clouds

morning
east clouds
sing with pines
evergreens
afternoon
clouds dance west
through forests
granite 
old mountain
new clouds
river flows

MK 89

Private Burmese school.

Parents rule fool.

Dr. Scary and Mrs. Marbles.

Ear material.

Mandalay fire department.

Burmese females wear flowers in their hair. Everyday.

share a story with Grade 4

Many tribes love to look back. Is it safe yet?

It’s all passion and illusions of suffering. A genetic molecule of fear, healthy doubt, uncertainty, surprise and adventure. A childish innocent curiosity lives in the present. As people age they want and need the past.

Living in the past is time consuming, said a kid.

Yes, said a teacher, Focus on your needs not your wants. Your need for freedom and freedom from need. Needs manifest a desire for a memory or a ghost or a regret.

We are all passing through. Humans look back to see if they see in their vivid reptilian imagination their ghost.

A ghost from a family or friend looks for clues at their personal ground zero. They’ve evolved from distant galaxies. Java man was discovered here 40,000 years ago. Accepting an evolutionary premise, their DNA star chart continues its genetic dance today. 

Oh, and one more thing. Don’t let school interfere with your education. See you tomorrow.

A wandering teacher lived in talking monkey zones. They eat rice. They drink water. They fuck. They breed. They wash one set of clothing and hang it on bamboo. They burn down the forest. They breed, work and get slaughtered. They harvest brooms. Shamans bring rain.

Tropical downpours allow people the luxury to wash cars. They use faint energy looking behind them wondering, all the wondering and wandering and milling around. 

Food is cheap. Let’s eat mantra. This has nothing to do with simians. It has nothing to do with the two women sitting in a dark warung neighborhood food joint near a private school outside Jakarta.

The warung faces a tall cinder block wall. Chickens, goats and cats prowl, peck and forage through garbage. One woman sits in a deep meditation. Her friend parts her hair looking for insects, cleaning her scalp.

They take turns cleaning and inspecting. This genetic behavior is repeated in zoos, jungles and rain forests. Chattering storytellers play the gamelan, pounding out 40,000 year-old tunes.

Heal people with music. Music is the fuel.

Males wash toy machines and study accumulated grime under long yellow curling fingernails. They play chess waiting for passengers. Checkmate, said Death.

They visit the warung to chat up girls while eating spicy rice mixed with tofu, chicken, veggies, green chilies and deep-fried snacks. One explorer creates a Brave New World. Forging new futures with cold, detached logical intention they create an assessment on process in a data based star cluster.

Men know the music. Women know the words.

Creating her dream in Nepal.

treehouse

I’m broiling on the balcony of my Oregon treehouse.

Getting down and dirty after 1,001 years away from the typewriter. Covered in construction dust and needing oil it’s a small portable dangerous machine. It’s capable of transforming life energies and weaving adventures. Threads follow the needle.

I am a peripatetic traveler, literary outlaw, photographer and journalist. I’m lucky to get it down now and make sense of it later.

I’m a mirror in the mandala of my labyrinth.

I am Labrys, from the Greek for a two-headed axe.

I write with passion and vision.

Short fast and deadly.

Punctuation is a nail.

My mirror reflects everything. I’m confidant and self- reliant. I explore the human condition.

Human energies, frequencies and vibrations reflect languages, lives and attitudes. I absorb being, joy, anger, jealousy, ignorance, desire, fear, passion and suffering. Hurl your thunderbolt unto death.

Meditate on the process of your death.

Suffering is an illusion.

I accept universal illusions. Wishes, values, attitudes, joy, belief systems and dreams project perceptions in my mirror. My mirror is free of dust. I evolve discovering emotional strength, trust, wisdom, peace and love.

I experience forgiveness with emotional honesty. I am tired of beating myself up. I know the words limitations,boundaries, vulnerability and creativity in multiple languages. These truths don’t surprise you after 1,001 years of wandering.

Keep a diamond in your mind.

A Century is Nothing

Mandarin Duck

Omar remembered a daughter in Cadiz.

Faith worked at Mandarin Duck selling paper and writing instruments. She practiced a calm stationary way.

“May I help you,” she said one morning greeting a bearded stranger. She knew he was a forcestero - a stranger from outside.

His eyes linked their loneliness minus words. She averted her eyes. He was looking for quick painless intimacy and ink.

“I’d like a refill for this,” I said, unscrewing a purple cloud-writing instrument with a white peak.

Recognizing the Swiss rollerball writing tool she opened a cabinet and removed a box of thin and medium cartridges.

“One or many?” she said.

“Many. I don’t want to run dry in the middle of a simple true sentence.”

“I agree. There’s nothing more challenging than running empty while taking a line for a walk.”  

“Isn’t that the truth? Why run when you can walk? Are you a writer?”

“Isn’t everyone? I love watercolors, painting, drawing, sketching moistly.”

“Moistly?”

“I wet the paper first. It saturate colors with natural vibrancy.”

“With tears of joy or tears of sadness?”

“Depends on the sensation and the intensity of my feeling. What’s the difference? Tears are tears. The heart is a lonely courageous hunter.”

I twirled a peacock feather. Remembering Omar’s Mont Blanc 149 piston fountain pen, “I also need a bottle of ink.”

“What color? We have black, blue, red. British racing green just came in.”

“Racing green! Cool. Hmm, let’s try it.” Omar would be pleased with this expedient color.

I switched subjects to seduce her with my silver tongue.

“Are you free after work? Perhaps we might share a drink and tapas? Perhaps a little mango tango?”

“I have other plans. I am not sexually repressed. I am liberated. I have a blind secret lover. Here you are,” she said handing me cartridges and inkbottle with a white mountain.

I paid with a handful of tears and a rose thorn.

My ink stained fingers touched thin, fine and extra fine points of light.

Faith and her extramarital merchandise were thin and beautiful. She was curious.

“If you don’t mind my asking,” she said. “How old are you?”

“Older than yesterday and younger than tomorrow.”

“I see.”

“It was nice meeting you. By the way, have you seen the film, Pan’s Labyrinth, written and directed by Guillermo Del Toro?”

“No, but I’ve heard about it. Something about our Civil War in 1944, repression and a young girl’s fantasy.”

“Yes, that’s right. It’s really a beautiful film on many levels. It reminded me of Alice in Wonderland.”

“Wow,” she said, “I loved that film, especially when Alice meets the Mad Hatter. Poor rabbit, always in a hurry, looking at his watch.”

“Funny you should mention time. A watch plays a small yet significant role in the Pan film.”

“Really? How ironic. I’ll have to see it.”

“Yes, it’ll be good for your spirit.”

I pulled out my Swizz Whizz Army stainless steel, water resistant Victoriabnoxious pocket watch.

“My, look at the time! Tick-tock. Gotta walk. Thanks for the ink. Create with passion.” I disappeared.

Faith sang a lonely echo. “Thanks. Enjoy your word pearls. Safe travels.”

Under a Banyan tree I sat in weak sun, fed cartridges into a mirror and clicked off the safety.

It was a rock n’ roll manifesto with a touch of razzmatazz jazz featuring Coltrane, Miles, Monk, Mingus and Getz to the verb.

 A Century is Nothing