The Language Company

Creative non-fiction. Journalistic facts. Literary imagination.

Lucky Foot taught English at The Language Company in Turkey in 2008. He returned in 2012. Collecting data. Field notes.

A Vietnam veteran, journalist and facilitator of courage he gifted luck to people in China, Turkey, Indonesia, Cambodia, Vietnam, and Laos beginning in 2004.

He showed up to sit for a spell nurturing positive relationships in the long now.

Accompanied by Humor and Curiosity he helped students speak English minus their illusions of fear and phobia's relatives:

Fear of taking a risk.

Fear of being incorrect.

Fear of peer ridicule.

Fear of poverty.

Fear of starvation.

Fear of being ordinary.

Fear of success.

Fear of abandoning a manuscript by Zeynep entitled TLC.

Fear of accepting responsibility for their choices and accepting the consequences.

Fear of letting go of old conditioning. Shadows.

Fear of being alive and real. Growing.

Fear of_______. (Your free choice)

Lucky, Humor and Curiosity observed parents, schools, religions and states fostering passive acceptance, fear, indifference and rote learning teacher-centered systems. It was all about passing exams, not learning how to be more human and think for yourself.

Status quo. Sheep mentality. Blend in. Questions are forbidden. Authority washes your brain daily.

Zeynep, his young genius friend in Bursa, Turkey taught him about life in her totalitarian country.

"As a literary outlaw I say what others are afraid to say. Anxiety is a chronic national problem. Adults here are good at two things, eating and fighting. 'Dissent is terrorism,' say our corrupt manikin authoritarian figurines."

Leo revealed dystopian China. "I spent years carrying word shit in a Re-education through Reform Labor Camp for questioning Authority. Everyone here belongs to the Big Ears, No Mouth society."

Oh the shame.

Rita, the independent author of Ice Girl in Banlung shared stories about her Khmer culture and Cambodian history. "We've had twenty years of hopelessness. We breed. We work. We get slaughtered. Poor people see education as a waste of time and money. I dream I am a free person in a free country."

A seven year-old Vientiane kid explained Laos. "I develop my authentic character with critical thinking skills, humor, gratitude, abundance, and wonder as a free thinking individual. I have my junior philosopher's badge."

"If you want to do great things you must take great risks and suffer greatly," said Zeynep. "You either let go or get dragged along."

Awareness. Mindfulness. Compassion.

"It's not about people buying this book," Rita said. "It's about people reading it."

Dance - TLC 86

“We climbed up. We descended,” said Zeynep breathing through her shamanic mask.

“Is it carved from tribal memories?”

“Masks are symbolic manifestations in diverse cultures. Mask dance is a ritual, worn in a dance trance. Wearing a mask you become the thing you fear the most, your essential nature. Masks hide a human’s consciousness of fear.

“Dance is about process, becoming from stillness, from nothing. Shiva symbolizes the union of space, time and destruction. Dance is ancient magic. People seeking transformation wear masks representing gods or demons. Dance is the incarnation of energy from the source. We are from the source. Have courage to wear your natural face mask. The entire universe is a vast theatre. Death does not exist.”

“Humans evolved their ability to scheme and deceive behind masks,” said Lucky. “How do they manifest compassion and love without projecting guilt and shame on others while wearing their mask?”

Lhasa, Tibet

“That's an eternal life quest,” said Z. “It requires daily practice and letting go of ego. Cogito ergo sum. They think their mask is reality. It's not. It’s artificial, an illusion, a myth, a projection of their fear.”

“What's your greatest fear is an essential quest-ion. We become the thing we fight the most. Our true self,” said L.

“My greatest imaginary fear is not experiencing truth and bliss beyond the self, passion and cravings,” said Z.

“That’s Nirvana. You break down before you break through. Authentic people confront their shadow. They evolve as a higher being. Scared, conditioned masked ones project their fears and insecurities onto others. It’s a survival behavior, a defense mechanism to avoid being honest and real. To avoid facing their mortality their darkest fear in room 101 the last room you want to enter, they deceive themselves. They lie to themselves and others avoiding the truth. They mask their pain. Truth is painful. Pain and suffering are different. Pain is a sickness leaving the body. Existence is suffering.”

Desire - Attachment - Loss - Suffering

Desire creates suffering. Kindness is a healing energy.

Your mask eats your face.

“Two critical elements of social intelligence are humor and curiosity. Do you remember James Joyce going into exile with silence and cunning?”

“Yes. He knew how to put seven little words in order. He was a cunning linguist. He said, ‘everything I do is an experiment,’” said Z. Exile is a form of suffering.

“So it is. Survival and creativity are raw instincts. Self awareness separates humans from lower life forms like apes, plankton and sea enemies-anemone fish eating animals and androgynous androids in the deep subconscious.”

“Writers lie for a living. We make stuff up. We write it down. We treat our mental illness every day. We have stories, poems and adventures to finish we haven’t started yet.”

