Journeys
Images
Cloud
Timothy M. Leonard's books on Goodreads
A Century Is Nothing A Century Is Nothing
ratings: 4 (avg rating 4.50)

The Language Company The Language Company
ratings: 2 (avg rating 5.00)

Subject to Change Subject to Change
ratings: 2 (avg rating 4.50)

Ice girl in Banlung Ice girl in Banlung
ratings: 2 (avg rating 4.50)

Finch's Cage Finch's Cage
ratings: 2 (avg rating 3.50)

Amazon Associate
Contact

Entries in joy (13)

Tuesday
Oct052021

Joy

See how humans become slaves to their phones.

"Spring passing; the birds cry out and the eyes of the fish are filled with tears." - Basho 1689

Magic is a way of living.

Beginners mind. Open, there are many possibilities - freedom, peace and joy.

Return to Wat zone, drawing sketching new energies. Consistent art through 2020 and beyond wild - abstracts, memory, imagination and creative play.

Natural sitting returning to a zone of tranquility - flow.

The old monk washes his clothes, orange robe monks walk through dust, red yellow flowers, green trees blue sky, calm, sketching.

To river with watercolors.

Thursday
Jul082021

Adventure

This is a memoir from 1997-2002 with a Nam flashback when I cheated Death. I was in Morocco on 9/11. Call it luck or fate.

Humor and Satire dance with Courage and Creativity.

Travel meets storytelling, creative non-fiction and social autopsy in exile.

This is a flawed masterpiece.

He is a peripatetic traveler, literary outlaw, and street photographer. As a Vietnam Veteran, international TEFL facilitator he lives loves and laughs in Asia south of the moon.

Author Page

 

In Cadiz when citizens were old, toothless, white haired, slow and content with life, residents in Europe’s oldest city attended a different church every Sunday.

Family was all. Spanish culture fostered an implicit understanding of the collective.

Simplicity. Serenity. Harmony married balance. Yin-Yang.

The dancer and the dance are one.

Generations walked in the Parque Genoves along the Atlantic admiring sculpted trees. Well-dressed spoiled children whined and complained to their compulsive-obsessive guilt ridden parents.

Parents organized pram races for amusement, a new spectator sport. GO baby GO from birth. Spin them wheels.

A daughter supported her mother. Their olive faces had identical furrowed lines, brown eyes and black eyebrows. In drab gray clothing they turned their heads in unison glancing at the same thing. The only difference between them was time.

One morning I decided to get my beard trimmed before tripping on it and shattering fragility. I folded up a narrative map, finished coffee dregs, lowered jazz volume and backed up empirical forensic data evidence. I slipped into yellow wool socks and worn sandals.

“I’m off to see the Berber, I mean barber,” I said to blind Omar writing on the balcony. He spilled, smelled and spelled green racing ink on yellow legal paper. He loved the beautiful messy process.

Omar laughed at this tongue slip. “Ha. I know where to find you. Oh, by the way, a letter arrived today.” He handed it to me.

“It’s for you Omar. It has a New York postmark.”

“It’s from a literary nerve agent about my query letter from a gravedigger’s quarry. Please read it to me.”

Dear Mr. Omar,

Thank you for your recent submission to our literary agency. We read your cover letter and synopsis.

The Typist, Butcher, and Gravedigger is an obtuse title. Very bizarre indeed and we see a lot of eccentric, abnormal, unconventional, unorthodox, and supersonic weird work fly through here. We have peculiar stories stacked in a slush pile higher than Everest. We are drowning in words seeking a life preserver believe you me.

You are a fine writer yet we feel there is enough for here for five or six books. Less is more. We suggest you pick one time or geographical place and flush out the narrative with more exposition. We would like to see character development and social and political realities in 60,000 words. No more, no less. KISS for readers.

Boil it down baby. Refined elegance, if you will.

To make money in the publishing business we need mainstream books that appeal to the general reader. We are looking for our 15%. Publishing isn’t a business. It’s a casino.

As you know, 175,000 books were published in this country last year. Your typical hardcover book sells for $25.00. You, the author, make $3.00, if that. It’s a hell of a deal we’ve got going here. The shelf life of a book is, at best, four months and the mid-list is the Kiss Of Death. Remainders are shipped to furnaces in Ohio where illegal immigrants play with fire at Fahrenheit 451.

Give us a product with a platform. Our marketing department will drive literature consumers to independent bookstores before they kowtow to corporate giants and e-books, mind you.

