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Timothy M. Leonard's books on Goodreads
A Century Is Nothing A Century Is Nothing
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The Language Company The Language Company
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Subject to Change Subject to Change
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Ice girl in Banlung Ice girl in Banlung
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Finch's Cage Finch's Cage
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Thursday
Jun222017

The Language Company

Creative non-fiction. Journalistic facts. Literary imagination.

Lucky Foot taught English at The Language Company in Turkey in 2008. He returned in 2012. Collecting data. Field notes.

A Vietnam veteran, journalist and facilitator of courage he gifted luck to people in China, Turkey, Indonesia, Cambodia, Vietnam, and Laos beginning in 2004.

He showed up to sit for a spell nurturing positive relationships in the long now.

Accompanied by Humor and Curiosity he helped students speak English minus their illusions of fear and phobia's relatives:

Fear of taking a risk.

Fear of being incorrect.

Fear of peer ridicule.

Fear of poverty.

Fear of starvation.

Fear of being ordinary.

Fear of success.

Fear of abandoning a manuscript by Zeynep entitled TLC.

Fear of accepting responsibility for their choices and accepting the consequences.

Fear of letting go of old conditioning. Shadows.

Fear of being alive and real. Growing.

Fear of_______. (Your free choice)

Lucky, Humor and Curiosity observed parents, schools, religions and states fostering passive acceptance, fear, indifference and rote learning teacher-centered systems. It was all about passing exams, not learning how to be more human and think for yourself.

Status quo. Sheep mentality. Blend in. Questions are forbidden. Authority washes your brain daily.

Zeynep, his young genius friend in Bursa, Turkey taught him about life in her totalitarian country.

"As a literary outlaw I say what others are afraid to say. Anxiety is a chronic national problem. Adults here are good at two things, eating and fighting. 'Dissent is terrorism,' say our corrupt manikin authoritarian figurines."

Leo revealed dystopian China. "I spent years carrying word shit in a Re-education through Reform Labor Camp for questioning Authority. Everyone here belongs to the Big Ears, No Mouth society."

Oh the shame.

Rita, the independent author of Ice Girl in Banlung shared stories about her Khmer culture and Cambodian history. "We've had twenty years of hopelessness. We breed. We work. We get slaughtered. Poor people see education as a waste of time and money. I dream I am a free person in a free country."

A seven year-old Vientiane kid explained Laos. "I develop my authentic character with critical thinking skills, humor, gratitude, abundance, and wonder as a free thinking individual. I have my junior philosopher's badge."

"If you want to do great things you must take great risks and suffer greatly," said Zeynep. "You either let go or get dragged along."

Awareness. Mindfulness. Compassion.

"It's not about people buying this book," Rita said. "It's about people reading it."

Friday
May262017

Room 317, Yang-en University, Fujian, China

He liked her immediately.

She knew how to wear her sadness with dignity. It was a warm, comfortable security blanket woven in threaded hopes, dreams, lies, beauty and love. He didn’t feel pity for her potential rising like a bird leaves a branch toward higher sky.

Her meditation involved multiple personalities - student, wife, lover, worker, artist, laborer, dancer, commodity broker and teacher. She played an actress pretending to be someone else in her life’s play. Do not break character.

She was all he had at the moment. Time stopped for him swallowing all the tears she’d never cry. Perhaps it was deeply ingrained Confucian cultural modesty masks forbidding her the luxury of being open, real, honest, and human. Hide your true face, said Mask. Your face eats your mask.

 

She lived in a time warp where emotions were controlled and rationed by parents, Party leaders and invisible social ghosts.

A tight feeling constricted her throat. She wanted to scream, ”Help me please, I am dying of infinite inexorable sadness.”

No one heard her silent scream. Peasants, students and teachers were busy, busy, busy staring at cell phones reading/texting 5,000-year old characters. Word pictures.

Ideograms symbolized the idea of a thing without the sound used to articulate it. A day in the life peering down, down, down at a green ionized electronic glowing screen. Their universe encapsulated screaming screened electrons.

