Ice Girl Talks

Banlung is a gateway to isolated animist villages up river. The Tonle Srepok River is the river of darkness. The Apocalypse Now River.

The river overflowed with extended tedious years of silence singing a slow meandering song before being punctuated by random acts of violence, gunfire and exploding land mines swallowing eternal cries for mercy as innocent men, women and children were slaughtered in fields, homes and villages along twisted dirt jungle paths or murdered inside animist cemeteries wearing crude carved wooden faces remembering the dead with ceremonies, laughter, animal sacrifice and rice wine hearing the low dull roar of high altitude B- 52 bombers releasing enraptured napalm canister lightning bolts through clear skies rendering humans, mountains and jungles obsolete, accompanied by the steady rhythm of a girl sawing ice.

Someone said there was a war, she said. My mother saw a plane. She thought it was a bird. She wove the image into indigo cotton with yellow, blue and red silk thread. All the women weave here. Men don’t have the patience. They love hunting and killing.

Mother saw a whirling bird, called a helicopter. She wove it with our traditional motifs of weavers, people carrying water, harvesting, dancing, playing music, sitting, resting, flowers, fields, cows, chickens, ducks, birds, banana and palm trees, rivers, sky and nature. She weaves our long story.

Before writing, after cutting and selling ice, I weave.

Animists believe in the natural world. Every living thing has spirit energy.

A shy woman shaman smiled after performing a family ceremony and healing sacrifice near the river. She smeared chicken blood over a sick infant’s stomach. Villagers are superstitious and trusting.

Bored dead eyed humans wandered red dust.

One prolific business in Banlung is mechanical. Along and adjacent to the single east west paved artery were brown wooden homes and shacks of rusting corrugated tin.

Single men or teams of laborious boys hammered, welded and pried, manipulating iron and steel, adjusting belts, guided grinding gears, solidifying particles, firing cylinders, filing metallic blisters, reworking tired 125cc engines and formatting hard drives as spokes on crude machines sang.

Repair and restoration work implied basic life skills using eye-hand coordination, communication theory modules with colleagues, decipherable brooms, grease, balloons, laughter and a high degree of universal understanding and empathy.

Freedom worked 24/7.

Under a broiling sun tempered by a soft breeze they carried buckets of cement over boards, pouring it on red dirt. Freedom shoveled 21 muscular sandy efforts into a wheelbarrow. Freedom pushed it to a new world order construction site filled with profound expectations and poverty’s paradoxes.

Ice Girl in Banlung

Kids Write

“Let’s create a book,” said one, “and we’ll be in it. We can create a quest about love & survival. Like ART, adventure, risk and transformation.”

“Hey it’s a great possibility, with stories or vignettes for word salad dressing.”

“We need stories, water, shelter, food and love.”

“Stories existed before food and shelter. Stories describe hunting for food and social needs. All stories are about forms of hunger.”

“Love is a blind whore with a mental disease and no sense of humor,” said a shadow.

“Will it be a man-u-script or a woman-u-script?”

“Both. If it ain’t on the page it ain’t on the stage.”

“We are authors looking for characters,” said an Italian kid named Pirandello. “I am a plot looking for a character.”

“When someone dies survivors look for a plot,” said a gravedigger.

“It will have characters facing conflict on their quest,” said a young scriptor. “It will have satire, humor, curiosity and courage.”

“Yes,” said a writer. “It will be a labyrinth of desires and obstacles with rising and falling action and resolution as characters take risks, suffer greatly and overcome adversity to realize their authenticity. You will experience what characters sense and imagine through their actions. Socrates subordinated character to action. Get to the verb.”

“Let’s make it dramatic by focusing our spotlight on specifics and floodlight on the general to establish a P.O.V. I’ll play director. Places everyone. Lights. Camera. Action!”

“Our stories contain conscious and unconscious awareness like a maze or a puzzle palace. I need your help with dialogue and action as characters reveal their fears by living forty questions in the dark night of their soul. They trade their soul to the devil down at the crossroads at midnight so they can play the blues, create art and dance. Free from masks they are breathing, laughing and living healers.”

“Let’s act out their fears, dreams and joy.”

“Do your characters discuss moral ambiguities?”

“Yes. They speak with nouns and verbs with choices, actions and consequences. They slay adverbial dragons with an ultra fine red pen.”

“Is a place like this hospital a character?”

“Sure, a place has character? Writers explore environments like Tacoma, Vietnam, Morocco, Spain, caves…”

“It sounds like nature vs human or human vs human or human vs themself. You become the thing you fight the most.”

“Do they playfully deconstruct the human condition with story-truth moving the narrative forward to get to the root of their experience?”

“The roots are below the surface,” said a young nun washing teacups on a Taoist mountain in Sichuan, China. “I mediate on the roots below the surface of appearances.”

“Get is the joker word in English. A lit agent at the Willamette Writer’s Conference said this work is a word farrago photograph, a jazz beat stylistic epic in process. She suggested throwing the narrative out and focus on one geography or one specific time.”