Historically many cultures boil books and weave clothing rags from the raw material. The insight of your stories reveals your passion for weaving threads from diverse locales. We suggest you consider this viable and lucrative publishing option.

Imagine the reception when readers arrive wearing your book! You will autograph fashionable apparel. Paris and Milan catwalks will be filled with exotic tactile textile places like Tacoma, Vietnam and Spain starring blood donor clowns, terminally ill children, Tibetan monks and this is only the beginning.

We’ll live with addicts, a dying American father receiving ice from his son, a bipolar manic suicidal woman, Native Americans celebrating a Ghost Dance and secret oral languages transmitted on your loom of time.

Your prescient awareness of 9/11’s catastrophic global aftermath is psychic. It’s a sensitive subject considering readers want happy fiction. You need to edit references to fear and economic terrorism.

Cut the heavy, deep and real shit.

Fear is a tough sell unless it’s done well, well done, marinated, broiled, stir-fried, over easy, or scrambled. Fear is ignorant bliss.

All your nomadic adventures from surviving Vietnam to your transformation in a 26,000-year old Paleolithic Spanish cave were tales from beyond wild. 

However, it’s a hell of a thread speaking of weaving metaphors in a nonlinear literary gonzo style.

We couldn’t decide if your work was a dispassionate detached journalist, a raving Vietnam veteran or a wandering mystical blind man. Get help. See a therapist or a shrink-wrapped doctor with a degree in abnormal personalities. Fast. Act now before it’s too late to save you from this dreaded literary disease.

Before closing I will relate one experience to you. The strangest thing happened in our office. One of our junior readers with a liberal arts degree making $30,000 a year suffered sensory overload while reading your manuscript and dozed off in a souk.

When she woke up she called herself Touareg, the noble ones, speaking fluent Tamashek. We didn’t have an interpreter for this oral transmission and called emergency services. They removed her from the premises citing The Patriot Act as justification.

She will be missed wearing her iridescent nacreous coruscating cobalt blue Moroccan robes begging from shadows where Poverty and Despair raise their children. Where one person supports thirteen and 90% of the population is unemployed. Where children are exploited w/o labor laws. Where parents see education as a waste of money and time.

Uncontrolled population growth, lack of job opportunities, substandard education and no medicine are unpleasant global facts.  

Handle With Care.

Please do not let this decision encourage you. We mold our client list from the many submissions we receive. The selection is subjective and based on our bottom line.

Money.

We hope you find an agent brave enough to consider this epic mess. Thank you for contacting Creative Artists Blink.

We wish you every success in your writing endeavors.

Sincerely, Just B. Kind, Literary Agent

 

Hanoi

 

Thursday
May062021

Mahling, Burma

Learn. Play. Share. 

500 grade 10-11 students live at the school. They’ve come from distant Shan state villages and Myanmar areas. They are their parents’ social security.

The school has an excellent reputation for matriculation results.

Segregated classes. Walking on campus, girls shield their faces from distant boys. No social testosterone distractions. Zero gadgets.

They study Burmese, math, history, physics, chemistry, science, biology and Magic and Potions from 6-11, 1:30-6, 7:30-11 p.m. Sonorous voices echo daily.

They leave school one day a month. Don't let school interfere with your education.



                                    The Wild West Village - 2.5 hours south of Mandalay - pop 10,000

Horse drawn cart traps.
One traffic light. Two motorcycles is a jam.
Green for go.

Twenty minutes away on foot, an extensive traditional market covered in rusting PSP sheets is a delightful adventure  - returning to the source of community, dark-eyed local curiosity, street photography, laughter, and a floating babble of tongues inside a labyrinth of narrow uneven dirt paths.

Footprints on stone and dirt meander through forests and mountains of oranges, apples, bananas, red chilies, green vegetables, thin bamboo baskets of garlic and onions, farm implements, varieties of rice, clacking sewing machines, basic commodities, steaming noodles, cracking fires, snorting horses.

Sublime.

Blindfish heads whisper The Sea, The Sea. Silver scales reflect light.

A woman hacks chickens. Blood streams down circular wooden tree rings.

The gravity of thinking sits on a suspended handheld iron pan scale.

A white feather sits in the other pan. Balance.

Twenty-six varieties of rice mountains peak in round metal containers or scarred wooden boxes.

Horse drawn cart traps unload people and produce. Neck bells tinkle: Star light star bright first star I see tonight, I wish I may I wish I might get the wish I wish tonight. Well. Fed horses paw dirt.

Ancient diesel tractor engines attached to a steel carcass hauling people and produce bellow black smoke.

