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Timothy M. Leonard's books on Goodreads
A Century Is Nothing A Century Is Nothing
ratings: 4 (avg rating 4.50)

The Language Company The Language Company
ratings: 2 (avg rating 5.00)

Subject to Change Subject to Change
ratings: 2 (avg rating 4.50)

Ice girl in Banlung Ice girl in Banlung
ratings: 2 (avg rating 4.50)

Finch's Cage Finch's Cage
ratings: 2 (avg rating 3.50)

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Monday
Nov082021

Death Worship by River

Rumors of intelligent life in Hanoi is an exaggeration, said Leo. Rumor control reports existence.

Take my neighbors Sam and Dave for example, said Tran, Sam is the kid, Dave is the father. Their names and roles are interchangeable. These are not Viet names. If they were, they’d be named Binh and Thin and New Yen, like new Yin or old Yang.

Dave had kids so he and his wife can yell at them. So they will have someone take care of them in old age when they are lying or dying on bamboo recliners absorbing 10,000 wafting kitchen smells.

It’s an Asian thing. It was an arranged marriage after a three year courtship. Her parents demanded $50,000. Cash or no deal. Virgins have high value in the marriage market. They are have been sequestered behind fear and insecure superstitions and trapped by hovering in-laws and outlaws for centuries.

Marriage is legalized prostitution.  

Father knows best. You don’t marry the girl in Asia. You marry the family.

Cash gives them security. You pay and get the girl. The fun begins. Grandparents need kids to support them in old age. When you’re young pregnancy is always the only option. The tyranny of motherhood.  

Accelerate production comrade. Many procreating humans have more desire thinking about providing offspring for their security than the physical pleasure of sex. So it goes.

Sex is a DUTY. It ain’t about pleasure. It’s easy to have kids in the 13th most populated country on planet Earth. Get on. Go for the ride. E jack U late. There are 90 million hard and fast parenthood rules according to the popular Vietnamese Party book, Produce & Consume. Get married early erotic pressure is on and off, on and off. Savior a small death in 8 seconds.

You do not want to be unmarried, sad, lonely and forgotten. Loss of face and shame haunts singles with vengeance. Fear of loneliness increases the possibility and probability of heart attacks, strokes of genius and arterial vestiges of debilitating forms of social upheaval and social instability in a socialist society. They’ve taken their hormonal cues and social control systems from Uncle China.

 

Extreme pressure is on girls to find a husband. Sapa females in the NW, a future fragment of this tale, illustrate the value and necessity for rural girls to marry at the ripe old age of sixteen and produce genetic replicants. Petri dish. More Y chromosomes. It takes courage to raise kids with integrity, respect, and authenticity.

            Humans crave less suffering and neglect and more love.

Dave’s voice releases anger, bitterness and frustration allowing him to relax, expend and expand the sound. Dave is startled to hear the sound of his voice ricochet off cold molten gray interior Hanoi cement or is Ha Noise the block wall? His life is one long cold cement wall.

Echoes dance through his brain like sugarplum fairies. He knows the echo because he made the WALLS. He stacked red crumbling bricks, mixed the fine sand gemstones and quick dry cement.

He slathered it over red bricks with coherent circular logic fulfilling an abstract desire to create a work of realist art lasting forever which is how he remembered it the day he trow welled the paste. His voice manifestation expresses human primitive guttural sounds in a tight enclosed space near his gigantic liquid plasma television.

It is permanently implanted on a wall blaring news propaganda and perpetual adolescent dancing drama programs about life next door where the family sits on red rose cold tile floors hunched over with spinal deficiencies ... slurping from cracked bowls shoveling steaming rice and green stringy vegetables into lost desperate mouths and yelling over each other in tonal decibels ... competing with their gigantic plasma television featuring dancing bears and uniformed military pioneer patriots devouring acres of rubber plantations, palm trees, teak forests, beach front property and farmland ... with a double bladed axe singing a high Greek-like chorus their national anthem about land, sea, air, water and big profit with peasants as small players.

            Everyone’s being played.

Book of Amnesia, V1

Wednesday
Nov032021

Blindness

"We are like the spider. We weave our life and then move along in it. We are like the dreamer who dreams and then lives in the dream. This is true for the entire universe."

- Upanishad

 

Curious beginnings determine her artistic sense of formless form, coloring stories of her village, the other world.

