Mandala

Namaste,

An old caretaker man lies on his back inside an erotic temple with 24 carved images of playful sexual pleasure. He welcomes devotees covered in their piety, devotion, shadows, offering flowers, oil flame light, petals, incense, foot worn stone paths. Interiors.

Ring a bell, many bells, fingerprints wear down stone. Human gestures vibrating bells across a valley.

Endless brick factories fill the Sudal valley. Humans living in brick shacks, using water, clay, wooden forms, creating gray bricks. Sand, dust, hand labor, coal fired smokestacks, piles of coal being crushed, hauled on backs to fire. Fire gray red. The scope and density of men, women and children pouring their lives into their daily effort.

This massive element of people surviving. You walk on streets made of bricks, seeing brick homes rising to blue sky. Brick by brick. 

A mandala. Centering the universe with non-attachment.

The center that I cannot find is known to my unconscious mind. I have no reason to despair because I am already there, sings a Nepalese child.

Gallery.

Metta.

Mind your head

Namaste,

The path brought him to Bhaktapur, Nepal.

Offerings, Hinduism, calm fresh air in a fresh morning. This shift of spirit energies, consciousness. Temples, endless dawn processions of women in radiant rainbow orange, green, blue, shimmering, yellow, red saris bundled inside morning mist. Fog water vapor. 

A woman offers rice, yellow and orange flowers on a pavement Shiva. Ointments, prayers. Blessings.

A man clangs a gigantic brass bell. Sound resounds through the temple square. Deep echo.

Metta.

Hawk Informers

A male street hawker spoke with flair and conviction, If you don't buy my cheap cotton hat with a national flag red star, or a cheap wooden bracelet made by an orphan, then the next time I see you while I am walking hot Hanoi streets in the middle of the broiling day with sweat streaming into my eyes trying to make a living, then I won't know you.

My eyes will be dark and lost in their pitiful future. I won't remember you. Ever.

I will continue to walk. All day. In the heat. No water. No rest. To walk, work, meet tourists. No pity. This is my social and economic reality. People ignore you when they don’t have a sale.

Darwinian logic. Evolution of the species. Survival.

I’m not surprised, said Charlie. This is common throughout the country. The Central Party creates a climate of fear. Fathers report wives. Wives report sons and daughters. Daughters report their fathers. It is an evil cycle.

Charlie is a member of the Shining Path Young. This is our new generation, with a new generation of informers and spies. They make good money. They keep their mouth shut and know their place. Infamy. 

What I do today is important because I'm spending a day of my life on it.

The Midnight Court

I entertained visitors, fished the Glen Malure river in complete solitude, peeled potatoes and carrots for stews, painted watercolors, discussed road adventures with vagabonds, wrote and played chess by firelight. 

Pawn takes pawn as players attempt to control the middle of the board attacking and defending positions simultaneously. It was about position and material. We made the necessary sacrifices after the beginning game through the middle game to the end game. 

Andy, a German visitor said India was once lost in a chess game between two kings. We played in the dark of night illuminated by fireplace light as peat fires roared their way up the flue. Quick moving violent storms pummeled the place.

“That’s a dangerous move,” he said as my knight escaped a pin.

“Yes, but it’s elegant.”

“We destroy ourselves eventually.”

“Yes, as long as we enjoy the process. Your move.”

In the morning Susan related a dream from literature she was reading, by Brian Merriman, a merry man while doing her nails near the river.

“Have you heard about The Midnight Court?” 

“No,” someone said. “Tell us.”

“It’s about a fellow who falls asleep and has a dream where he is taken before a court of women who condemn him to be punished for all the men in their knowledge. How women should have the right to marriage and sex but often meet with disappointment and rejection by men who could easily have become their lovers and husbands.” 

Duende

She had duende, a fundamentally untranslatable Spanish word, literally meaning possessing spirit. It signified a charisma manifested by certain performers—flamenco singers, bullfighters, elves, seers, weavers—overwhelming their audience with the feeling they were in the presence of a mystical power.

The Spanish poet Garcia Lorca produced the best brief description of duende: “Years ago, during a flamenco dance contest in Jerez, an old woman of eighty, competing against beautiful women and young girls with waists as supple as water, carried off the prize by simply raising her arms, throwing back her head, and stamping the platform with a single blow of her heel; but in that gathering of muses and angels, of beautiful forms and lovely smiles, the dying duende triumphed as it had to, dragging the rusted blades of its wings along the ground.”

Little Wing followed a tribal trail to Lacilbula, where, after weaving morning pages she returned to the Rio Guadalete river below the pueblo flowing from the Sierras to Cadiz.

The battle of Guadalete was fought on July 19, 711 when 7,000 Yemenis and Berbers led by Tariq ibn Ziyad defeated the Visgoth King Roderic.

Rio needed cleaning. Thick autumn yellow, green and brown leaves trapped between rocks clogged river sections. Liquid backed up to mountains beneath fast gray storm clouds. Using her walking stick, she clamored down a slippery slope and slowly worked her way up the Rio clearing sticks, leaves and stones blocking the flow. One leaf could do a lot of damage.

There were green maple, silver aspen, brown oak leaves. Old black water logged decayed colors danced with fresh green and orange pigments.

She was the unimpeded flow. A child playing near water and rocks in her dream world. Serenity and sweet water music. Rocks, stepping stones. Small pools and meditation zones of where she felt peaceful. Bird music darted up the canyon.

She cleared leaves long past twilight, staggered up the muddy incline facing the Rio in silent gratitude and performed healing chants next to a bare Aspen tree. She passed a ceramic Virgin Mary statue illuminated by melting red candles in a rocky crevice behind a locked gate.

Mary’s blood flowed over jagged dolomite gray stones flecked with green moss. She collected a hemoglobin sample for future weaving, crossed a stone bridge and returned home. She lit candles, started a fire, relaxed in her favorite chair enjoying a deep breath before bleeding word rivers to dye loom fabric.

The loom was her instrument of transformation and wool the hair of the sacrificial beast which women, by a long and cultured tribal process, transformed into clothing. This suggested how weaving skirts the sacred and the violent. Why her power at the loom was both derided and dreaded, transformed, like giving birth, into a language and symbol, a metaphor with new, positive ends.