Journeys
Images
Cloud
Timothy M. Leonard's books on Goodreads
A Century Is Nothing A Century Is Nothing
ratings: 4 (avg rating 4.50)

The Language Company The Language Company
ratings: 2 (avg rating 5.00)

Subject to Change Subject to Change
ratings: 2 (avg rating 4.50)

Ice girl in Banlung Ice girl in Banlung
ratings: 2 (avg rating 4.50)

Finch's Cage Finch's Cage
ratings: 2 (avg rating 3.50)

Amazon Associate
Contact

Entries in culture (159)

Tuesday
Jan082013

three kinds of people

there are three kinds of people in the world, said a boy holding his heart in his hands

sitting on a cambodian tourist town corner disguised

as the Street of Impossible Dreams...

his mother, cut off at the knees cradled an infant.

sex was her DUTY.

she performed well.

she produced more off-spring.

she was well seasoned. 

more tools. economic tools.

daddy was long gone.

it was a 125cc motorcycle culture

putt-putt, zoom, roar, rumble, dance cylinders. grind my hormonal gears, baby.

genius boy said:

people who make things happen.

people who watch people make things happen.

people who don't know what the fuck is going on.

yeah, yeah, yeah is my complete unabridged vocabulary. 

Monday
Dec312012

one more six from 2012

Six 2012 images courtesy of intrepid Elf.

Explore. Discover. Dance. Dream. Create.


 

Monday
Dec242012

A bell

bell in Nepal one morning.

Ring high, ring low. 

 

Thursday
Dec132012

a Century is Nothing - backstory

In 2007, while living and teaching English in China he self-published A Century is Nothing, a literary memoir.

This after receiving fifty rejection letters from literary agents, "No thanks...doesn't meet our needs...it's not mainstream for the general reader...too many characters...too long..."

The first thing a literary agent considers when reading a query, synopsis and the first five pages is, "Can I make 15% on this?"

Traditional publishing is a casino. A crap shoot. 50 Shades of Gravy is a perfect example.

After research he selected iUniverse, a print-on-demand company in the United States of Amnesia.

Print-on-demand offfered publishing packages and he figured, "What the hell. Release the monster." He paid. 

They sent him an eighteen-page critique and structural suggestions. He implemented some and ignored others. He line edited the beast. He submitted a cover image and selected the design.

Six months later he received a hard copy in Turkey where he taught English. He opened the bulky brown envelope. The book slid onto the table. Thump!

The young Chinese girl's curious eyes stared at him from the cover. He'd made the image at a nursery school in a Fujian village. Her eyes said hello, I made it.

He felt grateful and elated. He turned pages, smelling paper, scanning ink. Wow, this is amazing. He also felt detached, knowing it was a deep letting go. It didn't belong to him now. It lived in the world. It was free.

The production company sent his friend in Amnesia 40 copies as part of the publishing agreement. He sent them to friends so they could read adventures. The POD had served its purpose. 

In 2007, about a thousand years ago in the world of technology, E-book publishing was in its infancy. Now it's a viable alternative to POD and traditional publishers.

He canceled the agreement with iUniverse this fall and took control of the book. He printed it. He pulled out a red pen and slashed it. Into pieces.

In the process he created a smaller, lo-fat, slim version entitled, Subject to Change, his original working title. After revising (the party) he printed it, edited it again and published it on Amazon and Smashwords. Wa La.

He turned his attention to A Century is Nothing and repeated the process. Writing is re-writing or polishing.

He created a 2nd Edition with a new cover image and bought ISBNs from Bowker. He published it on Amazon and Smashwords as a paperback and E-book at a reasonable price. It ain't about the money. It's about the journey.

No editor or POD is going to drink champange from his skull. 

When you come to a fork in the road, take it.

Now you know the process. 

If it meets your read needs review it on Amazon (good, bad, ugly) and drop him a line. Sharing is caring. Thanks!

Happy reading!

  

 

 

Tuesday
Nov062012

push them through teol school

One of the tyrannies of formal education, said Orphan, is how it takes 12 tedious ominous years to beat creative curiosity out of a child. It's a tortuous Byzantine procedure of endless suffering.

I agree with you, Elf said in simple English. Take Turkey for example. It's all dumbed down grammar text-based learning dulling the mind. By the book. Keep your mouth shut, warn teachers conditioned by the machine using fear to control and maipulate.

Yeah, they know the grammar RULES for taking exams. That's it. Past simple, present continuous and NO SPEAK.

They love RULES.

They need vocabulary and the confidence to use it. Open head, heart and mouth. Risk.

I eat my sorrow with fresh yogurt, said a woman opening her creative notebook to a blank page. She wrote. She drew. She danced colors, dreams, rainbows, the Black Sea, caricatures of friends, flowers, gardens and butterflies.

I feel free, she laughed.

Use it or lose it, said a silver spoon dancing around brown tea leaves dissolving a white sugar cube. 

Clink, clink, clink.

Do you want a verb to get going, asked a tea man.

On the side please with fresh tomatoes, kasher cheese and black olives at Hagia Sophia in Trebazon.