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Entries in The Language Company (178)

Saturday
Oct292016

Tax office Trabzon - TLC

Eat dreams with Turkish yogurt minus needles of anxiety.

Cultivate silence and bliss.

Amazon women visited the residency permit offic3 in Trap A Zone. They severed their right breast. Here you are. We’re ahead of schedule and below budget. We pay now.

Arrows of time sang, Bull’s-Eye.

Everything has already happened, said Z. You just need to experience it. You and I hit the target others don’t see.

Before visiting the taxman Lucky discovered a pinecone poem near the tax office inhaled it caressed needle texture and put it in his pocket. Talisman.

The cool deep forest season scent reminded him of managing Glen Malure, an isolated Wicklow hostel in Ireland below Lugnaquilla Mountain absorbing the same sensation with pinecone nature in his pocket grounding him deep helping him survive dear old dirty Dublin passing through to wild Donegal in 1979.

Down the rocky road, one, two, three, leaving them all broken hearted.

After the tax office barbarians sang at The Bank of Greed & Prosperity to open an account. Wake up the clerk. Keep people busy. Sit Down deposited 12K to get it straight. Deposit today, withdraw next week, said sleepy teller.

Palming an ace, Paperwork shuffled a loaded deck.

In the afternoon the native speaking tribe went to the police office for residency paperwork. Wake up the dick in the corner. Everyone was armed and legged with hand ups. Desperadoes sang bordello caliber melodies.

Lucky handed over sepia photos, documents in triplicate, passport and random pages of a well-traveled TLC narrative by Zeynep to a morose female clerk wearing a hipster 45. She did her computer data duty and passed everything to a young steely-eyed policeman who, by pure dumb luck had met Mr. Foot two weeks earlier on the TEOL balcony where they conversed about essential English skills. Use it or lose it, said Lucky.

Cop looked at the residency permit, stared him down and said you cannot work in Giresun. Yes, said Lucky. Always say yes when a kid fingering a loaded 45 says you cannot. Negative tense.

In the future all the world’s police will be children. Period.

The Language Company

Zeynep the heroine of TLC in Bursa.

Saturday
Oct222016

Asia for sale

Across a porous border is the dry season in Khmer civilization.

Leaders, bleeders and corrupt businessmen sell forests to furniture, chopstick and toothpick fact stories in China/Nam. Let’s eat.

Greed is a hungry animal.

Asian developers buy Cambodia and Laos to build garment sweatshops paying slaves $61 a month, golf courses, shopping centers filled with morose manikins and hundreds of empty glass and brass hotels financed by prostitution, opium, wild animals, natural resources, imperial emerald jade, rubies, Blue Zircon, sapphire.

Appliance factories, baby production machines and Mandarin language schools babble tongues.

China owns northern Laos. Vietnam owns the south. Thailand owns the electricity from twelve Lao dams on the Mekong. Sixty million farmers and fishermen starve downstream. Lights are on and nobody’s home.

In Phonsavan - Plain of Scars, Jars and Wars - before dawn every morning logging trucks carrying trees from Laos rumble toward Vietnam furniture factories.

$10,000 a tree.

Log in log on log out. The hills are alive with the sound of chainsaws.

As of August 2013, Asian investment in energy, mining and agriculture according to a financial source was:

Vietnam has 449 projects in Laos worth $5 billion.

Thailand has 760 projects in Laos worth $4.8 billion.

China has 800 projects in Laos worth $4 Billion.

Lao capital investment has twenty-nine hydropower projects valued at  $739 million, $271 million in mining and $100 in construction.

Asia is for sale. Act Now. Cheap. ABC.

The National Museum in Seems Ripe is 50% owned by Thailand. Khmer people don’t visit. It’s a tourist how now cash cow?

Angkor Wat is managed by Japan. Pass the sushi. Domo arigato.

The Language Company

Plain of Jars. Archeologists say giants created them for drinking 4,000 years ago. I know. I was there.

Saturday
Oct152016

Mai

Her back to a silent world, a beautiful deaf mute dancer in Cambodia scrubs foreign laundry. Her becoming is loneliness, heartbreak and joyful silence.

Her silence is her freedom.

She wrote her story in a spiral notebook. I dreamed a deaf mute woman is married to a literary butcher. She hates him. I am she.

My life is a tedious slave labor laundry-washing job. A hall of mirrors faces me. I am beautiful. I speak-sign love laugh, sing, and dance.

