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Entries in memory (49)

Saturday
Dec092017

Life in Hanoi - Ice Girl

Chapter 14.

Leo’s neighbors are Sam and Dave. Sam’s the kid. Dave is daddy. These are not Viet names. If they were they’d be named Binh and Thin and New Yen, like new Yin or old Yang. 

Dave had a kid so he and his wife can yell at them. So they will have someone, anyone to take care of him or her in old age. When they are sleeping on bamboo recliners absorbing 10,000 kitchen smells. 

It was an arranged marriage after a three-year courtship. Her parents demanded $5,000. Cash or no deal.

You play the game or the game plays you.

They pretended to need kids to support them in old age. When you’re young and naive pregnancy is always an option. It’s easy to have kids in the 13th most populated country on Earth. There are 85 million hard and fast rules of parenthood according to the wildly popular and heavily censored Socialist Party book, Produce & Consume.

Get married early. The pressure is on. 

You do not want to be unmarried, single, sad, lonely, and forgotten like a bad dream. Loneliness increases the chance of heart attacks, strokes of genius, and arterial vestiges of debilitating forms of social upheaval and personal instability in a well-mannered society. 

Extreme pressure is on girls to find a husband. Girls in Sapa illustrate exchange and user values for rural girls to get married at the ripe old age of 16 and begin producing genetic copies. Petri dish. Wash and tear.

It takes hard courage to raise kids with integrity, respect, authenticity and a low level of pain tolerance.

Sam cries. Dave releases streams of anger, bitterness and frustration allowing him to relax, expend, and expand the sound. Dave is startled to hear the sound of his own particular voice ricochet of substandard cold molten gray Hanoi cement block walls. His life is a cold cement wall. Echoes dance through his brain like little sugarplum fairies.

He knows the echo because he made it. He mixed the fine sand and quick dry cement. He slathered it over broken red bricks in circles with an abstract desire to make a work of art lasting forever which is how he thought of it the day he trow welled the paste.

Life gave him art and he used art to criticize life.

His voice, this manifestation expressing human vocal tendencies in a tight enclosed space near the gigantic liquid plasma television permanently implanted on a blank wall blaring news propaganda and perpetual adolescent reality soap shows about life next door where the family sits on cold red floral tile hunching over chipped slurping from cracked rose bowls shoveling steaming rice and green stringy vegetables into lost mouths yelling over each other in tonal decibels competing with a gigantic plasma television featuring dancing bears and pioneer patriots devouring rubber plantations, beaches for golf courses and farmland with a double bladed axe singing, in a high Greek-like chorus, their national anthem about land, sea, air, water as pianos being played by a young Japanese wisp, her fingers a delicate blur of incredibly fast incantation channels dance near a woman garbage collector who rings a bell every day at 16:55 alerting people in Dave’s neighborhood it is time for them to bring out their daily garbage. Remove the evidence. Bag it and tag it. Autopsy material.

Mrs. Pho hears the bell. She’s ready. She’s willing. She’s able. She’s carefully arranged her family’s daily consumption waste into two plastic bags. One pink. One white. Orange and yellow fruit rinds went white, everything else pink. Like shreds of fat. She didn’t waste a thing. No one does. 

Life is a nasty, brutal short struggle she reflected bowing in front of her parent’s images, dead and gone remembered forever with their stoic black and white ghost faces above eternal glowing neon flickering pulsating red, green, blue and white electric Buddha bulbs on the family altar. Plastic flowers, fruit offerings, burning incense - spirit food. Pho hears her father whisper in her burning ear carrying her away from their flaming village. ‘Remember where you came from.’

She never physically returned. She carried memories.

It didn’t really matter which went where because after she’d taken it down the high walled alley blocking all but the most sincere light of fading day, she casually tossed plastic bags into a rusty gray rolling cart with plywood boards reinforcing the height because the massive accumulation of garbage was tremendous. Growing day by day it became part of the collective mess, a collective consciousness. Garbage in-garbage out was everyone’s mantra.

