Language Animals

Q: what’s the essential difference? People who think, experience life as a comedy. People who feel experience life as a tragedy. What did you expect? I ask you.

Archetypes are a universal collective unconscious symbolic truths. Humans are symbolic language animals, using abstract metaphors and cognitive ability to speak in tongues.

Oral (Voice) and gesture (Sign) languages dissipate.

Graphic (Art) languages are constant.

Incorporate your power of laughter and active imagination, said Devina. Ph.D., Education, Indonesia.

Hey, cool idea, said Rita, orphan writer from Banlung. We can use random precise episodes for stories.

To survive in this crazy world we need stories, air, water, sex, shelter, food and freedom, said Leo, activist monk. Everything here in Utopia is pure surface, said Leo, Air and water are free although the quality is dubious and getting worse … Sex is expensive like anger and stolen children. Shelters are ferns and rushes mixed with shoddy cement and crap bricks. Cheap building materials. Food is rice and gruel.

If it ain’t on the page it ain’t on the stage, said Tran.

Will our adventure have a themes like boredom, loneliness or alienation, with a plot looking for characters and conflict, asked Devina, Timeless metaphorical motifs of love, treachery, betrayal, revenge, choices, consequences, morals, ethics, free will vs. determinism, values and abandonment with humans struggling to get something, like a glass of water? Will it have satire, irony, symbolism, and sex?

Yes. It reveals user exchange value. It speaks about the power of using money for sex and using sex for money. One hand washes the other, said a limbless amputee with no emotional connection.

It was a warm summer day. They were naked in a meadow of sunflowers. She was blind. He was deaf. They held hands. Skin was their unified electromagnetic field of tactile language beyond feeble illiterate words. Fate introduced them at an NGO charity ball.

            Blind is a famous concert pianist.

            Deaf is an explorer at Angkor Wat.

            He scaled her keys.

She explored his mountains, jungle geography and intricate hand-carved limestone designs at Banteay Srei temple.

They had a tacit agreement to be gentle and kind with one another. Peel my skin like sweet aromatic fruit, she whispered, I am your skin mistress, one must sacrifice the peel to enjoy the fruit. Play my flute, he said.

Yes, said Omar, a blind writer and a nomadic storyteller. Omar wrote A Century Is Nothing in green racing ink using a Montblanc 149 fountain pen. Be the ink. Be the paper. Flow.

You need eye & hand & heart. Two won’t do.

Few read it. Fewer understood it said Omar, Our stories contain, if an empty container can contain anything, the basics of drama, action, conflict, rising action, a climatic orgasm, falling action, resolution and empowerment with heart-mind emotions and delicious mouthwatering freshly baked chocolate chip cookies. Yummy.

The emotion is so thick you can cut it with a finally honed Turkish scythe, saber, or word sword.

Word machetes in Cambodia sever families and futures. You will experience what the characters feel, taste, touch, hear, and smell revealing themselves through action … Like neglect, poverty and illusionary potentials? Yes, if the characters were any thinner, they’d be Japanese Sumi-e rice paper, or 1,000 handmade paper cranes at a Shinto shrine. Fly me to the moon.

17,000 world children die of starvation every day, said Grave Digger. Look at my hands.

Wow, Zeynep said, Let’s make it heavy, deep real immediate and dramatic. Focus a lens. Floodlight or spotlight? Yes, said Devina, Shine a light on illuminated skin with sharp bamboo needles dipped in Sumi ink.

Focus on an existential puzzle palace… Our memories make us who we are … They define our values and character … We cultivate memory’s history to sustain our lives.

Everyone builds their sandcastle with layered memories. Everyone works on his or her own personal puzzle.

I’m going to need your help with inner dialogue where characters reveal their insecurity and strength, their desire for self-preservation with values like love truth beauty compassion instinct and intuition because they have to survive.

As Rita and Tran know if you survive you are a WINNER. Life loves a winner. The soft machine loves a winner. Survivors want to prolong the inevitable, said Death. Some want fame. Some want recognition. Some could care less and don’t try. Fail better. Do.

Let’s see their fears and strengths, said Leo  ... Their fear of hungry ghosts & the poverty of food, love, and security is strong, said Devina, Strength and trust releases ego and expectations  ... all the expectations are external  ... circumstances outside character affect their psyche  ... environment affects silly humans  ... smart humans affect their environment  ... see their struggle to accept their authenticity. It requires courage.

See their fear and courage when alone with others … see their courage accepting loss forever  ... see their fear of starvation on physical, emotional, spiritual and psychological levels  ... see their courage of adventure.

Write one true sentence. See their skill to write short sentences, said Omar.

Book of Amnesia, V1

ink brush pressure

I visit from Mars. It is 38 billion miles away. A way.

