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Timothy M. Leonard's books on Goodreads
A Century Is Nothing A Century Is Nothing
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The Language Company The Language Company
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Subject to Change Subject to Change
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Ice girl in Banlung Ice girl in Banlung
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Finch's Cage Finch's Cage
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Entries in history (135)

Tuesday
Aug172021

Kabul Doctors

Now it happened one Sunday in Ankara, when streets were dead, everyone having evaporated to vote for someone special important and wealthy who’d change alter and manipulate the course of the Turkish future with panache, charisma, dedication, fortitude, and cold hard cash  ...

After 4,000+ years of invasions, intrigue, bells and whistles, harems, delicate Blue Mosque mosaics, gongs, cymbals and flutes in life’s chess game, survivors said YES we have realized truth and freedom and democracy in digestible form. One size fits all.

I stood on a main artery filled with silent rusty water fountains of youth. Shuttered stores gleamed with expensive watches, clothing and exchange rates. A bundled man in stone cold shadows sold Simit, a common thick round seedy pretzel from his red and white rolling carnival circus wagon.

Five women in shimmering red, green and sea blue silk danced along shiny plate glass windows admiring their reflection. Hello Beauty. They hugged each other exploring visual perceptions. Their dark skin, sharp noses, deep black eyes complemented long hair under bright head scarves. Clothing reflected silver balls and small mirrors. They jabbered in Farsi.

Three posed in front of a clothing store to have their picture taken with a male mannequin. Men talk nonsense, make war, babies and are real dummies. A white frozen dummy wore a dark pin stripped suit.

A tall woman used a point-n-shoot digital camera to trap an image of her laughing friends. One didn’t smile because she was sad, serious and a long way from home thinking  ...

How are my brothers and sisters today are they alive trying to find food while the Taliban coerces them into religious ideologies resembling spider webs composed of incessant swarming angry bees beheading and stoning and honor killing innocent women for trivial behaviors in public like walking, turning, gesturing, laughing, weeping, or pausing?

Breathing was a major crime.

Fundamentaliism is the Big H smack, said Louie, a barbarian crusader … look at world’s religions  ... Christians have a booze addiction  ... Catholics have faith in dope, weed, grass and ganja  ... Agnostics have a library card.

Shhh ... said one woman whispering to herself, One should keep quiet, practice self-censorship. Think freedom but don’t say it. A mantra for billions.

Don’t you realize how the dying religious leaders sleep together and will shuffle your deck, rearrange their animosity, hunt you down like a dog and pick their nose in private before blowing your life, wife, strife into their rag?

Do be pious, stupid and poor in mind body and spirit swallowing religious addictions controlling your gravitational awareness with mathematical rational certainty.

Her family, praise Allah, were still alive when she returned and she wasn’t sure about their destiny or hers because life is filled with unexpected complicated and complex random surprises and inconveniences and nature is a cruel beautiful illusionary dream.

At that exact moment bi-lingual Asian orphans played hide n’ seek in secret gardens above landmines far removed from adult stupidity, regrets, indignation, jealousy and revenge-tainted anger.          

 

The photographer finished. I gestured if she wanted me to take a picture of their group. Yes, she said, in impeccable English, Please ask your friends, your sisters to stand there, pointing to a wide area where full trees created a soft background. She sang to her friends. Two shy ones hid behind flowing skirts. They were coaxed out of hiding. Click.

I handed her the camera. Where are you from, We are from Kabul, Why are you here, We are doctors, we have been attending seminars and will return home this week.

Are you all from Kabul, No, gesturing to the women hiding behind their sisters, They are from distant provinces, I see ... How is the medical situation now in Afghanistan, do you have enough medicine … It changes we are fortunate to receive medicine from international aid agencies, our hospitals need more equipment, it’s a struggle at times especially outside the capital …

How are the children doing in your country, are they receiving medical care and enough food, can they go to school  ... We are doing our best to take care of the children  ... I wish you well in the future, knowing you face large responsibilities, it was nice meeting you, Thank you, she smiled, Good-bye, joining her friends passing shops, talking free.

