flowering tears

neurotic tourists leafed temples

flowers waved goodbye

we grow without you

elephant cried

freedom

Lao kid

I’m a big seven as in 7, said an omniscient reliable Lao narrator.

Your life is not a test or a dress rehearsal. If it is an actual life your invisible friend will protect you from ignorance and fear.

My dad's not very smart. It's probably his DNA. A string theory of letters. Genetics. Gee. Net. Icks. 

Let me give you a kind-hearted example of his stupidity. It's the rainy season here in Laos. Slashing squalling delicious rain. Soft, cool, soothing. Like tears. Cry me a river.

It's pouring like honey. What’s dear old dad do? He washes his silver van in a downpour. Smart eh? Yeah, he’s trying to impress dry watchers with his intelligent hose running wealthy water over rain. Cleaning. He ignores me mostly.

Grandmother sits on the faded 1924 white austere colonial dark brown balcony folding banana leaves for a ceremony. Every morning at dawn she walks to the muddy road and offers wandering Buddhist monks a handful of rice. She burns incense at the family altar. She nurtures her shrinking garden after her son decided to plant a cement parking lot. What a clever little man.

Grandfather stares at rain on flower petals collecting in pools.

Father's very busy. He disappears for hours. Drinking beer with friends. Playing around with a secret squeeze in dark places. She’s starving for affection and cash. A poor girl from a poor family needs to make a living, poor thing.

My mom's also really smart. What’s the difference between smart and clever? After the rain, when it's dry and the smallest full moon of the year rises above the Mekong before a river festival filled with floating orange flowers and burning candles she burns all the plastic garbage. Yeah, yeah. Burn baby burn. Light my fire.

It's a sweet smell let me tell you. Like that Duvall character saying, I love the smell of napalm in the morning. Kinda like that smell. What's the word? Acrid. 

When she's not burning plastic trash she sweeps. Broom music. Stone cold. She cooks. She pretends to be busy. She's a baby machine. What's another mouth? She manages the home, kids and cash. In China I’m worth $3,500 on the stolen kid market. My sister would have been aborted.

Mom ignores me mostly. She's very busy doing her humble mother routine. Later, she squawks. She's a soft kind later.

People here like parents and teachers and lazy passive humans love to pretend to be busy. I guess it gives their short life meaning.

Milling around is an art form with style. Hemingway had style. Fitzgerald had style and class.

We are soft and kind. We have a good heart. We are not as mercenary as the Vietnamese. We drift through your sensation, perception and consciousness with the grace of a cosmic Lepidoptera in a strong wind. The trick is to tolerate, with kindness and patience, your great teacher, the bland empty-eyed star gazing starrers and hustlers. Bored after five minutes they lose interest and leave you be. Zap, like a zig-zag lightning bolt. Gone. Zap.

Vietnamese plant rice.

Cambodians watch it grow.

Laotians listen to it grow.

Ain’t nature a great teacher?

For cultural, historical, educational, environmental, emotional, intellectual and economic reasons milling around is a popular daily activity. This unpleasant fact cannot be denied or ignored or forgotten like a missing leg.

It needs to be up front because it is a clear immediate danger and way of life.

Limited opportunities, unregulated population growth, substandard education, no medicine, no hope and inconclusive futures enhance Milling Around. It kills time alleviating boredom, the dreaded lethargic tedious disease.

Milling Around kills the human spirit. No initiative. Period. How sweet. How charming. It’ll take another generation to clean it up. Cambodia and Lao and Vietnam are alive with ghosts.

Their existence is one long perpetual distraction. Say what?

You may as well do what you love because you're going to spend most of your life doing it. Breed and work. That’s what I say.

I’m too young to know much. I know what I don’t know. Anyway, I need to finish my school paper on developing moral character with social intelligence, grit, self-control, gratitude, optimism, and curiosity.

How do you build self-control and grit?

Through failure, said the boy. There are two kinds of character.

What are they?

Moral character is fairness, generosity, and integrity. Performance character is effort, diligence, and perseverance. Kids need challenges to grow. Like hardships and deprivation. Yeah, it’s trial and error and taking risks.

Thanks for the life lesson. You are the future of Laos.

Lao kid

I’m a big seven as in 7, said an omniscient reliable Lao narrator.

Your life is not a test or a dress rehearsal. If it is an actual life your invisible friend will protect you from ignorance and fear.

My dad's not very smart. It's probably his DNA. A string theory of letters. Genetics. Gee. Net. Icks. 

Let me give you a kind-hearted example of his stupidity. It's the rainy season here in Laos. Slashing squalling delicious rain. Soft, cool, soothing. Like tears. Cry me a river.

It's pouring like honey. What’s dear old dad do? He washes his silver van in a downpour. Smart eh? Yeah, he’s trying to impress dry watchers with his intelligent hose running wealthy water over rain. Cleaning. He ignores me mostly.

