Department of Truth

According to Zeynep, a scripter in the present, I speak because I am not authorized to reveal the truth, the whole truth and nothing but the truth or value meaning. So. Help. Me.

1. Truth is classified. The source of truth about everything is classified. I am authorized to say with complete anonymity without revealing sources that truth is filtered, compartmentalized, abstracted, excerpted, sliced, diced, parsed, fossilized and classified inside a buried locked black box.

1a. The crypto key is top-secret for your blind eyes only. Grave Digger knows the combination and algorithm. The encrypted key is not on a hacked social network site designed to distract your face, mind, heart, consciousness or Lifebook personal profile time bandit. Real friends are few.

1b. Artificial friends are aliens on life support. The key for Time is inside an arrow piercing Greater Complexity with Entropy. A woman, man, child in country XYZ carries the world on their back. They are the key.

2. Truth is a joke. The source of truth concerning jokes is classified. I am not authorized to reveal the joke, the laugh track.  If fate doesn’t make you laugh then you don’t get the joke. Your tears speak and mangle fictional truth-story. They distort and strangle it. Truth is a figment of your imagination. Literary outlaws lie to tell the truth.

3. Truth is a myth. The source of the myth is classified. Read it and weep. As Antonio Porchia, author of Voices, being authorized to speak said, Truth has very few friends and those few are suicides.

4. Truth is the Next BIG Thing. It will modify seeds providing billions of humans with a genetic food source. Eat your broccoli, walnuts and almonds. Biolabs will purify water and distribute free medicine and C-19 vaccinations to every human on Earth. Genetics will create Socratic open-ended educational dreams.

4a. Truth is a starving homeless mother pulling a heavy two-wheeled trash cart with flat tires through a dusty Cambodian town as her daughter forages in garbage containers for food, water and medicine. She is a qualifier, a split infinitive in infinity where someone’s leftovers are another’s banquet.

5. Truth will provide more than 1 billion people access to safe drinking water.

6. Truth will enable literacy for 850,000,000 million people who cannot read. Women are 2/3 of this number.

7. Truth will employ 2.8 billion people surviving on less than $2 a day. Truth will employ 1.1 billion people existing on less than $1 a day.

8. Truth will assist 70% of the people in the developing world who have ZERO access to electricity in their homes, health clinics and schools.

9. Truth is a terminal disease like peace, love and blindness.

10.Truth is a sledgehammer in Mandalay, Burma.

Love is not truth.

11. Truth is food in your stomach.

This is The Truth Channel. Game, Set, Match.

Media dumbs down sheep.

Technology eats humans.

Beauty is truth, truth beauty.

Book of Amnesia Unabridged

Eat Fast or Starve

Leo and Lucky sharpened sticks on stones. They carved paleo-Leo-lithic paintings on soft clay walls. Leo edged circles, rectangles, triangles, curves, lines and dots.

He carved his name inside out for historians and archeologists to get the EOL gist, or, as an unemployed academic financial analyst on Wall Street would, could, should declare, English On Line.

They connected dots forward.

Salvaged garbage mired in mud created a recycled art project on the canyon bottom. They assembled a statue using sticks, soggy faded purple underwear, a filtered worker’s mask with a broken elastic strap, beer bottles, soda cans, green string, cigarette packages, feathers, needled pine cones, coral blue seashells, orange peels, melted candles, used condoms, fractured leaves, bird songs and Lung-Tao prayer flags from Lhasa.

Dirt play was a welcome respite from class tomb drudgery.

They practiced meditative Zen mindfulness.

A voice was missing.

Dozing, it concealed inherent pixel images of sad-eyed curious children trapped behind educational gates near women struggling behind plows and oxen or bent over Butterfly sewing machines threading conversations and manufacturing tongues in village shoe factories years and lives away from wealthy cities and dummies in display windows.

Lucky nurtured an indoor jungle in his university apartment and watered playful artistic English growth with two kids, Bob Dylan Thomas, 10, and Isabella the Queen of Spain, 12, from Human Province.

Interior. Their parents operated a popular student restaurant featuring boiled noodles. Slurping eaters' gazing befuddlement observed the three geniuses speaking and laughing, ho, ho, ho, ha, ha, ha.

Laughter is perfect survival therapy.

After a dinner of steamed fish, rice and fresh spinach he introduced chess tactics/strategies to freshman every Friday night in a cafe overlooking student street near new campus.

It was a mishmash of seventy-five restaurants, shops, beauty salons, karaoke night clubs and fruit and vegetable stalls amid rancid street garbage filled with malnourished savage scavenging dogs competing with humans foraging for sustenance outside high cement walls, rusty guard gates, cement dormitories, miles of flapping laundry and blue lakes leading to a Buddhist temple on a green mountain reflecting a yellow sunset.

“You've noticed,” said a waif castling early, “how the majority of Asiatic eaters drop their faces into the bowl to eat. Very few raise the food to their mouth. It's not about taste and camaraderie. It's about finishing it.”

“Eat fast or you starve. You’re either fast or last,” said Lucky, developing the Queen’s pawn.

