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A Century Is Nothing A Century Is Nothing
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The Language Company The Language Company
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Subject to Change Subject to Change
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Ice girl in Banlung Ice girl in Banlung
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Entries in experience (50)

Thursday
Oct292020

Ephemeral

Red sun white waves

blue sky green islands
Floating world - Ukiyo-e

Imagination

Observation
Experience
Posture
Attitude


Instinct
Star trails
Moon
Dancing ocean waves

Orange sun crashes into blue green
Infinity whispers WHAT IF
Orange processes earth's rotation

Puppy shits in sand
Serious Chinese eyes study sand footfalls

Distant white sail
Water glistens light ephemeral
Twinkling

Grow Your Soul - Prose and Poems from Laos & Cambodia

Tuesday
Jul142020

ART

I discovered an engraved Zippo lighter in a dusty Saigon history museum cabinet.

“Most people are born alive and then slowly die. I was born dead and then came to life.”

“Ha. Ha. Ha,” said Laughter Therapy, an antidote to the illusion of suffering.

I rolled snake eyes in life’s crap game. Reptilian id brain matter shredded old skin and identity theories. Retinas discerning space-time energy as light wave particles travelled on microscopic fibers to the cerebral cortex where data is received and analyzed for meaning. Meaning is a truth-value. Interpretation.

“Truth has few friends and they are suicides,” said Fernando Pessoa author of The Book of Disquiet.

Overloaded synapses crashed in psychotic bliss. Interpretation demolished nonrenewable resources in space-time fourth dimensions. You enter another dimension beyond sight and sound.

My hourglass sand approaches empty. I reversed it catching up to fiction-memory and truth-story. Weave on.

Leaves left winter’s tree in an airborne tag dance. They do not fall far from the Tree of Life. Frayed Tibetan Lung-Tao prayer flag horses beamed air current prayers. Perception and sensation ceased. I dissolved in the wake. Up.

“Time is a flock of nightingales,” said Albert Einstein. He added one plus one - “Experience is your education. Everything else is just information.”

A pulsating vein needle sang disconnected photons.

A three-act Greek play craved characters.

Her daughter in intensive care sang, “I feel free,” while carving her death mask.

ART - Adventure, Risk, Transformation

Laos

Tuesday
Jun092020

We Gave Them Everything

Two pale female French tourist conspirators plotted their narrative near the Khmer gardener.

Colonizing this hell hole we gave them baguettes, war, illusions of freedom, top heavy dull administrative procrastination tools, fake NGO bureaucracies, wide boulevards, legal beagle systems, an eye for an eye, corruption potential, designs of egalitarian ideals, morals, ethics, principles, values, faded yellow paint and French architecture.

Yes, said her friend, this IS the old brave new world and I am lazy and passive and my stomach comes first. I am starving. Let’s eat our sorrow and be grateful we don’t live in this depressing country filled with compassionate Buddhist people. I’ll never understand their intention to do nothing with mindfulness.

It’s the hardest thing a person can do.

She was a super thin model of anorexia boned with stellar constellations. Her grim hawk faced rotund lesbian lover had flabby upper arms. She scribbled serious fiction-memory and sense data entitlement in an unlined black notebook with one hand while massaging her forehead to increase creative blood flow.


They examined a microscopic map of Angkor Wat filled with unconscious alliterative jungles, gold lame Apsara dancers, 232 species of black and red butterflies, 1.5 million anxious tourists in a big fat fucking hurry, Chinese, Japanese and Korean robot tour groups, crying elephants, super tour buses, 125cc motorcycles, tuk-tuks, begging children speaking ten European languages hawking gimcracks and whining predatory adults with an 8th grade education accompanied by miles of flaming plastic garbage, narrow boned white oxen pulling carts, 18 million attention deficit disordered citizens addicted to simple minded FACELOST entertainment diversionary cell phone adolescent sex text nonsense and 1,001 laterite cosmic Hindu temples stretching across Burma and Thailand into Laos and Vietnam in a circular boomerang dance evolving from the stillness, letting go of outcomes as the French ladies whispered, Where have we been, Where did we go, What did we see, Where are we, How do we feel, Did we discover the intuitive third eye of enlightenment or any wisdom in this totality of mystery, devotion, and sublime splendor?

