collecting dust

One day he climbed through the center of Bali inside magical light past an extinct sacred volcano at Lake Batur carrying spare ammunition, a small portable machine, a map carved on narwhal bone, a roll of scented four-ply toilet paper, codices or painted books and texts on bark paper called Amate, and cactus fiber including animal skins and dialogue of Mayan origin.

His hair caught fire. Gathering flames he lit a piece of bark for guidance. He mixed volcanic ash with water, creating a thick paste of red ocher, a cosmetic balm rich with antioxidants. He applied this to his skin to gain entry and passage through the spirit world of ancestors.

To become clay he created clay. He needed dust. He collected dust and minute grains of mica. Teams of gravediggers, weavers, butchers and typists explored rain forests, jagged mountains and impenetrable jungles collecting dust.

Hunters dived into, under and through massive Columbia waterfalls near tributaries where the confluence of Northwest rivers gnashed their teeth, snaking past abandoned Hanford nuclear plants where fifty-five million gallons of radioactive waste in decaying drums left over from W.W. II slowly seeped 130 feet down into the ground toward water tables.

The waste approached 250 feet as multinational laboratories, corporations and Department of Energy think tanks vying for projects and energy contract extensions discussed glassification options and emergency evacuation procedures according to regulations and Robert’s Rules Of Order inside the chaos of their well ordered scientific communities.

Tribal survivors ate roots and plants garnished with entropy.

Survivors passed through civilizations seeking antiquities. They reported back with evidence sewn into their clothing to avoid detection at porous India-Tibetan borders. They severed small threads along hemlines, Chinese silk gowns and Japanese cotton kimonos. Their discoveries poured light rays into waterfalls rushing over Anasazi cliff dwellings into sage and pinion forests.

Survivors arrived at a mythopoeic part of their journey. They reflected on the unconscious residue of social, cultural, ethical and spiritual values.

They needed masks. They needed to understand the underlying mysteries inside death masks. They confronted the realm of spirit. They bought masks in open air markets on their pilgrimage. Masks signifying the dignity of their intention thwarted demons and ghosts. They became spirits dancing in light.

Everything was light in their shamanistic interior landscape. They let go of the ego, Ease-God-Out, detached from outcomes, eliminated the need for control or approval, trusted their spirit energies, and remained light about it.

Inside light with slow fingers and long thin ivory nails they turned clay into pots. Spinning spirals danced on a wheel of time. They finished throwing them, used them for tribal ceremonies and smashed delicate clay pots to earth. They exploded into the air creating volcanic ash coating everything in a fine dust. He dug into the soil of his soul. He scattered raw turquoise stones on a trail of sacrificial tears, on a long walk through seasons and countries.

A Century is Nothing, Subject to Change.

wandering words

There are so many messages I can't interpret.
The hundred maples at the edge of my street shout orange, orange,
orange, in silent voices. And may say more if I could decipher.

How I want to understand the many calls of the birds migrating through
on their long journey. And what is the message of the shaggy
wave-curled sea quarreling around the black rocks out at the far point?

Perhaps words themselves wander off into other fields, like sheep lost
in the depths of the hills beyond the local hills so the shepherd has to
go climbing up and down, his legs aching, his breath heavy
in his chest until he spies them off there under

that far evergreen, and wrestles them down and brings them home.
 - Patricia Fargnoli
Pastoral
Then, Something
zen humanism
journal of a nobody
a poet reflects

the joy of it

"The main thing is to write for the joy of it.

"Cultivate a work-lust that imagines its haven like your hands at night, dreaming the sun in the sunspot of a breast. You are fasted now, light-headed, dangerous.

"Take off from here. And don't be so earnest."

 - Seamus Heaney
shhh! no running in the library!  Read more…

a new haruki murakami story

The New Yorker has published a new story, "Samsa in Love," by Haruki Murakami.

Read it here.

Leaving early

On September 1, 2001, Mr. Point was wedged next to the window of a puddle jumper flying over the Cascade Mountains. Next to him in economy was an overweight happy couple anticipating their future first class flight to London out of Georgia. Ten days before people on, from and inside cells placed long distance calls from caves.

“We own a travel agency. We’re meeting friends,” said the wife, an alcoholic, “and then,” her husband chimed in, “we’re sailing down the Danube for a week, drinking good wine and enjoying the food. I’d like to go to Costa del Sol. I’ve heard the culture is wide open, if you know what I mean,” rubbing his secret jewels and winking to the stranger.

His spouse wore enough jewelry to feed Bangladesh. Their combined girth was conspicuous consumption. They exceeded their weight limit. The scales of justice were balanced in their favor as they spilled wealth.

“What do you do for a living?” her husband asked.

“My friends call me Mr. Point. I work for The Department of Wandering Ghosts Ink. 24/7,” he said with a straight face. He was a survivor, Vietnam 1969.

“Busy, busy, busy,” he laughed. “Yes, I am a mercenary of love, an unemployed fortune teller if you must really know. You might remember me from the Academy of Pain and Anger Management if you have a need to know. If your top-secret security clearances are valid. The more you know the less you need. 

“I’m heading to Morocco to meet my female nomad lover and extraneous fascinating strangers. Here’s a dirty little secret. One of our classified missions is the Extraordinary Rendition Program, allowing intelligence agencies to transfer suspected terrorists to various friendly foreign countries for interrogation and torture. We use Gulf Jet Stream jets based in South Carolina operating under fake companies.”

The shadow of Little Wing, a weaver, passed them.

“If they don’t talk to us our friends start by removing their fingernails. If that method doesn’t get ‘em talking they boil them alive. We chain them to walls and play ear splitting rap or country music twenty-four hours a day to drive them crazy. Stale bread and rancid water. A grisly business, but hey, it’s a paycheck.

“We also set up off shore accounts for clandestine agencies, or fronts if you will. We collect raw opium in Afghanistan, process it in Asian labs so street addicts get their fix. Along the way we collect Chinese harvested internal organs and upright pianos to sell in Hong Kong. The market is diversifying. Pick em’ up and lay em’ down. No women or kids. We have to draw the line somewhere, eh? Business profit has never been better. Ain’t nothin but the blues baby.”

They cut him off after this truth. 

His one-way air ticket to Morocco and Spain promised another road, village, town, city, country and continent offered simple psychic potentials. The KISS, Keep It Simple Stupid, principle. Just leaving was a wise decision as it turned out. Speaking of history.

“Beyond, beyond the great beyond,” he’d whispered to someone, somewhere on the spinning rock when they asked him where was he was going and why he did what he did with the who, when, and howdy doody yankee doodle dandy stick a feather in your cap crap paradigms.

A Century is Nothing