Earthlings visit a hospital to collect relatives with an expiration date ... a woman scrubs steel pots in a gutter soapy floods flow into street drains.

Earthlings are good at two things - eating and sleeping.

A young woman chops meat. Absorbing her rhythm I play my harp. She dances with a bloody cleaver. 

We share laughter. Music is the fuel.

*

"When we dance the earth trembles, the earth feels the beating of our hearts and we become one with the earth. We must chant our being, and we must dance in time with the rhythms of the earth. We must keep the earth..." - Earth Keeper by N. Scott Momaday.

*

I can help you. I can't solve your problem.

*

Die cast - explanations have to end someplace

Character sketch in 20 words or less

Awareness - compassion - gratitude - kindness

Ink, brush, pressure

Line, shape, shading

Reality is the funniest thing happening

Heisenberg’s Uncertainty Principle – position or velocity

People talk about people talking about people

Pinpoint of light in left lung

Cancer sun flare

Meditate on the process of your death

A small sun glows in darkness

Active imagination shares a story – process

Talking with doctors in class

Illustrate FEARLESS

Fear speaks of patient death

Save the children

Language chunks

Courage

Curiosity

Focus on your breath

Meditation

Wushu slow methodical

Every movement has meaning

See through soft eyes

Gratitude

No mistakes in life art - happy accidents

Ink dances reveals point line shadow

Watercolor brush

Creativity has no rules

Take a line for a walk

Grow Your Soul - prose and poems from Laos/Cambodia

Adventure

This is a memoir from 1997-2002 with a Nam flashback when I cheated Death. I was in Morocco on 9/11. Call it luck or fate.

Humor and Satire dance with Courage and Creativity.

Travel meets storytelling, creative non-fiction and social autopsy in exile.

This is a flawed masterpiece.

He is a peripatetic traveler, literary outlaw, and street photographer. As a Vietnam Veteran, international TEFL facilitator he lives loves and laughs in Asia south of the moon.

Author Page

In Cadiz when citizens were old, toothless, white haired, slow and content with life, residents in Europe’s oldest city attended a different church every Sunday.

Family was all. Spanish culture fostered an implicit understanding of the collective.

Simplicity. Serenity. Harmony married balance. Yin-Yang.

The dancer and the dance are one.

Generations walked in the Parque Genoves along the Atlantic admiring sculpted trees. Well-dressed spoiled children whined and complained to their compulsive-obsessive guilt ridden parents.

Parents organized pram races for amusement, a new spectator sport. GO baby GO from birth. Spin them wheels.

A daughter supported her mother. Their olive faces had identical furrowed lines, brown eyes and black eyebrows. In drab gray clothing they turned their heads in unison glancing at the same thing. The only difference between them was time.

One morning I decided to get my beard trimmed before tripping on it and shattering fragility. I folded up a narrative map, finished coffee dregs, lowered jazz volume and backed up empirical forensic data evidence. I slipped into yellow wool socks and worn sandals.

“I’m off to see the Berber, I mean barber,” I said to blind Omar writing on the balcony. He spilled, smelled and spelled green racing ink on yellow legal paper. He loved the beautiful messy process.

Omar laughed at this tongue slip. “Ha. I know where to find you. Oh, by the way, a letter arrived today.” He handed it to me.

“It’s for you Omar. It has a New York postmark.”

“It’s from a literary nerve agent about my query letter from a gravedigger’s quarry. Please read it to me.”

Dear Mr. Omar,

Thank you for your recent submission to our literary agency. We read your cover letter and synopsis.

The Typist, Butcher, and Gravedigger is an obtuse title. Very bizarre indeed and we see a lot of eccentric, abnormal, unconventional, unorthodox, and supersonic weird work fly through here. We have peculiar stories stacked in a slush pile higher than Everest. We are drowning in words seeking a life preserver believe you me.

You are a fine writer yet we feel there is enough for here for five or six books. Less is more. We suggest you pick one time or geographical place and flush out the narrative with more exposition. We would like to see character development and social and political realities in 60,000 words. No more, no less. KISS for readers.

Boil it down baby. Refined elegance, if you will.

To make money in the publishing business we need mainstream books that appeal to the general reader. We are looking for our 15%. Publishing isn’t a business. It’s a casino.

As you know, 175,000 books were published in this country last year. Your typical hardcover book sells for $25.00. You, the author, make $3.00, if that. It’s a hell of a deal we’ve got going here. The shelf life of a book is, at best, four months and the mid-list is the Kiss Of Death. Remainders are shipped to furnaces in Ohio where illegal immigrants play with fire at Fahrenheit 451.

Give us a product with a platform. Our marketing department will drive literature consumers to independent bookstores before they kowtow to corporate giants and e-books, mind you.