Old wooden shuttered shops with deep dark interiors display consumables, soap, thread waiting for a conversation, stoic curious dark eyed women, others laughing at the benign crazy traveler. 

A happy ghost-self sits in meditative silence, absorbing rainbow sights, sounds, colors, smells, feeling a calm abiding joy.

Thursday
Feb132020

Magic Story

The tribe dreamed. Wood became ash. Their fire dream consumed itself. Sighing sensations tingled through Raven’s body. Night winds played around her heart. She danced with stars. Diamond crystal swallowtails flew from her hands into silent endless space. Her breath released peace.

She fell awake.

Sunlight streamed through ferns, plants, and roses. A morning breeze delivered rose petals at her feet. She stretched like a solitary snow leopard at 16,000 feet feeling freedom’s wildness. She glanced at the fireplace. Her shattered glass lay on the brick floor near a charred pencil and scraps of paper. She gathered word edges, lines, drawings and blurred prisms of light.

She felt a searing pain in her heart, released the papers and touched her third eye. She went deep inside. A calm feeling blessed her. A warm breeze carried her into the center of a sacred wisdom circle.

Her essence was joy, gratitude, truth and compassion. Pure being.

The world of appearances was heavy, grasping, suffering, desire and illusion.

Discovering her essence her spirit energy breath renewed her heart, her passion and vision with pure luminous light.

People seeking to know their future with wisdom sought her out for guidance. She opened her heart finding solace, peace, strength, and dignity in the sacred flames of regeneration through quiet simplicity.

She kept her own counsel. Others would discover their own way through their personal labyrinth.

Gathering flames she lit a piece of bark in a Paleolithic cave. She lived in 26,000 year-old paintings.

She mixed volcanic ash with water, creating a thick paste of red ocher, a cosmetic balm to gain entry and passage into the spirit world of ancestors.

She walked through fire, dancing in her inner light of pure intention in a magical world realizing childhood’s innocence.

She became an angel of light.

Her Jinn emanated fire, life and consciousness. This fire consumed ignorance, and my memory of her became a meditation on the physical process of identifying with higher energies through form, sensation, perception, sense impressions and consciousness. Her meditation inside the cosmic dance dissolved the self.

Fire became her driver. Sexual kundalini yoga burned soft and hard wood together. The sleeping serpent coiled at the base of her spine ate energetic fires. The Jinn manifested by the fire of the telling.

“Yes," said Omar, “Jinn are summoned through spirit ceremonies. People communicate with music and dance.

“I am a character in my own story,” said Omar, “a hakaawati, a professional Persian storyteller inside the shadow of my imagination. I manifest an oral way of transmitting khurata, fanciful stories, inside the ocean of stories.”

“Wonderful," said Jamie. “I like the part about the sacred wisdom circle. It’s a magic story. Reminds me of a woman talking about her Ghost Dance. In her wishes, lies, dreams, memories and reflections she is a Wovoka, a Paiute weather doctor with power over rain and earthquakes. Her Ghost Dance magic is destined to return souls of those who have died. Is it my turn?”

“Sure Jamie, just keep it shorter than life because a reader doesn’t want to struggle if the narration is hard to follow.”

“Yeah," said a kid. “This Zen tale may be too much for some readers to wrap their head around. You become the thing you fight the most. Let’s see all the beauty and ugliness without hope or fear.”

“Ain’t that truth? What is the sound of one hand laughing?”

Someone in the tribe asked Other to tell them about the beginning of his wandering ways.

Omar wrote it down and translated it into unspoken languages.

Weaving A Life (V1)

Saturday
Jun182016

kid joy

Ah, to be young and happy.

Where are you now? Central Asia. Where language began 9,000 years ago.

On a warm Sunday he went to the local Siem Reap java joint to draw, color and share stories with three kid friends. They played "king" wearing Merlin magician pointed hats from a birthday party.

One girl, 6, said, "did you finish your story?" She referred to seeing me last week with a red pen and pile of paper.

Subject to Change manuscript, doing a red line edit. Day by day. In the morning, in a quiet time/place before noon, no distractions, bird by bird, page by page, configuring words, structure, sense and flow. 

"Yes, I finished the story..it will be abandoned with intuition and curiosity."

I made images of them in magic hats, drew on blank paper, drank coffee, smoked, laughed with them and wandered off. See you in the next life.

It's always pure joy w/kids. We are innocent and mad. Trust and play.

He is a calm lunatic in the "fun zone."