Script

“The future is in garbage, I’m telling you. Be a trash collector and find all kinds of cool, interesting stuff people throw away,” said one. “They buy it, use it, forget about it, get bored with it and trash it. I’ll start a recycling center. We can exchange old stuff for new stuff. Like blood.”

“That smells nice,” the garbage collector said to the sage burner.

Yangon, Burma

“Let’s create a book,” said one, “and we’ll be in it. We can create a quest about love & survival. Like ART, adventure, risk and transformation.”

“Hey it’s a great possibility with stories or vignettes for word salad dressing.”

“We need stories, water, shelter, food and love.”

“Stories existed before food and shelter. Stories describe hunting for food and social needs. All stories are about forms of hunger.”

“Love is a blind whore with a mental disease and no sense of humor,” said a shadow.

“Will it be a man-u-script or a woman-u-script?”

“Both. If it ain’t on the page it ain’t on the stage.”

“We are authors looking for characters,” said an Italian kid named Pirandello. “I am a plot looking for a character.”

“When someone dies survivors look for a plot,” said a gravedigger.

ART

Yangon, Burma

Story

“That smells nice,” said the garbage collector to the sage burner.

“Let’s create a book,” said one, “and we’ll be in it. We can create a quest about love & survival. Like ART, adventure, risk and transformation.”

“Hey it’s a great possibility, with stories or vignettes for word salad dressing.”

“We need stories, water, shelter, food and love.”

“Stories existed before food and shelter. Stories describe hunting for food and social needs. All stories are about forms of hunger.”

“Love is a blind whore with a mental disease and no sense of humor,” said a shadow.

“Will it be a man-u-script or a woman-u-script?”

“Both. If it ain’t on the page it ain’t on the stage.”

“We are authors looking for characters,” said an Italian kid named Pirandello. “I am a plot looking for a character.”

“When someone dies survivors look for a plot,” said a gravedigger.

“It will have characters facing conflict on their quest,” said a young scriptor. “It will have satire, humor, curiosity and courage.”

“Yes,” said a writer. “It will be a labyrinth of desires and obstacles with rising and falling action and resolution as characters take risks, suffer greatly and overcome adversity to realize their authenticity. You will experience what characters sense and imagine through their actions. Socrates subordinated character to action. Get to the verb.”

“Let’s make it dramatic by focusing our spotlight on specifics and floodlight on the general to establish a P.O.V. I’ll play director. Places everyone. Lights. Camera. Action!”

“Our stories contain conscious and unconscious awareness like a maze or a puzzle palace. I need your help with dialogue and action as characters reveal their fears by living forty questions in the dark night of their soul. They trade their soul to the devil down at the crossroads at midnight so they can play the blues, create art and dance. Free from masks they are breathing, laughing and living healers.”

“Let’s act out their fears, dreams and joy.”

“Do your characters discuss moral ambiguities?”

“Yes. They speak with nouns and verbs with choices, actions and consequences. They slay adverbial dragons with an ultra fine red pen.”

“Is a place like this hospital a character?”

“Sure, a place has character? Writers explore environments like Tacoma, Vietnam, Morocco, Spain, caves…”

“It sounds like nature vs human or human vs human or human vs themselves. You become the thing you fight the most.”

“Do they playfully deconstruct the human condition with story-truth moving the narrative forward to get to the root of their experience?”

“The roots are below the surface,” said a young nun washing teacups on a Taoist mountain in Sichuan, China. “I meditate on the roots below the surface of appearances.”

ART

Bliss

Rose knew it’d be a beautiful decision putting the disability act in their short sweet Ghost Dance - maybe in the rising action leading to an epiphany or in the falling action with heart-breaking catastrophic transformational awareness. Cut. The end. Cue applause.

“How can I know what I think until I see what I say?” said a child with reported speech. Their wheel of life played tag with crazy wisdom.  Mu-shin, their state of “no-mind” blossomed where thought, emotions and expectations did not matter.

Who’s dragging around this bag of bones? Where do I park this empty vehicle? I have poems and stories to finish that I haven’t even started yet.

“To sleep, perchance to dream.”

“A dream is an unfulfilled wish,” said a kid with a Ph.D. in Psychoanalysis from the Jung Institute in Zurich.

“What else did he say?”

