Myths, Legends, Stories

Down in the southern province of Suhag in Egypt where King Scorpion lived 5,300 years ago I worked with archeologists discovering clay tablets.

Humans recorded taxes on oil and linen - a material Egyptians considered ritually pure under the protection of the goddess Tayt. The hieroglyphic line drawings of animals, plants and mountains revealed stories of economies and commodities.

In Nevali Cori we found 9,000 year-old shards of ceramics pottery depicting dancers.

“These images,” said a metaphorical digger, “reveal a common ancestor creating to integrate their community.”

A camelhair brush cleaned shards. “Anything else?”

“Well,” one said sifting dust, “we surmise these images established a collective discipline in their community. See how the figures are holding hands? What do you see now?”

“I see a circle of movement. A connected unity, a language in space.”

“It’s more than that. There are five rhythms in dance. You start with a circle. It’s a circular movement from the feminine container. She is earth.”

“Earth?”

“Yes, then you have a line from the hips moving out. This is the masculine action with direction. He is fire.”

“Fire is the driver.”

“Chaos is next, a combination of circle and lines where the male and female energies interact. This is the place of transformation.”

“I see. And then?”

“After chaos is the lyrical, a leap, a release. This is air. The last element of dance is stillness. Out of stillness is born the next movement.”

Language dances in space.

Every fourteen days a living language dies on Earth. The last speaker says good-bye.

6,100 and counting.

Storytellers sing oral traditions. They memorize stories, songs, poems, seasons, celebrations, rites, magic and ceremonies. They create and exchange family, clan, tribal myths and legends. Their children listen, memorize, chant and recite ancestor songs.

An historian’s job is trying to understand what happened through time.

An anthropologist’s job is to understand how people told their creation stories.

Mircea Eliade, a historian of religions, said, “Myths tell only of that which really happened.”

Myths suggest that behind the explanation there is a reality that cannot be seen and examined.

A myth is a story of unknown origins.

Myths are sacred stories of religion based on belief, containing archetypical universal truths.

They are in every place and no particular place. The world is sacred.

Myths, legends, stories.

Magic words grow here.

Intensity propels ten claws across twenty-six keys. Reed-like digits reflect use and neglect.

Psychology handles the branches. Mindfulness swims with roots.

Evolution flashes flickering beams of incandescent auras and pulsating electro-magnetic fields evolving character, attitude, values, behaviors and intention.

Intention is karma.

Perpetual transformation.

Weaving A Life (Volume 4) - Kindle Edition

 

Burma

Every August

“Tell us a story,” said kids.

"I’ll do my best,” said a Zen monk. "I heard this story from a friend in The Windy City and it’s stranger than creative nonfiction. Somebody said August is the cruelest month. The hottest. A local 15-year old girl killed herself yesterday with a single shot to the head. Makes you wonder who, when, where, how and big WHY.

“Last August it was M in Chicago. The perfusionist. She called a wrong number out of desperation and I inherited the inevitable task of talking her through the drama of her life. I answered the phone in Tacoma and kept her on the suicide hot line. It produced basic peace of mind for her. I created poems and an intense piece entitled The Last Several Pages about a book she was reading. She said was going to join a procrastinators club but kept putting it off. She settled down with an older divorced real estate salesman.”

"Walking through fire," said Omar the blind author of A Century is Nothing.

"It was a tough one. All about listening, recognizing faces of fear, seeing truth. Letting go. Moving on. Finding balance.

"Another August rolled around. Out of curiosity I called one of those 900 relationship toll-free numbers and left a message: Independent orphan seeks open-minded spirituality adept woman for casual relationship and friendship.

"Did you get any response?" said Omar.

"Three. The Relationship Express passed stations named Loneliness, Emptiness, Friendship, mid-life Crisis, Ticking Time Bombs, Rhapsody of the Disenchanted, Still Looking After All These Years, and Where’s The One? It zoomed past scenic views of Depression, Melancholy, Trust, Hope, Anxiety, Doubt, and Fear.

"I transited into the listening role with two women from Montana facing self-discovery, broken relationships and renewal. We’re riding the range, mending fences, and setting up new parameters. Now I love women, yes sirree, well all right then - this curious nature of heart-mind making new connections.

"I’m not saving anybody. All life stations have levels of becoming. Passengers on personal growth levels face illusions grasping their Gestalt, shattering mirrors and delusions. They work out in private emotional, physical, spiritual fitness centers. Levels replace levels. Each level has a center. The vortex is the equilibrium, the source."

"We are works in progress,” Omar said.

"I’m just doing my work.”

“That’s a powerful statement,” said Omar.

"Yes it is. Now I wouldn’t be the first person to say it’s healing work but I’ve learned to listen. Not all the clowns are in the circus. I make it perfectly clear to these kind ladies that I am not in the rescuing business anymore. Nope. No way.