Spoiled whining children and adults run around screaming. I can’t hear them. It’s a blessing.

I read lips pleading I want food. I want clean drinking water. I want love. I want education. I want medicine. I want a chance. I want a little luck.

The Children’s Hospital down the street has twenty-two beds in one room. They are filled with infants wearing air hoses in their nose. They suffer from pneumonia and tuberculosis. A parent holds a tiny hand. The infant mortality rate here is a tragedy.

I.C.U. has five beds. They are occupied.

400 mothers cradling kids wait to see a nurse. She dispenses free generic orange pills.

Life is a killer. Life is a generic placebo.

Mothers are happy to get something, anything. They have no knowledge about modern medicine. One effective blue pill costs $1.00. Parents need fifteen. $15.00 is a fortune. Out of the quest-ion. Rice comes first. Parents accept free ineffective orange pills. Parents need a lucky miracle.

How much does a miracle cost?

Life is a $1 blue pill, said a mother.

Mothers are hopeful. They wait in silence after riding on the back of motorcycles from remote villages. Everyone there had an answer for the child’s sickness. Babbling female genocide survivors sang remedies. Men pounded drums. Relatives and monks prayed and burned incense. A shaman dancing with death smeared chicken blood over a tiny chest. A healer waved smoking banana leaves over a child running a fever.

400 mothers wait forever to see a nurse to get an orange pill. Mothers know the answer to what is life quest-ion. A pill payer prayer, blind luck.

May your short sweet life dance be lighter, faster, cleaner than cool autumn winds caressing ebony’s laugh.

I am an unfinished symphony. I live with visual touch holding a small spinal kiss. Feathers caress my skin. Shivers inside skin love this sensation. Everything is sensation-intuition in my quiet world. A lotus blossoming from mud opens a purple petal. 

My love is voiceless and tenacious. I am passion releasing tension and lust trust. Gentle. Respect. Dignity. Grace. Luminous. Pure. My silent joy is a breath. I inhale suffering and exhale love. 

He comes to me in the heat of the day. I welcome him with my dark eyes gesturing a fingertip on lips...quiet. We share the present. My passion is deep and strong. My language - a smile, brown eyes, calloused hands, worn fingers and rolling sounds whisper: 

time

relationships

secrets

fear

family

passion

laughter

a heart

I dream traditional ignorant silence kills others. Truth is a powerful weapon.

People are afraid of truth. When I express truth I don’t have to remember what I said. I sign-say what others are afraid to express. My secret lover and I share the same frequency.

I am an anarchist, a linguistic magician. Speaking, living and realizing truth entails risk. If you want to do amazing things you must take amazing risks and suffer greatly.

Daring is not fatal. I am truth incarnate.

I am an objective mirror free of dust.

Everything here is a secret. Shhh. Fingers on my lips. I am secretly engaged to a false dream of going to Australia with Thorny. He is 50, married with family. He works for an NGO here. He builds fake bamboo homes. He plays my father figure and unconscious rescuer. Fat chance.

I come from a poor rural village. I was the last of eleven children. I am 28. I came here with my sister, 32. She got pregnant by a married Kiwi. She had a daughter named Moaning Lisa. She pretends to be married. It’s all show here. He sends her a monthly handout, pays the electricity.

She set up a hair salon business in a 1,001 year-old tourist temple town. It fell through. Salons are a dime a dozen. Thousands of uneducated poor girls from distant provinces can’t/don’t read. They cut. Do their nails. Digit phones. Staring at mirrors is their fate. Some moonlight as beer girls and hostesses. Where is Mr. ATM? Who’s going to save me wearing gloss in the dead of night masking eternal hopelessness.

Unspoken quest-ions, broken lives and starvation seek short-term financial solace.

My sister put me to work with a niece washing clothes. In reality I am a happy slave. I have my sister, niece, food and a safe place to sleep. I make some money. An Australian girl gave me a scooter. I dress nice.

My sister started selling massage service. If I meet a good man - more rare than verbal speech - I maybe let him touch me trusting he’ll take care of me. Short term.

I need help.

 

Massage has no emotional connection. Touch and go. I have the power to say NO. I have a 5th degree black belt.

I’ve killed more men with silence than you can imagine.

I tell aggressive idiots they can get laid somewhere else. Go find a beer girl. Flash your cash honey.

