Seamstress

Away from ice girl’s eyes wet season life shimmered in green rice paddies. Beauty, creativity, dance, and music described sensations. Sensations rested between an object and a concept. Stimuli engaged disquiet.

How do you manifest this waking dream, asked ice girl.

It’s all process, said Leo. Any explanation is a well dressed mistake.

Across town a seamstress returned to her guesthouse. She splashed water on her face, changed clothes and spit into red roses. She kick started her cycle and went to the market inside a dark labyrinth.

At her corner stall she keyed multiple locks. She stacked numbered wooden shutters. She dragged out her Butterfly sewing machine, ironing board and manikins.

Dummies wore exquisite yellow, purple, blue, white shimmering silks decorated with sparkling faux pas silver stars, moons, and small round reflecting balls.

Her skill designed fabrics for women needing elaborate sartorial refinement for engagements, weddings, and cremations.

She evaluated serious fittings and adjustments. Her sewing universe process was selecting fabric; measurement, ironing backing, a ruler, white chalk to mark pleats, cutting, pushing her machine treadle, pins, threads, trimming edges, hand sewing clasps, shiny connections, and ironing.

Needles inside a slow prism flashed light and shadow as threads danced through cloth in endless conversations. Needles talked about traditional conservative morals and opportunity-value cost.

Thread followed their conversation securing 1,001 small mirrors. Together they measured precise calculations establishing a stop-loss number. All explanations have to end somewhere. Cut.

Ice Girl in Banlung

FUD

“What happens when totalitarian governments devolve citizen surveillance programs and discover a vaccine for C-19?” Zeynep asked her mother - the mother of all answers.

“Don’t worry my sweet,” said her neurotic mama-san living in bliss, “media, politicians and bankers will invent new improved fake fears.

“They will create problems, spin them for ADD sheep and try to sell us solutions. Ha, ha, ha.

“The joke is on them. They play us for fools and idiots. Anyone questioning authority is imprisoned for life, hauls shit in a Re-Education through Labor camp, is stoned to death, waterboarded, exiled or beheaded with a jeweled word sword. No worries my sweet. The manufacturing sector will rebound when shelves are empty. We’ll always have sugar and we can always go shopping. We shop to reduce our anxiety, a low level of fear. We buy things to make us feel better. It's a temporary fix like religion or Xanax. Take two and call me in the morning.”

“How long will it take until people wake up and pay attention?” said Zeynep.

“Hard to say. Some will some won’t.”

“Self-awareness and authenticity are essential. Letting go scares the shit out of people.”

“Learning to let go is learning to live. They suffer from FUD,” said her mother, twisting her hair until it caught fire.

“What is FUD?”

“Fear, uncertainty and doubt. They are internal psychological/emotional gyroscopes. A human’s first question is, Is it safe? Will it help me or hurt me? FUD are hunger angels with a vengeance.”

“How long has FUD been going on?”

“You ask many questions child,” fanning her daughter’s flame. “A long time. A Century is Nothing.”

“That’s the title of Omar's non-linear book, more like a jazz poem. Few read it. Fewer understood it. So it goes. It’s essential to cultivate humor and curiosity.” said Z. “What about adventure and surprise?”

“Adventure and surprise are life. You see the BIG picture. Talk is cheap. Character is action. Senses and language cannot be trusted.”

“I want to know the truth mother. Living safely is dangerous.”

“The truth,” she said, “is that life is an absurd comic process. If you laugh you last. Our illusionary insecurities and real authenticities evolve. Life is a celebration, a dance and process of becoming. It is a beautiful harsh short messy dream come true. It’s magic. We adapt, adjust and evolve. There’s no rhyme or reason. Life is not a career, it’s a game. Existence precedes essence. We are flukes of the universe. We have a one-way ticket. We feel peace in our heart-mind with gratitude. Wonder, abundance, and compassion. Help others realize their higher self.”

“We are stardust. We trust our power and our song. Let’s go and play now. Take the day off and be creative.”

“Yes, let’s invent a game theory my darling daughter. It’s called mindfulness. Mindfulness gives you time. Time gives you choices. Choices, skillfully made, lead to freedom. You don’t have to be swept away by your feelings. You can respond with wisdom and kindness rather than habit and reactivity.”

“I shared your wisdom earlier in this wandering tale.”

“Yes, you did. Telepathy. Reading about mindfulness it is one thing. Living it is something else.”

Holding hands they came out of the world.

The Language Company

51 Days in Turkey

In 2008 while facilitating English in Bursa, Turkey he worked with Azra, a personal tutor. She told him about Trabzon on the Black Sea near Georgia. “I was born there and it’s beautiful.”

In the summer of 2012 while meditating in Asia he applied for a Teaching English Foreign Language (TEFL) job in Trabzon.

They needed native barbarians with clear pronunciation.

Let’s see the terrain, said Omar, a Touareg Berber ghostwriter friend. Reconnect with Z, the author of The Language Company, meet diverse people, do street photography, write about it and analyze the situation with diamond mind wisdom.

Go on an adventure.

He arrived in September.

Satire and curiosity witnessed the deterioration of educational quality. Rampant commercialism and artificial empowerment. Dystopian reality. Greed is a hungry animal. So it goes.

51 Days in Turkey

Many clowns are not in the circus.

