Chase Money

There was a man in a poor village.

Everyday he went into the mountains searching for gold.

Everyone said he was crazy.

After forty years he found gold, returned to the village, exchanged the gold for cash, bought a rope, tied the money to one end and the other around his waist.

He ran through the village dragging money behind him.

Everyone said he was crazy.

“What are you doing?” they yelled.

“For forty years I’ve been chasing money and now money is chasing me.”

Subject To Change

North Lao Weaver

Street Talk

Captain Tremendous Tremor here again with an update from the dead zone of grieving Chinese parents and crushed kiddies. One reality shows to go ya where Big Brother wraps barbwire around collapsed schools preventing parents from rescuing 10,000 kids. Educational corruption and fear thrives in a Brave New World.

If you want to play you must pay. We know so much and understand so little.

“I don’t understand a thing. Let’s take the day off and be creative,” sang Zeynep, “grab our cameras and tale a walk.”

Lucky and Zeynep passed through ephemeral effervescent worlds healing strangers. Free non-transferable luck was distributed to the needy.

Air simmered grilled meat aromas in a tomato culture as swirling silver musical spoons tickled tea glasses. Seven tonal notes create cosmic spectrums.

Inside Ulus alleys near Ankara laughing blacksmiths with calloused hands burnished musical metallic containers. Friends forged balconies, grates, bars and enclosures on anvils with Thor’s hammer. Gateless gates.

A coal man loaded bags of black on his back. A cornered Russian mistress wearing diamonds on the sole of her shoes waited for rich monkeys. A weaver loomed geometric silk ikat threads. A father taught his son the art of carpet repair. Needle led thread. Dusty stories coagulated and copulated on teakettles rusting atop Roman burial slabs covered in binary codes.

Expanding universal maps and NSA spy satellites collected data.

Total information awareness. TIA.

A peasant woman rolled dough to make ravioli-like manta pasta. A brown snail carrying its spiral galaxy home scaled green and white stones as waving antenna received signals from orbiting space-time Dream Sweepers.

Head scarfed Kurdish women inside stone path shadows near crumbling straw packed homes with broken wooden slat shutters sat in a sacred circle talking and rolling spicy grated seeds into grape leaves. Thick meaty fingers toiled. Heavy 24-caret golden bracelets reflecting scattered light led to undiscovered archaeological sites for sore eyes and a doctoral thesis on amalgamated dust.

“It’s true to report that everyone in Turkey is psychologically well adjusted, employed and content with their free life,” said Zeynep.

“You’re dreaming, delusional or telling real lies,” said Curious.

“Made in the shade, cool baby,” Lucky said. “This is to say with precise specific clarity they have the courage to speak, are never tired or afraid of falling in love and marrying someone outside their rigid social and/or economic class. They take amazing risks and suffer greatly with gratitude.

"Photographing the universe they rent time-share apartments in black holes sucking matter into a void. Some scribble or doodle unintelligible non-linear calligraphic ideograms. The majority disappears into phosphorescent television monitors where they absorb political blather and fake reality shows. Media buys them. They give up their consciousness and miss the show.”

In Bursa a father + two son trash collection team pushed a rolling cart loaded with discarded plastic computers past crumbling Ottoman buildings secured behind barbwire and rusty locks. Faded orange and blue pigments peeled a long lost hollow bell.

One freezing morning a grandmother staring at Ottoman history lifted her child’s child to an iron-grated window. Zeynep, an invisible street photographer present with empathy squeezed a soft shutter release. A whirling dervish painting with light in continuous mode murdered time.

“Freedom is essential in my life. I control the result with spontaneity. I develop real relationships and embrace extreme situations. I’m a photographer who needs to travel. If I stay in one place I go blind.”

“Our images communicate light, story, form, emotion, information and raw aesthetics,” said L.

“Emotional impact. Photography is more art and intuition than process and procedure,” said Z.

In a warm art studio overlooking a fast icy river flowing from Uludag a female flute player fingering emptiness explained melancholic notes. Her chattering laughing friend created marbled flower art using pinpoint dabs of color in a tray filled with hot wax.

A white seagull’s calibrated internal navigation system negotiated air currents with Winter Hawk, Lone Wolf, 101 Screaming Eagles and Labrys of raging violin string theories. Piano melodies and hard bop jazz improvisation reinforced Bamboo resilience.

A 19% waxing crescent moon danced with clouds. Moon remembered moons in Augustine Fujian. Eat moon cakes, said Curious. Feed dead ancestors with filial duty. A cruel heartless forgotten forgiving month heard sky welcome moon. Clouds explored atmospheric conditions.

