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Wednesday
Dec182019

Ankara

Brown rolling hills said, Open sesame. Shazam. 1,001 Arabian Nights shared stories inside stories. Dervish mystic dancers wheeling in trances welcomed his spirit.

Lucky learned the majority of Turks suffered from anxiety. They took anti-depressants called Xanax to calm psychotic neurosis. Symptoms of overwhelming sadness dressed citizens in rose petals between self-pity, loathing and thorns.

Ankara was a boring, cold capital city filled with sad administrative paper-pushing androids.

He’d accepted a teaching/facilitating TLC job with an acquisition cycle.

A part-time female teacher from South Africa married to an English environmentalist studying seal habitats along the southern coastline helped Lucky buy a DNA cell phone. He’d never had one.

It was a 1984 red gadget with buttons and functions like calendars, tools, SMS, IM, Teams, Bluetooth, internet access, GPS and To Do, Did, and Does it work? Connections. Locations.

It displayed points of interest at low interest rates.

Instant,

Everywhere You Are

Or Imagine You Are

or Need To Be

Where You Are Now

at this precise moment

with dimensional proportions

suited his nomadic status

acquiring mobility extremes.

One morning he walked to the Ulus garden nursery below an old Roman castle. A red hammer and sickle flag waved above ramparts. He discovered white, red and purple roses, cactus, ten small plants, containers and potting soil. Good dirt.

A word gravedigger craves good dirt.

The Language Company

Saturday
Dec142019

Write

“Beware of naysayers, soothsayers and book doctors,” said a kid. “We are together through thick and thin, health and illness. Writing is a disease. We lie for a living. We make things up and write them down. No editor will drink champagne from our skulls. We’re trapped in our bodies, this hospital and labyrinth. You’d think there’d be a word doctor around here moonlighting as a heart specialist. Shine on bright star.”

“Ok,” said the writer kid, “how’s this sound? Write everything in the first five hundred pages, uh, I mean five pages. Grab the reader with a hook at the beginning of every sentence, at the end of paragraphs and the end of chapters. Start and end sentences with a strong word.”

“Good idea,” said a kid, “keep them turning pages. What happens next is a reader’s quest.”

“People are born, live and die. People fart around. Nobody comes. Nothing happens. We are the architects of our actions and live with glorious or tragic consequences. Is this a fill-in-the-blank life test?”

“I only want you to bring two things to class,” screamed an overworked, underpaid, undersexed Hanoi teacher afraid of losing face in front of eighty robots. “Your ears.”

She pounded on a podium with her Marxist pedagogical elephant control stick, “Memorize the text idiots so you can vomit the material on a test.”

“I’m going to be sick,” said a bulimic kid.

“It’s ok to be horrible,” said a kid. “Some writers quit because they want it to be perfect. Many never start. Many never finish. It ain’t about starting, it’s about finishing. Write your dash between birth and death. You need to be passionate about your work without being obsessive-compulsive. Do it because you love it. Make a beautiful fucking mess. Clean it up and make another beautiful mess. Release the monster into the world.”

“Yeah,” said Tran, “a work of art is never finished. It’s abandoned. Like an orphan.”

“Editing is a form of censorship,” said a kid waving a rejection letter. “You don’t want to make the reader work too hard, do you?”

“No, most humans are lazy. Obese, addicted to fast food, screen visuals, social web sites, FaceLost and sex texting with short attention spans. CONTROL owns them. No attention span? No problem.”

“Rewriting is writing. Be cold and unsentimental. Polishing is the party. Being a writer is like having homework every single fucking day.”

“What’s a word doctor?”

“Someone who red lines manuscripts,” said a blind kid waving a Mont Blanc 148 piston fountain pen splattering A- blood on everyone in their radius. “They kill words and sentences.”

“Writing is like digging a well with a needle,” said Orhan Pamuk.

“Punctuation is a nail. Period.”

“Just tell the truth,” said a Cambodian orphan boy, one of 12,000, “and then you don’t have to remember what you said.” His parents rented him to an NGO on weekends for donor sympathy advertising.

“The truth is I need a fix. Does anyone have any spare drugs?” said a gazebo group addict, “I need to get out of here and mainline an adventure.”

A Vietnam veteran screamed, “More drugs, nurse, more drugs. I could’ve been a contender. I could’ve been somebody.” A nurse shot him up.

ART

Burma

Wednesday
Dec042019

Fairy Tale

I am sorry are our three favorite words in Cambodia.
It’s the last thing 2,000,000 genocide victims cried out before a complete stranger slammed a
shovel against their skull. I am sorry. Sorry, sorry, sorry.

One survivor said to another survivor, what a beautiful fucking mess. Help me drag this one away.

You either let go or get dragged along, said a Buddhist monk lighting incense for world peace.

Same in China said Leo, We learn life’s hard bitter lesson to accept loss forever, I am sorry. What is the most beautiful word you know Zeynep?

