dance alive

It never occurred to Matt to buy indigenous cultural music while traveling.
Martha his girl friend considered it essential.
Music made her edgy and alive.
When she heard music she danced.
She returned to her primitive self.

She danced naked.
Ballet. Flamingo. Tango. Cha-cha. Lambada. Waltz.
He wrote naked verbs. They loved naked. Naked cherished syllable skin music.
They wrote, danced and lived like they were dead.
One day they would be. 
They were free. It's the way to be.

Culture is what you are. Nature is what you can be.
People are nature's tools.
Children are parent’s tools.

Passing through Body Sat Quiet in Asia on a three week, “Look, don't think” holiday from frozen Europe they happened into an 8th century tourist town music repository. They smelled music before they saw it. Seeing music is an art form. Synesthesia. In music like life, the end of the composition is not the point.

A music boy handed Matt an orange book. Write your melodic request here. Matt opened the book. A Cambodian orphan popped out of blank pages: I am sorry. Goodbye and good luck to you and your family. These are our famous words. Big vocabulary. Tongues speak. Small life. Big chance. Yeah. Yeah.

Hunger Angel watched 24/7 in the big leagues.

two kinds of people

From a work to be abandoned.

Mango said, “There are two kinds of people in the world.”

“What are they?” said a Cambodian orphan.

“They are subdivided into specific sub-species. There are people who want to blame you and people who want to distract you. There are people who want control or approval. There are people who face the music and there are people who run for cover.

"There are people who pay attention and people who don’t know or care what the fuck is going on. They are too poor to pay attention. There are people who make things happen and people who dream about making things happen.”

“That’s a mouthful of mango logic if you ask me,” said the orphan. “You mean, according to the philosopher, Damon Younger Than Yesterday, ‘distraction is an inability to identify, attend to what is valuable, even when we are hard working or content.’”

“Yes, that’s what I said I mean because I mean what I say and say what I mean jellybean,” laughed Mango doing the tango with Taoist monks at the Temple of Complete Reality in Sichuan.

“Disorientation begets creative thinking,” said Confusion. 

 

sorrow

Greetings,

"People who cause you difficulties you should think of them as very, very valuable teachers because they provide us with the opportunity to develop patience."

I'm a mercenary of the false disguise inside poverty's domain.

The land of fairytales inside lost childhood contains historical perspectives. 

Forgiveness and trust dance with passionate ambivalence. 

People here practice saying the I'M SORRY syndrome in the present continuous sentence structure. They say I am sorry from morning to night. When you ask them, "Why are you sorry?" they have absolutely no answer. They stare at you in pure dumb amazement. They know three little words. Their eyes and heart are blinded by fear, doubt and uncertainty. 

They repeat. I'm sorry. Perhaps this sorrow, this feeling of regret and loss and contrition and sadness is history speaking. Does history have a voice? Does history whisper or shout? 

Do genetic structures speak? How do new generations adapt, adjust and evolve with their ingrained, deep rooted genetic and cultural and historical lives of suffering? 1.7 million humans suffered and died between 1975-1979. The older generation teaches, by example and action how to be silent. I am sorry is acceptable.

Nuth is 10. She has parents. The other young people at the NGO supported cafe are orphans. We are all orphans sooner or later. They have a safe place to stay with their friends and learn practical job skills like cooking, customer service and basic cafe operations.

Nuth and I hang out, drawing, practicing English and sharing food. One day, no matter what I said, Nuth said, "I am sorry." I asked her what she was sorry about. She couldn't or wouldn't say. There was no context.

In a sense she was merely miming the older girls. Someone taught her. She heard. She repeated. Everyone here has paid the price of sorrow. It is endemic. They wear their perpetual sadness like a shroud. Their eyes and heart cannot hide their deep fear.

They are easily distracted, unfocused and always looking over their shoulder.

Before someone kills you say I am sorry. I am sorry for everything. I am the cause of all suffering.

Metta.