I do all the washing, ironing and massages. I make small tips. My sister pockets the money. She sits around admiring herself in mirrors, playing with Lisa and talking rubbish on her cell.

I am a voiceless voice of quiet resignation.

Shhh. I have a secret lover while Thorny is in OZ. I am easy going with a willingness to share my honest emotions. No commitment is a concrete-abstraction. My passion is immediate visual truth. My eyes are sensory awareness.

I see voices.

I am a voiceless one quivering lips and tenacious touch with my secret lover. He taught me a Tibetan mantra:

I would rather be a tiger for one day

Than a sheep for a thousand years

My sexual joy is shy. I dance tactile tenderness with silent breath.

My lover comes to me in the heat of the day. He is kind. I welcome him with smiling eyes, gesturing a finger on lips, shhh. My unfinished symphony lives with visual touch holding his kiss on my spine. I do this because I love it. It is my heart-mind fate.

He brings me luck. You can’t see it, measure it or hold it.

I say it I hear it I feel it I got it I know it.

My passion is deep and strong. My unlimited languages speak eyes, smiles and hands. Gestures create us in space. Gestures use me.

My speech voice is missing. I make rolling guttural sounds expressing metaphors, similes, intonations, frequencies, meaning, sensation, time, space, ideas, dreams, relationships, secrets, traditional family values, gratitude, health, wonder, contentment, passion, and joy.

By the time I learned the alphabet it was late in life toward primordial dusk. It was late in the moment before then and now.

I am a long now.

It was late in the whisper of silent air singing from the trash collector’s plastic bottle. Pulling his rolling cart filled with cardboard his muscular rhythm stirs somnolent red dust on broken stones. The majority of people here exist on less than $1 a day.

Rich land, poor people, greedy corrupt politicians.

I see, said a blind girl playing a cello in a demined cemetery. You can’t step in the same river twice.

Possibilities and probabilities, chance and coincidence flutter from my finger fragments like butterflies. Unknown mysterious sensations fling from signing hands. Fingers and hands are language wings. Blossom being.

My lover visualizes me in brown toned tropical worlds. He imagines I join a hearing impaired community, get an education and a real life. He’s a dreamer.

I jump ahead in my story. It won’t happen. I am a slave.

He realizes my movements say I was born to dance.

My gratitude is stillness.

There is a big difference between sitting still and doing nothing.

The hardest thing to do in life is to do nothing with intention as it takes the most out of you as a person mentally and physically.

Some people say nothing exists. I do nothing everyday.

I smell roses. I swallow fresh orange juice. I engage my senses in direct, immediate, raw, emotional experience.

He cannot save me from my destiny. He can only allow the process to flow. My existence is a long flow state.

One day he brought me apples, oranges and mangoes. We spoke with non-speech. He sees our passion is a glimmer of emotional security in the long now. Inside my deep-eyed mischief strangers comfort each other without discrimination.

I am a singularity.

Sensing passion we decipher riddles forecasting speechless tongues. We accept mindfulness with gratitude in quicksilver’s desperate wandering. Boredom’s fear carves a niche in my soul.

Dance saves me.

He is a Lone Wolf with a DNA variant comprehending my inherent instinctive intuitive needs.

It’s a blessing to understand another human being without words.

I hang laundry near the street. Memory’s lie is tempered by talking monkeys. Two boys harvest trash. One barefoot boy plays silent music with a long thin bamboo fiber. The other twirling a walking stick used for prodding garbage carries a plastic bag. Papa’s got a brand new bag.

Local people mill around. Milling around is an art form. They exist with a pure innocent childlike wisdom. Passive is their inherent Buddhist nature. They’ve suppressed their ego. Ease god out.

Others voice imaginary alien freedom ideas. I am Other. I live in my heart-mind luminous universe.

A sofa with a roof on wheels towed by a motorcycle carries fat white Europeans to see 8th century Angkor temples. They are the look and leave people. They are too busy passing through life to feel anything.

Eternity a young handicapped man wearing his new skin-tight artificial plastic left leg and foot shuffles through dust. He walks home. It is everywhere and nowhere. You can’t go home again.

My lover-friend was away for six weeks. He brought me pineapples, a yellow mango and passion fruit. Washing clothes in my silent world, my hair tinted golden hued, I felt ebullient. He touched my spine. Soft, I turned, smiling.