Grandmother sits on the faded 1924 white austere colonial dark brown balcony folding banana leaves for a ceremony. Every morning at dawn she walks to the muddy road and offers wandering Buddhist monks a handful of rice. She burns incense at the family altar. She nurtures her shrinking garden after her son decided to plant a cement parking lot. What a clever little man.

Grandfather stares at rain on flower petals collecting in pools.

Father's very busy. He disappears for hours. Drinking beer with friends. Playing around with a secret squeeze in dark places. She’s starving for affection and cash. A poor girl from a poor family needs to make a living, poor thing.

My mom's also really smart. What’s the difference between smart and clever? After the rain, when it's dry and the smallest full moon of the year rises above the Mekong before a river festival filled with floating orange flowers and burning candles she burns all the plastic garbage. Yeah, yeah. Burn baby burn. Light my fire.

It's a sweet smell let me tell you. Like that Duvall character saying, I love the smell of napalm in the morning. Kinda like that smell. What's the word? Acrid. 

When she's not burning plastic trash she sweeps. Broom music. Stone cold. She cooks. She pretends to be busy. She's a baby machine. What's another mouth? She manages the home, kids and cash. In China I’m worth $3,500 on the stolen kid market. My sister would have been aborted.

Mom ignores me mostly. She's very busy doing her humble mother routine. Later, she squawks. She's a soft kind later.

People here like parents and teachers and lazy passive humans love to pretend to be busy. I guess it gives their short life meaning.

Milling around is an art form with style. Hemingway had style. Fitzgerald had style and class.

They are soft and kind. They have a good heart. They are not as mercenary as the Vietnamese. They drift through your sensation, perception and consciousness with the grace of a cosmic Lepidoptera in a strong wind. The trick is to tolerate, with kindness and patience, your great teacher, the bland empty-eyed star gazing starrers and hustlers. Bored after five minutes they lose interest and leave you be. Zap, like a zig-zag lightning bolt. Gone. Zap.

Vietnamese plant rice.

Cambodians watch it grow.

Laotians listen to it grow.

Ain’t nature a great teacher?

For cultural, historical, educational, environmental, emotional, intellectual and economic reasons milling around is a popular daily activity. This unpleasant fact cannot be denied or ignored or forgotten like a missing leg.

It needs to be up front because it is a clear immediate danger and way of life.

Limited opportunities, unregulated population growth, substandard education, no medicine, no hope and inconclusive futures enhance Milling Around. It kills time alleviating boredom, the dreaded lethargic tedious disease.

Milling Around kills the human spirit. No initiative. Period. How sweet. How charming. It’ll take another generation to clean it up. Cambodia and Lao and Vietnam are alive with ghosts.

Their existence is one long perpetual distraction. Say what?

You may as well do what you love because you're going to spend most of your life doing it. Breed and work. That’s what I say.

I’m too young to know much. I know what I don’t know. Anyway, I need to finish my school paper on developing moral character with social intelligence, grit, self-control, gratitude, optimism, and curiosity.

How do you build self-control and grit?

Through failure, said the boy. There are two kinds of character.

What are they?

Moral character is fairness, generosity, and integrity. Performance character is effort, diligence, and perseverance. Kids need challenges to grow. Like hardships and deprivation. Yeah, it’s trial and error and taking risks.

Thanks for the life lesson. You are the future of Laos.

shame Sings

My name is Li Bow Down. I am in charge of the Tibetan Monastery Re-Education Through Reform with Severe Consequences pogrom program. My masters called me out of retirement.

I was playing mahjong, screwing concubines and enjoying Fujian tea with friends at the Shanghai-FreeLand resort.

Authority ordered me to get my old ass back to Lhasa and take care of THE problem. Back to the future.

They gave me a fire extinguisher to douse flaming monks. Ah, the ignobility. Fire is the essence of life.

Give someone a match and they are warm for a minute.

Set them on fire and they are warm for the rest of their life.

Here’s an uncensored image of what we do to people in the program.

Li put an image on a table.

See this woman, he commanded. She is denouncing her family, friends and most importantly, herself in public. We are big on shame. We are the masters and they are the puppets.

“Shame on you!” yelled 1.6 billion puppet people.

         “Shame! Shame! Shame!”

This is one of our more popular and effective methods of creating a harmonious society. It works wonders, because if memory serves me correctly and it does, mind you, serve me well, we’ve been coercing people for 5,000 years. Pick your favorite dynasty. We used to put them in wooden stocks with their crimes painted on paper necklaces and parade them through town. They confessed. They had to.

We call it self-criticism (samzen) re-education and reform. Big buzzwords. They were denounced in public. Talk about blatant social disapproval.

