Chaco Canyon

Anasazi creation stories echoed on the wind.

In the Plains Indian culture, Trickster is the bad news messenger capable of speaking any known or unknown language. The Trickster is vain and deceitful, obsessed with sex, loves to make pranks, falls in and out of trouble and always recovers their stasis. Trickster taught me Keres, the language of the Pueblo, the middle heart space between earth and sky.

Languages are my specialty. Lost tongues.

Down in the southern province of Suhag in Egypt where King Scorpion lived 5,300 years ago I worked with archeologists discovering clay tablets recording taxes on oil and linen; a special material ancient Egyptians considered ritually pure under the protection of the goddess Tayt. The hieroglyphics, line drawings of animals, plants and mountains revealed stories of economies and commodities.

In Nevali Cori we found 9,000 year old shards of pottery depicting dancers.

“These images,” said a team of metaphorical diggers, “reveal a fictional common ancestor created as a way to integrate their community.”

A camel hairbrush cleaned pottery shards. “Anything else?”

“Well,” said one digger on his hands and knees, sifting dust, “we surmise these images established a collective discipline in their community. See how the figures are holding hands? What do you see now?”

“I see a circle of movement. A connected unity, a language in space,” said Omar.

Down washed out rocky New Mexico roads sixty miles from Aztec is Chaco Canyon. It is twelve miles long and one mile wide. It is a complex Anasazi Pueblo culture community nation from mid-800 until a fundamental shift left it abandoned around 1115 due to overused land, a lack of trees, drought, and failing crops. It was the social and economic center of life, an American Cradle of Civilization in the San Juan Basin. Their physical wheel of life reflected the pueblo worldview.

They were master builders constructing stone villages and six large pueblos of multiple stories with rooms larger than previously known. They began with simple walls one stone thick using mud, mortar, rubble, and the veneer of facing stones. Later they used large blocks of tabular sandstone chinked with smaller stones set in mortar and later covered with plaster.

The largest of the big houses is Pueblo Bonito 800-1200, four stories high with 600 rooms and 40 kivas. A kiva is a sacred religious area, a circular room without windows with a smoke hole at the top where the men of the village would climb down a ladder to sit, smoke, and share history and legends. There was a raised stone bench reserved for the “Speakers.”

Once a year to prepare for the Earth Renewing Ceremony, the Masked God Society would whitewash the interior walls of the kiva and repaint sacred symbols on the interior stone pillars.

Chetro Ketl, dating from 1020, had 500 rooms and 16 kivas with a large plaza. Ketl had a great kiva and remnants of carved birds, prayer sticks, arrows, and discs.

Pueblo del Arroyo had 280 rooms and 20 kivas. The Kin Kletso Pueblo, built in two stages around 1125 had one hundred rooms with five enclosed kivas.

Chaco was an advanced social and trading hub. Raw turquoise was imported from distant mines. People made necklaces, bracelets and pendants. Seashells, copper bells, and the remains of macaws and parrots suggested they traded with Mexican cultures, perhaps the Toltec.

Chaco Canyon was a spiritual center. Journeys became pilgrimages. Residents were in direct contact with elemental cosmos life: mountains, clouds, thunder, air, earth, and sun. They were connected with mysterious truth and beauty.

At one time 10,000 people lived in 400 surrounding settlements. They developed 400 miles of engineered and planned prehistoric roads connecting their communities. 

A Century is Nothing

Leaving early

On September 1, 2001, Mr. Point was wedged next to the window of a puddle jumper flying over the Cascade Mountains. Next to him in economy was an overweight happy couple anticipating their future first class flight to London out of Georgia. Ten days before people on, from and inside cells placed long distance calls from caves.

“We own a travel agency. We’re meeting friends,” said the wife, an alcoholic, “and then,” her husband chimed in, “we’re sailing down the Danube for a week, drinking good wine and enjoying the food. I’d like to go to Costa del Sol. I’ve heard the culture is wide open, if you know what I mean,” rubbing his secret jewels and winking to the stranger.

