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Entries in photojournalism (176)

Thursday
May032012

chinese cover story

One essential joy was selecting the cover photograph of a young Chinese girl.

Her image revealed heavy, deep and real emotional honesty. She stood trapped behind the steel grate at a Chinese nursery school enduring a hard dismal Chinese educational process seasoning her childhood character and personality in the poor village of Maija where the tea man and artist drawing the dead lived.

Her eyes held all the secrets of the world and unfilled wish-dream potential. She stared at the stranger, a diversion in her expanding universe. Her sisters and schoolmates pushed against her, trapping her against the gate.

It was locked by an old woman who feared persecution and execution if any kids escaped. He was on the other side. Being invisible has its advantages. He held a small black metallic machine to his blind eye.

She heard a series of curious clicks as a shutter opened and closed, an interval between life and death, trapping, freezing time, one decisive moment in the eternal present, a decisive instant, capturing her image on a memory-fiction circuit card. He smiled, whispered, Thanks, disappearing past pig farms on a dirty black mountain bike.


She had no way of knowing, because she was younger than tomorrow or older than yesterday remembering spring how her image on the cover, her clear child eyes were visible for everyone.

Her small dark eyes held archetypical memories of dynasties and great Chinese electronic fire walls evolving with the speed of electron particles illuminating her face, sadness, fear and curiosity at that precise moment. Stories about stories inside stories manifested the girl in alchemical truth, alive, breathing, unaware of her immortality in infinity.  

He'd visited her primary school with a university student who worked in the Maija pharmacy after school to make ends meet helping her aunt dispense cheap placebos to poor illiterate women and men alleviating their suffering, pain and fear of death singing, dancing speaking unintelligible Mandarin words.

Laughter and kindness were blessings after the autocratic, punishing manner of bored women teachers who didn’t want to be in a class tomb any more than the students. Teacher’s mantra was Push them through. No one had free choice. You did what you were told to do in a harmonious society filled with social stability.

The dead, dying idiots sputtered stuttering in Beijing opening rusty doors of perception being a communist-socialist Marxist dream removed from poor villages where rich well connected officials raped and reaped huge financial benefits practicing oppression, coercion, bribery, graft, slander, using death threats as powerless simple peasants tilled soil, followed slumbering oxen, stalking mud and rice paddies. Where green rice stalks revealed a blue sky with Beauty.

Censorship not only chokes artistic talent but also weakens the Chinese populace who are forced to be less imaginative and less inventive. The crisis in education has been a hot topic in China for years.

Why are so many Chinese students good at taking tests but poor at analytical thinking, besides the commercialization of education? The absence of a free, tolerant environment has stunted the growth of students and teachers. The one who dares to open their fat little face and question authority gets killed.

Bang. 

Tuesday
May012012

see with camera

How many tourists see only through their camera? Millions. 

According to Orphan, They feel the experience of 8th century Angkor artistic splendor only with their cameras, these cold impersonal little tools. Their entire experience is defined by their camera. Obscura.

It's not about knowing, understanding the Khmer people, culture, food, art, music, and language. It's about feeling with a camera. They are in a big fat hurry.

They've learned through hard fast lessons to trust the machine. It is their weapon against mediocrity and boredom and shallow emptiness. They don't comprehend the intricacies of the machine. They believe it can and will save them. The machine controls them. They gratefully accept this reality.

They press optical machines tight against their faces, piercing retinas, flickering lids. Point and shoot. They lower the device and stare with hard lost eyes at the virtual image of their faded memory. They judge it. Evaluate. DELETE!

Shoot again. Point. Shoot. Delete. Repeat. A snapshot. Snap a shot. Preserve this moment forever. Quick! They must go. They must move to the next great big thing. They are in a hurry. Death is close.

The tuk-tuk driver is impatient. He wants more money for his time. He waited when they slept, while they screwed. He waited as they stuffed eggs, watermelon and soft bread into tired bored faces. They ate like animals. They point and shoot. They delete.

Hurry! They have no time to see their obscurity. This loss, this sense of amnesia envelops them. It accompanies them through radioactive meltdowns. It is a dark cloud of forgetting. They remember to forget. They are on a Homeric quest of infinite proportions and infinite magnitude. 

Their memory card is full. They attach electrodes to a cerebral cortex and press the DownLoad switch. Memories of Apsara dancers, elephants, monkeys, celestial deities flicker on a screen behind their eyes.

Avalokiteshvara, the Bodhisattva of compassion smiles.

Monday
Apr232012

silent style

elements of silence said farewell

a series of eyes investigated decompression 

while swallowing fresh yogurt with peach slices

near afternoon's languishing empty promises

intent on discovering

explanations have to end somewhere

in her village she threaded new beginnings

her loom waited for the pressure, the tightness

between notes

Saturday
Apr142012

khmer new year

14-16 April

Wiki data.

Maha Songkran 

Maha Songkran, derived from Sanskrit Maha Sankranti, is the name of the first day of the new year celebration. It is the ending of the year and the beginning of a new one. People dress up and light candles and burn incense sticks at shrines, where the members of each family pay homage to offer thanks for the Buddha's teachings by bowing, kneeling and prostrating themselves three times before his image. For good luck people wash their face with holy water in the morning, their chests at noon, and their feet in the evening before they go to bed.

Virak Wanabat

Virak Wanabat is the name of the second day of the new year celebration. People contribute charity to the less fortunate by helping the poor, servants, homeless, and low-income families. Families attend a dedication ceremony to their ancestors at the monastery.

Tngay Leang Saka

Tngay Leang Saka is the name of the third day of the new year celebration. Buddhists cleanse the Buddha statues and their elders with perfumed water. Bathing the Buddha images is the symbol that water will be needed for all kinds of plants and lives. It is also thought to be a kind deed that will bring longevity, good luck, happiness and prosperity in life. By bathing their grandparents and parents, children can obtain from them best wishes and good advice for the future.

A Cambodian woman waits for alms in a market.

Tuesday
Apr102012

tears & laughter

today is the day of my dreams, laughed elf.

you are always laughing, said serious orphan. are you sick.

a momentary loss of a reasonable hypothesis minus fear and regret, said elf, laughing.

we are the only animals who weep and laugh.

tears=relief, laugher=release

we know so much and understand so little, sighed orphan.

the more we see the less we know, said elf.

yes, said serious orphan, we need love and understanding.

passion and desire creates suffering, laughed elf.

let's have a little explore.

what we don't see is fascinating. wired brains desire meaning.