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Entries in A Century Is Nothing (122)

Wednesday
Mar142012

Metis

As an entomologist, a hunter-gatherer with Metis, a cunning intelligence, seeking visual epiphanies, he opened his aperture to f/1.4 and let in light. All of it. Blinding light, prisms of kaleidoscopes, muted spectrums in waves and particles guided his vision to see and stop time. 

Manipulate a tool. A well designed black foreign range finder. A camera obscura. It had the finesse of a magnifying glass, a Hubble telescope looking into an expanding infinite universe, illuminating distant black holes sucking matter into a void. He couldn’t see the black holes but he knew they were there.

It was one thing he carried. He started carrying it in Nam.

It was just a tool. It allowed him to stop time. Divide time in two.

The kairos of his eye allowed him to discriminate intuitively. An eye and a mirror. It refined his being, one with the subject, how silence worked, a detached observer, a photojournalist. How to disappear inside the scene, move with the quickness of a wild animal, see, visualize, anticipate the impending decisive moment stalking his prey with cunning. How to freeze, compose in the viewfinder, breath, squeeze, advance with a quick flick of the opposable thumb, load, unload, develop, fix, print, label, and file his work. Film was his prayer wheel.

Monday
Mar122012

Mythstory

Shovels plow into archaeological deserts reflecting passion and curiosity.

An archaeologist inside a tomb waving Diogenes’s lamp yells, “Every bit we dig out tells a little more about the story.” They unearth fragments of a story revealing institutions, customs and cultures.

A bird presses her breast to a thorn to make herself sing. There is an old fable about a bird and an ogre telling his daughter where his soul lived. 

“Sixteen miles from here is a old gigantic tree. Around the tree are tigers, bears and scorpions. On top of the tree is a huge snake. On top of the snake’s head is a small cage and inside the cage is a bird. Inside the bird is my soul.”

I am the thorn, bird, wing, feather and air. My thorn is a claw, a sharp definitive talon for tearing meat from white bones. Satisfying my hunger along the Tao.

I am a cognitive psycho-neurolinguist. My specialty is languages. Lost tongues.

“Every language is an old-growth forest of the mind, a watershed of thought, an ecosystem of spiritual possibilities,” according to Wade Davis, anthropologist.

Wandering deep into the Tarim Basin along the Silk Road in Central Asia I discovered the Tokharin language and Afansievo culture dating back 4,000 years. It was a proto-Indo European language with Celtic and Indian connections established by trade caravans and explorations. I suspect it is Qarasahr or IA, based on an Iranian dialect.

Mircea Eliade, a historian of religions, once stated, “Myths tell only of that which really happened.”

Myths suggests that behind the explanation there is a reality that cannot be seen and examined. Myth has been defined as truth trying to escape from reality. A myth is a story of unknown origins, sacred stories based on belief, containing archetypical universal truths. They are in every place and no particular place. The world is a sacred story.

Wednesday
Feb292012

Tiwa language - Taos

She said, It’s a patriarchal society, no women sit on the fifty member tribal council, Tiwa is the language on the Pueblo and a pure oral transmission,

Nothing is written down,

Sacred words, Tiwa means—wee-who, she said, It means when you give, expect nothing in return,

When you give you open that corridor of energy for yourself and your kind or your people, your vibrations, and it is filled with goodness,

Great powers or awareness are within it so that it descends upon you and places in you whatever that gift is that your supposed to get, That’s what giving does, It awakens placement, It brings down clarity,

We are people from the Source, the center of the circle of light, The No-Form creates the form, In the Tiwa language there are no nouns or pronouns,

Things have no distinct concrete existence, Everything is in motion and seen in it’s relationship to other motions,

The power is not in words but in sounds made in saying and pronouncing words, Each of us is a ceremony, a vibration of All-That-Is, We are the vast self.


Tuesday
Feb212012

Tibetan Pain

Inside Drapchi prison near Lhasa, Chinese guards beat Tibetan nuns and monks with rubber hoses filled with sand.