His spouse wore enough jewelry to feed Bangladesh. Their combined girth was conspicuous consumption. They exceeded their weight limit. The scales of justice were balanced in their favor as they spilled wealth.

“What do you do for a living?” her husband asked.

“My friends call me Mr. Point. I work for The Department of Wandering Ghosts Ink. 24/7,” he said with a straight face. He was a survivor, Vietnam 1969.

“Busy, busy, busy,” he laughed. “Yes, I am a mercenary of love, an unemployed fortune teller if you must really know. You might remember me from the Academy of Pain and Anger Management if you have a need to know. If your top-secret security clearances are valid. The more you know the less you need. 

“I’m heading to Morocco to meet my female nomad lover and extraneous fascinating strangers. Here’s a dirty little secret. One of our classified missions is the Extraordinary Rendition Program, allowing intelligence agencies to transfer suspected terrorists to various friendly foreign countries for interrogation and torture. We use Gulf Jet Stream jets based in South Carolina operating under fake companies.”

The shadow of Little Wing, a weaver, passed them.

“If they don’t talk to us our friends start by removing their fingernails. If that method doesn’t get ‘em talking they boil them alive. We chain them to walls and play ear splitting rap or country music twenty-four hours a day to drive them crazy. Stale bread and rancid water. A grisly business, but hey, it’s a paycheck.

“We also set up off shore accounts for clandestine agencies, or fronts if you will. We collect raw opium in Afghanistan, process it in Asian labs so street addicts get their fix. Along the way we collect Chinese harvested internal organs and upright pianos to sell in Hong Kong. The market is diversifying. Pick em’ up and lay em’ down. No women or kids. We have to draw the line somewhere, eh? Business profit has never been better. Ain’t nothin but the blues baby.”

They cut him off after this truth. 

His one-way air ticket to Morocco and Spain promised another road, village, town, city, country and continent offered simple psychic potentials. The KISS, Keep It Simple Stupid, principle. Just leaving was a wise decision as it turned out. Speaking of history.

“Beyond, beyond the great beyond,” he’d whispered to someone, somewhere on the spinning rock when they asked him where was he was going and why he did what he did with the who, when, and howdy doody yankee doodle dandy stick a feather in your cap crap paradigms.

A Century is Nothing

stateside fear

“I’m afraid you will have take your boots off,” said a soldier wearing a 45-caliber sidearm with an M-16 slung over his shoulder when he saw Point’s scarred Swiss climbing boots at SeaTac airport in March 2002. They had steel rivets.

“Anything interesting happen while I was away?” said Point.

“You don’t know the half of it.”

“Do you mean the half before the shift or the half after the shift ?”

The G.I. answered with a dull blank stare.

A retired homeless bag lady approached security. “It’s good to know that 450 airports in early 2002 hired more than 45,000 workers. Maybe I can get a screener job here.”

“Why not?” said a T.S.A. official standing near an X-ray machine. “Each month, screeners take from passengers about a half-million things, including 160,000 knives, 2,000 box cutters, and seventy guns.”

“Look like things have really improved since I’ve been gone,” she said, pushing her grocery cart down the discount aisle. “Now I feel really safe.”

Point removed his boots and passed through detectors. Along the concourse he studied glossy high definition pixel posters of airplanes slamming into towers with the admonition:

Beware! This could happen to you.

Live in fear.

Report any and all suspicious activity.

Do not trust anyone.

Spy on your neighbors.

Report them to the Secret Police.

Do your civic duty.

Big Brother is watching.

He knew it’d come to this. He’d been far away, in Morocco and Spain imagining this Brave New World with precise clarity.

Returning to the United States of Advertising after centuries on the ground he sat down in a cabin on 8,000 year old Kalapuya Indian ceremonial soil. He had a maul, a hatchet, and a double bladed axe named Laughter. 

A Century is Nothing

Duende

She had duende, a fundamentally untranslatable Spanish word, literally meaning possessing spirit.

It signified a charisma manifested by certain performers - flamenco dancers, bullfighters, shamans and weavers overwhelming their audience with the feeling they were in the presence of a mystical power.

