Natasha

Passengers waited for a flight from Amsterdam to Casablanca on September 2nd, 2001.

Your Self, originally from Fez and now San Francisco was going home to see his family after years away. He was a wise man bearing gifts.

There was a woman from the Ukraine with her five-year-old son. Natasha was tall, slim, beautiful and married to a Moroccan. They’d met at the university in Kiev where she gave birth and he lived in Amsterdam. She hadn’t seen him forever.

He didn’t come to the airport to see her because he didn’t have the correct papers nor was she able to leave the airport and see him because she lacked the correct papers so she waited for her flight to her new home.

Natasha had heard about Morocco but had never seen it. She was taking her son to Casablanca to live with her husband’s family. She didn’t speak French or Arabic.

Her cheap red, white and blue plastic baggage split at the seams. Her son pissed his pants leaving a trail of urine in the departure lounge. Natasha was beside herself with a double identity theory.

Everyone spoke the same language as night fell with the roar of planes taking people somewhere left gravity. We were buried at gate 54D, miles from duty free shops, perfume, electronics, banks, toy and clothing stores, restaurants, diamond rings and watches.

Fliers carried yellow plastic “Buy and Fly,” shopping bags.  

It was midnight when we landed in Casablanca. We walked through a towering hall with a waterfall and intricate mosaic tiles. A gigantic framed image of a benevolent aristocratic king watched passengers.

Customs was a formality. The baggage conveyer belt broke down as frustrated passengers waited. Small wheels on useless baggage trolleys were bent and stuck. They careened left and right as people wrestled impossible loads through green nothing to declare zones toward strangers, friends and relatives.

I helped Natasha load her bags on a cart and she disappeared into humanity with her son. Her husband’s father, mother and grandmother in jellabas approached her. They hugged her speaking words Natasha did not understand. The old woman scooped up the boy. I knew they’d take him forever, this progeny of theirs and connection to their son.

Natasha, an aberration in their world would be relegated to a new life. She moved into their culture with a Ukrainian passport, sensing unknown languages where she would be welcomed yet relegated to serving her new family.

They would project their unconscious loss on her.

She’d carry their water and gather their wood. She’d shoulder their fading light, hopes, and dreams. Their grandson would realize everything. They disappeared into a city of five million.

Being a grand man in their hearts, their son in Holland could do no wrong. Many women came and went in his life. It was his dark-eyed nomadic destiny. When his wife was trapped in the airport he was with a prostitute. He wasn’t lying when he said his family would take care of her.

Natasha heard this story at 54D but didn’t believe it.

ART - Adventure, Risk & Transformation - A Memoir

Attitude

I boarded a small plane from Richland to Seattle and sat next to a fat couple. We flew over the Cascades.

“Hi,” they said.

“Hi. Where are you going?” I said.

The man said, “Oh we’re going to Atlanta and then ... ” his heavy bejeweled wife interrupted, flashing lidded eyes above pancake makeup and perfect teeth ... “and this seating is just terrible. I mean, look at the space on this poor thing. There’s absolutely no room to move. When we get to Atlanta we’re flying first class to London.”

Her white pearl ring would’ve fed half of Bangladesh.

“We own a travel agency in Bend Over,” he continued. “We’re on our way to meet friends in London and then we’re going to sail down the Danube River, drink wine and have the time of our lives. Yes indeed. We’re going first class all the way.”

“Sounds like a relaxing vacation.”

“That’s only the beginning,” he said.

“Say more.”

“After Europe we’re going to an antiterrorist convention in Cuba and then,” his spouse interjected again … spitting her words into an overbooked air tight tin can where syllables floated with half-baked ideas meeting angry frustrated voices complaining about time, weather, seat selection, lack of dietary choices, cramped cattle conditions and the high price one paid to be human … she shut up and her husband sighed ... “then we’re going to China for a tour. We’re going to hit all the sights in ten days: Bee Jing, Shanghai, Xian, see Terracotta warriors trapped in dirt, walk the Great Wall, swim in the Gangster River and prowl open air markets filled with exotic animals like lions, tigers and bears oh my, dying of loneliness and neglect in cages, yes sir ree and you buy them and they’ll cook it right up in front of you. We’ll drink cobra blood. It’s a sexual aphrodisiac.” He rubbed his crotch.

His wife blew more smoke ...

“Isn’t freedom, democracy and free trade with open markets wonderful? Isn’t it a shame these planes are so small. You’d think the FAA would require carriers to operate planes with more legroom. They treat us like pigs. Some pigs are more equal than others, by George oh well ... And, if that wasn’t enough, those smelly immigrant security wage slaves made me remove my shoes and underwear before I passed through detectors. I hardly understood a word they muttered and stuttered. Can you imagine? I need another drink and I need it bad.”