Cutting, planting, harvesting completes slow rhythm of life. Her skill shines with every new expression. Her heart sings.

Her simple direct feeling is all sensation.

Art enables her this beauty. She describes what she draws. She creates what she sees. Her words fly through forests with resplendent peacocks, birds of paradise.

A blind conversation developed a through line. Turn a blind eye.

Blindness listened. Blindness heard muted laughter before intuition gestured pink floating word worlds.

Laughter danced with exhaled attachment.

Blindness danced through late yellow faltering light / penetrating bamboo leaves spreading themselves over banana baskets impaled on swinging posts.

A bike bell rang. A young Lao girl sat quiet watching the Vietnamese girl do her toenails. Cutting, and trimming, lemon / lime soak, cuticles, translucent before applying a silver hued glossy glean. Nail by nail.

Blindness solved the mystery of sight crying tears of silence.

A van labeled UNIVERSE filled with blank faced white Europeans trapped behind glass holding rampant desires and scared expectations on laps turned into a blind alley.

They fidgeted with uncomfortable languages floating into ear canals assaulting long painful strides navigating yesterday’s regrets / tomorrow’s fear / today’s dead lines.

Blindness practiced Tai-chi with precision.

Blindness exchanged blue ink for a dark shade of green.

A handheld hair dryer waved hot air over a shampooed head. Mirrors whispered empty secrets.

Elements of silence said farewell.

Eyes investigated decompression while swallowing fresh yogurt with peach slices near afternoon’s languishing empty promises intent on making it new day by day.

Explanations have to end somewhere.

In her village, the other world, the one she never left, Blindness threaded new beginnings on her loom of time feeling pressure and tightness between notes.

Sunlight dressed saliva beads blending a weave, texture and design, saying hello Beauty.

Beauty has no tongue.

Weaving A Life V1

Weaving A Life (Volume 1) by [Timothy Leonard]

 

Monday
Nov012021

her chance

Bursa, Turkey

the woman on the metro

with a burned leg - you remember her clearly
how she sat after dragging her bad leg

into the compartment
this image of her
alone
cold
scared
in pain
how did it happen? why is she alone?
on a cold night in a flimsy sweater

her skin below the knee
running to her ankle
all burned away
exposing blood red lines

her abstract expression
her sacred scared distracted face
watching night fly past windows
where blue televisions and children eye each other

how she kept going
on the metro past a stop
where the expensive private hospital on a Roman
hill gleamed its extensive intensive pensive care
ward and her treatment was delayed
forgotten useless
here

because she is poor
so she stayed in her seat
anxious now feeling her pain
wondering where she would go
where she would end up this night

as a stranger studied her anxious passive 
expression feeling burns, violent burns
inside sensations fire and heat
nerve impulses darting through

along sensory
channels where signals blocked by
neurotransmitters shut down
her chance

Friday
Oct292021

Odyssey of the Hat

Sitting in Trabzon, Turkey in early September 2012, he decided to get another Akubra from David Morgan near Seattle.

He’d had two in his short life. The first was a Banjo Patterson received in Eugenics. He wore it in China for three years and another year in Ankara/Bursa.

He gifted it to Zeynep before flying to Indonesia where he received a Snowy River. He gifted that cat in the hat to a Ho Chi Minh lover before walking the Nam-Cambodia-Laos-Trabzon path. In Trabzon he ordered a Traveler.

In late October two days before the Sacrifice holiday, Sit Down called from Trabzon, “I have your customs documents here.”

“Perfect timing,” said Lucky. “I’ll be over tomorrow. See you at the office.”

Process: Meet Sit Down and walk to the customs bureaucrazy near the port where Russian container ships unloaded crates of baboons.

Go to Office #1. Office #1 man sent them to Office #2 man. Office #2 man said, “Go upstairs to Office #3 man.”

Ring around the mulberry bush. Here we go and where we stop nobody knows.

Office #3 man was not at his desk. Another man said the value of the Traveler ($135) would mean BIG customs duties ranging from $25-75 depending on (a) his mood (b) international currency fluctuations based on speculative financial trades after the market closed and (c) his executive decision to charge said custom taxes in (1) Turkish Lira (2) Euros (3) Dollars (4) undetermined.

Lucky selected #1, filled out forms with blue ink on a line printed for that purpose the man entered data into a computer databank stamped some forms formed some stamps adjusted his purple Windsor fit to be tied neck knot smoothed his 100% blue cotton medium sized shirt into government issued tax pants nestled next to a black plastic belt above shiny handmade black leather shoes smiled and said, “46TL. Pay downstairs at Office #2.”

