A Century is Nothing

This is a camelo, Spanish for a tall tale.

Hello. May this find you well. Please allow me to introduce myself. My name is Omar. I am a Touareg Berber nomad from the Sahara desert in Morocco.

I am a blind prescient writer in exile.

This is my story about how I and other tribal members met a strange kind man named Mr. Point immediately after 9/11. He just showed up and the Sahara is a big place.

When others hear this tale they express disbelief. “How can that be?”

Living Baraka, a supernatural energy and magic power practiced by our people, his appearance was, shall we say, expected. He is a poet, shape shifter, cosmic comic clown and literary outlaw.

Now it happened that we traveled together just like you and I now and we formed a community. We shared many tales and I have taken the liberty of including them here with some of my own stories. We enjoyed amazing adventures together.

I confess this narrative is not linear. In a sense, this is for and about children: innocence, curiosity, empathy, and playful pure intentions. Children love inventing stories and hearing them.

Stories are essential like air and water.

My friend and I love to travel and besides calling the Sahara home I also inhabit a very real magical late Paleolithic Spanish cave in Andalucía. It encompasses 26,000 years of art and history. The word ‘history’ comes from the Greeks. It means story. This explains the title, A Century Is Nothing.

Someone in our tribe said, “Imagine the earth is 24 hours old. To see a perspective of how long humans have been around, imagine they’ve been on the planet for only the last 60 seconds.”

Marco Polo, a famous traveler near death in 1324 at seventy left his famous epitaph for the world. “I have only told the half of what I saw!”

Keep an open mind and fasten your seat belt as we may experience a little turbulence during flights of imagination grounded in invisible particles of reality. In the event of a water landing your heart-mind may be used as a flotation device.

We’ll meet again. May your journey be filled with loving kindness, compassion and authenticity.

A Century is Nothing

Take Amazing Risks

After Ankara he’d accepted a new adventure in Bursa. This shocked everyone in the capital lower case. They assumed he’d stay with them forever. Students and teachers celebrated his transition with a sparkling cake. Women cried sadness and joy.

“We are not here for a long time, we are here for a good time,” said Sappho the poetess.

One adult student who’d articulated her desire to move to Constantinople during the Ottoman Empire seeking an educational engineering job in a quality control factory school producing obedient robotic idiot children and live with her boyfriend cowered behind her futile quest for independence from over-protective parents. “My father won’t let me.”

“Take control of your life. Get a grip. Let go. Jump. Discover courage and your wings on the way down.”

*

“To do amazing things you have to take amazing risks and suffer greatly,” said Zeynep, his five-year old genius friend in Bursa, Turkey.

 “Here,” she said, “many a-dolts stay with their mothers forever and a day because they are afraid of freedom and accepting responsibility for their lives.

“They eat fear morning noon and night. They are afraid to speak their honest feelings, to express their innate desire for independence.

“They are willing victims of traditional conservative attitudes and values. Free will is a foreign language. They are scared of taking risks, letting go and growing. I may grow old but I’ll never grow up. If I grow up I die.”

“I feel the same way.”

One day while sharing lunch and drawing in notebooks, he said, “When I was 9 I was going on 50. Now I am 50 going on 9. I exist outside adult time.”

“We are passing through,” she said, lighting a candle in darkness.

Weaving A Life (V4)

The Language Company

Northern Laos

Walnut Meditation

A Zen monk related a story.

“Before becoming a monk I was an English teacher in 8th grade at an Experimental School south of Chengdu in Sichuan, China. One day I held up a walnut. What is this?”

They answered in Chinese.

I wrote “walnut” and “metaphor” on the board. “This walnut is like a person I know, very hard on the outside. They are very safe and secure inside their shell. Nothing can happen to them. What is inside this shell?”

“Some food,” said a boy.

“How do you know?”

“My mother told me.”

“Do you believe everything your mother tells you?”

“Yes, my mother always tells the truth.”

“Really?”

“Yes.”

“Well, that’s good, but I wonder if mothers always tell their children the truth. Why? Mothers and fathers protect their children and keep them safe. Now you are developing as a more complete and mature human being. It’s good to question things and find out the truth for yourself. Do you understand?”

Some said “yes,” others nodded passively.

“This walnut is a metaphor for the self. A symbol. The self that is afraid to take risks because they are “protected” by their shell. Maybe the reality is that the shell is empty. How do we really know what is inside.”

“It’s a mystery,” said a boy.

“That’s right, life is a mystery. How will we find out what’s inside?”

“You have to break it open,” said a boy with poetic aspirations.

“Yes, you or I will have to break open the shell, our shell, break free from the shell to know what is inside. That can be a little scary when we are conditioned and comfortable carrying around the shell every day isn’t it?”

“It’s our self,” whispered a girl in the front row.

“Very good. It’s our self, this shell and the mystery. We have to take risks and know nothing terrible is going to happen, like trying to speak English in class.”

“If we don’t break the shell we’ll never feel anything,” said another boy.

A girl in the back of the room said, “it means it’s hard to open our heart. It’s hard to know another person and what they are thinking, how they are feeling.”

“You got it,” I said. “We’ll never experience all the feelings of joy, love, pain, sorrow, or friendship and miss out on life.”

This idea floated around the room as I juggled the shell in my hand.

“I know people who grow very tired every day from putting on their shell before they leave home. It gets heavier and heavier, day-by-day. Many carry their shell into adulthood. It’s like wearing a mask. They look alive but inside they are dead. But eventually, maybe, something important happens to them at the heart-mind level and they decide to break free from their shell and see what’s inside. They say to themselves, ‘This shell is getting really heavy and I’m so tired of putting it on and carrying it around. I’m going to risk it.’”

