Easily amused

Children of all ages are easily amused

by repetition and task-based activities

like sweeping, fucking, eating, sleeping,

milling around and staring at phones with vacant eyes

happy sheep slaves addicted to phones

surrender their consciousness.

Cheap thrills. So it goes.

*

Tribal survivors ate roots and plants garnished with entropy.

Survivors passed through civilizations seeking antiquities. They reported back with evidence sewn into their clothing to avoid detection at porous India-Tibetan borders. They severed small threads along hemlines, Chinese silk gowns and Japanese cotton kimonos. Their discoveries poured light rays into waterfalls rushing over Anasazi cliff dwellings into sage and pinion forests.

Survivors arrived at a mythopoetic part of their journey.

I reflected on the unconscious residue of social, cultural, ethical and spiritual values.

I needed masks. I needed to understand the underlying mysteries inside death masks. I confronted the realm of spirit. I created masks on my pilgrimage. My journey is the destination. Masks signifying the dignity of my intention thwarted demons and ghosts. I became spirits dancing in light.

Everything is light in my shamanistic interior landscape. I released the ego - Ease-God-Out - detached from outcomes, eliminated the need for control or approval, trusted spirit energies and remained light about it.

Inside light with slow fingers and long thin ivory nails I turned clay into pots. Spinning spirals danced on the wheel of time.

I finished throwing them used them for tribal ceremonies and smashed delicate clay pots to earth.

They exploded into the air creating volcanic ash coating everything in a fine dust.

I dug into the soil of my soul.

I scattered raw turquoise stones along a trail of sacrificial tears on a long walk through geography.

Kandinsky

What I do today is important because I am paying a day of my life for it.

What I accomplish must be worthwhile because the price is high.

*

Wassily Kandinsky, the painter, had the ability to see sound and hear color.

In 1911 he founded "The Blue Rider" school in Munich, taking abstract painting to another level. Magic.

..."Synaesthesia is a blend of the Greek words for together (syn) and sensation (aesthesis). The earliest recorded case comes from the Oxford academic and philosopher John Locke in 1690, who was bemused by "a studious blind man" claiming to experience the colour scarlet when he heard the sound of a trumpet.

..."If Kandinsky had a favourite colour, it must have been blue: "The deeper the blue becomes, the more strongly it calls man towards the infinite, awakening in him a desire for the pure and, finally, for the supernatural… The brighter it becomes, the more it loses its sound, until it turns into silent stillness and becomes white.

..."Despite his theories that the universe was in thrall to supernatural vibrations, auras and "thought-forms", many of which came from arcane, quasi-religious movements such as theosophy, Kandinsky's belief in the emotional potential of art is still convincing today.

"Our response to his work should mirror our appreciation of music and should come from within, not from its likenesses to the visible world:

"Colour is the keyboard. The eye is the hammer. The soul is the piano with its many strings."

Shit Detector

Lucky explored cobbled Turkmen streets alleys and dead ends. Mothers buried in headscarves observing street etiquette extended manicured necks beyond balconies. They swept, mopped, stirred apartment dust, shaking molecules over blood stained escarpments.

They married consecrated relatives during fifty-minute Encounters designed to use the target language in the context of remembering. The thrill of remembering in Technicolor imprinted new linguistic impressions on synapses watching Pay For View.

Learning is easy. Remembering is difficult. Use it or lose it.

Silent ivory piano keys waited for inspiration’s fingers. Feeling tension, point, counterpoint, hammer strings and resonance, chromatic silence whispered, do not go gentle into the good night. Rage against dying light. Solitary notes of forgotten strumpets wailed across an abyss ignoring civilization’s discontent.

Creased faces ironed red roses petals. Faces eating masks embedded themselves on blank pages in Zeynep’s black notebook. “I don’t know which of us wrote this,” she said.

Two shy Turkish women with beautiful faces and humongous rear end collisions after eating a full course meal of self-pity and loathing buried ancestors in a tomato based culture.

Water exploded off iridescent pools as happy hour birds swimming nowhere in particular heard homo-sapiens shift erotic labia gears while assembling French cars at an eco-friendly green plant in a Bursa industrial zone.

“Were you punished for being a dreamer?” said Zeynep.

Ankara

“No, I survived the tyranny. My family understood my peripatetic nature. They respected my need for solitude, creativity and independence to a point. I received sadistic whippings with a fishing pole by my polio-diseased mother trapped in her karmic wheelchair and beaten with a leather barber’s strap by father for insolvent insubordination. Welt city. He made me eat dirt when he came home from work if the floor wasn’t clean enough. Now you know why I love linguistic gardening. I shut down my feelings. Mother and father demonstrated hard love in a perverse abusive way.”