Bliss

Rose knew it’d be a beautiful decision putting the disability act in their short sweet Ghost Dance - maybe in the rising action leading to an epiphany or in the falling action with heart-breaking catastrophic transformational awareness. Cut. The end. Cue applause.

“How can I know what I think until I see what I say?” said a child with reported speech. Their wheel of life played tag with crazy wisdom.  Mu-shin, their state of “no-mind” blossomed where thought, emotions and expectations did not matter.

Who’s dragging around this bag of bones? Where do I park this empty vehicle? I have poems and stories to finish that I haven’t even started yet.

“To sleep, perchance to dream.”

“A dream is an unfulfilled wish,” said a kid with a Ph.D. in Psychoanalysis from the Jung Institute in Zurich.

“What else did he say?”

“He said, ‘There is no royal road to wisdom. To arrive in the future I must journey to the past. To attain the sanity with the One, I must risk the whirling madness of the possessed. One must confront their shadow or be crushed by it.”

“I like it,” said Rumi. “What else?”

“Well, here’s another cool thing he said. “‘I liken the formation of a character to weaving fabric. You know what happens when you make a mistake? The whole pattern is spoiled. You have a choice. You can finish the garment, however it will always be botched and ugly or you can unravel the weaving back to the mistake and start again. That’s basically what analysis is about. It’s a tedious job. The patient is scared and hostile. The analyst lends patience, honesty and courage.’”

“Excellent,” yelled kids, “here’s to our being patient patients with honesty and courage.”

“Speaking of courage, I’m looking for someone who knows reading and writing,” said Rose.

“I can read and write,” said the children. "We also love drawing, singing and dancing.”

“Reading and writing is power. Dance is life. Perfect. Let’s go together,” said Rose.

Downstairs at Sacred Heart Hospital a translucent mother saw her grief reflected in Beauty’s mirror. “This is my worst nightmare,” whispered her heart-mind.

Rose said, “Afraid to face the truth adults run away. They run away carrying their fear like a heavy bag of bricks. They are afraid to see the beauty, strength and dignity of Death and letting go.”

“Why?” said mother.

“They stay away because they are afraid of saying the wrong thing. The child’s spirit is pure energy. They have the strength to let go. Adults find Death a scary thing so they run away.”

“I see,” said a gardener trimming thorns below a tree house. “I know Death’s beauty and wisdom. Metaphors and mortality exist with initial memories. Memories are figments of our imagination. I am a dreamer in nature, bigger than the universe, in never-never-cuckoo land. I am a witness collecting evidence that tells no lies. The deeper you go the deeper the bliss.”

ART

Write

“Beware of naysayers, soothsayers and book doctors,” said a kid. “We are together through thick and thin, health and illness. Writing is a disease. We lie for a living. We make things up and write them down. No editor will drink champagne from our skulls. We’re trapped in our bodies, this hospital and labyrinth. You’d think there’d be a word doctor around here moonlighting as a heart specialist. Shine on bright star.”

“Ok,” said the writer kid, “how’s this sound? Write everything in the first five hundred pages, uh, I mean five pages. Grab the reader with a hook at the beginning of every sentence, at the end of paragraphs and the end of chapters. Start and end sentences with a strong word.”

“Good idea,” said a kid, “keep them turning pages. What happens next is a reader’s quest.”

“People are born, live and die. People fart around. Nobody comes. Nothing happens. We are the architects of our actions and live with glorious or tragic consequences. Is this a fill-in-the-blank life test?”

“I only want you to bring two things to class,” screamed an overworked, underpaid, undersexed Hanoi teacher afraid of losing face in front of eighty robots. “Your ears.”

She pounded on a podium with her Marxist pedagogical elephant control stick, “Memorize the text idiots so you can vomit the material on a test.”

“I’m going to be sick,” said a bulimic kid.

“It’s ok to be horrible,” said a kid. “Some writers quit because they want it to be perfect. Many never start. Many never finish. It ain’t about starting, it’s about finishing. Write your dash between birth and death. You need to be passionate about your work without being obsessive-compulsive. Do it because you love it. Make a beautiful fucking mess. Clean it up and make another beautiful mess. Release the monster into the world.”

“Yeah,” said Tran, “a work of art is never finished. It’s abandoned. Like an orphan.”

“Editing is a form of censorship,” said a kid waving a rejection letter. “You don’t want to make the reader work too hard, do you?”

“No, most humans are lazy. Obese, addicted to fast food, screen visuals, social web sites, FaceLost and sex texting with short attention spans. CONTROL owns them. No attention span? No problem.”

“Rewriting is writing. Be cold and unsentimental. Polishing is the party. Being a writer is like having homework every single fucking day.”

“What’s a word doctor?”

“Someone who red lines manuscripts,” said a blind kid waving a Mont Blanc 148 piston fountain pen splattering A- blood on everyone in their radius. “They kill words and sentences.”

“Writing is like digging a well with a needle,” said Orhan Pamuk.

“Punctuation is a nail. Period.”

“Just tell the truth,” said a Cambodian orphan boy, one of 12,000, “and then you don’t have to remember what you said.” His parents rented him to an NGO on weekends for donor sympathy advertising.

“The truth is I need a fix. Does anyone have any spare drugs?” said a gazebo group addict, “I need to get out of here and mainline an adventure.”

A Vietnam veteran screamed, “More drugs, nurse, more drugs. I could’ve been a contender. I could’ve been somebody.” A nurse shot him up.

ART

Burma