“He said, ‘There is no royal road to wisdom. To arrive in the future I must journey to the past. To attain the sanity with the One, I must risk the whirling madness of the possessed. One must confront their shadow or be crushed by it.”

“I like it,” said Rumi. “What else?”

“Well, here’s another cool thing he said. “‘I liken the formation of a character to weaving fabric. You know what happens when you make a mistake? The whole pattern is spoiled. You have a choice. You can finish the garment, however it will always be botched and ugly or you can unravel the weaving back to the mistake and start again. That’s basically what analysis is about. It’s a tedious job. The patient is scared and hostile. The analyst lends patience, honesty and courage.’”

“Excellent,” yelled kids, “here’s to our being patient patients with honesty and courage.”

“Speaking of courage, I’m looking for someone who knows reading and writing,” said Rose.

“I can read and write,” said the children. "We also love drawing, singing and dancing.”

“Reading and writing is power. Dance is life. Perfect. Let’s go together,” said Rose.

Downstairs at Sacred Heart Hospital a translucent mother saw her grief reflected in Beauty’s mirror. “This is my worst nightmare,” whispered her heart-mind.

Rose said, “Afraid to face the truth adults run away. They run away carrying their fear like a heavy bag of bricks. They are afraid to see the beauty, strength and dignity of Death and letting go.”

“Why?” said mother.

“They stay away because they are afraid of saying the wrong thing. The child’s spirit is pure energy. They have the strength to let go. Adults find Death a scary thing so they run away.”

“I see,” said a gardener trimming thorns below a tree house. “I know Death’s beauty and wisdom. Metaphors and mortality exist with initial memories. Memories are figments of our imagination. I am a dreamer in nature, bigger than the universe, in never-never-cuckoo land. I am a witness collecting evidence that tells no lies. The deeper you go the deeper the bliss.”

ART

Grit & Gratitude

Being nine Lucky helped 4th grade geniuses become more human near Jakarta.

Engage-study-activate. Everyone had fun.

Students learned that whining was boring and useless. Smart ones knew without understanding. They knew what they didn’t know.

Kids shared Socratic discussions. They explored and expanded creative imagination journal writing, cross-disciplinary art, chess and teamwork development projects. They built and flew kites.

They practiced good manners and treated everyone with respect.

They focused on developing character: zest, courage, grit, self-control, social intelligence, gratitude, optimism, curiosity, fairness, generosity and integrity.

They shared soft eyes, relaxation techniques and meditation mind maps. They accepted personal responsibility for learning and exploring the process of becoming.

He assisted them to develop critical thinking skills outside imaginary social and educational conditioning traps. “I am here to help you make mistakes.”

One day a young teacher kid said, “We need challenges, Teacher Lucky.”

“What kind of challenges?”

“We need hardship and deprivation.”

“Yes,” said another teacher, “we need to take more risks.”

“How do you develop courage?”

“Through failure. We love to fail better."

“Correcto mundi. Welcome to The Think for Yourself Academy. Everything we do is an experiment.”

They planned, designed and constructed an elaborate high-risk rope and creeper vine obstacle course in jungles challenging body, mind and spirit. Teamwork skills blossomed like orchids.  

*

Residents near his garden sanctuary passed a tall green spiky cactus stretching arms into bluebird songs. A nanny carrying an infant memorized the echo of white cat paws trailing flip-flops. Faustus, seeing throughinnocent eyes rode behind his pedaling Chinese father.

A laughing skipping girl negotiated freedom.

A beggar wearing broken shoelaces studied pavement. A man spinning in his labyrinthine puzzle struggled with an activated cell phone in worn green baggy shorts hoping the call would save him from loneliness, boredom, alienation and metaphors like death.

Children in pink pajamas collected brown leaves and fragrant yellow-white hibiscus flowers.

In Bahasa sun a middle-aged daughter spoon-fed her mother in a wheelchair. Swallowing love her smiling mother remembered when she did all the feeding.

The Language Company

 

 Gili Air Island

Life Lesson #5 - Ice Girl

Chapter 18.

I’m a big seven as in 7, said an omniscient reliable Lao narrator.

  Your life is a test. It isn’t a dress rehearsal. If it’s an actual life your invisible friend will protect you from ignorance and fear.