“Yeah, yeah,” said Rita, 14, an ice seller and independent author of Ice Girl in Banlung in Ratanakiri, Cambodia.

It was a wild-west town of 25,000 with dusty red roads near the River of Darkness and animist cemeteries. “It’s fucking hysterical.”

ART

Fairy Tale

I am sorry are our three favorite words in Cambodia.
It’s the last thing 2,000,000 genocide victims cried out before a complete stranger slammed a shovel against their skull. I am sorry. Sorry, sorry, sorry.

One survivor said to another survivor, what a beautiful fucking mess. Help me drag this one away.

You either let go or get dragged along, said a Buddhist monk lighting incense for world peace.

Same in China said Leo, We learn life’s hard bitter lesson to accept loss forever, I am sorry. What is the most beautiful word you know Zeynep?

Freedom. And yours? Food, said Rita and Leo.

Less talk and more drawing are essential in life, Z said. Experiment with circles, dots, triangles, squares, lines and curves to reach existential levels of realization. Connect the dots forward.

The asylum is a prison and protection, said Rita.

You create art to explore your sense of self and find out how you feel you are, rather than whom you think you should or ought to be, Z said, drawing her future.

Make the right choice for the wrong reason, Leo said.

Make the wrong choice for the right reason in the right season, Rita said.

Z discovered questions were repeated. 1,001 questions ran around her Turkish restaurant looking for answers. Questions grew tired of repeating themselves. This is so fucking boring, said one question. We are abused. We are manipulated and rendered mute. Useless.

Think of it as a test, said another question. Patience is our great teacher. I’ll try, said another question. Yes, said a question, these non-listeners have a distinct tendency to say nothing and say it louder than empty silence when they’re leaving, when their faces are turned away from eye contact, potential real heart-mind communication and growth.

Echoes drifted in through around silence and ignorance. I’ve seen that too, said a question, who, until this moment was silent. My theory is that it’s because of genocide, fear and ignorance. It’s also a delicate mixture of stupidity or indifference, said another question. I suggest it’s their innate Buddhist belief. They suppress their ego. Non-self.

Why is the most dangerous question, said Lucky addressing questions. Remember Leo asking why and ended up carrying shit at the Reform Through Re-education Labor Camp near the Gobi before becoming Chief of the Cannibals wearing an alarm clock around his scrawny neck reminding everyone of Time?

Yes I remember said a timeless prescient question. Leo was one smart cookie, whatever that means. He figured out unique survival skills in a desperate situation. He knew the fundamental difference between book smarts and street smarts. Anyway before we drift off the subject, how do you explain fear, asked a question.

Rita (author of Ice Girl in Banlung) - Fear is a basic instinct. It’s in our DNA. It’s in the amygdala. Flight or fight? Is it safe, eyes say scanning a potentially dangerous environment since Day One. You see it everywhere, all day, everyday all the scared uncertain eyes asking is it safe?

They peek left, glance right, double check. The coast is clear. Let’s go. People ran away to survive. Instinct.

People had a panic attack, started running and others would ask them a question like why are you running, who’s chasing you, where are you going or what’s the matter or when did you become afraid or why are you afraid, or why don’t you stay longer and the running one would keep going trailing abstract question words behind them like memories of dead or missing families or disembodied spirits or exploding landmines or molecules of indifferent breath.

I see, said a question, that explains everything. Yes, said an open-ended question. Being correct is never the point.

Nothing is true. Everything is permitted. We are assassins.

The Language Company

Burma

Ice Girl

  Red dust Banlung town turned windy.

Swirling quality gem stone particles and degrees of indifference spiraled through air.

Redwood slats covered open sewer drains.

  Locals watched Leo with curiosity and suspicion.

They stared from a deep vacuum.

When he made eye contact they glanced away with fear, uncertainty and doubt.

They didn’t see many strangers here.

They listened at 49% or less saying yeah, yeah with panache.

  Leo's questions were constantly repeated.

  Questions grew tired of repeating themselves.

This is so fucking boring, said one question.

We are abused. We are manipulated and rendered mute. Useless.

It's a test, said another question. Patience is our great teacher.

I’ll try, said another question.

Yes, said a question, these non-listeners

have a distinct tendency to say more

and say it louder when they’re leaving,

when their back’s turned away from eye contact and potential real communication.

I’ve seen that too, said a question, who, until this moment had remained silent.

My theory is that it’s because of the genocide and fear. It’s also a delicate mixture of stupidity or indifference, said another question. Why is the most dangerous quest-ion, said one.

  Can you explain, asked a question.

Sure, people ran away to survive. People started running and others would ask them a question like

why are you running, who’s chasing you, where are you going

or what’s the matter or when

did you become afraid or why don’t you

stay longer and the one running would keep going

trailing abstract question words behind them

like memories or disembodied spirits or molecules of indifferent breath.

I see, said a question.

That explains it. Yes, said a question. Being correct is never the point. Tell me why oh my.

Ice Girl in Banlung

The Garden #10

The beginning of Ice Girl in Banlung decorates The Garden #10.

Thanks for listening.

The Garden #10