The portly going bald Office #2 man was loquacious. They exchanged grins paperwork and telepathy - We are in this together.

He copied essential documents accepted 46TL stamped and signed where he was authorized to because it was important necessary and fun. He handed forms back, “You brought me luck today. No one smiles here. Everyone wears grouchy pants. They rehearse eternal morose ambivalence. Go to the Receiving Office fifteen kilometers from here.”

Lucky smiled, “Every day above ground is a prodigious day.”

Lucky and Sit Down hitched a ride on a garbage truck overflowing with past, present and future used grammar textbooks. The RO was a cement building in an industrial park. A bonfire burned in front.

“Why?”

“They are destroying evidence of Kurdish and Armenian genocides, self-autonomy dreams, regretful memories, future fears, and Turkish democratic ideals,” said Sit Down.

A man in a death mask threw Human Rights Watch on flames.

“I see an eternal flame for international peace,” said Lucky.

“You’re dreaming,” said Sit Down.

They walked through dusty rooms filled with boxes.

The Receiving Director sat at his desk with a brown account ledger from 1900. Modern technology obscured. Lucky handed him formless forms. They shared tea and small talk. Spoons danced with brown leaves and sugar molecules.

Two workers carried over a long box from Holland. One slit it open with a serrated knife. He handed the Director an invoice, no voice and silent voice.

He enumerated the contents as the director marked off items in his book with a leaky pen: two aluminum bike frames including magnesium handlebars, miniature pedals, custom designed Italian foam seats, sprockets, chains, Shimano gears, hollow Zen bell from Kyoto ...

GPS navigation gadgets, four titanium wheels with be spokes, two hydrocarbon water bottles, two polyurethane reflective helmets featuring solid blue racing stripes augmented by spiral nebula galaxies ... three pairs of form fitted black and blue iridescent bike shoes ...

three pairs of water soluble black/white racing gloves, synthetic shirts, shorts, and quick dry underwear in fifty shades of gravitational necessity.

The Director double-checked items in his ledger and handed the silent invoice back to the man. He put it in the box taped it shut and pushed it away.

The Director handed him a lucky paper. He disappeared into a cavern.

He returned holding a box with white sticker #2443. The Director verified the form from Office #2 man. Tick. He handed over the form and box, “Here you are. You brought me good luck today.”

“Thanks very much. Luck favors the prepared. Thanks for the tea.”

Lucky and Sit Down enjoyed thick coffee in Trabzon while seeing / hearing a Kemil player sing laments.

 

 

They confirmed future conversations about residency permit paper work, shook hands and he returned to Giresun by hot air balloon skimming the BS.

On his last evening at the language company he helped scared students. “Open your head open your heart and open your mouth. Say ah.”

Students chimed, “First we open our wallets. Ha, ha, ha.”

He carried the box to his cold empty apartment. He pasted #2443 in his notebook. He opened the magic box. Size 59 in Regency Fawn.

Box paperwork said, “The Traveller is the Akubra to accompany you on your travels. It is made in Akubra’s pure fur Pliofelt, a soft pliable fur felt developed specifically for crushable hats.

The pre-creased pinched telescope crown is 4 3/8 inches high. The welted brim is 3 inches wide.

The brim has a unique memory insert that allows the hat to be manipulated back to shape easily after being packed or crushed.” Unquote.

Addendum in invisible ink: Travelers wearing this hat cannot be crushed, folded, fooled, spindled, cheated or manipulated. This hat brings the wearer good luck. It spreads fortune and prosperity to others along the way. This hat allows Travelers to appreciate diversity, freedom and tolerance with beauty, truth, and gratitude.

Nine years on and worse for wear like all of us it stays strong.

The Language Company

Saturday
Oct232021

Anais Nin

"The role of the writer is not to say what we all can say, but what we are unable to say."

"I don’t really want to become normal, average, standard. I want merely to gain in strength, in the courage to live out my life more fully, enjoy more, experience more. I want to develop even more original and more unconventional traits."

"I am so thirsty for the marvelous that only the marvelous has power over me. Anything I can not transform into something marvelous, I let go. Reality doesn’t impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls."

"And the day came when the risk to remain tight in a bud was more painful than the risk it took to blossom."

- Anais Nin