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Timothy M. Leonard's books on Goodreads
A Century Is Nothing A Century Is Nothing
ratings: 4 (avg rating 4.50)

The Language Company The Language Company
ratings: 2 (avg rating 5.00)

Subject to Change Subject to Change
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Ice girl in Banlung Ice girl in Banlung
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Finch's Cage Finch's Cage
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Entries in travel (552)

Friday
Feb062015

on loan

Our loved ones are not given to us. They are only on loan.

Sunday
Feb012015

The Language Company - C 1

“Mother had me before polio condemned her to an iron lung. She had another boy, lived in a wheelchair and produced a daughter with Irish will power. I survived in a dystopian dysfunctional family coping with physical and emotional abuse. Whippings, sadistic beatings, trauma and abandonment, the usual childhood shit. Feeling guilt for her illness I developed stone cold manipulation skills and independent survival skills. Trust in woman was MIA.

"Vietnam is a woman. We fucked them during the day and they fucked us at night. Love them and leave them. Abandoned ones become abandoners. Mother died at forty-two. My sister died of leukemia at thirteen. Only the good die young. She taught me courage. By chance do you have any?”

“It’s rarer than something that doesn’t exist. Courage is an intangible feeling of wellbeing and supreme confidence. You know this from your mind full Tibetan experiences. I sense you are a stream-winner. Sensation, perception, desire, fear, and ignorance ceased. Frequency shifts. Transformations. What happens to dreams The Sweeper collects?”

“They are sorted by type, category, allegory, myth, metaphor, galaxy, nebula, genus, species, phylum, irrationality and coherent sublime scientific symbolic meaning.

“Word dreams live in vignettes, jazz poems, epilogues, prologues, blog slogs, musical incantations, rain drops, beads of sweat, blood, bleached human bones, Sumerian script and 26,000-year old Paleolithic cave paintings near Benaojan, Spain hearing hollow bells ring high ring low as a Cambodian boy in satori clapping with one hand drags his cart along fractured dusty red roads collecting cardboard. Dawn to dusk. Composing musical symphonies he squeezes a plastic bottle expelling stale air attracting garbage contributors and hungry literary agents in a traditional publishing casino wheeling and dealing for their glorious 15%.”

“You are the director, audience and players,” said the owner stirring tea.

 

Sappho, poetess

Saturday
Jan312015

The Language Company

A knife contained a collapsible battery-operated emergency room in Achebadem, an expensive private Bursa, Turkey hospital with heart rate monitors, respirators, and dialysis machines, transplant mechanisms, microscopes and high-tech life support goodies.

One engraved knife revealed The Dream Sweeper contraption manufactured in Ha Noise, Vietnam. It remembered evolutionary and revolutionary Communist nightmares surviving American B-52 bombers dropping millions of tons of ordinance on Nam, Cambodia and Laos. Hallucinations and bliss evolved from a point of light traveling at 186,000+ miles per second.

Space folded.

The efficient Dream Sweeper Machine collected unconscious talking monkey stories.

From inside narrow Nam alleys where death-worship was a constant reminder of rapacious ancestors eating incense screaming FEED ME dreams arrived crawling, flying, dancing, staggering, singing, laughing, weeping, and sighing into The Machine.

Dreams begged for mercy, clarity, understanding and interpretation. There are no facts, only interpretations.

Dreams pondered historical inevitabilities: What is life? How did I grow? How did I get here? What if I die here? Who will be my unconscious role model? Who will save me from ultimate absolute reality? Who will feed me in a Peoples’ Communist Paradise dream reality where everyone shares toilets, kitchens and spoiled whining children? Where education is considered a waste of time and money? Where bribes are a way of life buying your future?

Bored Asians with an emotional level of -7 exchanged drab artificial lives playing on Fakebook, a glorious virtual electronic frontier of equality and equity enjoying hi-tech distractions with firewalls, corroded barbwire and rusty window gratings. Dark. Silent. Black is the night. Cold is the ground.

A boy brought brown tea, silver spoons and sugar cubes.

