Khmer new year april 14-16

On Khmer New Year’s day, a bitter mother at a guesthouse wearing blue cotton floral teddy bear pajamas decorates the family altar with cans and bottles of soft drinks, coconuts, durian, perfume, two crystal glasses of milk, yellow candles, red candy, bread, rice, oranges, apples, water, incense, photos of dead relatives, cockroaches, howling vicious fucking canines, balloons, clouds, condoms, clones and clowns. She has a terrible temper.       

“Wake up idiot!” she yells at her infantile hubby.

She is one among millions of sad angry neglected women.

She turns on the Idiot Box. LOUD. Her daughters, 4, and 6, are entranced by the visual Apsara circus. They never read books. This is weird because their father was a bookseller in the capital for six years. What happened to literature, what happened to paper, books, education, and critical thinking wonders Ice Girl.

Now he sleeps alone with Boring, having performed his sexual duty, rents out rooms and roars around the forgotten river town on a souped up 125cc noise machine alleviating suffering, spinning his loss, his intellectual wheels, pretending to be important, stirring up dust.

It’s rare to see anyone in Cambodia reading anything on paper, unless it’s a directive from unaccountable government command and control centers sustaining their economic dominance perpetuating 20 years of passive hopelessness. Or forged land paper deals screwing illiterate peasants. So it goes.

Survivors read empty streets on swivel necks. Survivors read rice. Survivors read (empty) bowls. Survivors read money. Survivors read blank faces in rear view bike mirrors. Survivors fall in love with their reflection pretending it is real. Hello Beauty.

Beauty is the mother of Death.

Leo and Ice Girl turned a page away from morning, away from scattered grains of rice in a broken bamboo basket feeding wild crows.

They are blacker than shadowed faces hiding inside deep dark structures watching the road. Always watching. They stare with hard eyes, said Ice Girl. Their eyes live in the present dancing over flat countryside covering lost forgotten patient rice paddies waiting for a drop of water nourishing green rice, or watching palm groves, coconut, banana trees surrounding thatched bamboo stilt homes as naked children harvest dream kites.

They watch. They never close blind eyes. They watch for invaders from Thailand, America, Vietnam. They wait watching for wives, husbands, children, strangers, soldiers, amputees, and Apsara dancers. Their blind eyes are always switched ON always ready to observe minute cosmic details and subtle movement across miles of land mined flat horizon country penetrating thick green sweet foliage.

Their eyes dance with waiting. Waiting caresses eyes as lovers do: close, feeling fluttering lids, retinas trembling with visual sensory information, data, sensing rational coherent mysteries. Eyes cultivate patience, an essential visual nutrient.

Watching without seeing is their Zen. Living in perpetual darkness they have a small immense critical survival responsibility. They stare far away with telescopic floodlight acuity. This consistent hard eyed vision burns up 85% of their daily energy. The remaining 15% is used for procreation, eating, and speaking.

Eyes practice the eternal art of being silent. They watch past another person during a conversation. They watch each other’s back. They face watching beyond wild where everything unknown matters infinitely. Everything here happens simultaneously.

One anxious dreaded moment in their short sweet life recognizes fear.

Fear is disguised as indecision and loss and ignorance. 

Ice Girl in Banlung

Curveball

Media's running stories about falsified intelligence after 9/11 leading British and American politicians to believe Sad Man had WMD. We know he didn't.

The pretense of believing faulty intelligence led to the invasion of Iraq. Politicians and media pushed it down gullible throats ten years ago. Choke choke.

Cost? $1.7 trillion so far. Estimates of $6 trillion over 40 years. 

190,000 dead Iraqis, aid workers, security forces, journalists and insurgents. Millions displaced.

4,500 dead US soldiers.

Curveball, Wikipedia

An excerpt from A Century is Nothing, Subject to Change (2007, 2012).

Curveball came in for short relief. “I know where it is.”

“Where what is?” asked Bumsfeld.

“All the Iraqi mobile labs full of toxins and nerve agents.”

“For an alcoholic spy and fabricator you have a lot of nerve,” screamed the Tenant (CIA). He used to be Lew but now he was just a plain Jane Tenant from a housing project. He was on a speaking tour making big bucks when it happened after his slam dunk fell well short of the net.

“Look,” said Curveball. “I gave German intelligence the high hard stuff. But they don’t understand the American pastime. They said I was past my prime. They co-opted me with women and booze. A hell of a lethal combination, let me tell you. They grilled me over a hot flame. I became a double agent. I was beside myself.”

“Yeah, sure,” said Bumsfeld, “a classic case of split personality, bi-polar disorder and your mother wears combat boots. Anyway, then we distort flimsy evidence from a worthless intel source saying the dictator is an immediate and direct threat to our national security. He’ll attack us in forty-five minutes.”

“But,” said Resident President, waving his one-way tickets to Argentina, “that won’t give me time to finish reading the story about goats to the elementary kids.”

“No butts sir,” said his spokesperson. “You’ll just have to skip a few pages.”

“Isn’t this strategy too vague and deceptive?” asked a garbage collector.

“Vague and deceptive shit happens all the time,” said the man cracking his cool whip. “What planet are you from, amigo? We have the national media eating out of our filthy hands with all this flag waving patriotic bullshit. So, we con the world with these fictitious stories about the dictator being a threat to us with his weapons of mass distraction and start a war to remove him from power.”

“Brilliant,” said a very rich civilian military contractor from Texas. “What then?”

