South of Mandalay Part 2

A thin stick broom sweeping world dust cleans perception.

Two doctor brothers own the fifteen-year old school. They speak good English. Friendly, resourceful and gentle. Their parents are also doctors.

Zones are under construction - new rooms and a kitchen for foreign teachers near the dining room. A gym and library are being built between long two-story buildings with eight classrooms per level. Old trees prosper. Crows and dogs scavenge garbage.

Men and boys hammer, saw, dig, carry lumber, bricks, rebar iron and mix cement.

Boys shovel dirt from trenches.

Women shoulder excavated dirt in bamboo baskets.

In the shade of 300-year old trees girls sort piles of plastic water bottles and Styrofoam containers.

Crows watch with disinterest.

Kitchen women sitting in a sacred circle talk about life,

love and their emotional well being while peeling onions.

They live longer.

Uprooted bamboo are planted against cinder block walls decorated

with brown and green broken glass shards to prevent education from escaping.

Tree branches hacked into rough art forms pierce blue sky.

Fear & Curiosity converse with gestures. Do something you’ve never done before.

Trust, love, friendship.
Communicate. Learn. Imagine.
I am a rainbow.

This school reminds a ghost-self of rural schools in Sichuan, China.

Broken windows, trash, rough cement passages where sewage smells like success.

Painted platitudes and Odes sing on the roof.

Learning in Paradise !

Cement shells, paper exams plastered on windows.

Faded green paint. Wooden benches.

Worn wooden floors. Blackboards. Chalk n' talk.

Cover your mouth when you erase the past.

Ghost-self meditates with sleeping tigers.  

Sunny Side Blood Donation

Pure red life floats to the surface. A drop of blood splatters. A finger smears one drop on skin. Small swift red rivers trickle. Veins release blood volcanoes. Red-hot meteors explode on epidermis.

After Nam I became a regular blood donor every two months. Someone needs it more than I.

“Are you allergic to pain?” said a nurse in a mobile blood unit parked at Sunny Side Beach, south of Tacoma.

“Only to pleasure.”

A needle penetrated a vein drawing A-.

“Writing is easy,” said Hemingway, “just open a vein.” The earnest man wrote clear precise words.

“I wrote seven words today,” James Joyce said to a friend one day in a Paris cafe. “I wish I knew what order they go in.”

Squeezing a rubber ball I bantered with a mother of five. Blood flowed through plastic tubes out of sight out of mind into clear liter bags with an identification number. Sugar cookies and OJ. Hugs from a thank you clown provided emotional wellbeing.

I donated blood into sky.

On the shore four men and a woman stood silent on wet rocks. One man held an urn. He handed it to the woman. It was large and awkward. Death dust is awkward. Cradling it she tipped it toward water.

A river of brown ash flowed over the edge. A fine mist dressed liquid. Her dancing arms scattered a trail of someone’s life. She handed the urn to a companion. He poured ash into miniature tides.

A bouquet of red, yellow and white roses with long green stems flew from the woman’s hand into Puget Sound. The urn was offered to another man. No thanks, shaking his head.

A Vietnam veteran in shadows wearing a faded Boonie hat played a weeping guitar. Seven faltering notes ran through sand past an old couple staring at oceans beyond life’s horizon. A laughing father and son threw seaweed at each other. A crow’s black shadow landed on a dead tree branch.

My blood flow created a cataclysmic flood. Cold mountain poems melting snow fed forest trails and seeped to sleeping roots below the surface of appearances. Lotus petals opened. Earth lava blood carved canyons. Tributaries branched from the Tree of Life.

Blood gouged out rock, cleaning earth, transforming stone to sand, to dust, erasing river bottoms, collapsing banks, overpowering everything in its path, forming new microscopic celestial arrangements.

Finger paints blood on my lips and loom threads.

Luminous light illuminated weavers, gravediggers and writers. Shuttles click clack. Blood dyed threads loomed stories. Diggers cherished cemetery solitude and silence.

Soft brushes exploded seeds into rain. Laughing bones excavated stories. A double-bladed axe split clouds into Alpha, Beta, & Omega.

A thorn embedded in my skin allows a ghost in exile to realize a life principle.

Eudaemonia - human flourishing from the Greek – meaning a love of travel and a love of life.

ART

Collecting Dust

I climbed through the center of Bali inside magical light past an extinct sacred volcano at Lake Batur carrying a portable word machine, a map carved on narwhal bone, codices or painted books and texts on bark paper and cactus fiber called Amate including animal skins and dialogue of Mayan origin.