They applied electric cattle prods to their bodies, sending wire cranked juice through skeletons, extracting screams. Denounce the Dalai Lama, screamed one soldier, a young lackey from Human Province. He tightened metal screws around a woman’s wrists, bending them back at a horrendous angle until she screamed from pain, Never!

He wiped her blood off his broken glasses and increased the pressure. It was a job.

I am doing my DUTY, he screamed.

Save my face, sang a Chinese girl, an innocent victim of the national genocide one-child policy wringing out a mop made of spider webs inside water rainbows.

She languished in a large bland cavern classroom at a private business university in Fujian. It was private because all the students had failed higher level exams for more prestigious universities. They settled for this prison. She cleaned crumbling uneven cement floors with strands doing her Duty.

Beijing operatic actors fashioned death masks for their performance in a funeral formula. 

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Saturday
Feb112012

medina life

Once upon a time there was this small dusty town at the edge of the Medina. A huge decrepit filthy amazing series of connected passageways branched off the square.

A traveler found some high quality silver bracelets, inspected old Tuareg jewelry, rugs, carpets, bowls, dishes, green ionized utensils, a long bullwhip, elaborate Berber bags and junk. In a courtyard men bought and sold bags of recycled pots, pans, brass, and silver as merchants haggled. 

The day was hot. The souk was cool. As he walked past endless supplies of mass produced stuff for tourists he slipped into photographing mode without being obtrusive. The camera is an eye and mirror.

He was lost on purpose. He knew every twist and turn and followed the smell of leather. Inside a small narrow corridor he turned into a maze of tight alleys. People lived in poverty here, their scraps of clothing on thin lines in stale air. 

Inside a small room a boy, 10, applied coats of thick viscous liquid paste to leather. The traveler wanted to make a photograph of his face. An older boy demanded too much money. They offered him a chair. 

The bare room was 8x10. The fumes were overwhelming. The traveler sat, negotiated and tried to avoid inhaling the fumes. No ventilation. A dim light, empty walls with leather punching tools, piles of treated leather, new leather needing the brush. They engaged in broken animated conversation and when the traveler knew they had no deal he left.

This was the only way to deal with some people, show them your back, show them the soles of your shoes. Business is business. They sang. Brushing down leather. 

They were part of the production process puzzle.

An area of low wages. In these under-regulated workshops you either keep up the pace or go hungry. 

The boy earns $6 for a six-day week. Child labor and economic exploitation.

UNICEF has targeted Moroccan authorities to persuade artisans to stop hiring children under 12 and release those already employed for a few hours of schooling each week. 

Metalworking is the most hazardous field, followed by jewelry and mosaic-making, because of the chemicals used. Children working with slipper-makers are exposed to vapors from the glue and dust causes respiratory problems for those working in the pottery sheds.

Child labor was linked to the politically sensitive question of educational provision.

Poor families regard schooling as of little use in the real world.

There has been little pressure as yet from political parties, trade unions, or wider public opinion for any stricter stance on child labor.

In the old slave market sun burned past the Red City throwing light into dust as men shoveled their way through earth, hauling stones with broken wheelbarrows. They dumped large round chipped stones in a site where a man in his straw hat picked them up laying them end to end.

Donkeys clipped along a busted narrow road. Some hauled carts of fruits and vegetables stacked in boxes to the clear blue sky. Others pulled wooden rolling semi-trailers of mattresses, end tables, odd furniture pieces to a distant home. 

Homes were all cinder block. Men made the blocks, loaded them on pallets so donkeys could pull them to sites where they lay broken and whole waiting for generations to finish their education and get to work.

Donkeys pulled everything past men and boys repairing bikes and inoperable scooters along the road. Women with babies strapped to backs paced dust. Old men in djellabas hooded against wind shuffled in slippers. 

Men prepared tea in alleys. They chopped leaves bought from an old man on his bike with fresh smelling mint spilling out of his crushed baskets. They brewed water, crammed leaves into a dented polished tea kettle, poured in water, threw in huge blocks of white sugar, closed the lid, poured some into a small glass, swished it around and poured it back into the tea pot. They poured tea by raising the pot high above the glasses so the murky sweet liquid would mix well.

Bad teeth in the country was a big problem.