Kids Write

“Let’s create a book,” said one, “and we’ll be in it. We can create a quest about love & survival. Like ART, adventure, risk and transformation.”

“Hey it’s a great possibility, with stories or vignettes for word salad dressing.”

“We need stories, water, shelter, food and love.”

“Stories existed before food and shelter. Stories describe hunting for food and social needs. All stories are about forms of hunger.”

“Love is a blind whore with a mental disease and no sense of humor,” said a shadow.

“Will it be a man-u-script or a woman-u-script?”

“Both. If it ain’t on the page it ain’t on the stage.”

“We are authors looking for characters,” said an Italian kid named Pirandello. “I am a plot looking for a character.”

“When someone dies survivors look for a plot,” said a gravedigger.

“It will have characters facing conflict on their quest,” said a young scriptor. “It will have satire, humor, curiosity and courage.”

“Yes,” said a writer. “It will be a labyrinth of desires and obstacles with rising and falling action and resolution as characters take risks, suffer greatly and overcome adversity to realize their authenticity. You will experience what characters sense and imagine through their actions. Socrates subordinated character to action. Get to the verb.”

“Let’s make it dramatic by focusing our spotlight on specifics and floodlight on the general to establish a P.O.V. I’ll play director. Places everyone. Lights. Camera. Action!”

“Our stories contain conscious and unconscious awareness like a maze or a puzzle palace. I need your help with dialogue and action as characters reveal their fears by living forty questions in the dark night of their soul. They trade their soul to the devil down at the crossroads at midnight so they can play the blues, create art and dance. Free from masks they are breathing, laughing and living healers.”

“Let’s act out their fears, dreams and joy.”

“Do your characters discuss moral ambiguities?”

“Yes. They speak with nouns and verbs with choices, actions and consequences. They slay adverbial dragons with an ultra fine red pen.”

“Is a place like this hospital a character?”

“Sure, a place has character? Writers explore environments like Tacoma, Vietnam, Morocco, Spain, caves…”

“It sounds like nature vs human or human vs human or human vs themself. You become the thing you fight the most.”

“Do they playfully deconstruct the human condition with story-truth moving the narrative forward to get to the root of their experience?”

“The roots are below the surface,” said a young nun washing teacups on a Taoist mountain in Sichuan, China. “I mediate on the roots below the surface of appearances.”

“Get is the joker word in English. A lit agent at the Willamette Writer’s Conference said this work is a word farrago photograph, a jazz beat stylistic epic in process. She suggested throwing the narrative out and focus on one geography or one specific time.”

“Yeah, yeah,” said Rita, 14, an ice seller and independent author of Ice Girl in Banlung in Ratanakiri, Cambodia.

It was a wild-west town of 25,000 with dusty red roads near the River of Darkness and animist cemeteries. “It’s fucking hysterical.”

ART

Burn your fear

Write FEAR & ANGER on a paper napkin.

Burn it.

Let go.

Citizen sheep believed in fear and unsustainable consumption because they were afraid of being lonely and poor.

Happiness is a myth. The wish of desire said so.

Humans were willing victims of their fear, healthy uncertainty, and doubt. Their amygdala, a small almond shaped brain structure creating fear and emotional response fired up. Fight or flight?

Are you the hunter or the prey?

Manipulated by the collective unconscious and a pervasive system of socialization control mechanisms, consumer sheep were happy. The subtle influence of right wing conservatives and media addiction bought idiots. Facing their mind-numbing daily grind with heart breaking choices sheep needed someone/something to Control them.

Accepting responsibility for their freedom was scary.

Intelligent centered ones feeling gratitude and empathy in their heart danced with Death. Everyone lives and dies.

“You work, breed and get slaughtered,” said an Asian child with a junior philosopher badge.

It’s essential to die once while you’re alive. Get it out of the way.

*

I carried a copy of Omar’s book, A Century Is Nothing from Turkey to Indonesia to Nam in 2009.

Together with Omar we used fire, this crucible of alchemical combinations, diversities, sweat, blood and tears to create it so I’d use fire to release it. Save books, build a library.

Books are universes of ideas, experiences, feelings, visions, and paths, destinations obliterated through discovery, reminding memory. They are worlds of dreams, stories, dramas, plays, songs, histories and guides into new visceral experiences.

Pages sing their laughter with wisdom, song, and poetry. Preserve memory. Live forever with paper’s tactile voice. Voices of reason, comedy, and tragedy are skintight drum stories.

They are oral transmissions recorded on parchment, vellum, and illustrated manuscripts in Irish Gaelic talking tongues, Sumerian clay and Asian scrolls.

I didn’t burn it, a way of sacrifice offering and letting go. Down the road I gifted the brick to three Asian women in Saigon. They had Chinese ancestry from Hong Kong and lived in Australia.

I said a friend wrote it so I signed it and laughed letting it travel with them. Thanks for the book. You’re welcome. I hope you enjoy it. It took all three to carry it.

They staggered up guesthouse stairs with the tome. After breaking down a wall they struggled to get it through an opening. People need to break down before they break through.

Maneuvering it into a bag they discarded cheap Vietnamese souvenirs. We’ll have to check this monster all the way to Sydney.