The Spanish poet Garcia Lorca produced the best description of duende: “Years ago, during a flamenco dance contest in Jerez, an old woman of eighty, competing against beautiful women and young girls with waists as supple as water, carried off the prize by simply raising her arms, throwing back her head, and stamping the platform with a single blow of her heel; but in that gathering of muses and angels, of beautiful forms and lovely smiles, the dying duende triumphed as it had to, dragging the rusted blades of its wings along the ground.”

She’d followed a tribal trail to Lacilbula where, after weaving morning pages, she returned to the Rio Guadalete below Grazalema flowing from the Sierras to Cadiz.

The battle of Guadalete was fought on July 19, 711 when 7,000 Yemenis and Berbers led by Tariq ibn Ziyad defeated the Visigoth King Roderick.

Rio needed cleaning. Thick autumn yellow, green and brown leaves trapped between rocks clogged river sections. Liquid backed up to mountains beneath fast gray storm clouds. Using her walking stick, she clamored down a slippery slope and worked her way up the Rio clearing sticks, leaves and stones blocking the flow.

One leaf could do a lot of damage.

There were green maple, silver aspen, brown oak leaves. Old black water logged decayed colors danced with fresh green and orange pigments.

She was the unimpeded flow. A child playing near water in her dream world. Serenity and sweet water music with rock stepping-stones, small pools and meditation zones where she felt peaceful. Bird music darted up the canyon.

She cleared leaves long past twilight, staggered up the muddy incline facing the Rio in silent gratitude and performed healing chants next to a bare Aspen tree. She passed a ceramic Virgin Mary statue behind a locked gate illuminated by melting red candles in a rocky crevice.

Mary’s blood flowed over jagged dolomite gray stones flecked with green moss. She collected a hemoglobin sample for weaving, crossed a stone bridge and returned home. She lit candles, started a fire, enjoying a deep breath before bleeding river words dyeing loom fabric.

The loom was her instrument of transformation and wool the hair of the sacrificial beast which women, by a long and cultured tribal process, transformed into clothing. Weaving skirts the sacred and the violent. 

Her power at the loom was both derided and celebrated, transforming like birth into a language and symbol, a metaphor with new, positive ends and duende.

A Century is Nothing

Subject to Change

Puppet Masters in Tibet

Chinese-Tibetan puppet leaders in Lhasa informed monks they would increase patriotic education classes in monasteries. Re-education through Reform, ideology, propaganda and thought control is the way comrades. We use Power to Control using fear and intimidation.

The Chinese, after destroying and looting monasteries and killing millions in Tibet and main land China during the 10-year Cultural Revolution, restricted the number of monks at the three major Lhasa monasteries, Sera, Drepung and Ganden. They recruited Tibetans to live and work in monasteries as spies and informers.

This system proved effective during the Cultural Revolution when family members reported on each other, neighbors and wild capitalist running dogs. It was a practical peoples campaign of fear and suspicion creating paranoia and ideological control.

Monks and nuns in monasteries who resisted or questioned this form of subtle patriotic education risked imprisonment, torture and death. They knew what happened to monks and nuns at the notorious Drapchi Prison outside Lhasa.

“There are two kinds of suffering,” said a girl weaving wool carpets in her yurt on the Tibetan plateau near rivers and mountains. “Suffering you run away from and suffering you face.”

Inside Drapchi, Chinese guards beat Tibetan nuns and monks with rubber hoses filled with sand. They applied electric cattle prods to skin, sending wire-cranked juice into skeletons, extracting screams.

“Denounce the Dalai Lama!” screamed a young illiterate soldier from Human Province. He tightened metal screws around a nun’s wrists, bending them at a horrendous angle until she screamed in broken pain.

“Never!”

He wiped her blood off his broken glasses and increased pressure. It was a job.

“Save my face,” sang a Chinese girl, an innocent ignorant victim of the national one-child genocide policy, wringing out a mop of spider webs inside water rainbows.

She was in a large bland cavern classroom at a private business university in Fujian. All the students had failed higher-level exams for more prestigious universities. They settled for this. No choice. She cleaned crumbling uneven cement floors with strands.

A Century is Nothing