"Honesty is the best policy. The emotional bottom line is they’re looking for a kind, sensitive man who won’t screw around and fuck up their lives. They’ve been cheated on, dumped on and left taking care of the kids. They need someone who will just listen to them without saying, ‘I can fix it.’ They know what’s what. They know how the world works, how the heart beats. They have their own toolbox. You’ve gotta have a good tool box."

"Tools. Couldn’t agree with you more, " said Omar.

"We’re all passengers on life’s train," said a Zen monk.

It’s the Circus Train!

A fall loon circles above schools of minnows. I stand in Puget Sound shallows as the Florida circus train rolls north. I yell and wave amid swirling dervishes. Rapid tides breathe in and out.

“It’s the circus people.”

“Step right up under the big Irish bog top.”

People wave from their moving life station. Tired eyed circus veterans stand next to clowns filming water lapping land. They reload memories into instamatics. Midgets peer over the edge of an abyss next to sturdy muscular mustached roustabouts.

Everything they need in their magic portable city is on rolling stock - water trucks, tents, buses and animal cages. A bright red ‘For Sale,’ sign shimmers in a train window. A rolling window displays a plant garden spilling into water vapor. Another has a toy elephant.

They live their dream life on rails. Caged people living with watered and fed animals. Routines: set it up, do the show with all the temerity of tenacious trainers, take it down, pack it up, load it up rolling miles this gleaming circus waving hello goodbye. Ocean waves a silver fish as one sparkles skyward.

When they reach the Canadian border they reverse engines to roll east through Big Sky country toward winterized Florida.

Rare dawn light passes sleepy stations bathed in dew diamonds.

Riding the rails follows spirit journey.

“The simple way is to listen, be detached, share and establish levels of responsibility, limitations and boundaries remaining open to the big picture,” said a monk.

A shadow carrying a candle passed them in the dark.

"Not too much wisdom and not too much compassion, whispered a wandering monk climbing a Cold Mountain toward a bamboo cabin sanctuary.

"Who are you?" said a child.

"I am a wandering monk."

"Where are you going?"

"To gather medicinal herbs for tea."

"Would you care to join us later?"

"Yes. We all have (a) ways to go."

"That’s a powerful story. Your friend is onto something there. She touches people confronting their fears with formless form and emptiness. It’s not fiction. Or is it? Is it a lie layered with your imagination to make it true?” said a kid.

"Good question. Omar speaks and writes from the heart-mind. Some people don’t want to hear this stuff, but say hey kid, they can take it or leave it. I accept her word. It’s about the human condition."

"Well said. Life is something to be lived and not talked about. What say, shall we rest here awhile, enjoy some food, companionship and a siesta?"

Everyone gathered in a sacred circle. It was all light in their interior shamanistic landscape.

Weaving A Life (Volume 2)

Draw The Dead

The Maija artist in Fujian, China accepted a photo from a grieving relative, set up his easel and studied a face with a magnifying glass.

His pencil sketched an 8x10. On chipped plaster walls were images of farmers, aunts, uncles, husbands, wives, young and old Pioneer Communist members with tight red party issued scarves knotting necks suffocating passion.

This day he sketched a stoic resigned peasant woman. She’d suffered at the hands of the Nationalists then Communists then corrupt greedy economic free market revolutionaries before facing the indignities of old age.

Old age is a killer.

A battered three-string wooden musical instrument hung near red streaks of paint in his fine art museum. A black fly on the artist’s left shoulder rubbed feelers together. Tasty.

An emaciated smiling ascetic friend of the artist wearing a skeleton face with paper-thin arms opened a bag of Fujian tea. He poured tight compressed leaves into his bony right hand dispersing it into an old chipped blue pot. He added water from a battered red thermos. We shared tea watching the artist. The likeness was perfect. The tea tasted acidic.

These images decorated Asian family altars and collected dust in temples. Ancestor worship and the fear of ghosts is a big deal.

Do all the ancestors hear, understand and acknowledge the yelling? Yes. Do they open their mouths requesting a little peace and quiet? Yes.

On anniversary death days they meet ghost ancestors in cement alley mazes where piss, drain water, used cooking oil, daily slop and vicarious liquids flowed into small holes.

The dead formed a rubber stamp committee addressing Asian family noise.

“It’s come to our attention dear comrades, beloved family and friends...we have a communication volume problem in the neighborhood. Silence. We are trying to enjoy a long peaceful restful sleep. Leave us be or we will return to haunt you. Forever.”

The Language Company

Collecting Dust

I climbed through the center of Bali inside magical light past an extinct sacred volcano at Lake Batur carrying a portable word machine, a map carved on narwhal bone, codices or painted books and texts on bark paper and cactus fiber called Amate including animal skins and dialogue of Mayan origin.

Gathering flames I lit a piece of bark for guidance. My hair caught fire. I mixed volcanic ash with water, creating a thick paste of red ocher, a cosmetic balm rich with antioxidants. I applied this to my skin to gain entry and passage through the spirit world of ancestors.