My silent world and calm joy are disguised potentials. We share a silent clear intention. Our private time contains no fear. It is a gentle soft and slow passion. My awareness is trust and authenticity.

I remember everything.

I paint my nails a shade of red-pink. My old thin brown fingers are tired after a day scrubbing clothes. My infinite silent no voice is all. He watches my intense angelic face focus on cuticles. One-by-one. My heart understands his sense of eternal loss in exile, a form of suffering.

He cannot save me.

I sign: I hate the French spies next door. He and his fat wife run a restaurant. He spies for Thorny. They are creeps. Before he left Thorny gave me money to stop doing massage. I agreed. The spies keep an eye on me.

In my silence only my voice is missing.

I am alone in my silent prison. It is a blessing and a curse. It confines me and it liberates me.

Silence is all.

I am one with everything. A singularity.

I am a stream-winner.

All visual colors, sensations, perceptions, imagination and energies of transient tactile existence permeate my being.

I live inside a net of light.

I live in a world of forms.

Everything floats away in a floating world.

Mu. Nothing.

Maya. Illusion.

Attachment is suffering. Suffering is an illusion. I don’t understand suffering. Does suffering mean experiencing taste, sound, temperature, texture and blind love feeling hope, regret, loss and spiritual death and rebirth as a pure being?

Did suffering invent our genocide in a utopian fantasy?

I witness many sad lost blank faces. Strangers eat their face. People wear sadness like discarded rags. I see mouths moving.

I never hear laughter as I pass through with my Dream Sweeper Machine.

What does laughter sound like?

Synesthesia.

What color is sound? What does it taste like? Is it sweet and sour?

Facts and truth have nothing in common.

Fear and trust dance in stillness. I meditate. Calm. Centered.

I am a stone cold Apsara dancer, a dancing revolutionary evolutionary soul.

I feel like screaming.

The dancing hall inside Preah Khan temple at Angkor Wat is where dancers don’t smile. They dance. They are slave dancers. They dance for the king. The god-king. He resurrected his desire creating new decrees for dancers. They dance for the mighty and powerful. They dance Khmer stories about war, family, harvests, seasons, sun and moon. They are submissive dances of life/death. They dance to celebrate life. A celebration of tranquility is their eternal dance. They dance or die. They wear tinkling bands of gold around wrists and ankles. Diamond diademed crowns and shimmering silk clothing. They do not smile. Their faces are frozen in the trance of dance.

I dance to escape the tyranny of life.

My dance expresses life. I’ve danced all my short sweet existence.

The Hall of Dancers has laterite columns and portals with broken jumbled green mossy stones. Stones whisper dance. Thick gnarled silk-cotton tree roots dancing below the surface of appearances in burial crypts crawl toward dancers. They dance through exposed roots past Shiva and Vishnu, the preserver and destroyer of life. 

Dance is motivated by emotional expression. Dance is about itself. Dance is a free playful existence. Life is a silent dance.

My spirit is destined for obscure happiness. Dancing my existence I welcome intention and intuition by communicating with gestures. My beauty. Symmetry. I am a formless form in a world of forms. Skin textures are perfect. Complete. My life is pure essence. Radiant. I dance with energy and freedom.

I am free. Clear. Pure. Luminous.

When you dance you are connected to the Source. I am the Source, the vast self.

My lack of speech and hearing is a blessing. I am grateful.

My body is my instrument.

I am a golden sprite, a fairy maiden. I am a young, innocent, shy, ferocious wild tiger. My claws feel this intensity. I dance with death deferred.

My needs are met on every level of being. It is sensual, playful.

I gesture to him. Go upstairs. Shhh.

I lock the door. We are safe. I am safe. I take off my clothes. My dance flows. My childlike love caresses air. It is the stillness of dance my free form.

Touch me. Nibble my ear lobes. Kiss my neck. Use your tongue. Ask me without words if I want it gentle, medium or hard.

I lie down. Hold me. Breathe deep. Exhale eighteen inches out. Deep space. Empty your mind.

Give me a full body massage. Start with my feet. They are erogenous zones of pleasure. Touch pressure points on my souls. My brain is an erogenous zone. Work up my calves massaging lower back along the spine expanding out across muscles and shoulders. My neck muscles are tight from doing laundry. Knead tension out. I’ll tell you how it feels with gestures of pleasure.

