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A Century Is Nothing A Century Is Nothing
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Subject to Change Subject to Change
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Entries in travel (552)

Friday
Jun202014

a 3,000 year old city

“Once upon a time,” Nino said one bright future day as the tribe rolled along, “and such a strange time it was, the gravity of thinking played music in a new century. There was a Spanish man with a hammer. At exactly 9 a.m. on an overcast Cadiz morning he began chipping away at unexplored caverns. The Alio modo Fugue a 2 Clavier by Bach drifted in the background.

“He was building an extension on a roof where housing was scarce and straight up. The only split-level ranch duplexes with multiple garages in sight were American reruns on old battered televisions. He hammered stone under a sheltering sky. It was over 100 degrees. His hands were bleeding. Blood seeped through an old Moorish roof splattering into a room where a writer in exile lived with a blind prophet. Hemoglobin landed on a keyboard. Directly on the letter B. He let it dry. He treasured sudden rare immediate insights. Drops fell and congealed.”

“Fascinating,” Omar said turning a page. “And then?”

“Down below in deep morning shadows Rosario swept her front stoop on Benito Perez Galdos. Her white apron was clean and starched. She swept away yesterday’s accumulated debris and the fine mist of pedestrians coming and going. Old shit, dog urine and dust received her mop’s holy water. Their accumulated real and imaginary sins littered Galdos, heading for the gutter.”

“Let me guess,” said Omar, picking up the thread, “church bells pealed eternal melancholy songs of hope and redemption across from the Castelilo de Santa Catalina, the main citadel of Cadiz built in 1598.”

“Exactly,” Nino said. “Inside tight white oval corridors, an exhibition of black and white photographs depicted Nicaraguan people fishing, polling canoes through tangled jungles, chopping down forests, sitting for the camera, living and laughing.”

“One room held beautiful black handmade fans in tribute to Federico Garcia Lorca. Considered the greatest poet and playwright of 20th century Spain, he was assassinated by members of the Escuadra Negra (Black Squadron) a Franco death squad in August 1936 for his left-wing sympathies and homosexuality.

“He belonged to the Generation of 1927 with Dali and Bunuel identifying with the marginalized Gitanos and woman chained to conventional social expectations in Andalucía. He wrote about entrapment, liberation, passion and repression.

“A long red scarf lay draped over a single rattan chair. Invisible wires held black fans decorated with peacock feathers and rainbow colors suspended in silence. Outside a dark window Atlantic waves smashed ramparts.”

Nino took a breath. Omar peeled an orange skin. 

A Century is Nothing

Sunday
Jun012014

Hope Married Exile

Hope was a tribal woman. She had many choices and chose Exile. They married at the Cathedral of Dreams and danced through fields below Spanish mountains. They reached an edge of the Mediterranean.

“There’s a big world out there,” she said pointing over the sea.

“Yes and that’s only the top of it. Shall we share an orange?”

“Yes.” Hope smiled at real and imaginary worlds past the horizon where one reality edge met another reality edge in a singularity.

“We will sacrifice the peel to enjoy the fruit.”

“Delicious.”

Hope birthed a girl named Patience. It was hard raising Patience. She was a test for Hope and Exile. Patience gave them the test first and the lessons later.

Exile was a free wild bird and Patience tested his love. She tested his stability, honesty, devotion, and his way of constructing a world inside a world, a universe inside dancing phenomena. He was a risk taker not a ticket taker. Patience grew to admire this ability.

Together they evaluated their respective character traits and perfect imperfections. Patience tested his trust, his ability to let go and forgive with gratitude and generosity.

Patience handed them finite illusions of fear, anger, jealousy, ignorance and desire. Sitting together in meditation they created a diamond mind reflecting 10,000 things.

They lived on the edge of a forest. The old forest, seeing an axe handle approaching, said, “Look it is one of us.”

Exile raised Labrys, his double-bladed laughing axe. Streams of splinters blasted into air. Exile chopped. Hope carried.

“Patience never dies,” he said.

“She will live forever because she is magic. I felt it before she was born. She was a stream of light floating inside me.”

“She is radiant,” Exile said. “She is beauty, truth and wisdom incarnate. She will learn how to project her spirit energies. She will be a wise healer.”

“He was at the cemetario today,” Hope said.

“Who?”

“The nomad, the forcestero.”

“And yesterday as well," said Exile. "Wonder why?”

“No why. Visiting spirit sources. Emotional connections. Renewal. Affirmations.”

