gestures use me

Shhh. I have a new secret lover while Thorny is in OZ. I am easy going with a willingness to share honest emotional moments. No commitment is a concrete-abstraction. My passion is immediate visual truth. My eyes are sensory awareness. I see voices. I am a voiceless one, quivering lips and tenacious touch with my secret lover.

I would rather be a tiger for one day than a sheep for a thousand years.

My sexual joy is shy. I dance tactile tenderness in silent breath.

My unfinished symphony lives with visual touch holding his small kiss on my spine. I do this because I love it. It is my heart-mind fate.

My tender lover comes to me in the heat of the day. He is kind. I welcome him with smiling eyes, gesturing a finger on lips, shhh.

He brings me luck. You can’t see it, measure it or hold it. I feel it.

My passion is deep and strong. My unlimited languages speak eyes, smiles, and hands. Gestures create us in space. Gestures use me.

My speech voice is missing. I make rolling guttural sounds expressing metaphors, similes, intonations, frequencies, meaning, sensation, time, space, ideas, dreams, relationships, secrets, my traditional family values, fear, passion, and joy.

By the time I learned the alphabet it was late in life toward primordial dusk. It was late in the moment before then and now. I am a long now.

It was late in the whisper of silent air singing from the trash collector’s plastic bottle. He pulls his rolling cart filled with cardboard. A muscular rhythm stirs somnolent dust on broken stones. The majority of people here exist on less than $1 a day. Rich land, poor people, greedy corrupt politicians.

I see, said a blind girl playing a cello in a demined cemetery. The more I see the less I know. You can’t step in the same river twice.

Possibilities and probabilities, chance and coincidence flutter from my finger fragments like butterflies. Unknown mysterious sensations fling from my signing hands. Fingers and hands are language extensions. Blossom being.

My lover visualizes me in tropical brown skin toned worlds. He imagines I join a hearing impaired community, get an education and a real life. He’s a dreamer.

I jump ahead in my story. It won’t happen. I am a slave.

He realizes my movements say I was born to dance.

 

sign language

He comes to me in the heat of the day. I welcome him with my dark eyes gesturing a fingertip on lips...quiet. We share the present. My passion is deep and strong. My language - a smile, brown eyes, calloused hands, worn fingers and rolling sounds whisper: 

time

relationships

secrets

fear

family

passion

laughter

sadness

a heart

I dream traditional ignorant silence kills everyone, the others. Truth is a powerful weapon. People are afraid of truth. When I express truth I don’t have to remember what I said. I say what others are afraid to say.

I am an anarchist, a linguistic magician.

Speaking, living and realizing truth with beauty entails risk. If you want to do amazing things you must take amazing risks. Daring is not fatal. I am truth incarnate. I am an objective mirror, free of dust.

Everything here is a secret. Shhh. Fingers on my lips. I am secretly engaged to a false dream of going to Australia with Thorny. He is 50, married with family. He works for an NGO here. He builds fake bamboo homes. He plays my father figure and unconscious rescuer. Fat chance.

I come from a poor rural village. I was the last of eleven children. I am 28. I came here with my sister, 32. She got pregnant by a married New Zealand man. She had a daughter named Moaning Lisa. She pretends to be married. It’s all show here. He sends her a monthly handout, pays the electricity. 

When I dance I am alive.

Kalapuya

“I speak in tongues, in ancient dialects about love. Dialects of ancestors who lived here for 8,000 years before where you are now. In the forest near the river all animal spirits welcome you with their love. They are manifestations of your being.

“I am blessed to welcome you here. You have walked along many paths of love to reach me.

“My dirt path is narrow and smooth in places, rocky in others. I am the soil under your feet. I feel your weight, your balance - your weakness and your strength. I hear your heart beating as my ancestors pounded their ceremonial drums. I feel the tremendous surging force of your breath extend into my forest. Wind accepts your breath.

“I am everything you see, smell, taste, touch, and hear. I am the oak, the fir and pine trees spreading like dreams upon your outer landscape. I am your inner landscape. I see you stand silent in the forest hearing trees nudge each other. “Look,” they say, “someone has returned.”

“I love the way you absorb the song of brown body thrush collecting moss for a nest. I am the small brown bird saying hello. I am the sweet-throated song you hear without listening. At night two owls sing their distant song and their music fills your ears with mystery and love.

“I am warm spring sun on your face filtered through leaves of time. I am the spider’s web dancing with diamond points of light. I am the rough fragile texture of bark you gently remove before connecting the edge of an axe with wood. You carry me through my forest your flame creates heat of love. I am the taste of pitch on your lips, the odor of forest in your nostrils filling your lungs. It is sweet.

“I am the cold rain and wet snow and hot sun, and four seasons. I am yellow, purple, red, blue, and orange flowers from brown earth.

“Language cannot be separated from who you are and where you live.

“I say this so you will remember everything in this forest. I took care of this place and now your love has the responsibility with respect and dignity and mindfulness.”

Source: A Century is Nothing.

Gwendolyn MacEwen

Let me make this perfectly clear.
I have never written anything because it is a Poem.
This is a mistake you always make about me,
A dangerous mistake. I promise you
I am not writing this because it is a Poem.

You suspect this is a posture or an act
I am sorry to tell you it is not an act.

You actually think I care if this
Poem gets off the ground or not. Well
I don't care if this poem gets off the ground or not
And neither should you.
All I have ever cared about
And all you should ever care about
Is what happens when you lift your eyes from this page.

Do not think for one minute it is the Poem that matters.
It is not the Poem that matters.
You can shove the Poem.
What matters is what is out there in the large dark
and in the long light,
Breathing.

 - Gwendolyn MacEwen
Afterworlds

Rimbaud's magic

"My turn now. The story of one of my insanities.

What I liked were: absurd paintings, pictures over doorways, stage sets, carnival backdrops, billboards, bright-colored prints, old-fashioned literature, church Latin, erotic books full of misspellings, the kind of novels our grandmothers read, fairy tales, little children's books, old operas, silly old songs, the naive rhythms of country rimes.

I dreamed of Crusades, voyages of discovery that nobody had heard of, republics without histories, religious wars stamped out, revolutions in morals, movements of races and continents; I used to believe in every kind of magic.

I invented colors for the vowels. A black, E white, I red, O blue, U green. I made rules for the form and movement of every consonant, and I boasted of inventing, with rhythms from within me, a kind of poetry that all the senses, sooner or later, would recognize. And I alone would be its translator.

I began it as an investigation. I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still."
 - Arthur Rimbaud