ART

51 Days in Turkey

In 2008 while facilitating English in Bursa, Turkey he worked with Azra, a personal tutor. She told him about Trabzon on the Black Sea near Georgia. “I was born there and it’s beautiful.”

In the summer of 2012 while meditating in Asia he applied for a Teaching English Foreign Language (TEFL) job in Trabzon.

They needed native barbarians with clear pronunciation.

Let’s see the terrain, said Omar, a Touareg Berber ghostwriter friend. Reconnect with Z, the author of The Language Company, meet diverse people, do street photography, write about it and analyze the situation with diamond mind wisdom.

Go on an adventure.

He arrived in September.

Satire and curiosity witnessed the deterioration of educational quality. Rampant commercialism and artificial empowerment. Dystopian reality. Greed is a hungry animal. So it goes.

51 Days in Turkey

Many clowns are not in the circus.

Sunny Side Blood Donation

Pure red life floats to the surface. A drop of blood splatters. A finger smears one drop on skin. Small swift red rivers trickle. Veins release blood volcanoes. Red-hot meteors explode on epidermis.

After Nam I became a regular blood donor every two months. Someone needs it more than I.

“Are you allergic to pain?” said a nurse in a mobile blood unit parked at Sunny Side Beach, south of Tacoma.

“Only to pleasure.”

A needle penetrated a vein drawing A-.

“Writing is easy,” said Hemingway, “just open a vein.” The earnest man wrote clear precise words.

“I wrote seven words today,” James Joyce said to a friend one day in a Paris cafe. “I wish I knew what order they go in.”

Squeezing a rubber ball I bantered with a mother of five. Blood flowed through plastic tubes out of sight out of mind into clear liter bags with an identification number. Sugar cookies and OJ. Hugs from a thank you clown provided emotional wellbeing.

I donated blood into sky.

On the shore four men and a woman stood silent on wet rocks. One man held an urn. He handed it to the woman. It was large and awkward. Death dust is awkward. Cradling it she tipped it toward water.

A river of brown ash flowed over the edge. A fine mist dressed liquid. Her dancing arms scattered a trail of someone’s life. She handed the urn to a companion. He poured ash into miniature tides.

A bouquet of red, yellow and white roses with long green stems flew from the woman’s hand into Puget Sound. The urn was offered to another man. No thanks, shaking his head.

A Vietnam veteran in shadows wearing a faded Boonie hat played a weeping guitar. Seven faltering notes ran through sand past an old couple staring at oceans beyond life’s horizon. A laughing father and son threw seaweed at each other. A crow’s black shadow landed on a dead tree branch.

My blood flow created a cataclysmic flood. Cold mountain poems melting snow fed forest trails and seeped to sleeping roots below the surface of appearances. Lotus petals opened. Earth lava blood carved canyons. Tributaries branched from the Tree of Life.

Blood gouged out rock, cleaning earth, transforming stone to sand, to dust, erasing river bottoms, collapsing banks, overpowering everything in its path, forming new microscopic celestial arrangements.

Finger paints blood on my lips and loom threads.

Luminous light illuminated weavers, gravediggers and writers. Shuttles click clack. Blood dyed threads loomed stories. Diggers cherished cemetery solitude and silence.

Soft brushes exploded seeds into rain. Laughing bones excavated stories. A double-bladed axe split clouds into Alpha, Beta, & Omega.

A thorn embedded in my skin allows a ghost in exile to realize a life principle.

Eudaemonia - human flourishing from the Greek – meaning a love of travel and a love of life.

ART

Kids Talk

“Are you a ticket taker or a risk taker?”

“If you want to do amazing things you need to take amazing risks and suffer greatly.”

“Anybody have any spare change?” asked a panhandling waif on an aspirator with wealthy aspirations.

“Hmm, I see a faint star at the conjunction of the head and heart life lines. Does that mean anything?” said a kid fingering green palms approaching Easter Is-land on a bamboo raft.

“Depends,” ranted a child orator standing on a soapbox. “Do you mean faint as in non-distinguishable or feint meaning to throw one off a socially agreed upon tacit path implied by pretending to understand anything while processing information with a deft movement?”

“Yes,” philosophized a child with the wit of Camus, “it’s a sublime paradox, this absurd metaphorical life theater. We have aspects of knowing. We know so much and understand nothing. We are affected, infected, rejected or injected by how we feel not what we think we understand. Life is short and sweet. Art is long. Our lives are works of art. It’s not so much that there is something strange about time. What’s strange is what’s going on inside time. We will understand how simple the universe is when we recognize how strange it is.”

“You’re just saying that,” said a voice.

“Sounds like a description of the food they serve here, speaking of strange,” one resident commented to no one in particular.

“No lie flutter by,” sighed a Monarch’s wings in Greek.

“What’s that have to do with the conservation of angular momentum and a parabola?” queried a child spinning wheelchair tires on a tennis court and making a racket while performing real alignments for friends.

“Do I love you because you are beautiful,” said Rose, “or are you beautiful because I love you?”

“Both,” sang the Greek chorus.

“You get what you pay for,” said a kid ironing words with grit, perseverance and discipline.

ART

Every kid needs a bike.