Noodle Shop

Small car pulls up. Driver gets out, opens back door.

Sun heat.

His father hands him two crutches, stablizes left foot on ground, rises, awkward, balances with crutches under arms.

He wears cotton hospital pajamas. Short black hair. Crosses street. Right pant leg flaps in breeze.

He has no right foot.

Son leaves. Father buries his face in bowl of noodles. Eats fast. Hospital food lousy.

Finished with noodles he tears pieces of brown bread, drops into soup. Eats fast.

Son returns, they talk with noodle staff about his story. Helps father walk to car. Drives away.

the world is a village

Your village in Northeast Laos thrives near rivers and pine-mountains.

You plant it.

You nurture it.

You harvest it.

You eat it.

You carry it.

Every day starts at 4:00 a.m.

You put food into a wicker basket, heave it onto your back and either walk to town or ride with other villagers in the back of a small tractor or truck, belching diesel. Perhaps a tuk-tuk overflowing with soil smells, green life talkers. Maybe on a motorcycle as chilly winds blast your face.

It feels good to be alive.

Get there early. Spread your treasures out on a rice sack near the curb. Cold winds refresh the street. Say hello to friends. Broken dawn breaks over eastern mountains shrouded in fast clouds. Mothers and daughters arrange labors of love.

Women arrive and unload bags of corn, dead civet cats, onions, greens, bamboo shoots, apples, and language. They grow rice, ginger, beans, peanuts, peppers, bananas, squash, sugar cane, corn, papaya, cucumber, and sweet potato.

They only leave villages to sell to townies.

A smiling old man crouched on the corner wearing a green army pith helmet from a forgotten war sells bells and musical iron instruments for oxen and water buffalo.

An ancient shaman woman bundled against morning cold displays roots, herbs and small bundles of natural remedies. People trust her innate knowledge.

Her dialect and wisdom is older than memory.

Along the road with Other

Lucky sang, “Farewell. Got my traveling shoes, traveling hat and walking stick. To travel is better than to arrive. I got the walking blues. Everything I do is an experiment. This was the perfect place to be a stranger in a strange land between two cultural land messes. Wandering among Anatolian tribes long ago, near and far away as Other Muse.”

“Who’s Other Muse?” said Zeynep.

“You are Other Muse with an absorbent mind. We are stream winners. Fifty-one days were enough of enough. It was beyond wild.”

Other spoke: Black Sea pink dawn light layered blue waves of beauty. Blue kills me. It’s nothin but the blues. Blue kills me with the solemn tenacity of melon colon only. Get to the verb, said Beauty. It’s a free form jazz poem. It has enough true fictionalized material and verifiable facts to be plausible. You are a crazy genius.

“Y were many Turkish, besides being hospitable and generous so aggressive, paranoid, psychotic, and sullen?” said Rita in a nutshell.

“It’s DNA genetic fear based insecurities + too much meat and not enough sex,” said Lucky. “In cultures like Cambodia where food is scarce, people have more open sex, but dream of food. In cultures where food is abundant like Turkey, sex is more taboo and people dream of sex.”

Get it in writing.

The act of writing isn’t life and it isn’t you.

It's ten talons clawing at twenty-six letters.

There’s book learning and there’s street learning, said Cosmic Education. Memory is desire satisfied. Memory is a lie layered with truth. Memory creates fiction and fiction creates memory. Preserve memory in a story. Memory bank.

“Today your life and destiny are the same. Only madmen and pilgrims travel alone,” said Zeynep.

Veni, Vidi, Vinci.

I came. I saw. I helped. I walked, said Lucky.

That’s life. The end is the beginning, said Zeynep. The beginning is the Middle Way. Not too detached. Not too sentimental.

Discernment. The day after tomorrow belongs to me, said Other Muse.

Start in the present, flashback and write to the end, said Z. I can’t tell where the real ends and artificial begs for precision.

Lucky bought rope from a grizzled Giresun man selling tools in a wooden shack near a teahouse where idle men stirring sugar cubes discussed local hazelnut production sales figure estimates while watching Ankara political parrots on an idiot box extoll their insensitivity to dissent while demanding extreme Deep State censorship to cope with poverty’s tyranny as the smell of fresh silver fish held a Blade Runner. Honed well. Lucky faced rope choices:

Hang up.

Hang laundry.

Hang yourself.

Hang your head with a dangling modifier.

Hang around, the art of creative travel writing.

Be various, said Curious. Punctuation is a nail. Here’s a box of punctuational.

Accept loss forever, said Zeynep. Death is beautiful because it doesn’t exist. That's not the real reason you’re leaving is it?

No.

What is your R-7 variant motivation?

Dying here by the Black Sea is my fear. I want to die dancing in my mute Cambodian lover’s arms. I am dying from an inexorable beautiful sadness. My heart-mind is shattered. One dies twice. When they are born and when they face death, according to a Nam survivor. One should die once in their life to begin new.

I was born dead and slowly came to life like you, said Z. We helped each other cope with the collective insanity.

The Language Company