One whispered to her shy sister, Our friends in Kabul will never believe it when we tell them we walked down a street talking, feeling free, how we had our picture taken by a man who wasn’t an immediate relative.

Her sister laughed, Yes, it’s strange feeling free to be your true self without fear of the religious police following you step by step, day in and day out like snakes ready to bite you, Someone should cut off their head, said another sister dancing her mirrors  ...

My dream, said another sister, Is to be a free person in a free country  ... Is that too much to ask, Freedom is a life changing experience with responsibilities, said her sister, smelling wild roses, I feel free.

When I related this encounter to a TLC student she asked, Were they open or closed, referring to veils not their liberated emotional being, They were open.

Book of Amnesia, Volume 2

 

Saturday
Jun052021

Up River

Banlung is a gateway to isolated animist villages up river. The Tonle Srepok River is the river of darkness. The Apocalypse Now river.

The river overflowed with extended tedious years of silence singing a slow meandering song before being punctuated by random acts of violence, gunfire, and exploding land mines swallowing eternal cries for mercy as innocent men, women and children were slaughtered in fields, homes, and villages along twisted dirt jungle paths ...

or murdered inside animist cemeteries wearing crude carved wooden faces remembering the dead with ceremonies, laughter, animal sacrifice and rice wine hearing the low dull roar of high altitude B-52 bombers releasing enraptured napalm canister lightning bolts through clear skies rendering humans, mountains and jungles obsolete, accompanied by the steady rhythm of a girl sawing ice.

Someone said there was a war, she said. My mother saw a plane. She thought it was a bird. She wove the image into indigo cotton with yellow, blue and red silk thread. All the women weave here. Men don’t have the patience. They love hunting and killing.

Mother saw a whirling bird, called a helicopter. She wove it with our traditional motifs of weavers, people carrying water, harvesting, dancing, playing music, sitting, resting, flowers, fields, cows, chickens, ducks, birds, banana and palm trees, rivers, sky and nature. She weaves our long story. Before writing after cutting and selling ice I weave.

Animists believe in the natural world. Every living thing has spirit energy. A shy woman shaman smiled after performing a family ceremony and healing sacrifice near the river. She smeared chicken blood over a sick infant’s stomach. Villagers are superstitious and trusting.

Bored dead eyed humans wandered red dust.

One prolific business in Banlung is mechanical. Along and adjacent to the single east west paved artery were brown wooden homes and shacks of rusting corrugated tin.

Single men or teams of laborious boys hammered, welded, and pried, manipulating iron and steel, adjusting belts, guided grinding gears, solidifying particles, firing cylinders, filing metallic blisters, reworking tired 125cc engines and formatting hard drives as spokes on crude machines sang.

Repair and restoration work implied basic life skills using eye-hand coordination, communication theory modules with colleagues, decipherable brooms, grease, balloons, laughter and a high degree of universal understanding and empathy.

Freedom worked 24/7. Under a broiling sun tempered by a soft breeze they carried buckets of cement over boards, pouring it on red dirt. Freedom shoveled 21 muscular sandy efforts into a wheelbarrow. Freedom pushed it to a new world order construction site filled with profound expectations and poverty’s paradoxes.

After dark Freedom caressed a hungry $10 passive lover inside a plywood shack along a dirt road removed from neon, Zircon and the tooth fairy. Dirt floor, bed, and OK condom.

Her clothes hung on rusty nails embedded in exploitation. Stale perfume, lip-gloss and mascara sang lost memories. Her dead eyes said, plow my field with no emotional connection. She stared at a brick wall as Freedom assaulted heaven’s gate grinding desire.

After 15 minutes longer than forever she joined five girlfriends sitting around a fire below stars. See who shows up, said one, the night’s young. We are tools, said another. We are fools, said one applying gloss. I don’t give a shit, said a sad one remembering her mother and siblings upriver. Fuck it.

The fat male mafia moneyman slouched in a porch hammock watched reality reruns under a red light special.

Ice Girl in Banlung

Author Page

 

Monday
Aug262019

Angkor Wat Photo Book

Angkor Wat, "City of Temples" in Cambodia is the largest religious monument in the world.