“Imagined or invented conversations and episodes,” said L.

“Literature is a tool for unveiling, not obscuring the truth. It’s the best way to make fun of people.”

“Literary fiction expounds historical truth.”

“I prefer healthy doubt to certainty. I am more interested in traces than object. My notebook is essential,” said Z.

“We are the only animal who laughs and the only animal who knows they will die. We die every day. We imagine our death, our mortality. This fills some with dread, psychological neurosis, paralysis and lack of purpose. For others it’s a release joy and a dance. To live one has to die at least once. Once you die you realize how to live. Freedom is unconditional.”

 “Freedom is an absence of choice. Are you a clown? Perhaps a clownfish?” L said.

“Look in your dream mask mirror. You get the face you deserve. Not all the clowns are in the circus. Let’s dance.”

“When you're looking good you're feeling good and when you're feeling good I just live to see your face.”

“We are wise calm lunatics whether we dance or not so we may as well dance. Let’s invent the world. Let’s invent reality. Wisdom-mind of intent not the emotion mind of fire & water.”

 “I’m with you. We were born dead and slowly came to life.”

Flame your life.

The Language Company

Bhaktapur, Nepal

Fear, Amazing Uncertainty & Healthy Doubt - TLC 84

 “What happens when totalitarian governments devolve so-called security programs?” Zeynep asked her mother - the mother of all answers.

“Don’t worry my sweet,” said neurotic mama-san living her worst nightmare with bliss, “media, politicians and bankers will invent new improved fake fears.

“They will create problems, spin them for ADD sheep and try to sell us solutions. Ha, ha, ha.

“The joke is on them. They play us for fools and idiots. Fools speak the truth. Anyone questioning authority is imprisoned for life, gassed, hauls Gobi shit, stoned to death, exiled or beheaded with jeweled swords. No worries my sweet. The manufacturing sector will rebound when shelves are empty. We’ll always have sugar and we can always go shopping. We shop to reduce our anxiety. We buy things to make us feel better. It's a temporary drug fix like religion or Xanax. Take two and call me in the morning.”

“How long will it take until people wake up and pay attention?” said Zeynep.

“Hard to say. Some will some won’t.”

“Self-awareness and authenticity is a funny thing. Letting go scares the shit out of people.”

“They suffer from FUD,” mother said twisting her hair until it caught fire.

“What is FUD?”

“Fear, amazing uncertainty and healthy doubt. They are internal psychological gyroscopes. A human’s first quest-ion is, is it safe? FUD is back with a hungry vengeance. They are hunger angels. Vociferous.”

“How long has FUD been going on?”

“You ask many quest-ions child,” fanning her daughter’s flame. “A long time. A Century is Nothing.”

“That’s the title of Omar's non-linear book, more like a jazz poem. Few read it. Fewer understood it. So it goes. It’s essential to cultivate humor and curiosity.” said Z. “What about adventure and surprise?”

“Adventure and surprise is a beautiful dangerous thing. You see the BIG picture. Talk is cheap. Character is motivation and action. Senses and language cannot be trusted. Let’s get to the verb from the get go.”

“I want to know the truth mother. Living safely is dangerous.”

“The truth,” she said, “is that life is an absurd comic process. If you laugh you last. Our illusionary insecurities and real authenticities evolve. Life is a celebration, a dance and process of becoming. It is a beautiful harsh short messy dream come true. It’s magic. We adapt, adjust and evolve. There’s no rhyme or reason. Life is meaningless. Existence precedes essence. We are flukes of the universe. We have a one-way ticket. It’s about feeling peace in your heart-mind with gratitude. Wonder, abundance, health and contentment. Help others realize their higher self.”

“I see the seed and smell the lily. Let’s go and play now. Take the day off and be creative.”

“Yes, let’s invent a game theory my darling daughter. It’s called mindfulness. Mindfulness gives you time. Time gives you choices. Choices, skillfully made, lead to freedom. You don’t have to be swept away by your feelings. You can respond with wisdom and kindness rather than habit and reactivity.”

“I shared your wisdom earlier in this wandering tale.”

“So you did. Telepathy. Reading about mindfulness it is one thing. Living it is something else.”

Holding hands they entered the world without being of it.

Ma Hlaing Family Boarding School, Burma

DO the Mango Tango - TLC 77

I go. We go. You go. Mango. Super fruit. Buy one. Get one free. Peel it down. Peel her skin. I am a bed rabbit. Plow my field. Honey needs money. Savor my succulent mass of alpha bet your sweet ass anti-oxidants.

A. C. E. Ace a mango.

Mango’s humility skin released interior monologue. Flowing sensations danced mango simplicity with serenity. 

Mango said, “There are two kinds of people in the world.”

“What are they?” said a Cambodian named Orphan.

“They are subdivided into sub-species. There are people who want to blame you and people who want to distract you. There are people who want control or approval. There are people who face the music and there are people who run for cover.