“Yes, dear,” said hubby patting her pasty fingers, “this country is going to hell faster than you can say Osama who’s your mama.”

She inhaled a double gin and tonic. “You be careful whom you talk to now dear,” she whispered. “You never know when someone might be listening. There may be bugs planted on this plane. I need another drink.”

“You worry too much,” he said. “It’s been disinfected.” He got her a double G&T.

“It’s a wonderful life,” I said. A couple of fat happy complacent mediocre Yankee doodle dandies.

“What do you do?” said hubby.

“I work for Death Deferred Ink as a mercenary ghost. I freelance as a wordsmith gravedigger designing mysterious plot projects. Busy 24/7. I’m taking a break from my heavy, deep, real responsibilities. Headed to Marrakesh to meet a friend at a Storyteller’s Convention ... She’s a blind nomadic weaver in exile from exile. She lives in a cave with cannibals outside Rhonda in Andalucía. When someone passes on we strip the flesh off bones for writing parchment ... We grind the bones into sex medicine dust. We sell left over human organs and upright pianos in China. It’s an expanding market with tonal variations on a theme. No women and no kids ... Diversity and flexibility is key. Always be closing.”

This revelation took care of their first class attitude.

ART Adventure, Risk, Transformation - A Memoir

Children in Laos carry the world on their back.

Duende

In June 2001 I called Pascal, an airline ticket broker in Montreal and set up the itinerary. Seattle, Detroit, Amsterdam to Casablanca round-trip for six months.

“When do you want to go?”

Another draft of A Century is Nothing would be abandoned by mid-August. I selected a random date.

“September 1.”

“What did Narcissus say when he saw his reflection in the water?” said Pascal during a conversation.

“What?”

“Watch out for yourself.”

“Good one.”

“We’ll take care of it,” he said. “Have a good trip.”

“Thanks for your help.”

A ticket to dusty roads in another village, town, city, country and continent offered new adventures. KISS. Keep it simple stupid.

Leaving was a wise karmic decision. Speaking of history.

I checked out of living between fifty-five million gallons of buried radioactive fuel at Hanford and the Umatilla Army Disposal Site where 7.4 million pounds of discarded chemical weapons waited to be incinerated.

Humans would be vaporized in an instant if the winds of change shifted. Weapons of mass destruction glowed in backyards.

My future lives were freedom, choice and plenty.

Two months after 9/11 while writing in Cadiz, Spain I visualized my incarnation as a calm word mercenary on an existential literary mission.

I created and wrote with discipline and perseverance.

I had duende, an untranslatable Spanish word, literally meaning possessing spirit and dark sound.

It signifies a charisma, emotion, expression and authenticity manifested by flamenco dancers, bullfighters, shamans, prescient seers and weavers. Audiences feel they are in the presence of a mystical power. The duende is an elf or goblin in Spanish and Latin American folklore.

The Spanish poet Frederico Garcia Lorca produced the best description of duende.

“Years ago, during a flamenco dance contest in Jerez, an old woman of eighty, competing against beautiful women and young girls with waists as supple as water, carried off the prize by simply raising her arms, throwing back her head and stamping the platform with a single blow of her heel. In that gathering of muses and angels, of beautiful forms and lovely smiles, the dying duende triumphed as it had to, dragging the rusted blades of its wings along the ground.”

ART - Adventure, Risk, Transformation - A Memoir

Marrakesh

Future

Yassein from Morocco was one of my tennis students the summer of 2001. A hunting-gathering seed was planted in life’s little garden. I decided to take a six-month break in the fall.

“They love paper,” said curly-haired Yassein meaning corrupt authorities in North Africa. We sat in his Mediterranean diner. He poured fresh mint tea and said, “You can find enlightenment anywhere.”

I needed new psychic energies, frequencies and a shift in my literary life. He set me up. “You will find it easy to settle in. My mother is in Paris. She is nervous about the place. Here’s a paper. It’s for a six-month rental in Marrakesh and I’ll get her signature. My friend in Casablanca has the keys.”

He briefed local friends on the deal.

“How much are you paying Yassein for the apartment?” said the American insurance agent with a Moroccan wife. She practiced her English selling bras in a department store. Uplifting.

“We’ve agreed on two hundred a month depending on the condition of the place.” 

“Oh,” said his wife, “you’ll absolutely adore the place. We’ve been there many times.”

“Yes, my wife is very well connected. Her father used to be with the national police.” I smelled an interrogation. They showed me travel photos. In one he wore a dark blue suit and tie next to a naked camel.

