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A Century Is Nothing A Century Is Nothing
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The Language Company The Language Company
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Subject to Change Subject to Change
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Ice girl in Banlung Ice girl in Banlung
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Entries in history (137)

Friday
May262017

Room 317, Yang-en University, Fujian, China

He liked her immediately.

She knew how to wear her sadness with dignity. It was a warm, comfortable security blanket woven in threaded hopes, dreams, lies, beauty and love. He didn’t feel pity for her potential rising like a bird leaves a branch toward higher sky.

Her meditation involved multiple personalities - student, wife, lover, worker, artist, laborer, dancer, commodity broker and teacher. She played an actress pretending to be someone else in her life’s play. Do not break character.

She was all he had at the moment. Time stopped for him swallowing all the tears she’d never cry. Perhaps it was deeply ingrained Confucian cultural modesty masks forbidding her the luxury of being open, real, honest, and human. Hide your true face, said Mask. Your face eats your mask.

 

She lived in a time warp where emotions were controlled and rationed by parents, Party leaders and invisible social ghosts.

A tight feeling constricted her throat. She wanted to scream, ”Help me please, I am dying of infinite inexorable sadness.”

No one heard her silent scream. Peasants, students and teachers were busy, busy, busy staring at cell phones reading/texting 5,000-year old characters. Word pictures.

Ideograms symbolized the idea of a thing without the sound used to articulate it. A day in the life peering down, down, down at a green ionized electronic glowing screen. Their universe encapsulated screaming screened electrons.

They were auditioning for walk-on roles as student and teacher character actors at a private Chinese business university of 15,000 students.

They needed to stand out, to find the essence of robotic behavior where daring wasn’t fatal. Express their inner emotional state with abject distraction. Where their self-esteem and courage nurtured support, respect and empathy in their longing.

They had latent desire.

Their struggle was for jobs, money and social position.

They’d accept financial filial piety responsibility for aging parents. If married they’d support four parents. The iron rice bowl theory of a guaranteed collective security network collected dust in history’s rubbish bin. It was discarded with state housing, state jobs, and state health care.

She lived in a Brave New World.

She knew this and failed to accept it. Her consciousness shift grasped fragmentary what ifs and maybes.

“If students spent as much time looking forward as they do behind they’d make amazing profound progress,” she thought, approaching old campus.

She inhaled the sweet scent of yellow, pink and red wild roses outside barred windowed classrooms near the stinking W.C. basement where school guards planted green vegetables in trash strewn plots.

She trimmed dead stems with her Tibetan knife, caressed a thorn piercing her heart and severed one fresh rose. She carried it through a gate and up uneven cement stairs evolving into a paradigm shift. She was always early and well prepared.

White chalk dust covered the teacher’s podium in room 317. She lived, breathed, swallowed and spoke white chalk dust. On a broken blue table in the corner was a small green plastic bucket filled with water. Dust floated on the surface.

She opened the window, picked up a torn crumpled rag, soaked it and squeezed it out.

She placed the rose in a cup of water and put it on the podium.

Stubs and nubs of white chalk littered the podium. She collected fragments of academic history, an ancient educational memory scattered by a previous teacher. They always left a mess of exculpatory evidence.

She placed them in a box of discarded chalk next to the water bowl and blew white dust scattering flying powder elements into the air dispersing particles. After wiping down the podium, she rinsed and squeezed out the rag, hanging it to dry on the windowsill. She looked out.

Rolling green Fujian hills and a large blue lake escaped her eyes. An old weather-beaten woman farmer behind a red brick wall tilled soil to plant vegetables. Motorbikes heavy with woven wicker baskets spilling vegetables, toilet paper, apples, gas canister and wide-eyed children chugged along a cracked cement road.

Ancient blue one-cylinder rusty miniature dump trucks loaded with white granite blocks rumbled past fuming diesel exhaust, throwing red clay dust into the air where it collided with white chalk dust escaping room 317.

 

It was a poor landlocked rural peasant infected paradise.