Listen and feel my body. Hear my breath exhaling sensation. Roll me over. Let your tongue do the talking. Stimulate me slow and easy. I feel your tongue caress ear lobes and neck down across breasts. Caress aroused purple nipples. Move south to my belly. Clear the department of the forest before tonguing my little button and labia rose. It’s highly sensitive. Slow. This is a powerful erogenous spot. Explore my blood filled flowers. Tongue lips deeper. Inhale my fragrance.

Feel my response as I move with you. Dance with me. Explore my mysterious cave with a slow moving tongue. Feel my response. Sense my breathing. If it’s fast and shallow I’m excited. I press your face deeper into my forest getting what I need.

My body is your teacher.

Relaxed, he signs asking what I dream about. My imagination, perception and sensation means scrubbing cloth, wringing out water, hanging cloth on hangers, ironing cloth, folding cloth, bagging cloth, weighing cloth, handing cloth to strangers, accepting money, smiling and dreaming of freedom.

I dream dance.

He traces my forehead, breasts and jealous thighs. He dreams I have a real life with real opportunities.

Courage. Self-esteem. Dignity. Authenticity.

He takes me far away to a beach. I see silent crashing blue white waves. Feeling hot sun on my face I run into blue/green/white water shouting The Sea! The Sea!

A long white cotton dress feels invisible on my skin. I am brown and content. I feel free. He memorizes my small brown hands, heart, head and lifelines. They are heavy deep real and calloused from laundry. He is gentle with me.

I am a hungry animal. I release my repressed sexual energy. I trust him. I give myself to him.

I am a slave. He cannot save me. This is an unpleasant fact.

Edging my skin realizing sensations I feel safe and protected. I curl into his arms.

Without words I say my family is poor. There is no chance for us. He’s been in country long enough to know how my culture works.

My father is seventy-three and ill. I have many aunts, uncles, nephews, nieces and abandoned relatives. When they see a white face they smell money. They beg for money with fake reasons. They play their woe is me sympathy card. They are traditional and narrow-minded. They suffer from ignorance, envy and jealousy and want.

Desire, greed and survival is their master. I told them Thorny is my benefactor. Thorny thinks I was abused as a child. He found a doctor in Phony Baloney to assess my condition. They said it was too late to do anything to help me. My life is more silent laundry.

Thorny talked to my father using an interpreter. Thorny asked specifics - was she abused? Father said I wasn’t abused. Was she hit in the head as a child? Did she suffer from a head injury? No, no, no, my father said. He said something happened to me when I was two. I think they are afraid of Thorny and don’t want to tell him the truth. He flew home for three months. He plans to come back and get paperwork so I can leave and join his family in OZ. Fat chance.

My luck ran out.

I don’t hold my breath. I dance.

I exhale my dancing quest. I showed my lover some documents and he’s happy for me. If it’s possible, he signed. He knows my father has to approve any relationship with Thorny depending on cash amount. Marriage is a big maybe like my sister did. She was smart, played her guilt card, hooked the Kiwi and got pregnant. He paid.

If my family agrees they determine a pre-paid wedding dollar amount, say $3 grand. There’s a pre-nuptial waiting period, filing papers. Pay greasy greedy officials. The government requires foreigners to prove they make $2,500 a month. Everyone has a hand out. A wedding party will cost $200-$5,000 to impress friends with our social status. Big deal.

My father is afraid to lose me. He will say no. My lazy sister needs a slave. This is my fate. I am happy. It’s all I’ve known and will know.

My life dance is ambiguity, acceptance, independent detachment and creative imagination.

Dance is isolated yet cooperating and independent. I believe in the magic of dance.

When you dance for a fleeting moment you feel alive.

What do I see? I see a circle of movement, a connected unity, language in space. There are five rhythms in dance. You start with a circle. It’s a circular movement from the feminine container. She is earth. Then you have a line from the hips moving out. This is the masculine action with direction. He is fire.

Chaos is next, a combination of a circle and line where male and female energies interact. This istransformation.

After chaos is the lyrical. A leap. A release. This is air. The last element of dance is stillness. Out of stillness is born the next movement.

I’ll dance until I die.

What is life?

Dance.

The Language Company

Tuesday
Oct112016

Life is a test. Lessons later.

Discover a pinecone near The Tax Department in Trabzon. It escaped The Department of the Forest.

Make copies of your life. Duplicates accepted. Mirrors reflecting mud and meadows of reality need cleaning.

Visit the Tax office. Get a tax number.