She was content knowing her contribution was not extensive. Just enough. Just enough to get her away from walls where she’d gossip with her neighbors as white twilight cracks filtered past musical hammers, creaking wheelbarrows pulled by skinny boys, incessant motorcycle horns echoing through tight chambers with floating dust particles breaking light into a magical sense of mystery for her tired eyes marveling at this visual epiphany as exactly 21 emaciated shovels of earth were moved and manipulated this way and that by young desperate hungry boys and girls with limited educational opportunities from poor villages very far away laboring wheelbarrows filled with sand, gravel, bricks, mud, sludge, wood, dreams, their bodies caving in from exhaustion, heat, H1N1 virus, mortar attacks, suicide dreamers, drifting among H’mong Sapa kids speaking excellent English with no further hope of an education after 8 dystopian educational years now selling their handicrafts to tourists; bright beaded bags, embroidery stitches, indigo blue staining their hands through long dark cold endless mountain winters as storms howled, ‘Have mercy, Have mercy’ on war weary logic infested objectivists, the towering inferno of their external nightmare reduced to self-pity, leaving

No Exit. A shattered mirror reflected her face.

Inside his cement cell Dave’s angry voice danced with stranded rusty brown barb wire encircling his social network domain name, easing over shards of fractured green glass embedded in shrapnel’s perimeter. The Chinese introduced barbwire when they occupied the neighborhood for 1,000 years. Vietnam forced them all the way back to Manchuria.

The French ate pastries, introduced excellent wines, produced intricate glass mosaics for Dalat spring garden walls to prevent strangers and invaders from getting in, getting on, getting the better of them, as shards of glittering glass composed minuscule myopic musical and colonial architectural ideology. Yellow buildings aged gracefully along Rue this and Rue the day. Vietnam slaughtered the Frogs. They kept the language and baguettes.

Then the Yankees with their megaton Catholic missals of mass destruction and chaos unleashed their fury on the poor unsuspecting suffering masses gathered in Chu Chi’s tunnels below the surface of appearances.

Dave knew this because his grandfather’s father and his father’s family remembered dynasties encroaching on walls, shrines and brown temples welcoming silence.

During the day they worked paddies before evolving underground when nightingales brought carpet-bombing, napalm, Agent Orange. 

“Quick into the tunnels!” They sat sweltering, crying, still. Listening to the dull roaring threaded whoosh as steel and iron canisters thudded, this tremor, shredding forests, fields, homes danced into flames. Heat soared over their tunnels bathing them in sweat. They burrowed deeper. Deeper, following hollow carved earth trails. The earth swallowed their breath. Their bones fertilized soil. Ancestor bones cried in their sleep.

The sweet silence after all the crying and wounded foreign d(evils) fled in terror as peasants streamed down mountains, out of caves and tunnels, poling rivers, attempting to escape, walking on water, drinking oceans of creation myths, draining lands of blood, forcing d-evils into shining seas. A blue green sea danced red.

Their city voices flowed between crumbling sand and crushed red bricks laid haphazard. Cement walls blocked everything but sounds of their anger, frustration and repressed bitterness at life’s twisted fateful reality.

Their memory was a fiction.

This fiction created their memory. 

Ice Girl in Banlung

Sunday
Oct082017

Questions ask Questions - Ice Girl

Chapter 2.

Red dust town turned windy. Swirling quality gem stone particles and degrees of indifference spiraled through air. Redwood slats covered open sewer drains.

Locals in Banlung, Cambodia watched Leo with curiosity and suspicion. They stared from a deep vacuum. When he made eye contact they glanced away with fear, uncertainty and doubt. They didn’t see many strangers here. They listened at 49% or less saying yeah, yeah with panache.

Leo discovered his quest-ions were constantly repeated.

Quest-ions grew tired of repeating themselves.

This is so fucking boring, said one quest-ion. We are abused. We are manipulated and rendered mute. Useless.

Think of it as a test, said another quest-ion. Patience is our great teacher.

I’ll try, said another quest-ion.

Yes, said a quest-ion these non-listeners have a distinct tendency to say more and say it louder when they’re leaving, when their back’s turned away from eye contact and potential real communication.

I’ve seen that too, said a quest-ion, who, until this moment had remained silent. My theory is that it’s because of the genocide and fear. 

