gestures use me

Shhh. I have a new secret lover while Thorny is in OZ. I am easy going with a willingness to share honest emotional moments. No commitment is a concrete-abstraction. My passion is immediate visual truth. My eyes are sensory awareness. I see voices. I am a voiceless one, quivering lips and tenacious touch with my secret lover.

I would rather be a tiger for one day than a sheep for a thousand years.

My sexual joy is shy. I dance tactile tenderness in silent breath.

My unfinished symphony lives with visual touch holding his small kiss on my spine. I do this because I love it. It is my heart-mind fate.

My tender lover comes to me in the heat of the day. He is kind. I welcome him with smiling eyes, gesturing a finger on lips, shhh.

He brings me luck. You can’t see it, measure it or hold it. I feel it.

My passion is deep and strong. My unlimited languages speak eyes, smiles, and hands. Gestures create us in space. Gestures use me.

My speech voice is missing. I make rolling guttural sounds expressing metaphors, similes, intonations, frequencies, meaning, sensation, time, space, ideas, dreams, relationships, secrets, my traditional family values, fear, passion, and joy.

By the time I learned the alphabet it was late in life toward primordial dusk. It was late in the moment before then and now. I am a long now.

It was late in the whisper of silent air singing from the trash collector’s plastic bottle. He pulls his rolling cart filled with cardboard. A muscular rhythm stirs somnolent dust on broken stones. The majority of people here exist on less than $1 a day. Rich land, poor people, greedy corrupt politicians.

I see, said a blind girl playing a cello in a demined cemetery. The more I see the less I know. You can’t step in the same river twice.

Possibilities and probabilities, chance and coincidence flutter from my finger fragments like butterflies. Unknown mysterious sensations fling from my signing hands. Fingers and hands are language extensions. Blossom being.

My lover visualizes me in tropical brown skin toned worlds. He imagines I join a hearing impaired community, get an education and a real life. He’s a dreamer.

I jump ahead in my story. It won’t happen. I am a slave.

He realizes my movements say I was born to dance.

 

sign language

He comes to me in the heat of the day. I welcome him with my dark eyes gesturing a fingertip on lips...quiet. We share the present. My passion is deep and strong. My language - a smile, brown eyes, calloused hands, worn fingers and rolling sounds whisper: 

time

relationships

secrets

fear

family

passion

laughter

sadness

a heart

I dream traditional ignorant silence kills everyone, the others. Truth is a powerful weapon. People are afraid of truth. When I express truth I don’t have to remember what I said. I say what others are afraid to say.

I am an anarchist, a linguistic magician.

Speaking, living and realizing truth with beauty entails risk. If you want to do amazing things you must take amazing risks. Daring is not fatal. I am truth incarnate. I am an objective mirror, free of dust.

Everything here is a secret. Shhh. Fingers on my lips. I am secretly engaged to a false dream of going to Australia with Thorny. He is 50, married with family. He works for an NGO here. He builds fake bamboo homes. He plays my father figure and unconscious rescuer. Fat chance.

I come from a poor rural village. I was the last of eleven children. I am 28. I came here with my sister, 32. She got pregnant by a married New Zealand man. She had a daughter named Moaning Lisa. She pretends to be married. It’s all show here. He sends her a monthly handout, pays the electricity. 

When I dance I am alive.

bridge

"True teachers are those who use themselves as bridges over which they invite their students to cross; then, having facilitated their crossing, joyfully collapse, encouraging them to create their own."

 - Nikos Kazantzakis  Read more…

talk to me

A young girl wore a permanent tear on her left cheek. She was not smiling. Her t-shirt had a picture of a skull and bones.

Danger! LAND MINES!

She said: Here I am. I communicate my reality to the world. Do you like my shirt? Can you read words or do you need a picture? How about a picture of a picture? I don’t know how to read so I like to look at pictures. Mycountry has 14.5 million people and maybe 6-10 million land mines.

Adults say there are 40,000 amputees in my country. Many more have died because we don’t have medical facilities. Mines are cheap. A mine costs $3.00 to put in the ground and $1,000.00 to take out of the ground.

I’m really good at numbers.

26,000 men, women and children are maimed or killed every year in the world by land mines leftover from ongoing or forgotten conflicts. Reports from the killing fields indicate there are 110 million land mines buried in 45 countries.

It will cost $33 billion to remove them and take 1,100 years. Governments spend $200-$300 million a year to detect and remove 10,000. Cambodia, Angola, Iraq, and Afghanistan are the most heavily mined countries in the world.

40 percent of Cambodian land is unused because of land mines. One in 236 Cambodians are amputees. A prosthetic limb costs $3,000.

Talk to me before you leave trails to explore the forest. It's beautiful and quiet. I know all the secret places. I showed my picture to a Cambodian man and he didn’t like it. They call this denial. He said it gave him nightmares. He’s seen too much horror and death in one life. So it goes. My village is my world. Where do you live?

echo

New music echoed. Everyone ran to a window. 

Across the street an Indonesian boy sat on a piece of plywood in the shadow of a long tall Sally art deco three story building. It towered above a gated Jakarta community filled with designer homes, wild tropical blossoming fruit trees, displaced dysfunctional spoiled offspring spinning yo-yo’s and orphans sleeping on broken bamboo bed springs or swimming to Cambodia through flooded dreams. 

In his left hand he held a shining silver chisel. In his right, a flat edged hammer. He slammed metal against metal on a bronze bridge between the Stone Algae and the Iron Algae.

Between knowledge and wisdom.

Between an object and a concept.

Tap-tap-tap. Music flaked dust. His chorale was a tribal creation song remembering family and soft rice paddies feeling wind carry his song.

A Cambodian slave girl in the background using a brothel broom of thinned tree branches whisked a gentle rhythm. She created her symphony of sadness and neglect waiting to be abandoned like a manuscript.