Life Stream

Tribal voices spoke.

“Think of it as a small sacrifice, an offering, a form of suffering.”

“The river of life will wake you up,” said an elder. “You go up river and reach pools. They are as quiet as your mind in deep meditation. No people. Nada. Zip. Zero Homo Sapiens. You are water, stones, vegetation, soft green moss, animal skulls, blue sky, nature and sound. The sound is water. It is soft. It is all you know. You sit in the middle of everything pure and simple. It is all you will ever need.

"Water is the first thing an infant needs and the last thing an adult requests. To satisfy thirst for your dying father you will smash ice with tools. You will inhale his death and exhale his life. He was appointed to have you. You selected him to pay for awareness, to accept the responsibility of his life. You will memorize every silent sound and carry it with you. It is light and very portable.

"It will divide and multiply its flowing vibration around rocks in the stream. You are a rock and a stream. Amplification of clear water sound is a single bird throated song. Short immediate. It is heavy deep and real. HDR baby. It will wake you up, as I said. You pay attention.

"You fly away and we will never see you again. We know where you are and see you’re safe, blessed by the sound, pulse and flow being part of the river. Its magic spirit is strong. It’s flowing through civilizations, its adventure down, down, down. It’s distributing itself along the way. The stream is never ending, never beginning. As above so below.

“It is the stream of life.

“Listen to the energies. They will swallow you. You will be absorbed into the flow and you will be still. Stones sing with water. They sing their softness, their wildness, purity unimpeded, reflecting deep pools below open shadows. You are the flow.

“We move forward. Living in the past is time consuming. Nothing behind. Everything ahead. We pay attention. The road gives us our fate. Fire begins with one ember.”

“Funny,” said a child. “Someone along the way said it wasn’t the mountain they thought was difficult but the pebble in their shoe.”

“True. We will meet people and establish a mutual form of simple heart-mind language.”

“Is it paved?” asked one, “this so called road of language?”

“With good intentions, phrasal verbs, grammar, and simple present continuous obscure contextual meaning,” answered one.

“I’ll believe it when I see it,” said someone in shadows.

“Is that a detour sign up ahead?” said a forward observer (FO). He was so far forward it scared some of the tribe. He was out there, testing frequency shifts.

They suspected he had a psychic ability to see stuff that hadn’t happened yet and they were at a loss, trying to figure it out. They had to trust him. They released their fear, healthy doubt and uncertainty. It was beyond, well beyond their comprehension. He mumbled things like, “You can’t step in the same river twice,” sharing stories, histories, legends, myths, dreams, and illusions.

Omar, Ahmed, and tribal survivors didn’t know if he just made the stuff up out of sheer boredom or if it was the truth of history. Much to their amazement while others carried a lot of stuff like emotional baggage, fear and generic uncertainty, he kept it simple.

His pen sketched and scribbled notes. Pencils and colors danced across Moleskine pages. They noticed in their simplicity and sympathy he carried a kid’s watercolor set. He used river streams and tributaries to mix paints. He splashed pigments left, right and center.

He loved making Fibonacci spirals. They couldn’t figure him out with their subjective abstract sense data perception tools so they relied on trust, instinct, blind faith and a crazy thing called love. Love, a blind whore with a mental disease and no sense of humor drove bus #11.

Passion creates and destroys.

They were blessed by their imperfections. He used life to create art and used art to celebrate life.

Many adults in the tribe being programmed and conditioned cynical skeptics didn’t get it. Indigo kids were clued in to his natural wild mind and trusted him. Implicitly. Their collective language transcended words. There were 6,912 known living languages on Earth and he spoke every one.

He was cognizant a spoken language on the planet perished every two weeks.

“We have a huge responsibility here. No language no culture,” whispered FO. “Culture is what you are and nature is what you can be.”

They sang oral traditions.

They experienced seasons, celebrations, ceremonies, rites, and magic. They created and exchanged clan and tribal myths. Children heard, memorized, chanted and recited songs of their ancestors.

Weaving A Life (V4)

Hello Chicken Soup

Goes the market women’s mantra song waiting for customers in Sapa, Vietnam.

Basic English is all you need to sell chicken soup. It arrives with long white noodles. Food women work from 5 a.m. to 8 p.m. seven days a week. 