"There are people who pay attention and people who don’t know or care what the fuck is going on. They are too poor to pay attention. There are people who make things happen and people who dream about making things happen. Yeah, and one more thing - there are people who are willing victims of their auspicious fateful situation playing the blame game.”

“That’s a mouthful of mango logic if you ask me,” said Orphan. “You mean, according to the philosopher, Damon Younger Than Tomorrow, ‘distraction is an inability to identify, attend to what is valuable, even when we are hard working or content.’”

“Yes, that’s what I said I mean because I mean what I say and say what I mean jellybean,” laughed Mango doing the tango with Taoist monks at The Temple of Complete Reality in Sichuan.

“Disorientation begets creative thinking,” said Confusion.

Not True

interrupted Omar’s suicidal literary agent speaking through voice snail. It’s impossibly probable.

You make your own truth from embroidered lies.

I know everything and can say nothing about beginnings, arc, tension or sustaining a plot. Something has to happen to move it along with narrative flow, character development and action. Make me cry. Give me emotional honesty so I feel for the protagonist.

Grab me by the throat in the first clear short sentence. Make me pay attention. Give me a sharp emotional marketing hook hanging above a mainstream marketing platform in cheap plywood Asian brothels where evil greedy men with POWER threaten and violently abuse orphaned sex slave girls. Where they buy them or steal them from poor families in China, Thailand, Vietnam, Laos, Cambodia, Burma, Bangladesh, Nepal and Sri Lanka, season them for five years in rooms, use them, abuse them and discard them on the mean old street.

They are commodities like rice. Rich men buy virgins for $5,000 a pop. Open my legs. Plow the fertile soil between my legs. Open my feeble, nonchalant and passive innocent broken heart-mind. Throw in some Asian culture like Chinese opera, gamelan music, 3-act dramas, ballet, The Art of the Fugue by Bach and dancing Apsara dancers on 8th century laterite Angkor Wat ruins being strangled by cotton wood roots.

Show me how superstitious evil men believe fucking a virgin gives them super strength enabling them to leap over tall virgins with a single organismic shudder. Give me a small organic boom-boom death in eight seconds. Just get to the verb.

“Ok, said Rita, an orphan in Cambodia and independent writer/publisher of Ice Girl in Banlung. “Unpleasant facts are littered through this work like lovers, countries, butterflies, natural phenomena, rice and hot sex.

“Cambodians have been screwed by history, war, violence and predatory politicians. Let’s Make A Deal. Do the numbers. 15% (and rising) of Cambodia has been sold to China. They’ve invested $16.9 billion. They bought the government.

“1,7,000,000 million out of 11m were massacred by human genocide animals. 40% of our land is filled with unexploded ordinance. Millions are illiterate. Millions are subsistence farmers. It is a rural agrarian society. They produce only what they need to survive. They eat, sleep, fuck and sit around. Milling around is an art form. Khmer are soft and kind. They have a good heart. They are not as mercenary as the Vietnamese. They drift through your sensation, perception and consciousness with the speed and grace of a cosmic Lepidoptera. The trick is to tolerate bland empty eyed star gazing starrers and hustlers with Patience, your great teacher.

“Bored after five minutes they lose interest. Bye-bye butterfly. Let’s pretend to be exactly who we are. The Great Pretenders. Be careful who you pretend to be.”

“Thank you Rita. Whew, what a mouthful,” said the blind literary agent.

“Yeah,” said Rita. I spill sounds and smell metaphors. The human condition reads history and weeps. Create memory, a form of history, re-write history.          

“Your memory is the world, and the world is a village,” said the nerve agent. “Cry me a river. Build me a bridge. Get over it.”

“I will, will you?” said Rita.

“I have a question for Lucky.”

“He’s here.”

“What do you recall during the one-hour full body massage with blind Flower at Seeming Hands?”

”Her hands were all,” I said. “Her hands were water, air, earth and fire. Soft gentle sensations. Sensing, feeling her physical sense. Engaging all her senses. Touch is her essence. She knew my body, all the pressure points.”

“Soft, medium or hard?” Flower asked.

“During her therapeutic touch and go I considered this vignette. How I was looking for ideas and structure and formless form and literary vulgarity. I slowed down inside the labyrinth. A writer is a dwarf, invisible and must survive.”

Flower whispered, “I don’t like sleeping alone. It’s fucking boring.”

It’s easy to remember loving Flower’s soft, deep real tactile sensations. She knew how to please a stranger’s skin. She lived in the middle way. Her middle way is breathing, and awareness. Her middle way is acceptance and loving kindness. It is wisdom, patience and gratitude. Non-attachment. Flower is the essence between detachment and sentimentality.

“Eat the world with your blind eyes,” she whispered.         

“Yes my Flower, yes.”

“Dead or blind, there’s no difference,” Flower said.

“People who cause you difficulties, you should think of them as very valuable teachers because they provide you with the opportunity to develop patience.”