontal lobe into a shucked pea. 

They are lucky to have a passport. Their parents are important Red Party Officials. It’s all about connections. They whined their way out of manners and intelligence in public places. They are the new breed of The Ugly Chinese, the lost, terribly frustrated never satisfied in their exported coddled spoiled youth.

They are the new emperors and empresses of a prosperous, for a minority, rising dynasty. They act like they own the restaurant. They complain about the price of a meal. One girl said in a shrill voice, “Oh, it’s too expensive. I am a poor student.” She is majoring in Stupidity and Callousness at Beijing Normal University. She failed Basic Courtesy 101.

A brat boy chastises the Nepalese waiter about his pronunciation of Menu. The crew cut Mandarin idiot commands the boy to say it again, Menu.

They are living, breathing examples of the spoiled one child political and cultural genocide legacy. It will come back to haunt China. They have the emotional maturity of a 15-year old. They are so busy stuffing their faces and talking over each other all the European guests stare at them.

They don’t care. They act and talk like this at home. A new strain of vociferous Chinese virus has been unleashed on Earth. Hong Kong residents call them locusts. 

Suddenly Flapper Dolly jumped up on the table yelling, Kill the Running Capitalist Dogs! Making Money in China is Glorious!

Everyone threw their steel toed reinforced Everest hiking boots at her. She died of Shame. Her friends dragged her body out, selling the boots to pay for her cremation.

Brick boys in Kathmandu valley.

Twins work in Bhaktapur.