In late August I gave Yassein’s girlfriend, Bashira, a Pakistani with two kids and one on the way, a check for two months. “Yassein’s in Morocco,” she said.

He’d gone home as a fake tour guide when in reality he was scrambling around paying off a Berber family to get out of an arranged marriage. His mother in Paris had set him up with a village girl.

While his relationship with Bashira helped, Yassein regretted wasting his time in the United States of Amnesia starting and stopping diners selling hummus. He regretted having a mother even though he loved her. She was a pain in the oasis.

Projecting her desire it was everything she wanted for her son. She was the mother of all arranged marriages. She had connections in a village.

“We can control more land now,” she’d told him. “She is a lovely girl. Her family is well off. They own many camels. The oasis is thriving.”

This was all well and good when she was sitting in her Paris flat remembering the Marrakesh cinderblock hovel. Where Yassein’s ancestors drank tea and plotted Spanish invasions. She was renovating the place for tourist dollars. Paris was a world away. He was her front man.

“You will marry this village girl,” his mother ordered. “It is our duty, your duty. Family first. You are my eldest, never married and now’s the time. Think of it as a tradeoff, an extension of our relationship. It is a connection to our heritage and our community. This is your destiny and honorable for us.”

He married the girl to please his mother. He didn’t like it. It was a gigantic hassle and complicated his life. He’d been in the states long enough to see new futures.

It was an arranged marriage and he was snared in family schemes and trapped by traditional expectations. How things were done in the desert. It was all about relationships and consolidating resources.

It took him a year to finalize his plan. He was a juggler in a circus routine and his mother cracked the whip.

He kept the Berber girl and her family on hold. He blamed time, lack of money, no visas, no tickets, no way he told them. Not now. Later. He loved the word later. It was a negotiating art form in a culture where a century is nothing.

They bought it. He knew they had no choice. Their daughter was married and that was that.

“Sit tight,” he said. “Let her take English classes or run around chasing invisible paperwork in the notoriously corrupt and inefficient system.” They didn’t understand the tight part. He simplified it for them.

“Be patient.”

A player and hustler, he was an expert at dragging it out. He planned a way to get out of it. He set it up and played his trump card. Money talks.

He returned in August and bought her family off to forget the whole thing. They took their daughter back using his cash to buy land and livestock. She resumed hauling water, collecting wood, cooking and cleaning. Her future was done, finished and finalized. She was as good as dead.

Yassein took care of the paperwork, greased palms, got on a plane, returned to Bashira and forgot the mess. He’d never liked these arranged marriages and knew it was all about deceit, lies and manipulation.

When his mother heard what happened she was furious. “You’ve disgraced our family,” she screamed on the phone. She was so mad she conjoined her French and Arabic polymorphic syllables in the City of Electricity. She fried on the grid.

“Somebody had to pay,” he said. He didn’t say she gave him a migraine. “There’s something wrong with the line mother. I’ll call you back.”

Bashira didn’t know the backstory. She played her role with Oscar potential. Yassein played her.

“I’ve always wanted to go there,” she said the week I left. “It’s Yassein’s ancestral home. I’ve dreamed being there, taking care of the place, meeting the people, settling into the flow, the rhythm of the land. Smelling the spices.”

Smelling a fascinating opportunity I jumped into the future.  

ART - Adventure, Risk, Transformation - A Memoir

Basho

“Great writers invent their own world, a totality of the experience…literature does not tell the truth but makes it up.” - Nabokov

Morning peace overcast wild waves
Healing process slow and gentle

Healing ointment waves language wind
Nature

Your skin is my skin, said Meow
Zen of Needle

Being present

Awareness

Be a work of art or wear a work of art

Nature...

European man
Next to wife
Tamed by retirement inspects Espresso
Spoons top layer
Savors 1/2
Eats cookie
Swirls 1/2
Swallows
Facial satisfaction
Replaces white cup
Yes speaks to sun baked wife good
Offshore a white sailboat catches a steady wind as she goes eye captain

Tacking for a green island
Two obese Russian women with breasts like unexplored planets
Slather on sunblock

As a Khmer woman selling orange lobsters
From a balanced head pan
Spills small words
Competing for voice articulation

With a Khmer nanny dressing white children
Before they constructed sand castles

Talk Story
Discuss common sense
Not very common
The world of forms/ideas

Form is emptiness
Emptiness is form
Forms in natural world

Basho said, if you want to know a tree go to a tree.

World of ideas

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  Grow Your Soul - Prose and Poems from Laos & Cambodia

Casablanca