  My dad’s not very smart. It’s probably his DNA. A string theory of letters. Genetics. Gee. Net. Icks. 

  Let me give you a kind-hearted example of his stupidity. It's the rainy season here in Vientiane. Slashing squalling delicious rain. Soft, cool, soothing. Like tears. Cry me a river.

  Rain pours like honey. What’s dear old dad do? He washes his silver van in a downpour. Smart eh? Yeah, he’s trying to impress dry watchers with his intelligent hose running wealthy water over poor rain. Cleaning. He ignores me mostly.

  It’s amazing what people do when they have nothing to do. Maybe it’s an innate creative instinct. Like milling around. Anyway I’ve learned there are three kinds of people in the world.

a) people who make things happen

b)people who watch people make things happen

c) people who don’t know what the fuck is going on

  My grandmother sits on our 1924 austere colonial dark brown balcony folding banana leaves for a ceremony. Every day is a ceremony. Every morning at dawn she walks to the muddy road near the Mekong and offers wandering Buddhist monks a handful of rice. She earns merit in this life. She burns incense at the family altar. She nurtures her shrinking garden after her son decided to plant a cement parking lot. What a clever little man.

  Grandfather stares at rain collecting in pools.

  Father’s very busy. He disappears for hours. Drinking beer with friends. Playing around with a secret squeeze in dark places. She’s starving for affection and cash. A poor girl from a poor family needs to make a living, poor thing.

  My mom’s also really smart. What’s the difference between smart and clever?

  After the rain, when it’s dry and the smallest full moon of the year rises above the Mekong before a river festival filled with floating orange flowers and yellow flaming candles she burns all the plastic garbage. Burn baby burn. Light my fire.

  It’s a sweet smell let me tell you. Like that Duvall character said, I love the smell of napalm in the morning. Kind of like that smell. What’s the word? Acrid. 

  When she’s not burning plastic trash she sweeps. Broom music. Stone cold. She cooks. She pretends to be busy. She’s a baby machine. What’s another mouth? In China I’m worth $3-5K on the stolen kid market. My sister would have been aborted.

  Mom ignores me mostly. She’s very busy doing her humble mother routine. Later, she squawks. She’s a soft kind later.

  People like parents and teachers and lazy humans love to pretend to be busy. I guess it gives their short life meaning.

  Milling around is an art form with style. Hemingway had style. Fitzgerald had style and class.

  Lao people are soft and gentle. We have good hearts. We are not as mercenary as the Vietnamese. We drift through your sensation, perception and consciousness with the speed and grace of a cosmic Lepidoptera.

  The trick is to tolerate, with kindness and patience, your great teacher, the bland empty-eyed star gazing hustlers. Bored after five minutes they lose interest and leave you be. Zap, like a white zigzag lightning bolt. Gone.

Vietnamese plant rice.

Cambodians watch it grow.

Laotians hear it grow.

  The kid continued: For cultural, historical, educational, environmental, emotional, intellectual and economic reasons milling around is a popular daily activity. This unpleasant fact cannot be denied or ignored or forgotten like a missing leg.

  I used to complain I had no shoes until I met a man with no feet.

  This fact needs to be up front because it is a clear immediate danger and way of life.

  Limited opportunities, unregulated population growth, substandard education, expensive medicine, no hope and inconclusive futures enhance milling around.

But what do I know?

  Milling kills time alleviating boredom, the dreaded lethargic tedious disease. Milling around kills the human spirit. No initiative. Period. How sweet. How charming. It’ll take another generation to get educated. Cambodia and Lao and Vietnam are alive with ghosts.

  A human’s existence is one long perpetual distraction.

I’m too young to know much. I know what I don’t know. I don’t know what I don’t know. Anyway, I need to go and finish my school paper on developing moral character with social intelligence, grit, self-control, gratitude, optimism, and curiosity.

  How do you build self-control and grit, asked Leo.

  Through failure, said the boy. There are two kinds of character.

  What are they?

  Moral character is fairness, generosity, and integrity.

Performance character is effort, diligence, and perseverance.

Kids need challenges to grow. Like hardships and deprivation. Yeah, it’s trial and error and taking risks.

  Thanks for the life lesson, said Leo. You are the future of Laos.

Ice Girl in Banlung