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Timothy M. Leonard's books on Goodreads
A Century Is Nothing A Century Is Nothing
ratings: 4 (avg rating 4.50)

The Language Company The Language Company
ratings: 2 (avg rating 5.00)

Subject to Change Subject to Change
ratings: 2 (avg rating 4.50)

Ice girl in Banlung Ice girl in Banlung
ratings: 2 (avg rating 4.50)

Finch's Cage Finch's Cage
ratings: 2 (avg rating 3.50)

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Entries in art (212)

Sunday
Feb232020

Kids Talk

“Are you a ticket taker or a risk taker?”

“If you want to do amazing things you need to take amazing risks and suffer greatly.”

“Anybody have any spare change?” asked a panhandling waif on an aspirator with wealthy aspirations.

“Hmm, I see a faint star at the conjunction of the head and heart life lines. Does that mean anything?” said a kid fingering green palms approaching Easter Is-land on a bamboo raft.

“Depends,” ranted a child orator standing on a soapbox. “Do you mean faint as in non-distinguishable or feint meaning to throw one off a socially agreed upon tacit path implied by pretending to understand anything while processing information with a deft movement?”

“Yes,” philosophized a child with the wit of Camus, “it’s a sublime paradox, this absurd metaphorical life theater. We have aspects of knowing. We know so much and understand nothing. We are affected, infected, rejected or injected by how we feel not what we think we understand. Life is short and sweet. Art is long. Our lives are works of art. It’s not so much that there is something strange about time. What’s strange is what’s going on inside time. We will understand how simple the universe is when we recognize how strange it is.”

“You’re just saying that,” said a voice.

“Sounds like a description of the food they serve here, speaking of strange,” one resident commented to no one in particular.

“No lie flutter by,” sighed a Monarch’s wings in Greek.

“What’s that have to do with the conservation of angular momentum and a parabola?” queried a child spinning wheelchair tires on a tennis court and making a racket while performing real alignments for friends.

“Do I love you because you are beautiful,” said Rose, “or are you beautiful because I love you?”

“Both,” sang the Greek chorus.

“You get what you pay for,” said a kid ironing words with grit, perseverance and discipline.

ART

Every kid needs a bike.

Wednesday
Feb192020

Bliss

Rose knew it’d be a beautiful decision putting the disability act in their short sweet Ghost Dance - maybe in the rising action leading to an epiphany or in the falling action with heart-breaking catastrophic transformational awareness. Cut. The end. Cue applause.

“How can I know what I think until I see what I say?” said a child with reported speech. Their wheel of life played tag with crazy wisdom.  Mu-shin, their state of “no-mind” blossomed where thought, emotions and expectations did not matter.

Who’s dragging around this bag of bones? Where do I park this empty vehicle? I have poems and stories to finish that I haven’t even started yet.

“To sleep, perchance to dream.”

“A dream is an unfulfilled wish,” said a kid with a Ph.D. in Psychoanalysis from the Jung Institute in Zurich.

“What else did he say?”

“He said, ‘There is no royal road to wisdom. To arrive in the future I must journey to the past. To attain the sanity with the One, I must risk the whirling madness of the possessed. One must confront their shadow or be crushed by it.”

“I like it,” said Rumi. “What else?”

“Well, here’s another cool thing he said. “‘I liken the formation of a character to weaving fabric. You know what happens when you make a mistake? The whole pattern is spoiled. You have a choice. You can finish the garment, however it will always be botched and ugly or you can unravel the weaving back to the mistake and start again. That’s basically what analysis is about. It’s a tedious job. The patient is scared and hostile. The analyst lends patience, honesty and courage.’”

“Excellent,” yelled kids, “here’s to our being patient patients with honesty and courage.”

“Speaking of courage, I’m looking for someone who knows reading and writing,” said Rose.

“I can read and write,” said the children. "We also love drawing, singing and dancing.”

“Reading and writing is power. Dance is life. Perfect. Let’s go together,” said Rose.

Downstairs at Sacred Heart Hospital a translucent mother saw her grief reflected in Beauty’s mirror. “This is my worst nightmare,” whispered her heart-mind.

Rose said, “Afraid to face the truth adults run away. They run away carrying their fear like a heavy bag of bricks. They are afraid to see the beauty, strength and dignity of Death and letting go.”

“Why?” said mother.

“They stay away because they are afraid of saying the wrong thing. The child’s spirit is pure energy. They have the strength to let go. Adults find Death a scary thing so they run away.”

“I see,” said a gardener trimming thorns below a tree house. “I know Death’s beauty and wisdom. Metaphors and mortality exist with initial memories. Memories are figments of our imagination. I am a dreamer in nature, bigger than the universe, in never-never-cuckoo land. I am a witness collecting evidence that tells no lies. The deeper you go the deeper the bliss.”