Freedom. And yours? Food, said Rita and Leo.

Less talk and more drawing are essential in life, Z said. Experiment with circles, dots, triangles, squares, lines and curves to reach existential levels of realization. Connect the dots forward.


The asylum is a prison and protection, said Rita.

You create art to explore your sense of self and find out how you feel you are, rather than whom you think you should or ought to be, Z said, drawing her future.

Make the right choice for the wrong reason, Leo said.

Make the wrong choice for the right reason in the right season, Rita said.

Z discovered questions were repeated. 1,001 questions ran around her Turkish restaurant looking for answers. Questions grew tired of repeating themselves. This is so fucking boring, said one question. We are abused. We are manipulated and rendered mute. Useless.

Think of it as a test, said another question. Patience is our great teacher. I’ll try, said another question. Yes, said a question, these non-listeners have a distinct tendency to say nothing and say it louder than empty silence when they’re leaving, when their faces are turned away from eye contact, potential real heart-mind communication and growth.

Echoes drifted in through around silence and ignorance. I’ve seen that too, said a question, who, until this moment was silent. My theory is that it’s because of genocide, fear and ignorance. It’s also a delicate mixture of stupidity or indifference, said another question. I suggest it’s their innate Buddhist belief. They suppress their ego. Non-self.

Why is the most dangerous question, said Lucky addressing questions. Remember Leo asking why and ended up carrying shit at the Reform Through Re-education Labor Camp near the Gobi before becoming Chief of the Cannibals wearing an alarm clock around his scrawny neck reminding everyone of Time?

Yes I remember said a timeless prescient question. Leo was one smart cookie, whatever that means. He figured out unique survival skills in a desperate situation. He knew the fundamental difference between book smarts and street smarts. Anyway before we drift off the subject, how do you explain fear, asked a question.

Rita (author of Ice Girl in Banlung) - Fear is a basic instinct. It’s in our DNA. It’s in the amygdala. Flight or fight? Is it safe, eyes say scanning a potentially dangerous environment since Day One. You see it everywhere, all day, everyday all the scared uncertain eyes asking is it safe?

They peek left, glance right, double check. The coast is clear. Let’s go. People ran away to survive. Instinct.

People had a panic attack, started running and others would ask them a question like why are you running, who’s chasing you, where are you going or what’s the matter or when did you become afraid or why are you afraid, or why don’t you stay longer and the running one would keep going trailing abstract question words behind them like memories of dead or missing families or disembodied spirits or exploding landmines or molecules of indifferent breath.

I see, said a question, that explains everything. Yes, said an open-ended question. Being correct is never the point.

Nothing is true. Everything is permitted. We are assassins.

The Language Company

Burma

Monday
Oct282019

Gazebo Group

Abracadabra - Hurl your lightning bolt even unto Death.

You must break down before you break through.

In 1997 my writing and life were shit.

One wet winter Pacific Coast morning, I drove to a Tacoma hospital and checked into the chemical dependency unit for three days of alcohol detox.

After admission I took an elevator to the third floor. Workmen stripped, sanded and plastered walls.

Room #310 had a bed near a window, old metal locker, sink, mirror, ancient radiator and TV. The window overlooked a grassy area with a wooden gazebo, flowers and basketball court.

Mike was next door and Tom was across the hall. Tom resembled a skeleton with skin. He stayed in bed until he died.

“The hospital was originally used by railroad workers and was a TB unit at one time which is why there is no pediatric unit,” said Nurse Blossom. One wing of the third floor was for Bipolar, multiple dependencies and mental illness. Suicide cases lived in a penthouse on the fifth floor.

She took a urine sample and gave me Ada-van medication for withdrawals. Pills replaced lost chemicals.

By evening my journal writing evolved from large loopy letters into a tight microscopic form. Form the formless. I wandered down to the gazebo to smoke and write in cold night air.

My new drug was water. I swallowed meds and slept well. In the morning I felt the meds were erasing alcohol and cleaning my system. I scribbled in my journal.

My legs feel like rubber. My mind is a monkey. I write in the garden. Substance abuse evaporates. Alcohol relinquishes Control of mind-body mass.

In late afternoon I sat in the gazebo feeling drained, suffering extreme headaches. Light danced through clouds.

I pass through dragon firewalls. I can’t spell. A crow calls. Healer. Breath. I am calm with no monkey mind. Just sitting. I adapt with clear thinking, less agitation, mental and emotional anxiety. I begin accepting my new reality.

On the third day a doctor reviewed my chart. “The next step is Phase II outpatient group therapy.”

Addicts smoked in the gazebo. Fifteen plastic chairs circled stone block ashtrays. Addicts surrounded me in withdrawal stages from heroin, crack, speed, depressives and alcohol.