The Boss died last year. She attended his ceremony in the Great Hall at his campus villa. She wore white as a sign of respect for the dead. Her ghost persona sang a comfortable sadness past rows of flowers to the casket. She bowed. His thin white mustache face reflected glass smudged with fingerprints.

He reminded her of a Tang poet living in solitude inside a long Chinese painting where wind whispered songs with trees, mountains and stars.

After his death and passing tribute, students began holding hands in public. His private army of guards lost their power to intimidate, coerce and extort money from adolescents displaying affection in public. Guards roared around on bikes with flashing red lights looking important and, if motivated to survive, begged for jobs slinging hash, cleaning tables, and peeling vegetables behind student restaurants.

Hundreds of local villagers, officials, educational specialists, farmers, teachers and drones followed the funeral procession to a hill overlooking the campus.

They put him in the ground and exploded fireworks to scare away running capitalist dogs and ghosts. They returned to fields, kitchens, gardens, offices and classrooms.

A year later the school started building a grand tomb for their dead leader on a hill above the computer center building. It cost $261,591,79.

Small change.

Turning away from the window she selected yellow, blue, orange, and green chalk from a seldom-used box.

She wrote on the blackboard:

I hear and I forget.

I see and I remember.

I do and I understand.

She drew a picture of a face with bubble words - “I am an autodidact. You are responsible for your learning.”

She splashed rainbows, suns, faces, laughter's wild memory and imaginary abstract colors on a green canvas, barely scratching the surface of appearances.

An obnoxious loud rusty metal bell clanged for fifteen seconds. She turned and faced 100 university students. They were physically eighteen with the emotional maturity of a thirteen year old. This disparity explained why the university treated them like children to keep them in their childlike space place.

They had “Sports Meetings” on the “Playground.”

They had “Nap” time after lunch.

Maybe twenty-five cared about learning. Most just wanted to pass. Some might ask questions and develop a life long love for learning, knowledge and wisdom.

Anyone asking why was reported by spies to authorities and disappeared. Poof.

A rare one possessed an innate creative playful inquisitive nature. The majority slept with their eyes open. Lights on and no one home paradigm.

She smiled. Her sadness evaporated. She inhaled delicious dust and spoke in tongues.

“What color are your dreams?”

“Stop making sense!” yelled a student. “What’s the context? Critical thinking skills with humor and curiosity are forbidden! ”

They whined in unison, “We are worried about our marks, not learning the material. 60 is heaven. 59 is hello.”

“People are more affected by how they feel than by what they understand,” she said.

“We know so much and understand so little,” said Curious, a bright star in the universe. "I want to be a waif when I grow up. A real person with dignity and self-respect.”

During meditation they heard an authoritarian Mandarin voice yelling next door.

“The bent nail gets hammered down!”

A Century is Nothing

 

Tuesday
May092017

Myths Became Stories

Zeynep said, “I am a rose thorn and Winter Hawk. Wings instinct and heart. My razor talon tears meat from bones to feed my creative Hunger Angel.” - (Everything I Posess I Carry With Me)

“I am a cognitive psycho-neurolinguist,” said a gravedigger. “My specialty is languages. Lost tongues. Wandering deep in the Tarim Basin following the Silk Road through Central Asia I discovered the 4,000 year old Tocharian language and Afansievo culture. It was a proto-Indo European language with Celtic and Indian connections established by trade caravans and explorers. I suspect it is Qarasahr or IA based on an Iranian dialect.”

Mircea Eliade, a historian of religions said, “Myths tell what really happened. Myths suggest a reality that cannot be seen and examined. Myth is truth trying to escape from reality. A myth is a story of unknown origins, sacred stories based on fear and belief containing archetypical universal truths. They are in every place and no particular place.”

Marcus Aurelius - "Everything is only for a day, both that which remembers and that which is remembered."

*

History became legend.

Legend became myth.

Myth became story.

(What you wanted - Myth - Actuality)

This anthropological fact accompanied Lucky wandering among unfinished construction projects and abandoned manuscripts in China, Turkey, Indonesia, Vietnam, Cambodia, and Laos.