It was built between the 9th and 13th century. Originally Hindu, it absorbed Buddhism into the art and culture in the 12th century.

It is estimated 1,000,000 Khmer lived, worked and created 1,000 temples honoring kings.

The city had the world's largest population before the Industrial Revolution with a land area exceding 280 square miles.

My new photo book explores the magic and beauty.

Angkor Wat, Cambodia

Saturday
Jul142018

Draw The Dead

The Maija artist in Fujian, China accepted a photo from a grieving relative, set up his easel and studied a face with a magnifying glass.

His pencil sketched an 8x10. On chipped plaster walls were images of farmers, aunts, uncles, husbands, wives, young and old Pioneer Communist members with tight red party issued scarves knotting necks suffocating passion.

This day he sketched a stoic resigned peasant woman. She’d suffered at the hands of the Nationalists then Communists then corrupt greedy economic free market revolutionaries before facing the indignities of old age.

Old age is a killer.

A battered three-string wooden musical instrument hung near red streaks of paint in his fine art museum. A black fly on the artist’s left shoulder rubbed feelers together. Tasty.

An emaciated smiling ascetic friend of the artist wearing a skeleton face with paper-thin arms opened a bag of Fujian tea. He poured tight compressed leaves into his bony right hand dispersing it into an old chipped blue pot. He added water from a battered red thermos. We shared tea watching the artist. The likeness was perfect. The tea tasted acidic.

These images decorated Asian family altars and collected dust in temples. Ancestor worship and the fear of ghosts is a big deal.

Do all the ancestors hear, understand and acknowledge the yelling? Yes. Do they open their mouths requesting a little peace and quiet? Yes.

On anniversary death days they meet ghost ancestors in cement alley mazes where piss, drain water, used cooking oil, daily slop and vicarious liquids flowed into small holes.

The dead formed a rubber stamp committee addressing Asian family noise.

“It’s come to our attention dear comrades, beloved family and friends...we have a communication volume problem in the neighborhood. Silence. We are trying to enjoy a long peaceful restful sleep. Leave us be or we will return to haunt you. Forever.”

The Language Company

 

Saturday
Jan202018

El Carnicero 

Big black hungry Spanish flies buzzed and fought around fresh red meat dripping warm blood into dust dancing along the devil’s whiplash.

A mangy cur dog rolled over in shade, ribs scraping grounded dust, begging for water.

A drop in the ocean, where it’s all H2O no matter how deep you dive. Waves washed shores singing stones.

Sausages retained a sharpness inextricably swaying like dancers in choreography. Tired, frayed strings bent under dead meat weight mass, substance, context.

Remembering the Spanish Civil War, Manuel the butcher stared through a jagged broken glass window. His facemask spoke a weary solemn stillness quiet lying fury.

His silent words were exaltations, evaluations, a surcharge, a value added tax in an empty stomach for services rendered by reinforcements riding hard through Basque valleys listening for waves of German bombers over Guernica 1936.

Beleaguered men inside stone shepherd huts trapped in desolate Pyrenees mountains stood spinning, surrounded by empty canteens, bread crusts, discarded family heirlooms, spent shell casings, and decomposing bodies relishing solitude.

He’s required to remember old Fascist propaganda spreading information.

He is El Carnicero, one who slaughters.

In order to put food on the table and provide for his family after peace was declared with celebrations of music, church services, baptisms, wine, street dancing and tear streaked burials, economics forced him to slaughter his remaining beast of burden.

His bull was his calling card, vision, hope, dream and village identity. Dictators, thieves and Fascists had stolen everything else. Dignity, integrity and self-respect survived.

Destiny arrived minus sympathy, sentiment or condolences. Shaded from a brutal sun he sharpened his axe, honing steel across a grindstone. New edges were sharpened with passionate ambivalence.

Laughter’s axe was ready.

He walked into a red clay ring surrounded by a white clapboard fence. The bull stood in the far corner.

He held out his hands lined with pulse-rivers. The bull emerged from shade. Manuel collected reins. In the animal’s eyes he saw memory reflected in his soul. Sighing, he clapped his hands twice, bowing to the bull as a Shinto priest pays his respects to Bishamonten, the Kami god of benevolent authority.