They were auditioning for walk-on roles as student and teacher character actors at a private Chinese business university of 15,000 students.

They needed to stand out, to find the essence of robotic behavior where daring wasn’t fatal. Express their inner emotional state with abject distraction. Where their self-esteem and courage nurtured support, respect and empathy in their longing.

They had latent desire.

Their struggle was for jobs, money and social position.

They’d accept financial filial piety responsibility for aging parents. If married they’d support four parents. The iron rice bowl theory of a guaranteed collective security network collected dust in history’s rubbish bin. It was discarded with state housing, state jobs, and state health care.

She lived in a Brave New World.

She knew this and failed to accept it. Her consciousness shift grasped fragmentary what ifs and maybes.

“If students spent as much time looking forward as they do behind they’d make amazing profound progress,” she thought, approaching old campus.

She inhaled the sweet scent of yellow, pink and red wild roses outside barred windowed classrooms near the stinking W.C. basement where school guards planted green vegetables in trash strewn plots.

She trimmed dead stems with her Tibetan knife, caressed a thorn piercing her heart and severed one fresh rose. She carried it through a gate and up uneven cement stairs evolving into a paradigm shift. She was always early and well prepared.

White chalk dust covered the teacher’s podium in room 317. She lived, breathed, swallowed and spoke white chalk dust. On a broken blue table in the corner was a small green plastic bucket filled with water. Dust floated on the surface.

She opened the window, picked up a torn crumpled rag, soaked it and squeezed it out.

She placed the rose in a cup of water and put it on the podium.

Stubs and nubs of white chalk littered the podium. She collected fragments of academic history, an ancient educational memory scattered by a previous teacher. They always left a mess of exculpatory evidence.

She placed them in a box of discarded chalk next to the water bowl and blew white dust scattering flying powder elements into the air dispersing particles. After wiping down the podium, she rinsed and squeezed out the rag, hanging it to dry on the windowsill. She looked out.

Rolling green Fujian hills and a large blue lake escaped her eyes. An old weather-beaten woman farmer behind a red brick wall tilled soil to plant vegetables. Motorbikes heavy with woven wicker baskets spilling vegetables, toilet paper, apples, gas canister and wide-eyed children chugged along a cracked cement road.

Ancient blue one-cylinder rusty miniature dump trucks loaded with white granite blocks rumbled past fuming diesel exhaust, throwing red clay dust into the air where it collided with white chalk dust escaping room 317.

 

It was a poor landlocked rural peasant infected paradise.

The Boss died last year. She attended his ceremony in the Great Hall at his campus villa. She wore white as a sign of respect for the dead. Her ghost persona sang a comfortable sadness past rows of flowers to the casket. She bowed. His thin white mustache face reflected glass smudged with fingerprints.

He reminded her of a Tang poet living in solitude inside a long Chinese painting where wind whispered songs with trees, mountains and stars.

After his death and passing tribute, students began holding hands in public. His private army of guards lost their power to intimidate, coerce and extort money from adolescents displaying affection in public. Guards roared around on bikes with flashing red lights looking important and, if motivated to survive, begged for jobs slinging hash, cleaning tables, and peeling vegetables behind student restaurants.

Hundreds of local villagers, officials, educational specialists, farmers, teachers and drones followed the funeral procession to a hill overlooking the campus.

They put him in the ground and exploded fireworks to scare away running capitalist dogs and ghosts. They returned to fields, kitchens, gardens, offices and classrooms.

A year later the school started building a grand tomb for their dead leader on a hill above the computer center building. It cost $261,591,79.

Small change.

Turning away from the window she selected yellow, blue, orange, and green chalk from a seldom-used box.

She wrote on the blackboard:

I hear and I forget.

I see and I remember.

I do and I understand.

She drew a picture of a face with bubble words - “I am an autodidact. You are responsible for your learning.”