They’re trapped in SEA. One described fragments of her short life history with an animist talking stick.

The other cut out brochure glossies, ticket stubs and bleeding hearts to paste in her book. A future visual memory of her ear and snow.

Her attention span was shorter than a tour at the Genocide Museum filled with 2,000,000 smiling skulls.

Here we are.

The Language Company

Monday
Mar092020

Burn your fear

Write FEAR & ANGER on a paper napkin.

Burn it.

Let go.

Citizen sheep believed in fear and unsustainable consumption because they were afraid of being lonely and poor.

Happiness is a myth. The wish of desire said so.

Humans were willing victims of their fear, healthy uncertainty, and doubt. Their amygdala, a small almond shaped brain structure creating fear and emotional response fired up. Fight or flight?

Are you the hunter or the prey?

Manipulated by the collective unconscious and a pervasive system of socialization control mechanisms, consumer sheep were happy. The subtle influence of right wing conservatives and media addiction bought idiots. Facing their mind-numbing daily grind with heart breaking choices sheep needed someone/something to Control them.

Accepting responsibility for their freedom was scary.

Intelligent centered ones feeling gratitude and empathy in their heart danced with Death. Everyone lives and dies.

“You work, breed and get slaughtered,” said an Asian child with a junior philosopher badge.

It’s essential to die once while you’re alive. Get it out of the way.

*

I carried a copy of Omar’s book, A Century Is Nothing from Turkey to Indonesia to Nam in 2009.

Together with Omar we used fire, this crucible of alchemical combinations, diversities, sweat, blood and tears to create it so I’d use fire to release it. Save books, build a library.

Books are universes of ideas, experiences, feelings, visions, and paths, destinations obliterated through discovery, reminding memory. They are worlds of dreams, stories, dramas, plays, songs, histories and guides into new visceral experiences.

Pages sing their laughter with wisdom, song, and poetry. Preserve memory. Live forever with paper’s tactile voice. Voices of reason, comedy, and tragedy are skintight drum stories.

They are oral transmissions recorded on parchment, vellum, and illustrated manuscripts in Irish Gaelic talking tongues, Sumerian clay and Asian scrolls.

I didn’t burn it, a way of sacrifice offering and letting go. Down the road I gifted the brick to three Asian women in Saigon. They had Chinese ancestry from Hong Kong and lived in Australia.

I said a friend wrote it so I signed it and laughed letting it travel with them. Thanks for the book. You’re welcome. I hope you enjoy it. It took all three to carry it.

They staggered up guesthouse stairs with the tome. After breaking down a wall they struggled to get it through an opening. People need to break down before they break through.

Maneuvering it into a bag they discarded cheap Vietnamese souvenirs. We’ll have to check this monster all the way to Sydney.

ART

Sunday
Jan262020

Rolling Thunder

One hot July day my mother rolled her living prose poem of anguish, vision, truth and beauty through Denver and beyond.

“It’s all a myth, a way of remembering the past,” she screamed chasing shadows into blazing sunlight on Broadway Street and immigrant families sitting on broken suitcases in shade.

She passed devout Tibetan pilgrims walking, singing, praying, and laughing inside the Barkhor circuit in Lhasa. They threw sky crystals at karmic ravens, the symbol of reincarnation.

She rolled past terracotta warriors crashed on bags at Shanghai train stations seeking invisible unknown terminal destinations.

She rolled past Elmore James, Willie Dixon, Little Walter, Sonny Boy, Howling Wolf, Robert Johnson and Muddy Waters down at the crossroads sliding their callused fingers on metal frets trading their souls to the devil.

The blues are the roots. Everything else is the fruit.

