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Timothy M. Leonard's books on Goodreads
A Century Is Nothing A Century Is Nothing
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The Language Company The Language Company
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Subject to Change Subject to Change
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Ice girl in Banlung Ice girl in Banlung
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Finch's Cage Finch's Cage
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Entries in Cambodia (278)

Saturday
Apr052014

sign language

He comes to me in the heat of the day. I welcome him with my dark eyes gesturing a fingertip on lips...quiet. We share the present. My passion is deep and strong. My language - a smile, brown eyes, calloused hands, worn fingers and rolling sounds whisper: 

time

relationships

secrets

fear

family

passion

laughter

sadness

a heart

I dream traditional ignorant silence kills everyone, the others. Truth is a powerful weapon. People are afraid of truth. When I express truth I don’t have to remember what I said. I say what others are afraid to say.

I am an anarchist, a linguistic magician.

Speaking, living and realizing truth with beauty entails risk. If you want to do amazing things you must take amazing risks. Daring is not fatal. I am truth incarnate. I am an objective mirror, free of dust.

Everything here is a secret. Shhh. Fingers on my lips. I am secretly engaged to a false dream of going to Australia with Thorny. He is 50, married with family. He works for an NGO here. He builds fake bamboo homes. He plays my father figure and unconscious rescuer. Fat chance.

I come from a poor rural village. I was the last of eleven children. I am 28. I came here with my sister, 32. She got pregnant by a married New Zealand man. She had a daughter named Moaning Lisa. She pretends to be married. It’s all show here. He sends her a monthly handout, pays the electricity. 

When I dance I am alive.

Friday
Mar282014

talk to me

A young girl wore a permanent tear on her left cheek. She was not smiling. Her t-shirt had a picture of a skull and bones.

Danger! LAND MINES!

She said: Here I am. I communicate my reality to the world. Do you like my shirt? Can you read words or do you need a picture? How about a picture of a picture? I don’t know how to read so I like to look at pictures. Mycountry has 14.5 million people and maybe 6-10 million land mines.

Adults say there are 40,000 amputees in my country. Many more have died because we don’t have medical facilities. Mines are cheap. A mine costs $3.00 to put in the ground and $1,000.00 to take out of the ground.

I’m really good at numbers.

26,000 men, women and children are maimed or killed every year in the world by land mines leftover from ongoing or forgotten conflicts. Reports from the killing fields indicate there are 110 million land mines buried in 45 countries.

It will cost $33 billion to remove them and take 1,100 years. Governments spend $200-$300 million a year to detect and remove 10,000. Cambodia, Angola, Iraq, and Afghanistan are the most heavily mined countries in the world.

40 percent of Cambodian land is unused because of land mines. One in 236 Cambodians are amputees. A prosthetic limb costs $3,000.

Talk to me before you leave trails to explore the forest. It's beautiful and quiet. I know all the secret places. I showed my picture to a Cambodian man and he didn’t like it. They call this denial. He said it gave him nightmares. He’s seen too much horror and death in one life. So it goes. My village is my world. Where do you live?

Tuesday
Mar252014

echo

New music echoed. Everyone ran to a window. 

Across the street an Indonesian boy sat on a piece of plywood in the shadow of a long tall Sally art deco three story building. It towered above a gated Jakarta community filled with designer homes, wild tropical blossoming fruit trees, displaced dysfunctional spoiled offspring spinning yo-yo’s and orphans sleeping on broken bamboo bed springs or swimming to Cambodia through flooded dreams. 

In his left hand he held a shining silver chisel. In his right, a flat edged hammer. He slammed metal against metal on a bronze bridge between the Stone Algae and the Iron Algae.

Between knowledge and wisdom.

Between an object and a concept.

Tap-tap-tap. Music flaked dust. His chorale was a tribal creation song remembering family and soft rice paddies feeling wind carry his song.

A Cambodian slave girl in the background using a brothel broom of thinned tree branches whisked a gentle rhythm. She created her symphony of sadness and neglect waiting to be abandoned like a manuscript.

Wednesday
Feb052014

after ice

One day, Bliss's part-time lover said, buy me a TV.

NO.

You have a job, a TV, a mother, a 12-year old daughter, two brothers, no father and no husband. I gave you money to buy a bike for your daughter and she lost it, money for clothes, money for medicine, money for food, money for temporary naked lust and currency sobriety. You play me for a sentimental fool. You're fucking crazy.

Her arrival was sporadic at best. She visited at 8:37 for a shower, fucking and another shower. 

He explored her lips, thin neck, small ears, crest of skin throat, narrow brown shoulders, pinpoint breasts with tongue talk, flat belles letters, long legs and played his way into her valley of potential.

It is a gateway toward isolated animist villages up river. Up The River Of Darkness. Up the Tonle Srepok River. The Apocalypse Now river.

The river overflowed with extended tedious boring years of silence singing a slow meandering song before being punctuated by random acts of violence, gunfire, and exploding land mines swallowing eternal cries for mercy as innocent men, women and children were slaughtered in fields, homes, and villages along twisted dirt jungle paths or murdered inside animist cemeteries wearing crude carved faces remembering the dead with ceremonies, laughter, sacrifice and rice wine, hearing the low dull roar of high altitude bombers releasing enraptured napalm canister lightning bolts through clear skies rendering burning mountains and jungles obsolete, accompanied by the steady rhythm of a girl sawing ice.

Her frozen bright future dream evaporated.

Someone said there was a war, she said. My mother saw a plane. She thought it was a bird. She wove the image into indigo cotton with yellow, blue and red silk thread. All the women weave here. Men don’t have the patience.

They love hunting and killing. She saw a whirling bird, a helicopter. She wove it along with our traditional motifs; weavers, people carrying water, harvesting, dancing, sitting, resting, flowers, fields, cows, chickens, ducks, birds, banana and palm trees, rivers, sky and nature. She weaves our long story.

I weave after ice.

 

 

Tuesday
Jan212014

dance alive

It never occurred to Matt to buy indigenous cultural music while traveling.
Martha his girl friend considered it essential.
Music made her edgy and alive.
When she heard music she danced.
She returned to her primitive self.

She danced naked.
Ballet. Flamingo. Tango. Cha-cha. Lambada. Waltz.
He wrote naked verbs. They loved naked. Naked cherished syllable skin music.
They wrote, danced and lived like they were dead.
One day they would be. 
They were free. It's the way to be.

Culture is what you are. Nature is what you can be.
People are nature's tools.
Children are parent’s tools.

Passing through Body Sat Quiet in Asia on a three week, “Look, don't think” holiday from frozen Europe they happened into an 8th century tourist town music repository. They smelled music before they saw it. Seeing music is an art form. Synesthesia. In music like life, the end of the composition is not the point.

A music boy handed Matt an orange book. Write your melodic request here. Matt opened the book. A Cambodian orphan popped out of blank pages: I am sorry. Goodbye and good luck to you and your family. These are our famous words. Big vocabulary. Tongues speak. Small life. Big chance. Yeah. Yeah.

Hunger Angel watched 24/7 in the big leagues.