Maybe you think I am joking, making this up. Well, I didn't make it to the top of the system scrap heap by bowing down to big nosed foreigners telling me how to maintain control in Tibet and keep the monks and serfs and slaves in line.

As you know the monks in Tibet provoked the armed, young, naive, scared People's Reactionary Liberation soldiers on March 10th in Year Zero.

The rest is history, well, not really history because we rewrite that when it suits our propaganda purposes. It’s easy and convenient.

Life is cheap here. More tea?

calligraphy Brooms

Down dream street in Turkish reality

an unprecedented wave of egalitarian support featuring millions of sad, serene women facing callously arranged marriages filled with empty hopes and vague promises of love and happiness enlisted to become engaged to strangers on transcendental borders. This wave of support resembled an open handed gesturing in the eternal present as a mother reluctantly gifted her daughter a long fare well wave watching her disappear into life’s teeming stream.

         “Be well my love,” she sang. “You will always be in our hearts.”

         Her daughter joined a world tribe of singing, sighing women. They lived their dream, making sacrifices with clear intention, motivation, determination and focus. The entourage of waving, singing women danced through valleys, climbed jagged Eastern Mountains named Regret and entered a no-name village where males pounded war drums and hammered plowshares into word swords.

         Marginalized poor angry males killed each other over pita bread, olives, fresh tomatoes, kebabs, women and geographical dust while studying imaginary maps.

         “The map is not the territory,” said Visualization, a cartographer.

         “Where is this place?” asked a woman leader in a strange village on a strange planet in a strange solar system in a strange universe.

         “It is far away,” said a gravedigger with vast earth moving experience. “It is a dysfunctional place where bronze statues of fallen soldiers, warriors, politicians and testosterone fueled fools rust and congratulate each other on their mutual stupidity.”

         Wind whispered to women, “Go home, return to your children, your families and friends. Live in peace.”

         Women listened with heart-mind.

         “It’s tough living in dystopia where women are beautiful and sad,” said Visualization. “Millions don’t know whether they are coming or going, going, long gone. They’ve fashioned well-defined living death masks from loss and hopelessness and confusion and uncertain doubts selling tears wrapped in silence. Millions of us wait for an arranged marriage.”

         Potential husbands gathered to draw lots. They drew with ink and pastels and charcoal. The charcoal came from a deep black shameless unconscious well of tears where women, tired of waiting, sang, “Give me a child, give me someone to love and protect and carry forever and cherish and spoil with benign neglect. Give me your future. We don’t really truly honestly care about adverbial love, it’s all arranged. Everything has already happened. We just need to experience it. Love is a blind whore. It’s an impossible love. It’s a matter of practicality. Marriage first love later.”

         “Here,” said a marriage broker, “accept this man, this stranger into your heart. Just give him a child. Get to the verb.”

         “We breed, work and get slaughtered,” said one woman. Daughters wrapped these constricting words around their hearts in love’s tangled jungle.

         You never see women taxi drivers in Turkey. It’s a male ego thing with bright speeding tire spinning toys on wheels. It’s a Toy’s For Tots live game show. In cafes idle retired or chronically employed guys sit around all day from opening to closing playing backgammon. They slide little wooden pieces carved from youth’s forgotten toys. Young macho guys spin shiny yellow taxi wheels playing arranged symphonies in the horn section. They are the next generation of backgammon players.

         Women know better. They express their feelings. They live longer.

         Courageous women stood up to parents. “I respect your traditional ideas about arranged marriages, however, to be really honest heavy deep and real with you, it’s old fashioned conservative thinking. This is 2013 not 1987. I am a member of a new freethinking generation. I am not willing to be a victim, a willing victim of your narrow-minded attitudes. I will choose my friends, lovers and companions, based on my needs. I know why the caged bird sings.”

         Before leaving Ankara I shared a Chinese calligraphy painting poem with students. It was an old Qing dynasty poem, a gift from primary students in a rural Sichuan village school. A visual simplicity symbolized the transient nature of life lessons.

         Bright beautiful children in their radiant universe wearing red Young Chinese Communist Pioneer scarves around well-scrubbed necks sitting upright at colorful plastic desks raised hands when I asked questions yelling, “Let me try! Let me try!”

         Only young brave students had the courage, the absence of fear to say this. Older students at middle schools and university were aged and silenced through tyranny and oppressive parental and educational brainwashed ideological practice. Shame. They’d lost their curiosity and enthusiasm. Only primary kids had the courage, the inherent inner freedom to say, “Let me try, let me try!”

         Their beautiful black pictographic calligraphy ink read, “One day a man climbed into the mountains and reached a hut. He met some children.”

         “Where is the teacher?” he asked them.

         “They pointed up the mountain covered by clouds. ‘He is not here, he’s gone into the mountains to look for herbs.’”

         Chinese characters were creased where latitudes and longitudes met linguistic horizons.