He asked for forgiveness, this act of fate, raised his laughing axe and brought it down hard and fast on the bull’s neck. The bull froze, slumping, straining to escape steel carving tough weathered skin, muscles, tendons, sinew, arteries, veins, snapping final bones.

Front legs folded, rear legs buckled. The carcass shuddered. A final breath exploded red dust.

He clapped his hands, severed the head and dragged everything through dust to his shop. He hung the severed head in his broken window.

For Sale.”

His wife served portions to family and neighbors. They consumed his life’s work, toasting his wise sacrifice for the greater good. Sharing is caring.

I am an accomplice to death. I could have stopped it. No. This is a lie. Truth lies. Truth hides in the mystery of interpretation. I couldn’t prevent death. I tried to speak and save the bull. Words. I was afraid. Language strangled me. My voice was dust. I was five.

He was my father.

Which is greater, real pain or pain’s premonition I wondered as Manuel’s silver blade melted reflections into diamonds of glittering light. The quick and dead burned. Manual and death danced inside my childhood, inside time’s compressed memory where rivers of stained glass mosaic memory melted. I took ownership of laughter’s axe.

Mirror reflections retained red river blood and sweat dancing on Manuel’s temple. Blood and sweat congealed in red dust creating tributaries and oceans in Spanish heat one swift irrevocable summer.

The world is a strong sense of Guerencia, a Spanish term for homeland, “a place, like a bull facing death in the ring, where you feel comfortable dying.”

Surviving along the Mediterranean meant controlling trade routes in slaves, salt, textiles, gold, silver, copper, limestone, turquoise, red granite, alabaster, bananas, sugar cane, cotton, sorghum, ivory, timber and purple dye.

Land and sea trade routes flowed with cuneiform, hieroglyphics, Phoenician alphabets, Mandarin, Meso-American, Runic and Indus script, coins, wooden tally sticks recording the number of animals killed, religions, amber, animals, royal purple clothing, grains, horses, incense, olive oil, silk, spices, tin, wine, tortoise shells and slaves.

Commodities.

Witnessing everything from a small Spanish village at the edge of the sea I seized cold-blooded mercenary opportunities. I evolved through determination, persistence and perseverance. Trial and error danced with cause and effect hearing The Art Of The Fugue by Bach.

Thin calm detached hungry dancing spirit fingers hummed down a necklace of threaded skeleton bone beads of catastrophic karmic actions near contemplative Gomchen mystic Tantric hermits north of Sera monastery in Tibet. Monks sat chanting and praying in sight of Chomolungma, the Mother Goddess.

Butchers, the untouchables, flayed corpses before smashing bones for vultures to reincarnate a spirit in a sky burial.

Frozen earth informed archeologists there would be no work here with their soft brushes.

I absorbed Tibetan dialects by swallowing bone dust. Transmissions of spirit energies, renewal and transformation evolved with joy, beauty and gratitude.

I sat meditating, breathing, digging, absorbing creation stories, illusions between what was and what is.

Realizing amazing journeys I discovered childlike laughter, curiosity and joy.

You are either innocent or mad.

Flip a coin. Magic nature opened my third eye to see what will be. Mirrors are free of dust and illusions. I dissolved.

The day after tomorrow belongs to me.

The Gomchen taught me how to meditate on the process of death. It centers a person fast. First thing in the morning, shapes my motivation with clarity.

“What is the motivation behind my desire to acquire _______ and the things that come with it?”

Motivation and its effects were determined by reading The Roots of Wisdom by Ming.

Mountains and rivers and earth are already nothing but dust.

Man, of course, is but dust within dust.

Bodies made of blood and muscle will surely return to bubble and shadows.

If the highest wisdom is not obtained, there will be no heart of understanding.

All is vanity.

One ought to live a life of peace and quietude.

What’s the point of unrelenting pursuit of external things?

El Carnicero, archeologists and I cherish our illuminated rolling stoned spirit energies.

Our choice is simple.

Sit or move. 

Weaving A Life (V1)