He joined millions of emaciated migrant refugees passing shattered bricks, broken hopes and strangling dangling cables connected to nothing in particular.

Shoddy incomplete dust dreams and quick profit schemes thrived where political thugs disguised as beauticians, missionaries and NGO social workers living in penthouses and driving Land Rovers exploited villages stealing land, rivers, mountains, children. Extorting money.

Their rule of law was a truncheon named GREED.

*

Sophisticated command and control procedures thrived. Corruption stole millions. Substandard schools pancaked 10,000+ children from one-child families in a Sichuan earthquake.

Garment factories in Dhaka crushed wage slave workers stitching designer labels at a discount.

In May 2014 an inefficient unregulated profit-oriented private coalmine in Soma, Turkey caught fire, exploded, burned and collapsed killing 301 miners.

The angry Teflon Prime Minister (now President) visited the disaster. “This is a fact of life for poor illiterate underpaid miner slaves. It happened in Britain in the 19th century,” he said to widows and families. An angry miner booed him. He slapped the miner. “If you boo the Prime Minister you get slapped.”

His aide, a frustrated soccer player wearing a suit of armor kicked a miner on the ground being held by police. Aide screamed, “Dissent is TERRORISM!”

The ruling AKP Justice and Development party said it was all a mistake: the mine explosion, slap and penalty kick.

Violence, denial and repression are a way of life here, said Zeynep the younger creating a myth.

The Language Company

Saturday
Apr152017

The Dark Years

It was curious seeing the Cambodian barber open on the last day of Khmer New Year.

The small southern river town of Kampot was dead quiet. Merchants and families slept in shuttered shops behind metal gray accordion sheets. A tropical afternoon sun beat down. White cumulus clouds billowed in the east.

The barber had a white haired customer. He’d fought against Thailand, Vietnam and Khmer Rouge. He didn’t talk about it. He survived. That was his conversation. His legacy.

He sat in a solid steel chair staring at his reflection. He saw a thin serene brown face and wavy white hair. A long mole bristling white hair resembling an inverted Buddhist pagoda hung from the left side of his chin.

The mole saved him from Khmer Rouge executioners. They were superstitious peasants and said he was the Devil, an evil spirit. They’d let him go.

They conversed in French. The gaunt barber had lived here all his life. The Devil survived four years of genocide by hiding his family in nearby mountains and jungles where the French constructed and abandoned a post office, hotel and casino. They called them The Dark Years.

No one talked about The Dark Years.

The old man closed his eyes. The barber trimmed with hand clippers. Snip, snip, snip. White hair fluttered to the floor meeting piles of black hair. Electric trimmers with frayed wires collected dust on a narrow wooden table under a fractured mirror. A holiday television program featuring Apsara dancers blared from a box on a bamboo table inside the long narrow room.

After trimming top, sides and neck hairs he adjusted the chair easing him back. The barber extracted a thin razor blade from a small piece of paper. He severed both ends into a soda can clinking metal fragments.

He opened a wooden handled straight razor and clicked the blade in. He sprayed water mist around the man’s head. Moisture refracted rainbow light prisms. Whispering the outside edge of an ear lobe angling the man’s head with his left hand he trimmed microscopic hairs.

The razor rasped temple to temple across the scalp line. He was quick, silent and efficient. Smooth hands touched head and face fast light and artistic. The blade followed the line of the nose, curled and danced across skin below closed eyes. He wiped the blade on a white towel lying on the man’s chest. He shaved lower sideburns.

He returned the man to a sitting position. The man smiled at his reflection. The barber snapped a towel across thin shoulders scattering dead cells.

The man eased out of the chair as they chatted. He removed a roll of money hidden at his waist. He handed peeled notes to the barber. Merci. Au’voir.

He shuffled into white heat. His son waited for him on a motorcycle. He tried to swing his right leg over the rear seat. Feeling off balance he hesitated. His left hand reached for a shoulder. His frail contorted useless right arm dangled in space.