ART

Sunday
Feb092020

world dust

I’m broiling on the balcony of my Tacoma tree house. Getting down and dirty after years away from the typewriter.

Covered in world dust and needing oil it’s a small portable dangerous machine.  It transforms life energies by weaving adventures. Threads follow needle.

I am a peripatetic traveler and literary outlaw.

I’m lucky to get it down now and make sense of it later.

I’m a mirror in the mandala of my labyrinth. I am Labrys, from the Greek for a two-headed axe. I write with passion and vision. Short fast and deadly.

My mirror reflects everything. It absorbs desire, anger, ignorance, passion and suffering.

Beauty has no tongue.

I’m confident and self-reliant exploring the human condition. Human energies, frequencies and vibrations reflect languages, lives and attitudes. Dreams dance reflections.

Mirror reveals emotional trust, wisdom, peace and love with truth and compassion.

Meditate on the process of your death.

Suffering is an illusion.

Your mask eats your face.

My mirror is dust free.

Creativity dances in language.

Language is oral, gestures and graphic.

Oral and gestures dissipate.

Symbolic graphic is constant.

This awareness enlightens you after years of wandering. I have been here for 1,000 years so I can only imagine what they are going through.

Everything you know is a lie.

Keep a diamond in your mind.

To feel better, clean my heart, purge old fears and improve the quality of life I climbed down to donate a pint at The Blood Bank. Good old hemoglobin.

Suffering from cancer, a hospitalized child I will never meet, know, or love needs platelets more than I do. It’s been sixty-four clicks of Earth’s rotation between donations. It’s the best re-cycling program on the planet.

Give the gift of life that keeps on giving.

My calmness meets a scared mother pacing sterile emergency rooms at Sacred Heart Hospital wondering if her daughter will receive essential ingredients in time. 

A solemn-faced, stressed out cardiovascular lab tech with his personal set of challenges and opportunities, said to her, “At this moment we have no matching donors. We’ve released a global search engine to see what’s available on the market. People are selling short to cut their losses. It’s all about supply, demand and the fear of poverty. Scarcity. There are indications of further interest rate cuts to stimulate consumer confidence. We have no immediate indication of a stimulus. We will keep you informed.”

The mother doesn’t need to hear this prattle from a white lab coat.

Fingering her bone prayer beads, skeleton heads shake, rattle and roll. Fingers caress thorns. Everything happens by accident on purpose in her life, speaking of destiny, fate and chance. Life for her and millions in the land of the free, home of the brave and broke is free will versus random chance.

Everything’s already happened. People need to experience it while confronting their shadow and alienation, loneliness and loving community in a corrupt, cynical, hysterical greed-based world where people try to Control their fear.

Write FEAR & ANGER on a paper napkin.

Burn it.

Let go.

Citizen sheep believed in fear and unsustainable consumption because they were afraid of being lonely and poor.

Happiness is a myth. The wish of desire said so.

Humans were willing victims of their fear, healthy uncertainty, and doubt. Their amygdala, a small almond shaped brain structure creating fear and emotional response fired up. Fight or flight?

Are you the hunter or the prey?

ART

Sunday
Jan262020

Rolling Thunder

One hot July day my mother rolled her living prose poem of anguish, vision, truth and beauty through Denver and beyond.

“It’s all a myth, a way of remembering the past,” she screamed chasing shadows into blazing sunlight on Broadway Street and immigrant families sitting on broken suitcases in shade.

She passed devout Tibetan pilgrims walking, singing, praying, and laughing inside the Barkhor circuit in Lhasa. They threw sky crystals at karmic ravens, the symbol of reincarnation.

She rolled past terracotta warriors crashed on bags at Shanghai train stations seeking invisible unknown terminal destinations.

She rolled past Elmore James, Willie Dixon, Little Walter, Sonny Boy, Howling Wolf, Robert Johnson and Muddy Waters down at the crossroads sliding their callused fingers on metal frets trading their souls to the devil.

The blues are the roots. Everything else is the fruit.

She flew past Balinese carvers edging faces for shadow puppet plays, jungle painters creating corporate butterfly murals, villagers harvesting rice in layered green pastures and landmine amputees plowing behind oxen.

Hearing Irish tinkers pound pans between villages she rolled past homeless humans dreaming of food as shadows danced on cave walls in the United States of Amnesia.

She rolled past a naked evangelist at his wailing wall forecasting human greed and global economic terrorism.

A phallic snake symbol delighted the envy of quicksilver messengers wheeling past tan cellular idiots waiting for an express bus to financial heaven.

Shifting gears she burned past her husband’s white haired aunt in a nursing home painting her final autumn leaf watercolor vision.