She flew past Balinese carvers edging faces for shadow puppet plays, jungle painters creating corporate butterfly murals, villagers harvesting rice in layered green pastures and landmine amputees plowing behind oxen.

Hearing Irish tinkers pound pans between villages she rolled past homeless humans dreaming of food as shadows danced on cave walls in the United States of Amnesia.

She rolled past a naked evangelist at his wailing wall forecasting human greed and global economic terrorism.

A phallic snake symbol delighted the envy of quicksilver messengers wheeling past tan cellular idiots waiting for an express bus to financial heaven.

Shifting gears she burned past her husband’s white haired aunt in a nursing home painting her final autumn leaf watercolor vision.

She sheared past Ashiakawa weavers threading seasons in Hokkaido, Japan and Sherpa’s brewing tea at 18,000 feet for expeditions collecting Trophy Mountains after paying hard currency to totalitarian emperors for the pleasure of suffering altitude sickness, hypothermia and high blood pressure death.

She rolled past consumers making quick money honey living on plastic debt while driving 4x4s through scarred Rockies as cock-a-roaches devoured natural resources. Land grab development bankers heard mutants scream, “Where is the water for God’s sake? We paid for our thirst.”

She sailed past her eldest son waiting for his NAM dust off chopper from Camp Eagle near Hue toward San Francisco. On the flight to Denver and beyond he became a ghost in exile.

He stayed in Colorado for a month, did eight weeks at the DOD Information School, finished his time in Europe and got out, a free man. He spent six months roaming from Germany to Finland, Portugal, Spain, and Morocco.

In 1973 when he attended the University of Northern Colorado in Greeley she knew he’d face abusive rejection from some students. They’d accuse him of being a baby killer and an undesirable outcast.

He became an invisible literary outlaw.

He incorporated passive-aggressive silence. He became anonymous, a figment of their imagination. Staying away from them he practiced covert dark arts on night patrols with stealth, silence and cunning on full automatic.

Write it down and done, laugh, and move on.

His undeclared major was Survival 101. It wasn’t in the catalog of classes. University admin officials in their cubicles screamed, “You have to declare something!” He selected Cultural Anthropology placating the beast.

She read his final letters home about fire fight survival instincts remembering the horror etched on a black wall in D.C, with 58,000+ names as reverberating chopper blades severed stale humid tropic air and jungle survival removed veils of illusions. He’d surrendered to life and began collecting dust.

Like an old river she careened past Arabic nomads exchanging goats and camels for pearls as oil deserted sand enveloped silk encrusted carpets. Refugees on sinking lifeboats discovered geological family strata amid Chinese shipwrecks shifting divorce paradigms.

Independent shamans played with awareness using active imagination’s free potential - exhaling a mind’s eye making B&W street photography in exile.

Women wearing exploitation’s cloth wrapped in solitude braved whirling third-world poverty as their economic fate shattered malnourished rocks along Bhutanese mountain roads creating capitalistic nirvana. Imported from India and desperate for food they lived in river reed habitats with Gross National Happiness.

Gathering speed now.

Rolling her Wheel of Life she evaporated six degrees of separation near the Tropic of Cancer in fast rivers celebrating animist tribal dialogues hearing tongues sing air earth water fire languages by crow, eagle, raven, coyote and wolf.

She received the mark of the king tattoo from a Tahiti artist in Saipan.

Indigenous natives were surrounded and confounded by blue-eyed European’s commercial greed and cultural annihilation while denying slavery’s cost for competition’s profit.

In silence she rolled with patience, solitude, and nature just being her doing nothing poem.

Her life created a ruptured aorta in earth, fire, water, and air with pulse platelets as red lava flowing past Himalayan monasteries heard monks chant prayers in assembly halls at dawn.

Green, blue, white, yellow and red Lung-Tao prayer flags singing wind songs welcomed her sacrifice, liberation and freedom with perfection celebrating Maya illusion wisdom free from Bardo.

ART