To become clay I created clay. I needed dust.

I collected dust and minute grains of mica. Teams of gravediggers, weavers, butchers and writers explored rain forests, jagged mountains and impenetrable jungles collecting dust.

Hunters dived into, under and through massive Columbia waterfalls near tributaries where the confluence of Northwest rivers gnashed their teeth, snaking past abandoned Hanford nuclear plants where fifty-five million gallons of radioactive waste in decaying drums left over from W.W. II slowly seeped 130 feet down into the ground toward water tables.

The waste approached 250 feet as multinational laboratories, corporations and Department of Energy think tanks vying for projects and energy contract extensions discussed glassification options and emergency evacuation procedures according to regulations and Robert’s Rules Of Order inside the chaos of their well ordered scientific communities.

Tribal survivors ate roots and plants garnished with entropy.

Survivors passed through civilizations seeking antiquities. They reported back with evidence sewn into their clothing to avoid detection at porous India-Tibetan borders. They severed small threads along hemlines, Chinese silk gowns and Japanese cotton kimonos. Their discoveries poured light rays into waterfalls rushing over Anasazi cliff dwellings into sage and pinion forests.

Survivors arrived at a mythopoeic part of their journey.

I reflected on the unconscious residue of social, cultural, ethical and spiritual values.

I needed masks. I needed to understand the underlying mysteries inside death masks. I confronted the realm of spirit. I created masks on my pilgrimage. My journey was the destination. Masks signifying the dignity of my intention thwarted demons and ghosts. I became spirits dancing in light.

Everything was light in my shamanistic interior landscape. I released the ego - Ease-God-Out - detached from outcomes, eliminated the need for control or approval, trusted spirit energies, and remained light about it.

Inside light with slow fingers and long thin ivory nails I turned clay into pots. Spinning spirals danced on the wheel of time.

I finished throwing them used them for tribal ceremonies and smashed delicate clay pots to earth.

They exploded into the air creating volcanic ash coating everything in a fine dust.

I dug into the soil of my soul.

I scattered raw turquoise stones along a trail of sacrificial tears on a long walk through geography.

Book Blurb - TLC

Creative non-fiction. Journalistic facts. Literary imagination.

Lucky Foot facilitated English at The Language Company in Ankara and Bursa, Turkey in 2008.

In 2012 he facilitated in Trabzon and Gerisun on the Black Sea. Collecting data. Field notes.

Gonzo stuff.

He is a Vietnam veteran, writer, street photographer and facilitator of courage.

Since 2004 he's gifted luck in Burma, Cambodia, China, Indonesia, Laos, and Turkey.

He shows up. He sits for a spell nurturing positive relationships in the long now.

Accompanied by Humor and Curiosity he helps students speak English with confidence minus illusions of fear and phobia's relatives:

Fear of taking a risk.

Fear of being incorrect.

Fear of peer ridicule.

Fear of poverty.

Fear of starvation.

Fear of being ordinary.

Fear of success.

Fear of abandoning a manuscript by Zeynep entitled TLC.

Fear of accepting responsibility for choices and accepting the consequences.

Fear of letting go of old conditioning. Shadows.

Fear of being alive and real. Growing.

Fear of_______. (Your free choice)

Lucky, Humor and Curiosity observed parents, schools, religions and countries fostering passive acceptance, fear, indifference and rote learning teacher-centered systems.

It was all about vomiting the material to pass exams. Product. Not the process of how to be more human and think for yourself.

Status quo. Sheep mentality. Blend in. Questions are forbidden. Authority washes your brain daily.

Zeynep, his young genius friend in Bursa taught him about life in her totalitarian country.

"As a literary outlaw I say what others are afraid to say. Anxiety is a chronic national problem. Adults here are good at two things, eating and fighting. 'Dissent is terrorism,' say our corrupt manikin authoritarian figurines."

Leo revealed dystopian China. "I spent years carrying shit in a Re-education through Reform Labor Camp for questioning Authority. Everyone here belongs to the Big Ears, No Mouth society. Oh the shame. The bent nail gets hammered down."

Rita, the independent author of Ice Girl in Banlung shared stories about her Khmer culture and Cambodian history. "We've had twenty years of hopelessness. We breed. We work. We get slaughtered. Poor people see education as a waste of time and money."

"I dream I am a free person in a free country," said Curiosity.

"You're dreaming," said Humor.

A seven year-old Vientiane kid explained Laos. "I develop my authentic character with critical thinking skills, humor, gratitude, abundance and wonder as a free thinking individual. I have my junior philosopher's badge."

"If you want to do great things you must take great risks and suffer greatly," said Zeynep. "You either let go or get dragged along."

Awareness. Mindfulness. Compassion. 

"It's not about people buying this book," said Rita. "It's about people reading it."

The Language Company