Gazebo people tried to sort out their lives. They talked about insurance payment scam problems, families, nurses, the lack of doctors, and institutional care histories. I wrote it down among lost lives and despair.

Moist air holding illness confronted recovery. Dead eyes, laughter, faint hopes, repressed angry regrets. Addicts huddled against slashing rain. Smokers coughed collective misery. Addicts bummed quarters for a pay phone to call friends and family.

A film explained how endorphins help us feel good. Alcohol creates a false reality by blocking transmitters known as TIQ.

Mike remembered relapsing after twenty-five years of sobriety. “I just stopped. I was driving down the street one night and plain stopped when I saw a neon liquor sign flashing.” Vodka calling. He started all over again.

On the 5th floor screaming suicide patients smashed heads against walls.

Addicts tried to regain self-esteem. It was about surrendering Control and accepting trust. We turned our lives over to someone who knew what they were doing.

ART

Adventure - Risk - Transformation

Sunday
Oct062019

Pollatomish, Ireland

The view from the one-story grey stone hostel in County Mayo was exquisite, the Atlantic Ocean all blue-green opening up its long voyage.

A terrible sad beauty recognized the spirit of the young girl who killed herself in a room upstairs years ago.

She visited often, looking for her love, looking for meaning. It took a long time for us to trust each other.

She visited at night, her spirit roaming upstairs.

It took courage for her to trust me.

I practiced silence. Listening.

She told me stories.

She opened her windows to let darkness invade her privacy. She took comfort in the stillness. Her heart was pure but her spirit was restless.

She told me what happened in this dark place when she was a child. She grew up fast and sure of herself before they took the key away. She was a prisoner of memories, dreams, and reflections.

She had few if any friends. Her school was Nature. She was trapped in time, a circle of guilt, punishment, suspicion and neglect. Her mother died of a broken heart.

She was the daughter of a priest. He wouldn’t let her out. He locked her up. He taught her fear. He carried a big black heavy book full of fire and brimstone with him forever and ever and ever.

She died for his sins or so he wanted to believe. He wanted the scared primitive narrow-minded simple village people to believe. He ordered them to believe he sacrificed his love for her out of anger at his wife because she was weak. He taught her to be weak and when she became weak he loved her. She was vulnerable and he worshiped a book of prayer. The Word.

His daughter’s silver eyes were chained to her destiny, her fate. Her heart was stained with blood.

Local people had a real fear about the house. You can feel it when they see you coming up the narrow road. They think they know who you are, who you might be, but they are not sure. They know you are not one of them. This fact ensures they remain suspicious and guarded. You are an outsider. They remain uncertain about you being here in this sad, lonely desperate place.

They are blind in one eye. They want to live in your pocket and know your past, present and future.

Knowing and understanding are two different things.

Suicide was not a viable option in their cloistered world of saints, superstar nova and bursts of gamma rays. They were illuminated manuscripts on vellum.

They congratulated themselves with a real superstition about her death. It carried them through hard times. It gave them the will to live, the will to accept their destiny without questioning autocratic authority. They kneaded, rolled, basted, baked, sliced, and buttered hope.

After the girl vanished they huddled around peat fires wrapped in her death late at night speaking in mute whispers. Her death became their perpetual source of gossip and innuendo. Her iconic free spiirit confused their sanity, sense of purpose and sacrifice.

The house was a heavy stone fortress in the middle of nowhere facing east. No trees, no flowers, shrubs. Living, growing thing were cut down, burned down, and destroyed by hysterical madness.

Estranged distant provincial neighbors still talked about her in hushed quiet scared tones. She was the young vagabond spirit and cheated old age with her eternal restless way. She saw through their hypocrisy, mediocrity, piety and failures.

They never figured her out. Her father was the command and control module in their economically and geographically distant distinct world. They were lost sheep wandering heather ridges and he was given the mandate to drive out imaginary snakes.

The small cemetery off the path of lonely planets was overgrown with wild waving weeds, tall Timothy grass and broken purple heather in harsh winds. Gray stones whispered hand chiseled names, ages, dates. The rusty iron gate hung on a broken hinge at a precarious angle.

400 million year-old orb weaving spiders created their magic. Dew diamonds danced and sang along strong supple silver amino acids mixed with protein in wind rushing from the sea.

Two mute men dug a new grave on the gentle sloping hill surrounded by heather and wild flowers. Their tools bit hard soil. They’d finish their labors and retire to the warmth of a peat fire, cold whiskey and gossip. They’d toast the passing of another soul gone to the greater glory as tongue flames leaped and danced.

Dance and melancholy music, a common ancestor, integrated the community. The keener wailed her banshee oral tradition and they blessed themselves in the silence of accepting what they couldn't see.

“A shudder passing through your body means someone has walked over your grave,” I said.

“Grief for the dead was the origin of poetry,” said the girl's spirit.

Weaving A Life (V3)

 

Writing in Burma