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Entries in education (382)

Monday
Jun092014

shanghai Interrogation (Tea Talk)

The boy soldier was silent.

       “What’s that for,” the female Public Security official said pointing to the typewriter on the table. 

       “It is for writing letters.”

       They have reservations about letters. Letters, they wonder, looking at each other with jaundiced eyes. Black eyes streaked with exploding blood vessels full of fear and suspicion.

       Letters indicate political insurrection, dissent, forced labor, mandatory abortions, propaganda, civil unrest, turmoil, revolutions, and tanks in the street, torture, solitary confinement and executions.

       They see party leaders wringing their pale hands, nervously pacing forbidden cities past stone lions, conducting top-secret meetings trying to figure out what to do, how to put a face on all this. How to manage and manipulate disinformation rivers, controlling floods.

       The boy soldier and his comrade save face by maintaining blank, stoic expressions. They suspect I have connections.

Maybe I am a plant, a party member sent to check their unit. Assigned to monitor their methods, their questioning tactics, their subtle use of intimidation, their implications to control and influence people’s lives with fear for the good of the state.

       For all they know I am a subversive. A word terrorist.

       “Letters. We will keep an eye on this one,” she said to the soldier.

       They are thinking: We have ways to make you talk. They don’t tell me this but I know how it works. I’ve read Tu Fu’s work. I’ve digested their bone dust history through dynasties.

       “Yes, well, we’ll see,” she said. “We need to remind you to remember this very carefully.” Her voice gained an octave.

  The bent nail gets hammered down!

“Just because you speak our language doesn’t mean you are special. We can revoke your visa and force you to pay a fine. We can put you away where no one will ever find you. We will discuss your situation with our leaders. We have driven the talented people abroad. Some went into hiding but we know where they are and we find them. We always do. We find them in their homes, schools, jobs. Some accepted positions at foreign universities where they form counter-revolutionary groups bent on overthrowing the state by writing articles, stories and books critical of their homeland.”

       Her face resembled nuclear fission as she pounded the table. “They are a disgrace! They are running dogs!”

       “I see,” he said, dropping my eyes to save face.

       Downstairs, my warrior team armed with tools made on slave labor production lines financed with western capital, were busy. They laughed, singing and dancing, knocking holes in theories, lies and deceptions. They built facades, charades, fast food outlets, and dream machines, ignominious pious grandiose standards of living faster than joint venture ink dries on thin rice paper.

       The authorities are momentarily appeased.      

       I understand they are following orders. To the letter.

       I am well aware, remembering letters, if they execute me with a single bullet to the back of my head my family will have to pay for the ammunition. My family will be very surprised when they get a bill in a letter from the kow-tow authorities for a round. They will have to buy a round and will never meet the last of the big time spenders.

       To make matters worse, the authorities, after executing me, will disembowel me and recycle internal organs seeing the profit to be made from a used, well traveled and perfectly functioning heart, lungs, kidneys, pancreas, eyes, ears, hair, genitals, spleen and assorted by-products. It will be a beautiful fucking mess.

  First, they will need impossible to find International Reply Coupons and second, the post office glue made from horses is a disaster. Gets all over the wooden counters and fingers of rude, impatient people because they are slobs. After smearing glue everywhere they push and shove their way toward the sullen postal clerk thrusting mail in her face.

       If she didn’t have guaranteed sticky white rice three times a day my grand inquisitor would be home knitting a sweater and gossiping with neighbors. They’d be discussing vegetables, weather and roving demolition crews with their bulldozers wondering when, not if, their neighborhood would come tumbling down and they’d be forced to move to bland housing tracts on the edge of the Gobi desert.

       They will be the last to know. Earth trembled as blades sliced dwellings in half sending clouds of green tiled dust spiraling into the polluted sky.

       Not only will the officials need IRC coupons to bill my next- of-kin for the bullet, they will require hand carved marble chops with engraved ideograms and delicious red ink to verify and administer their official proclamations and imperial judgments.

       They will chop and stamp my passport until it bleeds. EXPIRED. They will chop every single page. They are important cogs in the wheel of the law, the wheel grinding themselves down into the dust of ages.

       Their looms spin broken threads out faster than they can weave them into their tapestry. If they make one mistake they will answer to the authorities.

       They examine my passport with filthy greasy fingers. They turn pages, looking at visa stamps, examining strange forbidden exotic designs. They see rainbows and a phoenix, hearing wild drums from Amazonian rain forests while savoring fruits from lush gardens filled with crow and raven songs. Eagle feathers drift out of the pages.

       On one page they explore meadows illustrated with roses. Thorns dive out of the sky piercing their hearts. A river of blood breaks through dams flooding their ancestor’s graves. They see names, histories and corpses floating toward Seas of Memory.