Historically many cultures boil books and weave clothing rags from the raw material. The insight of your stories reveals your passion for weaving threads from diverse locales. We suggest you consider this viable and lucrative publishing option.

Imagine the reception when readers arrive wearing your book! You will autograph fashionable apparel. Paris and Milan catwalks will be filled with exotic tactile textile places like Tacoma, Vietnam and Spain starring blood donor clowns, terminally ill children, Tibetan monks and this is only the beginning.

We’ll live with addicts, a dying American father receiving ice from his son, a bipolar manic suicidal woman, Native Americans celebrating a Ghost Dance and secret oral languages transmitted on your loom of time.

Your prescient awareness of 9/11’s catastrophic global aftermath is psychic. It’s a sensitive subject considering readers want happy fiction. You need to edit references to fear and economic terrorism.

Cut the heavy, deep and real shit.

Fear is a tough sell unless it’s done well, well done, marinated, broiled, stir-fried, over easy, or scrambled. Fear is ignorant bliss.

All your nomadic adventures from surviving Vietnam to your transformation in a 26,000-year old Paleolithic Spanish cave were tales from beyond wild. 

However, it’s a hell of a thread speaking of weaving metaphors in a nonlinear literary gonzo style.

We couldn’t decide if your work was a dispassionate detached journalist, a raving Vietnam veteran or a wandering mystical blind man. Get help. See a therapist or a shrink-wrapped doctor with a degree in abnormal personalities. Fast. Act now before it’s too late to save you from this dreaded literary disease.

Before closing I will relate one experience to you. The strangest thing happened in our office. One of our junior readers with a liberal arts degree making $30,000 a year suffered sensory overload while reading your manuscript and dozed off in a souk.

When she woke up she called herself Touareg, the noble ones, speaking fluent Tamashek. We didn’t have an interpreter for this oral transmission and called emergency services. They removed her from the premises citing The Patriot Act as justification.

She will be missed wearing her iridescent nacreous coruscating cobalt blue Moroccan robes begging from shadows where Poverty and Despair raise their children. Where one person supports thirteen and 90% of the population is unemployed. Where children are exploited w/o labor laws. Where parents see education as a waste of money and time.

Uncontrolled population growth, lack of job opportunities, substandard education and no medicine are unpleasant global facts.  

Handle With Care.

Please do not let this decision encourage you. We mold our client list from the many submissions we receive. The selection is subjective and based on our bottom line.

Money.

We hope you find an agent brave enough to consider this epic mess. Thank you for contacting Creative Artists Blink.

We wish you every success in your writing endeavors.

Sincerely, Just B. Kind, Literary Agent

Hanoi

Create

"At 75 I'll have learned something of the pattern of nature, of animals, of plants, of trees, birds, fish and insects. When I am 80 you will see real progress. At 90 I shall have cut my way deeply into the mysteries of life itself. At 100 I shall be a marvelous artist. At 110 everything I create, a dot, a line, will jump to life as never before." - Hokusai (1760-1849) The Great Wave

Funeral to pagoda ...

Touareg Berber Story

Under a full moon I transited south from Marrakech over the Atlas Mountains.

I was on the fringe of the Sahara eight days later when someone dialed 9/11 taking a bite of the big apple.

Whoops.

There was a hungry little worm at work. I was so far removed I did not take possession of that event.

I learned what happened from a Touareg Berber named Omar.

I wasn’t surprised. Fate bites you when you least expect it.

Omar spoke with his hands. I read his open palms and dark eyes. My ability with unspoken tongues and universal gestures was legendary. Body language gestures using humans were works in process.

Omar waved one hand in air as a bird condemned to be free. He raised a hand indicating height and smacked his flying hand into his stationary hand. The impact echoed across emptiness. His eyes flashed universal secrets. I had no idea where, how, why, or when he’d received his information, perhaps from trade caravans or through osmosis.

“I see.”

In the desert we did not talk about Being and Time, existential philosophy, the nature of evil, principles or values. We tweaked reality by breathing.

“3,000 people from eighty countries died,” said Omar. “Dust to dust.”

“Ah, an attack against the world,” I said, sensing an abstract permutation with eternal ramifications and hidden opportunity costs.

Writing story-truth futures, Omar and I sat down in Morocco and then Spain imagining stateside and global aftermath reality in the long now. 

I wasn’t surprised this happened. Myopic allegiance singing sheep in the United States of Amnesia would’ve had world citizens believe in their US/ THEM attitude.

Survivors evolved multiple ground truths, sifting soil, searching for plausible theoretical logical rational scientific cause and effect answers. Meaning?

Reconstructing, revising and recalibrating history they were left gasping, choking and breathing death mask dust. They evaluated meaning, truth and consequences in their short fragile existence.