Go to bank. You are #199. Sit on sidewalk. Wait for a teller to tell.

Sullen and impatient she’s late for 12:30 lunch. Sit Down deposits $12,000 for four native barbarians.

Withdraw tomorrow, said Teller’s Overture.

Go to the police residency office across from the cemetery where a wailing mother drumming soil waters roses. Hired guns sing gravestone’s chiseled destiny with a sledgehammer. A gravedigger turns soil in his absolute phenomena of totality.

Grill your usual suspects while eating chicken with shredded lettuce not have this conversation in the abstract.

Giresun loudspeakers imported from Lenin Park in Hanoi engaged, studied and activated speech-enabled synapse software. Attention Comrades.

A woman teacher directed behavior control classes with sparkling syllables. Children memorized grammar rules. Pass the examination. 60 is heaven. 59 is hell. Pass me through.

Life is the test. Lessons later. It is multiple-choice.

Silver man polishes a serving set. Flour hands of a laughing baker removing loaves from ovens whisper secrets near fish hawkers washing ice streams. Bread aromas float past women selling cabbages bigger than lost children.

Walking through sad Giresun rain Lucky remembered his Khmer lover.

The Language Company

Saturday
Oct082016

Conversation's Dexterity

Dawn’s orange lightness spread over the Black Sea.

Curious enrolled in a Push Them Through English School. I need vocabulary and the courage to use it with meaning, dexterity and humor. I know my English is not grammatically perfect but I know my English is fluent, said Independence.

 

Casablanca

I know what I don’t know, said Z. The more I learn the less I know. Real eyes see real lies.

You are the teachers, Lucky said to Turkish beginners brain-washed by parents, media and education system. I am a student.

They expressed fervent Denial, an Egyptian river. No, you are the teacher. We have no free choice or logical imperative to accept responsibility for our learning. If we accept responsibility we have to accept the consequences and do the work BUT we are lazy. We live in a never-ending existential crisis. We are conditioned to sit, listen and memorize. We blend in, like Leo's history teacher warned. We just want to pass the fucking exams. It’s your job to create a facsimile of grammar book learning.

The less I do the fewer mistakes I make, said one smiling with cunning social intelligence. The fewer mistakes I make, said their twin with cunning social intelligence, the less I am criticized.

You got that BS write, said Lucky.

Light my fire, said Jim Morrison trying to impress two girls.

Feed me, said another. I am not a participant. I am a victim.

I know what you mean, said another SAD student. It’s fun being a victim. We can blame everyone else with our projected fears and loss for our failure to be real, human and brave.

See with soft eyes, said Lucky. We see through our eyes, not with our eyes.

Thanks for life lesson #7, said a past tense grammar addict injecting a lethal dose of acquiescence into their heart-mind.

You’re welcome. Next.

I have two scissors and one brother.

How are you? I am 21 and you?

How old are you? I am fine and you?

Speak memory.

Oh yeah? The safest memories are those you never remember.

Memories are all you have.

Are your needs being met?

That’s a fundamental quest-ion. Right there with the What Is Life quest-ion.

You get one chance with dignity and grace. Get is the joker word in English.

 

 

I am Curious. It’s a pleasure to see you again. Go with the flow. Flow with your glow. Flow and grow is an honorable quest. I sing and live in a flow state in Giresun, said Lucky. So I heard.

A traveler passing through brought good luck to silversmith, cook, baker, candlestick maker, fish hawker, cheese seller, broom maker men, women sewing cloth, merchants selling knives, banging copper, punching leather, women brewing tea, men cutting roots, laughing children and students saying yeah, yeah we’ve heard all this before, as singing musicians overcoming temporary anxieties with flowing confidence speaking in tongues wandered narrow alleys of becoming.

Poetic inspiration. Short, fast and deadly.

A wandering minstrel in Trabzon played his Kemil with love inside shadows of tolerance and charity. His broken orange shoebox collected currency from enamored strangers. A young girl turned to her mother, you know the words mama and I know the music - he plays loss, hope and memory. It’s our cultural history sweetie.

Crystals reflected an island where Amazon women warriors took no prisoners. They had sex once a year and abandoned males in pine forests.

A busy busboy checked his obsessive watch. Out. Pulsating tick-tock. Big time waits for no one.

Office hysterics. A young English teacher from Plymouth expressed his quest. I need empathic accuracy. Look it up, said Lexicon opening his heart.

The Language Company