She sheared past Ashiakawa weavers threading seasons in Hokkaido, Japan and Sherpa’s brewing tea at 18,000 feet for expeditions collecting Trophy Mountains after paying hard currency to totalitarian emperors for the pleasure of suffering altitude sickness, hypothermia and high blood pressure death.

She rolled past consumers making quick money honey living on plastic debt while driving 4x4s through scarred Rockies as cock-a-roaches devoured natural resources. Land grab development bankers heard mutants scream, “Where is the water for God’s sake? We paid for our thirst.”

She sailed past her eldest son waiting for his NAM dust off chopper from Camp Eagle near Hue toward San Francisco. On the flight to Denver and beyond he became a ghost in exile.

He stayed in Colorado for a month, did eight weeks at the DOD Information School, finished his time in Europe and got out, a free man. He spent six months roaming from Germany to Finland, Portugal, Spain, and Morocco.

In 1973 when he attended the University of Northern Colorado in Greeley she knew he’d face abusive rejection from some students. They’d accuse him of being a baby killer and an undesirable outcast.

He became an invisible literary outlaw.

He incorporated passive-aggressive silence. He became anonymous, a figment of their imagination. Staying away from them he practiced covert dark arts on night patrols with stealth, silence and cunning on full automatic.

Write it down and done, laugh, and move on.

His undeclared major was Survival 101. It wasn’t in the catalog of classes. University admin officials in their cubicles screamed, “You have to declare something!” He selected Cultural Anthropology placating the beast.

She read his final letters home about fire fight survival instincts remembering the horror etched on a black wall in D.C, with 58,000+ names as reverberating chopper blades severed stale humid tropic air and jungle survival removed veils of illusions. He’d surrendered to life and began collecting dust.

Like an old river she careened past Arabic nomads exchanging goats and camels for pearls as oil deserted sand enveloped silk encrusted carpets. Refugees on sinking lifeboats discovered geological family strata amid Chinese shipwrecks shifting divorce paradigms.

Independent shamans played with awareness using active imagination’s free potential - exhaling a mind’s eye making B&W street photography in exile.

Women wearing exploitation’s cloth wrapped in solitude braved whirling third-world poverty as their economic fate shattered malnourished rocks along Bhutanese mountain roads creating capitalistic nirvana. Imported from India and desperate for food they lived in river reed habitats with Gross National Happiness.

Gathering speed now.

Rolling her Wheel of Life she evaporated six degrees of separation near the Tropic of Cancer in fast rivers celebrating animist tribal dialogues hearing tongues sing air earth water fire languages by crow, eagle, raven, coyote and wolf.

She received the mark of the king tattoo from a Tahiti artist in Saipan.

Indigenous natives were surrounded and confounded by blue-eyed European’s commercial greed and cultural annihilation while denying slavery’s cost for competition’s profit.

In silence she rolled with patience, solitude, and nature just being her doing nothing poem.

Her life created a ruptured aorta in earth, fire, water, and air with pulse platelets as red lava flowing past Himalayan monasteries heard monks chant prayers in assembly halls at dawn.

Green, blue, white, yellow and red Lung-Tao prayer flags singing wind songs welcomed her sacrifice, liberation and freedom with perfection celebrating Maya illusion wisdom free from Bardo.

ART

Wednesday
Jan222020

Read

I carried a copy of Omar’s book, A Century Is Nothing from Turkey to Indonesia to Nam in 2009.

Together with Omar we used fire, this crucible of alchemical combinations, diversities, sweat, blood and tears to create it so I’d use fire to release it.

Save books, build a library.

Books are universes of ideas, experiences, feelings, visions, paths, and destinations obliterated through discovery reminding memory.

They are worlds of dreams, stories, dramas, plays, songs, histories and guides into new visceral experiences. Pages sing their laughter with wisdom, song, and poetry.

Preserve memory. Live forever with paper’s tactile voice.

Voices of reason, imagination, comedy and tragedy are skintight drum stories. They are oral transmissions recorded on parchment, vellum, illustrated manuscripts in Irish Gaelic talking tongues, Sumerian clay and Asian scrolls.

I didn’t burn it, a way of sacrifice offering and letting go. Down the road I gifted the brick to three Asian women in Saigon. They had Chinese ancestry from Hong Kong and lived in Australia.

I said a friend wrote it so I signed it and laughed letting it travel with them. Thanks for the book. You’re welcome. I hope you enjoy it.

It took all three to carry it. They staggered up guesthouse stairs with the tome. After breaking down a wall they struggled to get it through an opening.

People need to break down before they break through.

Maneuvering it into a bag they discarded cheap Vietnamese souvenirs. We’ll have to check this monster all the way to Sydney.

ART