Gathering flames I lit a piece of bark for guidance. My hair caught fire. I mixed volcanic ash with water, creating a thick paste of red ocher, a cosmetic balm rich with antioxidants. I applied this to my skin to gain entry and passage through the spirit world of ancestors.

To become clay I created clay. I needed dust.

I collected dust and minute grains of mica. Teams of gravediggers, weavers, butchers and writers explored rain forests, jagged mountains and impenetrable jungles collecting dust.

Hunters dived into, under and through massive Columbia waterfalls near tributaries where the confluence of Northwest rivers gnashed their teeth, snaking past abandoned Hanford nuclear plants where fifty-five million gallons of radioactive waste in decaying drums left over from W.W. II slowly seeped 130 feet down into the ground toward water tables.

The waste approached 250 feet as multinational laboratories, corporations and Department of Energy think tanks vying for projects and energy contract extensions discussed glassification options and emergency evacuation procedures according to regulations and Robert’s Rules Of Order inside the chaos of their well ordered scientific communities.

Tribal survivors ate roots and plants garnished with entropy.

Survivors passed through civilizations seeking antiquities. They reported back with evidence sewn into their clothing to avoid detection at porous India-Tibetan borders. They severed small threads along hemlines, Chinese silk gowns and Japanese cotton kimonos. Their discoveries poured light rays into waterfalls rushing over Anasazi cliff dwellings into sage and pinion forests.

Survivors arrived at a mythopoeic part of their journey.

I reflected on the unconscious residue of social, cultural, ethical and spiritual values.

I needed masks. I needed to understand the underlying mysteries inside death masks. I confronted the realm of spirit. I created masks on my pilgrimage. My journey was the destination. Masks signifying the dignity of my intention thwarted demons and ghosts. I became spirits dancing in light.

Everything was light in my shamanistic interior landscape. I released the ego - Ease-God-Out - detached from outcomes, eliminated the need for control or approval, trusted spirit energies, and remained light about it.

Inside light with slow fingers and long thin ivory nails I turned clay into pots. Spinning spirals danced on the wheel of time.

I finished throwing them used them for tribal ceremonies and smashed delicate clay pots to earth.

They exploded into the air creating volcanic ash coating everything in a fine dust.

I dug into the soil of my soul.

I scattered raw turquoise stones along a trail of sacrificial tears on a long walk through geography.

Red dust town

Namaste,

The machine world in Banlung roared, reversed, revered and resounded with the musical machine opera.

Chugging down the street, old trucks recycled from devastating and catastrophic wars, death and suffering with bombings, genocide, insurrection, forced labor, starvation, land mines and descriptive historical footnotes blended black diesel dust, billowing forgotten memory into the breeze. It danced in swirling red dust.

The remote wild west red dust town, smaller than a city, bigger than a village welcomed smaller. The dexterity and fortitude of thousands in a flip flop world of opportunity, risk, chance, fate, and destiny ate pastries and delicious yoghurt, in many flavors. Ambiguity, contradictions, paradoxes took everything for granted.

Assumptions wore Blue Zircon seeing harlequins.

Destiny rested as noon heat reflected anxieties. A bored mistress washed her red underwear in a river. The exhilaration of washing introduced her to a cloud. Lightning flashed. 

Children in red and white dusted Santa caps dragged their expectant mothers toward dusty chrome plated display cases. 

This one! This one!

On main street a happy girl of 13 sawed ice. She sold blocks of ice from a large portable orange plastic box. Her smile and pronunciation were perfect, I am a seller. 

Metta.

face dust

Greetings,

Walk outside, feel the dust beneath your feet.  Walking is a luxury.

The street blends into the prayer circuit. Two large chorten furnaces breath fire, sending plumes of gray and black smoke into the sky. Figures of all ages and energies, sellers of juniper and cedar. Buyers collect their offerings, throwing sweet smelling twigs into the roaring fire, finger prayer beads and resume their pilgrimage. They flow and shuffle. Feel the softness being with the ageless way of meditation, a walking meditation.

It is a peaceful manifestation of the eternal now. The sky fills with clear light. 

A Cambodian man sits in his WW I wheelchair. His torso ends with two mid thigh leg stubs. 

A young boy in tattered clothing stands on a log. He throws a large girl doll in the air. It spins, performing somersaults. It crashes in the dust. 

He poises on the log, flexes his muscles and jumps. He lands on the doll's face. He smashes his feet dancing on the face, laughing in rising dust. 

At a different ground zero called Tahir Square a young girl referring to Egypt's backward pubic education system that depends so much on repetition holds a sign urging Mubarak to leave quickly, "Make it short. This is history, and we have to memorize it for school."

Metta.