 “Prison is a refuge and a release,” said Lucky. “Solitary confinement, junkyard blues and an environmental impact statement: No one gets out alive. I was abandoned at five.”

 “We are all orphans sooner or later. What trauma happened in your childhood?” said the owner singing circular music clinking a teaspoon, “Twinkle, twinkle little star how I wonder...”

 The Language Company

 

Friday
Jan302015

Maptia

A world of stories.

Enjoy the diversity, beauty, magic and mystery.

Maptia.

Wednesday
Jan212015

Ice Girl in Banlung Chp. 12 

Across town a sewing woman returned to her Kampot guesthouse. She splashed water on her face, changed clothes and spit into red roses. She kick started her cycle and went to the market inside a labyrinth.

At her corner stall she keyed multiple locks. She stacked numbered wooden shutters. She dragged out her Butterfly sewing machine, ironing board and manikins.

Dummies wore exquisite yellow, purple, blue, white shimmering silks decorated with sparkling faux-paws silver stars, moons, and small round reflecting balls. Her skill designed fabrics for women needing elaborate sartorial refinement for engagements, weddings, and cremations.

She stayed busy with serious fittings and adjustments. Her sewing universe process was selecting fabric, measurement, ironing backing, a ruler, white chalk to mark pleats, cutting, pushing her machine treadle, pins, threads, trimming edges, hand sewing clasps, shiny connections, and ironing.

Threads inside a slow prism flashed light and shadow as needles danced through cloth in endless conversations. Needles talked about traditional conservative morals and opportunity-value cost. Thread followed their conversation. Together they measured precise calculations establishing a stop-loss number. All explanations have to end somewhere.

Sky darkened.
Ceremonial drum thunder sang vocal intensity.
Lonely lost suffering foreign tourists in Cambodia shuddered with fear.
What if I die here?
How will my family and friends begin to
realize my intention
to witness 1200 years of dancing
Angkor laterite stoned history
gnarling jungles revealed by natural strobes? 
Lightning flashed skies.
Giant flashbulbs illuminated petrified children
Buried inside cement caverns
eyes eating cartoon images on a plasma scream.
Skies opened.
Rain lashed humans. Some laughed, others cried. Tears dissolved fear.
Sweet dreams, baby.
Dawn.

Two arrived. The boy is cutter. He carried rope, ladder, small axe and machete.
Helper friend is coconut palm tree scout.
Here and there, he said, pointing.
Go up.
The boy shinnied up a narrow palm.
Transferring to the towering 2’ diameter palm he climbed higher.
Roping his tools.

How’s the view, asked helper.
Sublime. A wide brown river lined by cauliflower oaks reaches bamboo huts.
Orange sunrise severs cumulus wisps.
A market woman has her nails done in blue glitter.
A boy saws crystalized ice on a red dirt road.
Girls in white cotton pedaled to school.
A woman grilling waffles along a road buys bundled forest kindling.
Saffron orange robed monks sit in meditation at Naga Wat.
One plays a drum.

He climbed higher.
He chopped. Long thin heavy branches weighted by freedom danced free.
Helper dragged branches past advertisements for temples, orphanages, river trips.
He chopped.
He dragged.
He chopped.
He dragged.
He secured rope to the top. Blossoming.
He chopped.
Coconuts, leaves, bark danced down.
White interior life dust snowed.
Tree crashed.
Light escaped. 3 hours. $20.

Smashing blocks of ice inside a blue plastic bag with a blunt instrument created a symphony outside unspoken words as a homeless man with a pair of brown pants thrown over a thin shoulder sat down to rest. Shy women waiting for Freedom averted black eyes.

Aggressive women manipulated stacks of government issued denominations trusting an implied perceived value in exchange for meat, fruit, gold, and fabric. Counting and arranging denominations inside broken beams of light, cracked cement, lost mislaid wooden planks, debris, feathers, jungles, and jangled light waves they surveyed commercial landscapes with dispatched dialects near rivers revealing stories with fine stitched embroidery. Needles led thread. 

Ice Girl in Banlung