I smashed the shell on the table. It splintered into pieces. Students jumped with shock.

“There, I’ve done it! I smashed my shell. Can it be put back together?”

“No.”

“Right, it’s changed forever. The shell is gone.”

I fingered small pieces of shell, removing them from the nut.

“See, it’s ok. Wow. Now it’s just an old useless shell. It doesn’t exist anymore. It’s history. It will take time to remove pieces of my old shell. Maybe it’s fair and accurate to say the old parts represent my old habits, behaviors, and attitudes. It happened. From now on I will make choices using my free will accepting responsibility for my behavior. And, I know nothing terrible will happen to me. I feel lighter. Now I can be real. That’s the walnut story.”

“Well,” mused a sad serious poetic girl named Plath, “I believe every living object; seed, flower, tree, and animal has an anxious soul, a voice, sexual desires, a need for survival, and feels the terror at the prospect of annihilation.”

Language dreams.

Weaving A Life (V4) - paperback and/or Kindle

ABC

“Are we Asian or European?” said Zeynep the elder playing her cello resembling the human voice in a Bursa cemetery.

“Sadly,” said young Zeynep scribbling with black, red and blue ink on Moleskine parchment, “we'll never know our true identity. We suffer an existential identity crisis. 90% of Turkey is in Asia. We need talking foreign monkeys with clear pro-nun-ci-a-tion at TLC. Wow, it’s another day in a magical paradise.”

Zeynep knew her ABC’s. Always Be Closing.

Her grandparents had a restaurant near a shopping center.

Lucky wandered in one day before going to TLC. Shy and curious she watched him writing and drawing. He smiled, Hello. She stared. He pushed red, green, blue and black pens across the table, turned his notebook toward her showing a page of color gesturing to materials and a chair, come and sit down. You can draw. It’s fun. She was curious with courage.

Trust. They became friends.

Zeynep and Lucky created art daily in a ravishing food zone.

Bored anxious depressed adults devouring their dreams, nightmares and anxieties with plain white yogurt swallowed shock and awe. Lotus-eaters stared from deep vacuums with hard dark brooding eyes.

Want to make a deal?

How’s it feel

to be on your own

with no direction home

like a complete unknown

like a rolling stone?

When Z or L made eye contact adults glanced away with fear uncertainty and incriminating disbelief. Not to mention psychosis, repressed aggression and guilt complexes.

They didn’t see regular professional strangers here, let alone one talking, laughing, playing and creating art with a kid as an equal.

Adults listened at 10% or less saying yeah yeah or I am tired with panache.

They asked Z many questions without speaking.

What’s the melody?

How can you revert to primal childlike innocence?

Is the music in the cello? How do you get it out?

Why do you risk being free and independent?

How did you escape the tyranny of social conditioning?

How do you develop your wings after jumping?

Why are you always scribbling words or drawing or playing the cello?

Do you have mental disorder?

Are you on medication or meditation?

Is it contagious this art and music process of creativity?

Is it the food, air, water?

Am I this or am I dreaming?

"All of the above," said Z. "Good things happen when you take risks. You risk expanding your perception. You risk losing everything in the expansion. Are you prepared to lose everything?"

Adults were afraid to express repressed feelings. Too risky. Ain't nothing but the blues, sweet thing.

The Language Company

Life in Laos - Ice Girl

Chapter 17.

Banlung was 100 degrees with no clouds. The landscape was flat. Intermittent rolling parched Eastern hills led to a shimmering blue volcanic lake and cool shade.

To the north The Heart of Darkness flowed strong. Impenetrable jungles bordering Laos sheltered animists and cannibals.

How’s life in Laos, asked Ice Girl.

  A French doctor in Luang Prabang told me this, said Leo. He’s lived there six years. He has a young son and daughter with a Lao woman. He invested time and money to develop a guesthouse. They expanded to five properties.

They had problems. Her extended family smelled a huge profit. She threw him out. She wanted all the land. I saw her when she brought their daughter to a pre-school where I played and learned from kids. They were both fat and unhappy.

  So how does it work in Laos, said Ice Girl. You didn’t answer the big quest-ion from a small person.

  Men make the rules, said Leo. Women take care of the home, kids and money. It’s all unspoken subtleties. They do their thing. Women worship in the temples. They do their meditation. Men sit around getting drunk, discussing new night girls, ethics, morality and behavior.

  What happened to the French man and kids?

  He plotted a way to get them out of the country. He let her keep the land and buildings.

  Many people never leave their village, asked Leo. Why?

  Everything we have is here. A village maintains the other world.

  The world is a village.

  Good things happen when you take risks, she said. You risk expanding your perception. You risk losing everything in the expansion. Are you prepared to lose everything? I know the feeling, said Leo. They killed my family. I’m sorry, she said. We have to accept loss forever.

  What is the most beautiful word you know, she said?

  Kindness. And yours? Food.

  Less talk and more drawing are essential in life, she said. Experiment with circles, dots, triangles, squares, lines and curves to reach magical levels of realization. Connect the dots forward.

  The asylum is a prison and protection, said Leo.

  You create art to explore your sense of self and find out how you feel you are, rather than whom you think you should or ought to be, she said cutting crystals.

  Make the right choice for the wrong reason, he said.

  Make the wrong choice for the right reason in the right season, she said.

Ice Girl in Banlung