       Turning another page they scamper above raging gorges on frayed rope bridges. They hear people screaming, “Help us. Save us!”

       They keep going. The other side of the gorge is dark and dangerous, full of Black Mambas, vipers, pythons and fear bred demons slithering out of the ground, evaporating into rivers of sound, twisting forms dancing through their eyes, weaving into their spirit. 

       Blind, they struggle through fog, hail storms, into blizzards toward mountains. They are stranded inside the discursive circular logic drowning in a river of tears inside their river of dreams on the River of Time.

       “We’ve gone too far,” the boy yells to the PSB woman. “Turn back!”

       “It’s too late,” she cried. They began seeing with their ears and hearing with their eyes.

       Turning a leaf they dived into the ocean of their love below the surface of appearances. In deep turquoise waters they discover a secret spirit cave pulsating with a heartbeat and magical sources of inspiration and beauty.

       She handed the passport to the boy. “What do you make of this?”

       He took off his military party hat and scratched his head.

       “I’m not sure,” he said. “Appears to be some fable, a fairy tale, a mysterious rambling incoherent story. Never seen anything like this before.”

       His comrade grabbed it back.

       “Yes, strange indeed,” she whispered. “Where did you get this?” She held up a page of a butterfly sitting on a pure white lotus flower growing from mud.      

       “My girlfriend sent it to me. It’s a dream.”

       “Where did she get it?”

       “Along the way.”

       “What way?”

       “She collects dreams from people along her journey.”

       “Where is she? In Laos? Bhutan? Cambodia, Tibet?”

       The interrogator is suspicious. She knows the primitive mountain people are animists, superstitious types. Their Dongba ancestors in Yunnan created a written language 1,000 years ago using pictographs and worship nature of all things. They have powers like levitation, lowering their body temperature, running for miles above the ground, transcending their physical bodies.

       “She is everywhere.”

       “I don’t believe you,” said the woman. She skipped a few pages and started reading.

       “They floated through caves into Greek and Roman civilizations. Inside a huge cavern flooded with celestial star light were halls filled with beautiful art from everywhere in the world. 

       “It was arranged in a form of a historical magic time circle. They admired fabulous paintings of strange beauty. They cried tears of happiness and their tears created the beginning of the ocean.”

       She handed the passport back.

       “It appears authentic. But, I must say, parts of it are rubbish. Pure imagination. Your girlfriend will have to account for this. She’s crazy and needs medication. She needs to be somewhere safe for the sake of her emotional health. We have ways of dealing with these people. She’s clearly a threat against state-controlled propaganda laws and social stability. We can’t allow lunatics to just go roaming around the country writing this stuff. She could be in serious danger.”

       She rattles on in her well-rehearsed monotone.

       “There are immediate restrictions on your travel outside the city. You are required to check with the local Public Security Office if you want to leave yourself, if you need to transcend this impermanent state of being.”

       “Yes, I know. Existence is suffering. Thank you. I am rainbow of Light. Will you have more tea?”

       “Yes.” She handed me a cracked cup. I poured tea.

       She doesn’t want to lose face with this foreigner. Not in front of her comrade. He might talk at headquarters. Her superiors will question him.

       Her comrade is young and vulnerable to new ideas. Like free will and free choice. She’s afraid if he has the chance to escape he will visit neighboring lands, meet people, see their art and absorb their music and stories.

       She finished her tea gave me a withering look and left.

       Before leaving the boy soldier ripped the butterfly page out and put it in his pocket. He smiled.

       “You have been very cooperative. We will keep an eye on you.”

Saturday
May172014

her eyes are the world

A voice was missing.

Dozing, it concealed inherent pixel images of sad-eyed curious Chinese children trapped behind educational gates near women struggling behind plows and oxen or bent over Butterfly sewing machines threading conversations and manufacturing tongues in Maija village shoe factories years away from wealthy cities and dummies in display windows. 

One joy was selecting the cover photograph. The girl’s image expressed emotional honesty with natural innocence.

She was trapped behind a hard steel grate-full educational reality.

Her eyes held world secrets and unlimited potential. She’d stared at a professional stranger and an aberration in her universe. Her sisters and schoolmates pushed against her. She was trapped against a locked gate. He was on the other side.

He raised a small black machine to his eye. She heard a subtle click. A shutter opened and closed freezing time, capturing her soul on a memory-fiction card. He smiled, thanked her and disappeared.

She had no way to know her child eyes would grace a book cover for everyone to see, breathing her immortality in alchemical manifestations.

He’d visited her primary school speaking strange unintelligible words and singing and dancing.

His laughter and smiles were a relief for the kids after the autocratic, punishing manner of bored illiterate women teachers. They didn't want to be prisoners any more than the kids.