HELP screamed in a literary agent’s slush pile.

Help was a bulldozer leveling forests to harvest trees outside Phonsavan, Laos.

Vietnam bought them all. One tree = $10,000.

Chopsticks chairs tables toothpicks. Wood you believe it?

Lighter than Winter Hawk’s feathers, HELP made fun of people.

Invisible howling soft wing energy manifested Beauty. Letters. Signs. Symbols. Metaphors. Observations. Unpleasant facts.

Help expressed brevity. How are you? I'm short, said Brevity.

Help played with variable truth-value meaning.

Help, a landmine in Cambodia below the surface of appearances in a luminous landscape reaching infinity weighted for sensation.

 The Language Company

Walnut Meditation

A Zen monk related a story.

“Before becoming a monk I was an English teacher in an Experimental High School near Chengdu in Southwestern China. One day I held up a walnut. What is this?”

They answered in Chinese.

I wrote “walnut” and “metaphor” on the board. “This walnut is like a person I know, very hard on the outside. They are very safe and secure inside their shell. Nothing can happen to them. What is inside this shell?”

“Some food,” said a boy.

“How do you know?”

“My mother told me.”

“Do you believe everything your mother tells you?”

“Yes, my mother always tells the truth.”

“Really?”

“Yes.”

“Well, that’s good, but I wonder if mothers always tell their children the truth. Why? Mothers and fathers protect their children and keep them safe. Now you are in high school and developing as a more complete and mature human being. It’s good to question things and find out the truth for yourself. Do you understand?”

Some said “yes,” others nodded passively.

“This walnut is a metaphor for the self. A symbol. The self that is afraid to take risks because they are “protected” by their shell. Maybe the reality is that the shell is empty. How do we really know what is inside.”

“It’s a mystery,” said a boy.

“That’s right, life is a mystery. How will we find out what’s inside?”

“You have to break it open,” said a boy with poetic aspirations.

“Yes, you or I will have to break open the shell, our shell, break free from the shell to know what is inside. That can be a little scary when we are conditioned and comfortable carrying around the shell every day isn’t it?”

“It’s our self,” whispered a girl in the front row.

“Very good. It’s our self, this shell and the mystery. We have to take risks and know nothing terrible is going to happen, like trying to speak English in class.”

“If we don’t break the shell we’ll never feel anything,” said another boy.

A girl in the back of the room said, “it means it’s hard to open our heart. It’s hard to know another person and what they are thinking, how they are feeling.”

“You got it,” I said. “We’ll never experience all the feelings of joy, love, pain, sorrow, or friendship and miss out on life.”

This idea floated around the room as I juggled the shell in my hand.

“I know people who grow very tired every day from putting on their shell before they leave home. It gets heavier and heavier, day-by-day. Many carry their shell into adulthood. It’s like wearing a mask.

"They look alive but inside they are dead. But eventually, maybe, something important happens to them at the heart-mind level and they decide to break free from their shell and see what’s inside. They say to themselves, ‘This shell is getting really heavy and I’m so tired of putting it on and carrying it around. I’m going to risk it.’”

I smashed the shell on the table. It splintered into pieces. Students jumped with shock.

“There, I’ve done it! I smashed my shell. Can it be put back together?”

“No.”

“Right, it’s changed forever. The shell is gone.”

I fingered small pieces of shell, removing them from the nut.

“See, it’s ok. Wow. Now it’s just an old useless shell. It doesn’t exist anymore. It’s history. A memory. It will take time to remove pieces of my old shell. Maybe it’s fair and accurate to say the old parts represent my old habits, behaviors, and attitudes. It happened. From now on I will make choices using my free will accepting responsibility for my behavior. I know nothing terrible will happen to me. I feel lighter. Now I can be real. That’s the walnut story.”

“Well,” mused a sad serious poetic girl named Plath, “I believe every living object: seed, flower, tree, and animal has an anxious soul, a voice, sexual desires, surviving, feeling the terror at the prospect of annihilation.”

Language dreams.

Weaving a Life Volume 4

Cadiz, Spain

“Once upon a time,” said Nino one bright future day as the tribe rolled along, “and such a strange time it was, the gravity of thinking played music in a new century. There was a Spanish man with a hammer. At 9 a.m. on an overcast Cadiz morning he began chipping away at unexplored caverns. The Alio modo Fugue a 2 Clavier by Bach drifted in the background.

“He was building an extension on a roof where housing was scarce and straight up. The only split-level ranch duplexes with multiple garages in sight were American reruns on old battered televisions. He hammered stone below The Sheltering Sky.