“It’s easy. We know the dictator’s been bluffing all along to maintain his power base. Just ask Curveball here when he sobers up. He’s never had weapons of mass destruction except for the munitions and sarin gas we gave him to support his eight-year war with Iran and commit genocide against the Kurds, but the world doesn’t know that unpleasant fact. His military will collapse like a house of cards. We send in, what, maybe 150,000 military forces, - mostly young, poorly trained national guard units from America’s middle and lower class mind you - take some losses sure, but that’s the price of doing business right, while we establish a quasi-official coalition government with us in total control of everything.”

“What about the local people?” asked a relief worker.

“Screw them I say. We’ve liberated them from a dictator for God’s sake. They should be eternally grateful to us and get down on their knees in desert sand thanking us.”

A public relations flack had an idea.

“For propaganda purposes we’ll let them form a provisional government so they’ll be distracted and think they have real input in how their country is going to be run. It’s like we’ve controlled Kuwait with our remote for years. They increase oil production when we tell them and they shut up when we hit the off button.”

“When do we get the contracts?” asked an oil man from Texas washing his bloody hands.

“All in good time. Rebuilding the oil industry will be tied into larger deals. We’ll start you off with easy contract stuff first: mail delivery, detention camps, prisons, roads, schools, building hospitals, and supplying food to the troops. That will keep your people busy for what, 5-20 years, easy.”

“Sounds great,” said the contractor. “This is going to make a lot of my friends very rich.”

“Hey,” said Hally Burden, “war is good business. Politics is business and business is politics.”

Picasso and Dali discuss life

They are speaking in A Century is Nothing.

"Have you thought of a name for your new work my friend?” asked Dali.

   “Guernica comes to mind,” Pablo said.

   “How appropriate,” Dali replied, stroking his exquisite mustache. “It will become a classic. It will connect the wild subconscious and rationality. It’ll make you famous, old boy.”

   Picasso’s Guernica commemorated the small Basque village of 10,000 in northern Spain. It was market day on Monday, April 27, 1937. In the afternoon waves of planes from the Condor Legion, Heinkel 51s and Junker 52s piloted by Germans blasted Guernica. Survivors found 1,660 corpses and 890 wounded people in the rubble.

   “Be that as it may,” Pablo replied. “Art historians and critics will have their say hey kid. It will shock supporters of social realism and propaganda art in France and Spain.”

   “How did you do it?” Dali queried.

   “From May 1st to June 4th in 1937 I made forty-five drawings on blue or black paper. I incorporated the bull, the horse, classic bullfighting figures and the lantern from my 1935 Minotauromachy. I used the weeping Dora Maar because she has always been a woman who weeps. Guernica is a bereavement letter saying everything we love is going to die. And that is why everything we love is embodied in something unforgettably beautiful, like the emotion of a final farewell.”

   “I still think your vision aspires to greater heights,” said Dali. “Your work contains your fantasies meeting the objective violence of history.”

   “You are too kind my dear Dali. People are talking about your work. Your intentional dreams, so strangely manifested, in the way you masterfully allowed your subconscious free rein on the canvas. Most amazing, your Persistence of Memory.”

   “You are too generous Pablo. I merely reflect the ongoing crisis in society, the surreal absurd nightmare, with shall we say, a twisted rather sordid but truthful elusive creative beast we must acknowledge to allow our perverse authenticity freedom wherever it leads us.”

   “So true my friend, for we are only the conduit of the magic,” said Pablo. “We paint what we see with our innermost senses, born by authentic inner visions.”

   “We are the mysteries speaking through the mysteries,” said Salvador. 

Deeper

‘Quick! Into the tunnels!’

They sat sweltering, crying, still. Hearing the dull roaring threaded whoosh as steel and iron napalm canisters thudded, this tremor, shredding forests, fields, homes danced into flames. Heat soared over tunnels bathing them in sweat. They went deeper. Deeper, following hollow carved earth trails. The earth swallowed their breath, their bones fertilized soil. Ancestor bones cried in their sleep.

The sweet silence, save all the crying and wounded after all the foreign devils packed and left, fleeing in terror as peasants streamed down from the mountains, out of caves and tunnels, poling rivers, attempting to escape, walking on water, drinking all the oceans in their creation myth, draining lands of blood, driving them into the sea. A blue green sea danced red.

This easing down of their voice flowing between crumbling sand, crushed red bricks laid haphazard. Cement walls blocked everything but the sound of their anger, frustration and repressed bitterness in life’s twisted fateful reality.

Their memory was a fiction and this fiction created their memory.  

fill in the blank

“We’ve allocated a percentage to Asian sweat shops,” said a textile importer.

“To be specific, China, Thailand, Saipan, Malaysia, Vietnam, Burma and Cambodia — where one-third of the 60 million people make less than 56¢ a day. Laotian factory slaves are working overtime.

"They have absolutely no choice in the matter and a buck a day is a hell of a deal. Once the feds and W.T.O. leave us alone we should realize a handsome profit when all is said and done.”

“That’s nothing,” said an analyst, “it’s a two prong effort. We’ll construct air bases and military installations to control Middle East air space and two, we’ll let American corporations buy all the

(fill in the country here)

assets. We’re sitting on vast oil fields. Sweetmeat.”

“Perfect,” said the V.P. “Where’s my cut?” staring at a fleischer dripping blood.

A security advisor spoke. “Last March we launched the largest psychological operations in our 225 year history. We have eleven Psychological Operations Companies with 1,000 PSYOP personnel working to sway

(fill in the country here)

to join the rebuilding effort.”

“Are the PSYOP leaflets proving effective?” asked Colonel Sanderson with extra crispy clipped wings on his shoulders. He was molting. “We want them to see the democratic side of our occupation and walk on the bright side of life.”

“It’s a fine line, but propaganda is more based on untruth,” said a philosopher. “Their illiteracy rate is pretty high,” snarled a shoeless education major from Oxford.