Sellers, shoppers, locals, a few tourists with guides or in pairs feel comfortable with inexpensive market food. What is the profit margin, food cost, labor cost? 

Two foreigners live here. One is a Frenchman mid-20 with a brown ponytail. He speaks fluent H’mong. He stands on the cement staircase between the cloth market and sprawling food tables. He stares at people eating. He doesn’t smile.

He was married to a local H’mong girl, 19. She had a baby. Two years ago he left her. He pays support. Now he is chasing a Red Dzao girl. He works for the International Manipulate Relations Love Company with a Big Orgasm.

A fluent thin foreign man in his 20’s wearing large framed glasses carries a worn knapsack. He walks fast. He buys greens and tofu. He goes into a small shop for cooking oil. He hurries away over broken disjointed concrete blocks covering the central sewage system. He is in exile from far away. 

The Red Dzao women are persistent sellers, Buy from me. Repeat. Repeat. They never give up.

Mo, my 10-year old teacher gave a good lesson in how to handle these sellers. We were hanging out.

She said, When the women ask you to buy something, don’t say maybe, or later, or not now, or tomorrow, they will remember you and now and maybe and later and tomorrow they will tell you, you said tomorrow, later, maybe, now, Thanks for the lesson, Yes, I don’t know but I understand.

My and Mo, Sapa, Vietnam

Red Dzao

Mo

Grit & Gratitude

Being nine Lucky helped 4th grade geniuses become more human near Jakarta.

Engage-study-activate. Everyone had fun.

Students learned that whining was boring and useless. Smart ones knew without understanding. They knew what they didn’t know.

Kids shared Socratic discussions. They explored and expanded creative imagination journal writing, cross-disciplinary art, chess and teamwork development projects. They built and flew kites.

They practiced good manners and treated everyone with respect.

They focused on developing character: zest, courage, grit, self-control, social intelligence, gratitude, optimism, curiosity, fairness, generosity and integrity.

They shared soft eyes, relaxation techniques and meditation mind maps. They accepted personal responsibility for learning and exploring the process of becoming.

He assisted them to develop critical thinking skills outside imaginary social and educational conditioning traps. “I am here to help you make mistakes.”

One day a young teacher kid said, “We need challenges, Teacher Lucky.”

“What kind of challenges?”

“We need hardship and deprivation.”

“Yes,” said another teacher, “we need to take more risks.”

“How do you develop courage?”

“Through failure. We love to fail better."

“Correcto mundi. Welcome to The Think for Yourself Academy. Everything we do is an experiment.”

They planned, designed and constructed an elaborate high-risk rope and creeper vine obstacle course in jungles challenging body, mind and spirit. Teamwork skills blossomed like orchids.  

*

Residents near his garden sanctuary passed a tall green spiky cactus stretching arms into bluebird songs. A nanny carrying an infant memorized the echo of white cat paws trailing flip-flops. Faustus, seeing throughinnocent eyes rode behind his pedaling Chinese father.

A laughing skipping girl negotiated freedom.

A beggar wearing broken shoelaces studied pavement. A man spinning in his labyrinthine puzzle struggled with an activated cell phone in worn green baggy shorts hoping the call would save him from loneliness, boredom, alienation and metaphors like death.

Children in pink pajamas collected brown leaves and fragrant yellow-white hibiscus flowers.

In Bahasa sun a middle-aged daughter spoon-fed her mother in a wheelchair. Swallowing love her smiling mother remembered when she did all the feeding.

The Language Company

 

 Gili Air Island

Knife Sharp Man

One morning after Saigon noodles in a cold alley a man, 60 after wars and cold hard survival prematurely ages humans, sits sharpening a knife for a woman customer, redefining the steel.

No left foot. He curled his leg stump back resting it on a boot.

In the afternoon he walks past with a shuffling gait. He's wearing a green fatigue shirt, hat, motorcycle helmet, carrying his worn red plastic bag of simple tools. Knowing his truth, not knowing his story. A land mine or a stray bullet?

His left boot is an old combat relic, a discarded war object. It is split down the front.

It is brutally hot. The sun is behind him. How does he feel? Where is he going? Home for lunch and rest? Looking for more dull edges.