No one had a choice here.

You did what you were told to do in a harmonious society filled with social stability, fear and shame ordered from Beijing well removed from a world where farmers followed oxen in rice paddies.

Green rice stalks revealed their essence below a blue sky in mud and meadows of reality.

A Century is Nothing

 

Friday
May162014

laughing children

maintain their honest true
emotional awareness
in the moment
before artificial social conditioning 
destroys their fragile innocence

humor and curiosity

crimes against humanity

fear is a killer

mai's hearing evaluation -
anthony from NZ came, met, talked,

promised the world, took her out, tried to seduce her, failed, he left
mai has a black belt in karate
she's killed more men with silence than you can imagine
she is resigned to her life

massage and laundry scrubbing under the paternal gaze
of her older sister who sits in perpetual admiration of her mirrored reflection

how does her awareness register POTENTIAL for unrealized dreams
how does her silent resignation
understanding comprehend one single lost chance,

all the complexity w/o expectations

in the false dream of star rain

they moved a wooden toy pawn,
salad bar in silence
welcomed cool air from a brown river,
children pressed noses to a rolling window, laughing

an archeologist skips through star puddles into 8th Century excavations
freedom sings stones,
selling a Blue Pumpkin to a Cambodian land mine amputee
w/o a left leg selling DVDs to fat tourists
talking with their mouths full

an Enfield rumbles in Pokhara
spinning the Wheel of Time
rejoicing in miracles, small ones
sit in meditation 

we do laundry by machine, said language animal

3.8 billion years ago a black hole captured a star the size of our sun
sucked the star into its empty mass the star exploded the black hole
escaping energy created, released streams of light we see today

at that moment 20 raindrops trusted your intuition
to travel is to feel

indonesia asked you to return
two years ago you said thank you to orchids
goodbye to gardens

orchids remember you
the apple tree

you planted at Gardenia

grows strong
roots buried deep below blossoms
fragrant with memory

 

Street meat in Quanzhou, China

Tuesday
May132014

short odds

kick boxers attack green mangoes

chopping white ice while

shifting gears after school in wind

cradled infants

dying of malnutrition

wail at the cambodian hospital

for a free blue placebo pill

(an orange pill is $1.50)

smelling charcoal fired waffles

a boy pedals his bike seeking

recycled trash

before wicker baskets say hello

spare change searches for user value

collecting cardboard images in a squall

red ink meets onion paper at an intersection

whispering secrets without speaking 

Reading in Mandalay

Friday
Apr182014

Gabriel Garcia Marquez, 6 March 1927 - 17 April 2014

On Style: "In every book I try to make a different path [...]. One doesn't choose the style. You can investigate and try to discover what the best style would be for a theme. But the style is determined by the subject, by the mood of the times. If you try to use something that is not suitable, it just won't work. Then the critics build theories around that and they see things I hadn't seen. I only respond to our way of life, the life of the Caribbean.

On Magical Realism: Literary critic Michael Bell proposes an alternative understanding for García Márquez's style, as the category magic realism is criticized for being dichotimizing and exoticizing, "what is really at stake is a psychological suppleness which is able to inhabit unsentimentally the daytime world while remaining open to the promptings of those domains which modern culture has, by its own inner logic, necessarily marginalised or repressed." 

García Márquez and his friend Plinio Apuleyo Mendoza discuss his work in a similar way, "'The way you treat reality in your books...has been called magical realism. I have the feeling your European readers are usually aware of the magic of your stories but fail to see the reality behind it...' 'This is surely because their rationalism prevents them seeing that reality isn't limited to the price of tomatoes and eggs.'"

On Solitude: In response to Plinio Apuleyo Mendoza's question, "If solitude is the theme of all your books, where should we look for the roots of this over-riding emotion? In your childhood perhaps?" García Márquez replied, "I think it's a problem everybody has. Everyone has his own way and means of expressing it. The feeling pervades the work of so many writers, although some of them may express it unconsciously."

In his Nobel Prize acceptance speech, "Solitude of Latin America", he relates this theme of solitude to the Latin American experience, "The interpretation of our reality through patterns not our own, serves only to make us ever more unknown, ever less free, ever more solitary."

On Macondo: In his autobiography, García Márquez explains his fascination with the word and concept Macondo. He describes a trip he made with his mother back to Aracataca as a young man:

The train stopped at a station that had no town, and a short while later it passed the only banana plantation along the route that had its name written over the gate: Macondo. This word had attracted my attention ever since the first trips I had made with my grandfather, but I discovered only as an adult that I liked its poetic resonance. I never heard anyone say it and did not even ask myself what it meant...I happened to read in an encyclopedia that it is a tropical tree resembling the Ceiba.

Gabriel Garcia Marquez (wiki)

NYT