It’s also a delicate mixture of stupidity or indifference, said another quest-ion. Why is the most dangerous quest-ion, said one.

Can you explain, asked a quest-ion.

Sure, people ran away to survive. People started running and others would ask them a quest-ion like why are you running, who’s chasing you, where are you going or what’s the matter or when did you become afraid or why don’t you stay longer and the one running would keep going trailing abstract quest-ion words behind them like memories or disembodied spirits or molecules of indifferent breath.

I see, said a quest-ion. That explains it.

Yes, said a quest-ion. Being correct is never the point.

Tell me why oh my. How did I grow?

Ice Girl in Banlung

 

Thursday
Aug242017

Wisdom Seeks Wisdom

In Brave New World

You shift from truth and beauty

To comfort and happiness

I ate civilization

Aha ha

A new notebook deciphers emptiness

The fisherman

In a long blue boat

Cuts the engine

Drifting with current

Cool cornflower silk red ink

Slashes memory's fascination

With forgetting

All the letting go

Becoming silence inside the labyrinth

Dancing shimmering red

Blazing wisdom seeks wisdom

In a Lao motorcycle culture

Wats glow golden

A sleeping Buddha

Dreams of compassion

Direct immediate experience

I am twinkling 

Fujian, China

Saturday
Mar042017

Life Essentials Post 9/11

Tribal adults and children survivors of 9/11 sifted through leftovers searching for sustainable resources. They needed essentials: food, shelter, water, air, sex and stories.

"This is the day of my dreams," said a girl with a diamond in her mind watching fireworks explode over the Willamette Valley in Eugene on the fourth of July. Her wisdom mind reflected 10,000 things.

Yangon, Burma

Omar opened his book, traced braille and read.

“The honorable monkey mind trickster wandered through her expansive museum sensing pure intention, motivation and reflections. If she is not careful and paying complete attention the monkey mind will run wild splashing green jealous slashes, red anger strokes, and blue attachment colors on her beautiful canvases. While some ignored it at their peril others respected monkey mind and kept an eye on it with respect and dignity.”

“It was a mindfulness,” said a woman sketching shadows.

"Now I see why Picasso painted Guernica in 1937," said a blond kid kicking stones, raising dust.

"Everything we love is going to die."

"Yes, we accept loss forever."

She cleaned her canvas with a camelhair brush while leaning against a wall of sound. The echo was deafening. Silence is the loudest noise in the world.

"Picasso was a great thief," said a museum curator. "When you see his work you see the influence of all great artists."

"The ancient texts predicted this," said Other, a seer.

He sat in a pile of splintered wood sharpening the edge of his knife on a small piece of flint taken from his old sweater pocket. Sunlight glistened off his finely honed Spanish blade as he worked it under the skin of a pear. 

"They talked about choices and unintended consequences," said a woman digging for water.

"I’m thirsty," said Little Nino.

"Be patient my child."

"Yes, said Jamie. "It takes faith."

"You can’t take faith to the bank," replied a girl.

"True," said Other, "faith doesn’t know where the bank is."

"A bank is what holds the river together," said a child.

"Faith is a woman in this tribal tale."

"It will take more than Faith," someone said stumbling over piles of discarded twisted logic.

"Speaking of falling faulty twin towers, it will require firm resolve, an unyielding capacity for vengeance, retaliation, and retribution in this living memory," said Lloyd, an unemployed insurance underwear writer from classless London. His three-piece Brooks Brothers suit was in shreds.

"It’s because of the amygdala," counseled a doctor.

"What’s that?" said Little Nino.

"It’s a location of the brain where fear lives. It’s a knot of nerve cells and tissues. We think anger lives there as well but we don’t know for sure."

“Yes," said Alfredo Jari, “memory is the duration of the transformation of a succession into a reversion. In other words, any internal obstruction of the flow of the mobile molecules of the liquid, any increase in viscosity is nothing other than consciousness.”

“Can you put that in plain English?" pleaded a lit major.

“Yes I can but I won’t.”

“Their collective archetypical memory was heavier than collective unconscious and lighter than consciousness,” said an analyst named Jung.