“Indeed. They will be out tomorrow with the full moon.”

“Clearly.”

Hope and Exile danced in a meadow under the moon.

Light pierced being. Humans did not see them floating and dancing. They were protected by light. Their energies were free from physical being. They were spiritual beings in a human world.

“What you perceive as fantasy is the product of your imagination.

What you perceive as reality is also the product of your imagination.

Without imagination reality is nothing.” - G. Seto

They released their temporal bodies and floated down to the Rio Guadalete to connect with water. The water was clear, cold and refreshing. Following rocky paths it flowed in a rush of sound from dark gray Sierra Mountains. Flowing flowers released scents. Rose water sang through fresh turned soil, olive and cork trees, forests thick with pine, fir, evergreen, pinsapar, maple, and trees without a name.

Bare trees pointed at pulsating white stars.

“Look there,” trees said, pointing thin arms into the sky, “there, there we are.”

“Yes,” they sang, “there we are.”

“Look,” said one, pointing in another direction, “there we are.”

“And there, and there.”

The wind listened as stars telling star tales containing star trails across the emptiness of sky whispered secrets about magic inside a vast vacuum of silence.

Hope and Exile were light.

"Hope is the last thing that dies," whispered wind.

A Century is Nothing

Saturday
May172014

her eyes are the world

A voice was missing.

Dozing, it concealed inherent pixel images of sad-eyed curious Chinese children trapped behind educational gates near women struggling behind plows and oxen or bent over Butterfly sewing machines threading conversations and manufacturing tongues in Maija village shoe factories years away from wealthy cities and dummies in display windows. 

One joy was selecting the cover photograph. The girl’s image expressed emotional honesty with natural innocence.

She was trapped behind a hard steel grate-full educational reality.

Her eyes held world secrets and unlimited potential. She’d stared at a professional stranger and an aberration in her universe. Her sisters and schoolmates pushed against her. She was trapped against a locked gate. He was on the other side.

He raised a small black machine to his eye. She heard a subtle click. A shutter opened and closed freezing time, capturing her soul on a memory-fiction card. He smiled, thanked her and disappeared.

She had no way to know her child eyes would grace a book cover for everyone to see, breathing her immortality in alchemical manifestations.

He’d visited her primary school speaking strange unintelligible words and singing and dancing.

His laughter and smiles were a relief for the kids after the autocratic, punishing manner of bored illiterate women teachers. They didn't want to be prisoners any more than the kids.

No one had a choice here.

You did what you were told to do in a harmonious society filled with social stability, fear and shame ordered from Beijing well removed from a world where farmers followed oxen in rice paddies.

Green rice stalks revealed their essence below a blue sky in mud and meadows of reality.

A Century is Nothing

 

Thursday
May082014

notes from nepal

 

Tibetan energies. Joy. Laughter.

This joy - new beginning - transformation.

Empty/full.

At this very moment  they look and leave.

Abstract metaphorical language.

Non-attachment.

Ink whispers it's secrets of silent mystery where life is found in a desperate situation.

Balancing precariously.

Young boys stare at a scriptor.

The blind lead the blind.

Everything is Under Construction at the Source.

The vast self.

Existential awareness.

Cessation of sensation and perception.

It's a walking meditation.

Rivers, like people, only know why they were born when they reach the end.

Poverty and illiteracy. I work, I breed, I get slaughtered.

Imagined or invented conversations and episodes.

Fiction is a tool for unveiling, not obscuring the truth.

Literary fiction expounds historical truth.

The necessity of that moral choice.

Bookends of Bhaktapur. In between 90 years/moments. 90 breaths.

Non-attachment.

Sitting.

Awareness of energies.

Fleeting impressions. Images tell visual stories.

Illuminate expand invent.

Passing through.

Light, bell, crow morning. Laughing sparrow. Little wing.

Translations, transitions, transformations.

Zen path. Diamond in mind.

Haiku.

Short, fast and deadly.

Boudhanath, Nepal

Lhasa

Sunday
May042014

Becoming

Begin this day at dawn.

Pashupatinath Hindu cremation ceremony along Bagmati River.

Shiva is the destroyer and creator.

Wood pyres. A woman kisses her shrouded husband goodbye.

Light his fire.

Fire is the beginning and end.

Fire is your rosé flame.

Stir his bones.

His ashes flutter with death and mortality.

Silence. Solemnity. Serenity. Grounded and transient. Flowers. Offerings.

Glorious color dancing fire.

Return to Source.