The executioners had broken the Devil’s arm. They taught the Devil a lesson in compassion and forgiveness and power and control. Before giving him freedom they wanted to hear the Devil scream for mercy. They wanted to hear his pain echo through The Dark Years.

Monday
Apr032017

Moon Ghosts

The Andalusia moon would be full tomorrow.

Mad as hell caged hunting dogs howled high anxiety on western Sierra mountains with an excellent view of a white bone marble spinning through sky inside clouds of pleasure and pain as rolling valleys dreamed of planting and harvest.

Spanish men in sturdy boots carried tools of time’s labor through fields below the rising moon. When full they would not go to the fields, the river, the forests or the mountains after dusk. They owned the day and spirits controlled night. They respected magic.

Dogs bayed and howled through sunset into dusk of rising orange clouds as the moon rose through the either.

The men passed the cemetario on their way to the harvest. It was quiet there. The small church door was open, it’s scared thick and heavily bolted brown wood a thick piece of old resistance. The alter decoration was a simple Virgin Mary crying blood. The altar cloth was changed daily by a woman in black doing her duty saying her life’s penance through intention and devotion.

forcestero, a person from outside the pueblo, a stranger with a camera passed her and she thought she recognized his shadow.

”A ghost. Yes, that’s all it was, a figment of a soul visiting friends.”                                 

She blessed herself twice with bird-winged fingers watching men walk to their land. It was the end of a warm winter day and the sun had disappeared with Egyptian vultures in heaven. She locked the black gate leading to a series of crypts.

The stranger was here yesterday doing his reconnaissance. Today he worked inside the second metal gate, inside the sanctuary, inside the crypt area. Four walls held the departed. Engraved stones revealed names, dates, places, memories, children, and adults back to 1896. He made images under the green smoky eyes of a Siamese cat on a red tiled roof.

Workers had left their crypt construction bricks, cleaning solution, black buckets and rags in empty crevices. Rectangles waited for ornate boxes. Boxes made in a casket factory miles and lives away. Caskets with handles for hands. Brown and black religiously lined caskets with satin pillows. Pillows softer than language mumbled through tears of the living seeing everything before trembling eyes with hearts beating like drums.

After church services in the village of 2,300 caskets were dispatched in long black cars with wreaths of infinite sweet smelling floral varieties to the black gate and carried on shoulders of strong men past the open church door, a palm tree and through a black gate on rusty hinges and slid into an empty domain.              

The cold gray cement cavities had brick ceilings. The forcestero stared inside an empty space. It was long. It was empty and it was cold. It stretched to eternity.

He stepped out of death's shadow. He heard men in fields using their tools on hard winter ground. They were above the ground. “Any day above ground is a good day,” a ghost whispered.

He listened and went to work.

In fast fading light he imaged interments with names and flowers, passages of memory in love and sadness, chiseled history and their connection to pueblo life. He focused down cavities and shells of rectangular rows of empty passages. They were invisible stories waiting to be told. Waiting for air to carry them to listening faithful. They were silent stories, silent night of the pious silent with collective breathing. 

“The rest is silence,” said Shakespeare.

The woman turned away from men and their shadows bent over fields moving rocks toward dreams and fence plans, pruning dead growth from olive trees along a river and saw the ghost working among shadows of the dead.

Her husband was there. She held his final whisper in her silent heart. “I almost wish it were true.”

She was the silent moon above her bone white memory, a spirit guide serving spirits. She joined the moon.

When he finished his work the forcestero flew away from the cemetario, river stones and fields where men worked their trust, his vapor rising to the moon.            

Their spirit energies manifested their destiny with the moon as dogs howled below them.

 A Century is Nothing

Friday
Mar312017

Weaving A Life (Volume 2)

The second volume of his collected works, Weaving A Life (Volume 2) is alive and dancing on Amazon.

Here.

Creative nonfiction blends memoir, travel, journalism, anthropology, history and diverse cultures.

Existential experimental ephemeral experiences.

He is a compass without a needle. We are here to go.

Weaving A Life (Volume 2)

Sewing in Mandalay, Burma.

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