I am always walking, he said. I stop, find work, sit, sharpen an edge, get small money, put away my tools, put on my fake foot and walk. I eat noodles or rice on the street. I nap. I walk and work until dark. Then I go home. Home is where they have to take you in.

I am a storyteller with tools for sharpening life’s dull imperfections and sharp mirror reflections.

I am surrounded by amputees, he said. They approach me on their crutches, their hands out. They wheel themselves down the street on little trolleys, without legs, low to the ground truth.

A one-armed young man wears an old blue baseball hat. He sees local businessmen approaching. They wear fresh pressed white shirts, leather shoes and shiny silver belt buckles.

He takes off his old hat. Holds it out. It is empty. They ignore him.

He puts it on his arm stump, runs his one good hand through his black hair, puts his cap on and moves down the street. 

I am in the army now, he said, an army of the legless, the armless, armies of physically wounded forgotten humans. They know you and you know them.

Literary Agent Orange

Rip my heart out. Build the tension with cinematic pace. Then en masse in a dramatic climax they escape the clutches of the evil manipulators. In the falling action they join a safe community women’s shelter based on healing, recovery, regaining personal strength, dignity, self-respect, empowerment.

         They learn new job skills like cutting and selling ice.

         They learn how to weave. They discover their life needle leads a story thread. They take control of their life.

         They form love killer groups and hunt down men and women who betrayed them. The women kill them with love and compassion. The denouement is their brutal REVENGE. Best served cold. Calm, detached and honest. Short fast and deadly.

         BUT, said agent alliterated, I’m pretty. I’m pretty busy reading obscure vague query letters and synopses filled with vowels, consonants, phrases, sentences, paragraphs, tough love, mysteries and dime store romance, not to mention salacious graphic comics.

         Get to the verb. Get to the action. Establish a scene. Paint a voice. Develop characters, narrative, structure, plot, thematic unity, setting and multiple marketing platforms from recycled manuscripts. Pulp. Keep me turning the page.

Make the characters want something even if it’s a drink of water in the middle of the Gobi. Everyone needs water. Leo can tell you about the value of water in the Gobi.

         You mean, said Ice Girl, writing is like standing on the edge staring into an abyss called civilizationwith Leo, a courageous noble savage cannibal wearing an alarm clock around their neck committing sewer side with absolute free will above shimmering blue pools of incandescent liquid molecular frozen particles with brave stone cold clarity immobilized at heights of illusionary immaculate freedom seeing their immortality, their deepest fear in ROOM 101 alongside brave OTHERS unflinching in their love, compassion and goodness, this infinite potential?

Destiny in eternity? Where all points end at infinity? Where eternity plays with time? Before jumping they yell, People think art is easy. Tell them it’s like jumping off a 12 story building every day. JUMP!

         Yes, said the agent. I know it can be heart breaking. You develop your wings after jumping.

         You don’t know the meaning of heartbreak said Ice Girl. I’ve buried more people than you’ve published. Once I witnessed an old man wearing a rainbow knit cap write Eternity on a paper napkin in Planet Paradise, a coffee joint in Eugene, Oregon.

He torched Eternity with a match. His tired traveling blazing eyes watched Eternity burn to a cinder. Black and white ash and dust fluttered from his fingers. He mumbled incoherent incantations about fate’s joke, meaningless life, existential choices, irony and consequences. Something like that, said the agent with vague ineptness. Life is a chess game of experiences we get to play.

         The burning seer burned his inner light. He walked into a world trailing ash, feeling wind in his heart. Sun burned his retinas. Tides of time in the long now ebbed and receded where the event horizon blurred his cognitive facilities.

He lapsed into a stream-of-consciousness run-on sentence talking to shadows, ghosts and shamans. He approached the point of universal consciousness with mind-at-large where fiction memory dream and imagination are the same thing. He confronted the endless abyss. He jumped. He saved himself, said Ice Girl.

         Go on, said agent. The publishing world is a crapshoot. A casino. After expanding the narrative angle give me mythical evil, cold blooded sadistic mega maniacs, corrupt politicians, civil servants, millions of poorly paid laconic Asian teachers, nurses, doctors and financially motivated international bankers and politicians practicing fraud, sexual harassment and NGO graft under the auspices of organized crime.