"It was over 100 degrees. His hands bled. Blood seeped through an old Moorish roof splattering into a room where a writer lived in exile with a blind prophet. Hemoglobin landed on a keyboard. On the B. He let it dry. He treasured sudden rare immediate insights. Drops fell and congealed.”

“Fascinating,” said Omar turning a page. “And then?”

“Down below in deep morning shadows Rosario swept her front stoop on Benito Perez Galdos. Her white apron was clean and starched. She swept away yesterday’s accumulated debris and the mist of pedestrians coming and going. Old shit, dog urine and dust received her mop’s holy water. Their accumulated real and imaginary sins littered Galdos, heading for the gutter.”

“Let me guess,” said Omar picking up the thread, “church bells pealed eternal melancholy songs of hope and redemption across from the Castelilo de Santa Catalina, the main citadel of Cadiz built in 1598.”

“Exactly,” Nino said. “Inside tight white oval corridors, an exhibition of black and white photographs depicted Nicaraguan people fishing, polling canoes through jungles, chopping down forests, sitting for the camera, living and laughing.

"One room held beautiful black handmade fans in tribute to Federico Garcia Lorca. Considered the greatest poet and playwright of 20th century Spain, he was assassinated by members of the Escuadra Negra (Black Squadron) a Franco death squad in August 1936 for his left-wing sympathies and homosexuality. He belonged to the Generation of 1927 with Dali and Bunuel identifying with the marginalized Gitanos and woman chained to conventional social expectations in Andalucía.

"He wrote about entrapment, liberation, passion and repression. A long red scarf lay draped over a single rattan chair. Invisible wires held black fans decorated with peacock feathers and rainbow colors suspended in silence. Outside a dark window Atlantic waves smashed ramparts.”

Nino inhaled. Omar sacrificed an orange skin to enjoy the fruit.

Weaving A Life, Volume 1

Chimaera - Ice Girl

Chapter 25. (The Beginning)

Dawn light greeted green jungles along Heart of Darkness. A Banlung mother sawed ice into manageable chunks as glistening elements dripped moisture into dust.

  Women swept red dust in front of wooden doors up and down a red road.

  Four-foot long blocks of ice were loaded on antique battered black and red motorcycles driven by delivery boys wearing baseball caps with glittering golden stars.

  Ice lives and dies every morning. Sun makes ice cry.

After school the mother’s daughter saws ice using a rusty serrated blade rescued from a genocide ordeal.

  What are you doing? Leo asked.

  Rita smiled. I am a seller pronounced with confidence.

  She opened an orange box. She picked up a chunk of white ice in her left hand, cradling it inside a blue cloth. She slammed a hammer on ice. It cracked.

Fissures of released refracted pressure, jagged lines, imperfect beautiful white lightning spread deep inside ice. She held global warming in her left hand. She smashed it with all her power and strength fragmenting ice, floe chips and elemental particles.

  A piece of cold sharp ice pierced Leo’s left eye. The sensation of pain was minimal, immediate and cushioned by the delicious cold feeling of ice melting through a retina, cones, rods, a pupil, nerve endings, frontal lobe, cerebral tissue, and layers of tissue, altering his visual organic sense as ice light transmitted new electric signals from rerouted optic nerves to the cerebral cortex following a path of synapses. 

  Leo’s enhanced visual acuity reflected everything. The stimulant was all. The world is made of ice, he reflected, seeing crystals shimmering in ice mirror kaleidoscopes.

Illusions of truth, suffering and drama danced. Long jagged beautiful sparkling universes emitted glowing crystal rivers. The world is ice. Everything he saw, heard, touched, tasted and felt was ice.

  A sibylline language of clarity.

  She dropped the small block of ice back in the box. Collecting chips in a glass, she added fresh thick brown coffee, sweet condensed milk extract, a straw and a spoon. She handed it to Leo.

  Here, you look tired and thirsty. 

  I am. Thanks. I’ve been walking all day. It’s delicious.

  She bagged a block of ice and handed it to a cycle man. He handed her crumbled Real notes.

  She sawed in oppressive heat.

  You are a good seller, said Leo.

  Yes, I am, she said. I greet the buyer and sell. I cut. I bag. I talk. I sell. Ice is moving. What’s your name? Where are you going?

  My name is Leo. I am walking down this red dusty road. See where it takes me. One life, no plan, many adventures. What’s your name?

  Chimaera, she said, handing him diamonds.

  The road is a river, she said. Like a human’s life it doesn’t know why it is born until it reaches the end. 

  This is the day of my dreams.

Ice Girl in Banlung