Spin

He was Passing Through the capital letter.

A beaming monk kid on the back of a cycle. A store sign, Thanks For Peace.

Along a narrow street packed with motorcyles, tuk-tuks, carts selling coconuts, mangoes and durian fruit and humanity finding its way were huge glass windows. Inside a showroom were shiny Bentleys, Rolls, Porches, and Lambrogenies.

You get what you pay for. Every car on the road is a used car.

He went in to admire the gleaming machines. He looked at sticker prices. He left and walked up the street.

He bought a Japanese bike with a basket, a bell, a front light generator and six Shimano gears. 78 bones.

Style and class.

Spin them wheels, said Muse. Let's go.

BS

where are we going

trust me kid and stay close

*

“To travel is very useful, it makes the imagination work, the rest is just delusion and pain. Our journey is entirely imaginary, which is its strength.”- Celine

*

There was a traveller. He was invisible.

IT - Invisible Traveller not Internet Technology.

He wandered Earth helping people discover their English courage, doing street photography and writing.

In April 2013 while polishing a new book, The Language Company in Cambodia with eagle-eyed daily discipline from 6-10 a.m. to be independently published in late 2014, he applied for a volunteer teaching position with Buffalo Strange (BS) an English school and Cuban charity in NE Laos.

He communicated with Dark, the co-founder.

The traveller had first visited Laos in 2010 for a month, sailing north up the Nam Ou River for three days from Luang Prabang to Phongsali in the wilderness bordering China and Vietnam before wandering south to Pakse and Ratanakiri, Cambodia.

He met Rita, author of Ice Girl in Banlung. They collaborated life stories forming the frame of a self-published novella.

He returned in 2011 helping grades 6 & 7 develop character and critical-thinking skills with curiosity and humor at a private school in Vientiane before graduating to a Montessori School in Luang Prabang to practice ABCs with new young friends.

In May 2013, before going to BS he went to Mandalay, Myanmar for ten weeks with Montessori kids at a private school. Ineffective management. It didn’t meet his psychic needs. Burmese children taught him see say understand I am a miracle.

He learned. He wrote it down. He did street photography work. He returned to Dream Land.

Dark contacted him in June 2013 in the off chance he was still available and interested. They talked specifics. IT went to Never-Never Land, Laos in August.

19 degrees 27’ 36” N, 103 degrees 10’48” E

A Little BS

Teamwork

Let's have a meeting! Yes. English teachers unite!

Get dressed and take our Moleskine notebook filled with poetry, drawings, dreams, stories and visions. Collect one piston-driven fountain pen filled with green racing ink.

Remember water. You've gotta have H2O where you go. It's gonna be a hot one. Seven inches from the mid-day sun.

Pedal to a class tomb on old campus surrounded by luscious green trees straining to light. They are a canopy of welcome relief. Rose petals wither on the ground.

Smile and greet your compatriots, your stalwart educational guides. Take a seat. Look around. Engage your senses.

Gaze out the window toward the lake. It is shimmering. You hear scraping. What is it? Local workers are building a wall. A new great wall. Exciting. History in the making. How do they do it?

It's simple. Materials and raw labor.

Ten village men and women - who do most of the heavy lifting - bags of cement, trowels, shovels, a few plastic buckets, water, piles of gray bricks, empty drums for support, some boards and a couple of wheelbarrows.

Step 1. Build rickety scaffolding using drums and boards. Remove the old steel fence. Discard to side.

Step 2. One team mixes cement and water. Shovel into buckets. Another team puts bricks into a wheelbarrow and pushes it to a dumping area.

Step 3. Men wait for women to hand them bricks and buckets of cement. They slather on the goop and align bricks. Brick by brick the wall goes up. It blocks the green sward, blue lake and wild flowers.

Only the sky is safe.

Step 4. Another team coats the exterior with a bland gray mixture.

It's never going to be finished. Art is like that. It's so beautiful you feel like crying.

Someone steps to the podium and starts speaking - using exquisite language - about the value of education. Cost benefit analysis. Profit and loss statements. How we have a huge responsibility to our shareholders.

During a brief moment of silence you hear a shovel, a trowel and laughter.

Another day dawns in paradise.

Passing Through

Begin this day at dawn.

Pashupatinath Hindu cremation ceremony along Bagmati River.

Shiva is the destroyer and creator.

Wood pyres. A woman kisses her shrouded husband goodbye.

Light his fire.

Fire is the beginning and end.

Fire is your rosé flame.

Stir his bones.

His ashes flutter with death and mortality.

Silence. Solemnity. Serenity. Grounded and transient. Flowers. Offerings.

Glorious color dancing fire.

Return to Source.

Tibetan energies. Joy. Laughter.

This joy – new beginning – transformation.

Empty / full.

At this very moment they look and leave.

Abstract metaphorical language.

Non-attachment.

Ink whispers secrets of silent mystery where life is found in a desperate situation. Balancing precariously on the edge of an abyss.

Young boys stare at a writer. The blind lead the blind.

Everything is Under Construction at the Source.

The vast self.

Existential awareness.

Cessation of sensation and perception.

A walking meditation.

Rivers, like people, only know why they were born when they reach the end.

Poverty and illiteracy. I work, I breed, I get slaughtered.

Imagined or invented conversations and episodes.

Fiction is a tool for unveiling, not obscuring the truth.

Literary fiction expounds historical truth.

The necessity of that moral choice.

Bookends of Bhaktapur. In between 90 years/moments. 90 breaths.

Non-attachment.

Sitting.

Awareness of energies.

Fleeting impressions. Images are visual stories.

Illuminate expand invent.

Passing Through

Ambivalent

Bursa, Turkey residents heard, “Woo, woo,” and clip-clop hooves grooving asphalt.

A thin man who’d escaped the Armenian genocide in 1914 by hiding in a mountain cave with Plato’s shadow of illusions hovering over his formless form commanded a rolling wagon filled with shredded silver wire.

A black trash bag on the rear contained cardboard and a draft of The Language Company.

He snapped a long whip at a white horse wearing brown blinders. Red, green, yellow and blue wool tassel tufts waved from its sweat beaded neck. Small copper bells tinkled.

His wife’s thin, happy hungry face was a skeleton of bones. Her senses were accustomed to roots, soil, inhaling damp earth smells and back breaking labor in spring rain, summer heat, cool autumn winds and frozen earth.

Riding next to her husband hearing leather lash skin felt good. A reassuring stimulus snapped air. The horse pranced along cool be-bop jazz cobblestones in time with Monk on piano, Pastorius on bass, Rollins blowing his horn, Blakey pounding percussion and Zeynep's cello complementing the steady clip-clop rhythm.

They were richer than a poor parent’s skin. They owned their stomach’s hunger.

“Here we go,” they sang in Kurdish.

Nearby, a cafe below the TLC teachers’ apartment went broke. A wild garden blossomed.

An old man arrived with his scythe. His well-adjusted eyes surveyed nature's vociferous beauty. He unwrapped a golden yellow scarf from the curving blade of his hand-me-down tool.

The scythe was eight feet long tapering to a sharp point.

Sitting on a wooden stool he refined an edge with wet-stone strokes.

Waving, he cut a waving garden.

Death watched. Ambivalent.

At that precise moment a blue monarch butterfly probing nectar of the gods whispered turquoise wing secrets to a red hibiscus in Laos.

The Language Company