Welcome to Earth babies. Revenge is best served cold.

Now they tried to answer the big question. “Why me/us?” and like Phase II group addicts it would keep them busy forever.

After the attacks their children asked, “why?”

Impatient angry adults under extreme pressure to be financially successful in their all-consuming life were frustrated with this “why” question from kiddies. As parents they wanted to be the boss, the all-knowing grown-up in complete Control. They assumed they knew all the answers. Whoops.

In a circular karmic game called Civilization & Random Revenge, players with long historical memories rolled the dice when it was their turn to play. Everyone had to go back to Start.

Citizens under siege didn’t read historical footnotes. They avoided the small fine print. The stuff they accepted carte blanche or skipped because they didn’t think it was important, the stuff made in Hollywood, the entertainment make-believe crap of car wrecks, violence, revenge and moronic happy endings.

Their attention span was shorter than the lives of 17,000 world children dying every day from starvation.

Somebody off stage triggered the lights exposing human fragility and evaporating all sense of humor. Audiences were stunned into silence when the curtain descended. It was full of loopholes, black holes and wormholes. The forbidden apple was rotten.

Survivors needing a new card from life’s deck did not want to see the Joker wearing a funny hat with bells.

Some had studied history. They knew in a vague way being experts on vagueness, mediocrity, hypocrisy, ignorance and cynicism how history’s long memory and sweet revenge encapsulated itself. They faced frustrating futures because they’d been lulled into complacency and brainwashed by soft media machines.

Media buys people.

Humans had assumed they would always be consuming bigger and better things. “The one who dies with the most toys wins,” said a salesman.

Tectonic plates of awareness shifted below the surface of appearances. Out of sight, out of mind. Awareness needed serious attention.

Human relationships snagged on fear, healthy uncertainty, doubt, adventure and surprise. Dreams of peace and prosperity, mortgaged tract homes, green lawns, two car garages, fast and faster food, weapons of mass destruction, love and symphonic notes danced on the edge of an abyss with hope, regret and fear.

Checkmate, said Death.

We need more channels, yelled sheep.

Shocked screaming patients streamed out of personal and collective asylums. They digested and overdosed on media medication rendering them catatonic, compliant and mute.

Earth is one big insane asylum.

Human nature and revenge stirred things up big time. Secure lines of clear fear communication revealed unconscious intentions of human revenge. Humans struggled for meaning in a random universe.

They tried to explain and/or rationalize and/or comprehend with logical coherent rational scientific explanations while mumbling, stuttering, staggering, falling, fumbling and failing to see how the world worked.

They struggled to explain all the moral ambiguities, principles and ethics on fill-in-the-blank final exams. They faced huge evolutionary adventures.

“Because I said so,” was the standard refrain when their sweet little monsters asked “why” for the umpteenth time. Cool laid-back intellectual facades developed fictionalized fractured fissures.

It was time to straighten the whiners out once and for all.

They went shopping.

This alleviated their fear of poverty, death and airplanes. Shopping is the perfect distraction. Shopping conquered fears growing stronger day-by-day fed by hysterical media, totalitarian governments and liberal know-it-alls in melting ivory soap towers based on empirical evidence and pure speculation.

“More media channels!” screamed millions. “We need more propaganda, advertising, distractions and fake news.”

There was a preponderance of rumors, myths, innuendoes, and evidence charred beyond recognition. It needed DNA analysis and carbon-14 dating.

Social workers and therapists swarmed Earth extolling virtues of wellbeing, hope, tolerance, gratitude, compassion and courage in the face of adversity, free choice and impending sales at outlet stores.

People needing therapeutic outlets found solace in their blind ignorance of how the world worked on molecular, political, religious, economic, philosophical and cultural levels.

Long festering animosity, religious, economic and cultural karma evolved. An invisible Ouroboros eating itself constricted their heart. Their mythical existence was part idealism and realism standing on its head.

Socially, culturally, geographically and emotionally deprived children learned a hard life lesson that escaped parents. Kids knew when adults were bullshitting them.

They suspected parents, teachers, doctors, social workers, bureaucrats and orphans, amputees, suicidal veterans and displaced humans and gravediggers did not own or Control the market of absolute answers.

Blind sheep believed something better just had to be on the idiot box, computer or phone. No attention span? No problem.

Inside demon gadgets a little animal named Fear, Uncertainty, Doubt, and Adventure was hungry. It had a vociferous appetite for all things vain and glorious. It ate its young with spicy relish at picnics. It had no morals, ethics, principles or 21st century rationale.

It had a neoconservative financial and political agenda for:

Money

Power

Control

ART - Adventure, Risk & Transformation - A Memoir

Sappho