“I see,” said a blind beggar.

“Wipe your glasses with what you know,” said James Joyce, arranging seven words..

“I was born to be a poet like a bird is born to be a musician,” said Lucky.

“Sing high, sing low, sweet chariot.”

“Brilliant.”

“In finishing school we learned to say fascinating instead of bullshit,” said Zeynep.

“You have a well developed built-in shit detector.”

“That’s the fucking truth. Everyone needs a good shit detector like writers and Cambodian/Laos landmine survivors. Truth is a value-based meaning factor. Can you create believable documentary fiction from memory?”

“It appears. So.”

Lucky and Zeynep passed an imaginary double identity theory at Oz-man Homogenized Gazing Metro station.

Two gravediggers in long black overcoats carrying umbrella projectiles stepping into unknown futures stabbed cement in cadence.

Weaving A Life, V4

Lombok

I climbed through the center of Bali

inside magical light

past a sacred volcano at Lake Batur

with a small portable typewriter

a map carved on narwhal bone

a roll of scented four-ply toilet paper

codices or painted books and texts

on bark paper called Amate

and cactus fiber including

palimpsest animal skins and dialogue of Mayan origin.

My hair caught fire.

Gathering flames I lit a piece of bark for guidance.

I mixed volcanic ash with water creating a thick paste of red ocher, a cosmetic balm of antioxidants.

I applied this to my skin to gain entry and passage through the spirit world of ancestors.

Land Mines

Below 5* hotels at the House of Blues filled with wailing songs of loss, betrayal, welfare, neglect, abandonment, misery, hope and have mercy on slide guitar backed by a harmonica in the key of C in her crying heart, a 10-year old Cambodian girl stared up at mirrored skyscrapers watching the Wheel of Life flash prisms into sky.

She’s been turned out and turned down faster than a housekeeper working with imported 300-count Egyptian threaded linen. No lye. A thermostat of her short sweet life seeks more wattage.

She faces a severe energy shortage if she doesn’t find food. She is a quadriplegic, an amputee with one leg after discovering a land mine on her way home from school. Her t-shirt screams:

Beware of Land Mines

She wears a permanent tear on her left cheek.

She said: Here I am. I communicate my reality to the world. Do you like my shirt? Can you read words or do you need a picture? How about a picture of a picture? I don’t know how to read so I like to look at pictures. 

My country has 16 million people and maybe 6-10 million land mines. Adults say there are 40,000 amputees in my country. Too many died because we don’t have medical facilities. Mines are cheap.

A mine costs $3.00 to put in the ground and $1,000 to take out of the ground.

I’m really good at numbers.

Talk to me before you leave trails to explore the forest. It's beautiful and quiet. I know all the secret places. I showed my picture to a Cambodian man and he didn’t like it. He suffers from denial. He said it gave him nightmares. He’s seen too much horror and death in one life. So it goes.

My village is my world.

My village is the other world.

Where do you live?

I am one of 26,000 men women and children maimed or killed every year in the world by land mines remaining from some ongoing or forgotten conflict.

I love unpleasant facts.

I am a walking, talking, breathing encyclopedia of knowledge and wisdom.

Reports from the killing fields indicate there are 110 million land mines buried in 45 countries. It will cost $33 billion to remove them and take 1,100 years. Governments spend $200-$300 million a year to detect and remove 10,000 mines a year.

Cambodia, Angola, Afghanistan and Laos are the most heavily mined countries in the world.

40% of all land in Cambodia and 90% in Angola go unused because of land mines. One in 236 Cambodians is an amputee.

I hear children crying. Doctors struggle to remove pieces of metal from my skin. I cannot raise my bandaged hands to cover my ears. Perpetual crying penetrates my heart. Blood tears soak my skin.

The technical mine that took my right leg off that fateful day as I walked through pristine rice paddies near my village expanded outward at 7,000 meters per second as ball bearings shredded everything around me.

It may have been an American made M18A1, shallow curved with a 60-degree fan shaped pattern. The lethal range is 328 feet. Perhaps it was a plastic Russian PMN-2.

I never saw it.

Fortunately or unfortunately, I didn’t die of shock and blood loss. A stranger stopped the bleeding and shot me up with morphine.

All strangers in a strange land carried morphine.

Standard issue.

April 4th is International Day for Mine Assistance.