Lighter than wind.

Fat democratic spectators cheered from sidelines. Consumers swallowed bitter tears of greed and desire.

Let’s go shopping to reduce our fear of poverty, said nations of sheep.

“The archetype can't be whole or complete if it doesn’t allow for the expression of both good and evil in the conscious or unconscious,” drooled a sedated American soldier in a VA hospital wheelchair. He needed an exit strategy.

“More drugs, nurse!” he screamed. “I coulda’ been somebody. I could'a been contender!”

All he received was his pitiful wailing voice echoing in empty chambers.

On a movie set medicated military reservist wives dressed as cheerleaders jumped up and down in wild mind agitated states of abandon. They filed for divorce after taking lovers while their husbands looked for improved body armor in oppressive Middle East desert heat.

They were the undereducated doing the unnecessary for the ungrateful.

Other visualized their death while poverty’s heirs prayed that instant replay would change reality. 

A Century is Nothing

Saturday
Aug132016

Along the road with Other

Lucky sang, “Farewell. Got my traveling shoes, traveling hat and walking stick. To travel is better than to arrive. I got the walking blues. Everything I do is an experiment. This was the perfect place to be a stranger in a strange land between two cultural land messes. Wandering among Anatolian tribes long ago, near and far away as Other Muse.”

“Who’s Other Muse?” said Zeynep.

“You are Other Muse with an absorbent mind. We are stream winners. Fifty-one days were enough of enough. It was beyond wild.”

Other spoke: Black Sea pink dawn light layered blue waves of beauty. Blue kills me. It’s nothin but the blues. Blue kills me with the solemn tenacity of melon colon only. Get to the verb, said Beauty. It’s a free form jazz poem. It has enough true fictionalized material and verifiable facts to be plausible. You are a crazy genius.

“Y were many Turkish, besides being hospitable and generous so aggressive, paranoid, psychotic, and sullen?” said Rita in a nutshell.

“It’s DNA genetic fear based insecurities + too much meat and not enough sex,” said Lucky. “In cultures like Cambodia where food is scarce, people have more open sex, but dream of food. In cultures where food is abundant like Turkey, sex is more taboo and people dream of sex.”

Get it in writing.

The act of writing isn’t life and it isn’t you.

It's ten talons clawing at twenty-six letters.

There’s book learning and there’s street learning, said Cosmic Education. Memory is desire satisfied. Memory is a lie layered with truth. Memory creates fiction and fiction creates memory. Preserve memory in a story. Memory bank.

“Today your life and destiny are the same. Only madmen and pilgrims travel alone,” said Zeynep.

Veni, Vidi, Vinci.

I came. I saw. I helped. I walked, said Lucky.

That’s life. The end is the beginning, said Zeynep. The beginning is the Middle Way. Not too detached. Not too sentimental.

Discernment. The day after tomorrow belongs to me, said Other Muse.

Start in the present, flashback and write to the end, said Z. I can’t tell where the real ends and artificial begs for precision.

Lucky bought rope from a grizzled Giresun man selling tools in a wooden shack near a teahouse where idle men stirring sugar cubes discussed local hazelnut production sales figure estimates while watching Ankara political parrots on an idiot box extoll their insensitivity to dissent while demanding extreme Deep State censorship to cope with poverty’s tyranny as the smell of fresh silver fish held a Blade Runner. Honed well. Lucky faced rope choices:

Hang up.

Hang laundry.

Hang yourself.

Hang your head with a dangling modifier.

Hang around, the art of creative travel writing.

Be various, said Curious. Punctuation is a nail. Here’s a box of punctuational.

Accept loss forever, said Zeynep. Death is beautiful because it doesn’t exist. That's not the real reason you’re leaving is it?

No.

What is your R-7 variant motivation?

Dying here by the Black Sea is my fear. I want to die dancing in my mute Cambodian lover’s arms. I am dying from an inexorable beautiful sadness. My heart-mind is shattered. One dies twice. When they are born and when they face death, according to a Nam survivor. One should die once in their life to begin new.

I was born dead and slowly came to life like you, said Z. We helped each other cope with the collective insanity.

The Language Company