She splashed rainbows, suns, faces, laughter's wild memory and imaginary abstract colors on a green canvas, barely scratching the surface of appearances.

An obnoxious loud rusty metal bell clanged for fifteen seconds. She turned and faced 100 university students. They were physically eighteen with the emotional maturity of a thirteen year old. This disparity explained why the university treated them like children to keep them in their childlike space place.

They had “Sports Meetings” on the “Playground.”

They had “Nap” time after lunch.

Maybe twenty-five cared about learning. Most just wanted to pass. Some might ask questions and develop a life long love for learning, knowledge and wisdom.

Anyone asking why was reported by spies to authorities and disappeared. Poof.

A rare one possessed an innate creative playful inquisitive nature. The majority slept with their eyes open. Lights on and no one home paradigm.

She smiled. Her sadness evaporated. She inhaled delicious dust and spoke in tongues.

“What color are your dreams?”

“Stop making sense!” yelled a student. “What’s the context? Critical thinking skills with humor and curiosity are forbidden! ”

They whined in unison, “We are worried about our marks, not learning the material. 60 is heaven. 59 is hello.”

“People are more affected by how they feel than by what they understand,” she said.

“We know so much and understand so little,” said Curious, a bright star in the universe. "I want to be a waif when I grow up. A real person with dignity and self-respect.”

During meditation they heard an authoritarian Mandarin voice yelling next door.

“The bent nail gets hammered down!”

A Century is Nothing

 

Friday
May052017

Mandarin Duck, Cadiz, Spain

Omar remembered a daughter in Cadiz. Faith worked at Mandarin Duck selling paper and writing instruments. She practiced a calm stationary way.

“May I help you,” she said one morning greeting a bearded stranger. She knew he was a forcestero. His eyes linked their loneliness minus words. She averted her eyes. He was looking for quick painless intimacy and ink.

“I’d like a refill for this,” he said, unscrewing a purple cloud-writing instrument with a white peak.

Recognizing the Swiss rollerball writing tool she opened a cabinet and removed a boxes of thin and medium cartridges.

“One or many?” she said.

“Many. I don’t want to run dry in the middle of a simple true sentence.”

“I agree. There’s nothing more challenging than running empty while taking a line for a walk.”  

“Isn’t that the truth? Why run when you can walk? Are you a writer?”

“Isn’t everyone? I love watercolors, painting, drawing, sketching moistly.”

“Moistly?”

“I wet the paper first. It saturate colors with natural vibrancy.”

“With tears of joy or tears of sadness?”

“Depends on the sensation and the intensity of my feeling. What’s the difference? Tears are tears. The heart is a lonely courageous hunter.”

He twirled a peacock feather. Remembering Omar’s Mont Blanc 149 piston fountain pen, he said, “I also need a bottle of ink.”

“What color? We have black, blue, red. British racing green just came in.”

“Racing green! Cool. Hmm, let’s try it.” Omar would be pleased with this expedient color.

He switched subjects to seduce her with his silver tongue.

“Are you free after work? Perhaps we might share a drink and tapas? Perhaps a little mango tango?”

“I have other plans. I am not sexually repressed. I am liberated. I have a blind secret lover. Here you are,” she said handing him cartridges and inkbottle with a white mountain.

He paid with a handful of tears and a rose thorn. His ink stained fingers touched thin, fine and extra fine points of light. Faith and her extramarital merchandise were thin and beautiful. She was curious.

“If you don’t mind my asking,” she said. “How old are you?”

“Older than yesterday and younger than tomorrow.”

“I see.”

“It was nice meeting you. By the way, have you seen the film, Pan’s Labyrinth, written and directed by Guillermo Del Toro?”

“No, but I’ve heard about it. Something about our Civil War in 1944, repression and a young girl’s fantasy.”

“Yes, that’s right. It’s really a beautiful film on many levels. It reminded me of Alice in Wonderland.”

“Wow,” she said, “I loved that film, especially when Alice meets the Mad Hatter. Poor rabbit, always in a hurry, looking at his watch.”

