Rimbaud's magic

"My turn now. The story of one of my insanities.

What I liked were: absurd paintings, pictures over doorways, stage sets, carnival backdrops, billboards, bright-colored prints, old-fashioned literature, church Latin, erotic books full of misspellings, the kind of novels our grandmothers read, fairy tales, little children's books, old operas, silly old songs, the naive rhythms of country rimes.

I dreamed of Crusades, voyages of discovery that nobody had heard of, republics without histories, religious wars stamped out, revolutions in morals, movements of races and continents; I used to believe in every kind of magic.

I invented colors for the vowels. A black, E white, I red, O blue, U green. I made rules for the form and movement of every consonant, and I boasted of inventing, with rhythms from within me, a kind of poetry that all the senses, sooner or later, would recognize. And I alone would be its translator.

I began it as an investigation. I turned silences and nights into words. What was unutterable, I wrote down. I made the whirling world stand still."
 - Arthur Rimbaud

Children's story hour

He was in Morocco on 9/11. He didn't take possession of that event. Fate said hello, hah, hah, hah. 

After two months he shifted to Cadiz, Spain with Omar, a blind Touareg writer.

His forward observer position allowed him to witness young and old sexually repressed Catholic couples steal kisses at night under yellow street lamps. They hid in recessed Moorish doorways getting a quick feel. Passion with a purpose.

Meals with a Gypsy family timed down Gades days with a simple breakfast of toast, butter, jam or muesli, a lunch of thick soup, fresh salad, bread, water, and a main course at 2:30 p.m. He read Don Quixote...true history...the crux of fiction, harder to read than fantasy. The world of floating images.

It was shifts, frequencies, and transitions moving from pre-terror North America to North Africa and old Southern European worlds. Everyone was connected by history in the making: Phoenician, Romans, Berbers haunting conquests, establishing bases in Europe, Moors fighting Christians, morphing cellular structures.

In Andalucía citizens exchanged belief windows, values, attitudes, construction projects, and 3,000 years of icon free Arabian art. It was about agriculture, water, light, form, and substance. Equality was the word at a Muslim burial exhibit at the Mondragon Palace in Ronda.

Cadiz was founded by Phoenicians in 1100 BC. They called it Gadir and traded amber and tin. It was a Roman navel base.

Greeks and Phoenicians introduced the potter’s wheel, writing, olive tree, donkey and hen to Spain. They replaced iron with bronze. Metals became currencies. People developed agriculture as growing populations built walls, towers, and castles for security. Romans contributed aqueducts, temples, theaters, circuses, and baths. They gave the Iberian Peninsula Castilian language based on 2,000-year old Latin.

Their desire, wanderlust and greed established communities to satisfy their impulse for cuisine, sex, music, and trade expanded their nation-state.

The Museo de Cadiz was filled with Roman artifacts. Humans wandered through archeological epoch discoveries from settlements in Gades along the coast extending inland to Seville and Cordoba.

Travellers discovered estuaries, towns, villages, isolated tight white pueblos and rooms full of coins, maps, heads, pottery and faces. They discovered vases, dynasties, ruins, Roman legion armor, burial sites, aqueduct maps, temples, theaters, masks, busts, sculptures, marble, glass, and utensils.

Three million-year old human remains slept in stoned chambers. Sharp sewing bones rested in dust.

Scientists collected anger, desire, jealousy, pride, and ignorance. Minute grains of mica. Archaeologists and mobile blood donation units explored rain forests and hacked through Angkor Wat jungles discovering isolated oceanic islands above simmering volcanic eruptions.

ACIN

STC

kampot Peppers

A wandering minstrel happened into a Kampot place.

He saw a player with a sax and a stage with instruments.

Wow, this is great, said the minstrel. Live music, need a blues harp player?

Ask Shawn, said the sax player. He plays slide and sings.

Sure, said Shawn. Join us.

He did.

Here's a clip from their blues jam. Going to Kansas City.

http://www.youtube.com/watch?v=h_OdHB4VK8w

Enjoy. 

flowering tears

neurotic tourists leafed temples

flowers waved goodbye

we grow without you

elephant cried

freedom

Big Game, Little People

Centuries earlier or later depending on reference points along Time’s thin line on an event horizon as infinity and eternity played post 9/11 dirges, fugues, and blues with a full orchestra in the pits Ahmed resumed his story in the Sahara.

“Fate bites you when you least expect it,” he said waving his hands like wild kites. “Her appetite is insatiable.”

Leonardo was so far removed from 9/11 reality he took no possession of the event. He read Ahmed’s open palms and eyes. Leonardo’s facility for unspoken tongues was legendary. It was all body language and he was fluent in every language. Gestures were a work in progress. Gestures used people.

Ahmed described airplanes and two tall towers. “I’ve read Superman by Nietzsche in Arabic. He said 'God is dead' and God said, 'Nietzsche is dead.'"

Ahmed waved his arms like a Moroccan eagle condemned to freedom yet a prisoner of the sheltering sky. He raised a hand indicating height and smacked his flying hand into his stationary hand. The impact echoed across caramel dunes. He smiled through black teeth. His dark eyes held all the world’s secrets.

Leonardo had no idea where, who, how, why, or when Ahmed received his information. Perhaps from slave and gold trade caravans, perhaps through osmosis.

“Yes,” Ahmed said, “2,974 people from 80 countries died.”

“I see.” They were just two nomads in the desert. They did not talk about Being and Nothingness. They tweaked reality by breathing.

He handed Omar’s book to Ahmed. “Have a look-see.” Ahmed read Tifignagh words.

“He was not as surprised, stunned and scared as all the well meaning myopic tax paying, allegiance singing populace would have the world’s citizens believe in their us or them attitude. He knew they’d be catapulted into a new heavy deep reality, grounded fast, sifting soil, searching for answers, breathing through death masks, deconstructing and revising history while pleading for meaning to their existence. Postmodern dialectics.

“Now they had to figure out the big answer to the big question. Why? It’d keep them busy for life. Their children taught them to ask why? Being extremely impatient and under extreme pressure to be successful in their all-consuming reality, they became extremely frustrated with the “why” question from their children. Parents wanted to be the boss, the grown-ups in complete control. They figured they had all the answers.”

Whoops!

“In the BIG game people with a long history rolled their dice when it was their turn to play and everyone had to go back to the start. They had to read the rules. They had to read the small fine print. The details they casually accepted carte blanche, data they skipped because they didn’t think it was important, the stuff made in Hollywood, the fictional entertainment stuff with happy endings. They were well conditioned to violence, sex and reality television. Now they digested so-called reality television in real time." 

ACIN