“Funny you should mention time. A watch plays a small yet significant role in the Pan film.”

“Really? How ironic. I’ll have to see it.”

“Yes, it’ll be good for your spirit.”

He pulled out a Swizz Whizz Army stainless steel, water resistant Victoriabnoxious pocket watch.

“My, look at the time! Tick-tock. Gotta walk. Thanks for the ink. Create with passion.” He disappeared.

Faith sang a lonely echo. “Thanks. Enjoy your word pearls. Safe travels.”

Under the Banyan tree he sat on a park bench in weak sun, fed cartridges into a mirror and clicked off the safety. It was a rock n’ roll manifesto with a touch of razzmatazz jazz featuring Coltrane, Miles, Monk, Mingus and Getz to the verb.

A Century is Nothing

Saturday
Apr152017

The Dark Years

It was curious seeing the Cambodian barber open on the last day of Khmer New Year.

The small southern river town of Kampot was dead quiet. Merchants and families slept in shuttered shops behind metal gray accordion sheets. A tropical afternoon sun beat down. White cumulus clouds billowed in the east.

The barber had a white haired customer. He’d fought against Thailand, Vietnam and Khmer Rouge. He didn’t talk about it. He survived. That was his conversation. His legacy.

He sat in a solid steel chair staring at his reflection. He saw a thin serene brown face and wavy white hair. A long mole bristling white hair resembling an inverted Buddhist pagoda hung from the left side of his chin.

The mole saved him from Khmer Rouge executioners. They were superstitious peasants and said he was the Devil, an evil spirit. They’d let him go.

They conversed in French. The gaunt barber had lived here all his life. The Devil survived four years of genocide by hiding his family in nearby mountains and jungles where the French constructed and abandoned a post office, hotel and casino. They called them The Dark Years.

No one talked about The Dark Years.

The old man closed his eyes. The barber trimmed with hand clippers. Snip, snip, snip. White hair fluttered to the floor meeting piles of black hair. Electric trimmers with frayed wires collected dust on a narrow wooden table under a fractured mirror. A holiday television program featuring Apsara dancers blared from a box on a bamboo table inside the long narrow room.

After trimming top, sides and neck hairs he adjusted the chair easing him back. The barber extracted a thin razor blade from a small piece of paper. He severed both ends into a soda can clinking metal fragments.

He opened a wooden handled straight razor and clicked the blade in. He sprayed water mist around the man’s head. Moisture refracted rainbow light prisms. Whispering the outside edge of an ear lobe angling the man’s head with his left hand he trimmed microscopic hairs.

The razor rasped temple to temple across the scalp line. He was quick, silent and efficient. Smooth hands touched head and face fast light and artistic. The blade followed the line of the nose, curled and danced across skin below closed eyes. He wiped the blade on a white towel lying on the man’s chest. He shaved lower sideburns.

He returned the man to a sitting position. The man smiled at his reflection. The barber snapped a towel across thin shoulders scattering dead cells.

The man eased out of the chair as they chatted. He removed a roll of money hidden at his waist. He handed peeled notes to the barber. Merci. Au’voir.

He shuffled into white heat. His son waited for him on a motorcycle. He tried to swing his right leg over the rear seat. Feeling off balance he hesitated. His left hand reached for a shoulder. His frail contorted useless right arm dangled in space.

The executioners had broken the Devil’s arm. They taught the Devil a lesson in compassion and forgiveness and power and control. Before giving him freedom they wanted to hear the Devil scream for mercy. They wanted to hear his pain echo through The Dark Years.

Friday
Mar312017

Weaving A Life (Volume 2)

The second volume of his collected works, Weaving A Life (Volume 2) is alive and dancing on Amazon.

Here.

Creative nonfiction blends memoir, travel, journalism, anthropology, history and diverse cultures.

Existential experimental ephemeral experiences.

He is a compass without a needle. We are here to go.

Weaving A Life (Volume 2)

Sewing in Mandalay, Burma.