Shit Detector - TLC 44

Lucky explored cobbled Turkmen streets alleys and dead ends.

Mothers buried in headscarves observing street etiquette extended manicured necks beyond balconies. They swept, mopped, stirred apartment dust, shaking molecules over blood stained escarpments.

They married consecrated relatives during fifty-minute Encounters designed to use the target language in the context of remembering. The thrill of remembering in Technicolor imprinted new linguistic impressions on synapses watching Pay For View.

Learning is easy. Remembering is difficult. Use it or lose it.

Silent ivory piano keys waited for inspiration’s fingers. Feeling tension, point, counterpoint, hammer strings and resonance, chromatic silence whispered, do not go gentle into the good night. Rage against dying light. Solitary notes of forgotten strumpets wailed across an abyss ignoring civilization’s discontent.

Creased faces ironed red roses petals. Faces eating masks embedded themselves on blank pages in Zeynep’s black notebook. “I don’t know which of us wrote this,” she said.

Two shy Turkish women with beautiful faces and humongous rear end collisions after eating a full course meal of self-pity and loathing buried ancestors in a tomato based culture.

Water exploded off iridescent pools as happy hour birds swimming nowhere in particular heard homo-sapiens shift erotic labia gears while assembling French cars at an eco-friendly green plant in a Bursa industrial zone.

“Were you punished for being a dreamer?” said Zeynep.

“No, I survived the tyranny. My family understood my peripatetic nature. They respected my need for solitude, creativity and independence to a point. I received sadistic whippings with a fishing pole by my polio-diseased mother trapped in her karmic wheelchair and beaten with a leather barber’s strap by father for insolvent insubordination. Welt city. He made me eat dirt when he came home from work if the floor wasn’t clean enough. Now you know why I love linguistic gardening. I shut down my feelings. Mother and father demonstrated hard love in a perverse abusive way.”

“I see,” said a blind beggar.

“Wipe your glasses with what you know,” said Zeynep.

“I was born to be a poet like a bird is born to be a musician,” said Lucky.

“Sing high, sing low, sweet chariot.”

“Brilliant.”

“In finishing school we learned to say fascinating instead of bullshit,” said Zeynep.

“You have a well developed built-in shit detector.”

“That’s the fucking truth. Everyone needs a good shit detector like writers and landmine survivors in Cambodia and Laos. Truth is a value-based meaning factor. Can you create believable documentary fiction-from memory?”

“It appears. So.”

Lucky and Zeynep passed an imaginary double identity theory at Oz-man Homogenized Gazing Metro station. Two gravediggers in long black overcoats carrying umbrella projectiles stepping into unknown futures stabbed cement in cadence.

The Language Company

Smiling is a virus

The magic IF.

Smiling is a virus.

Risk vs opportunity.

Murakami - themes - boredom, loneliness, loss.

See a situation.

Create characters.

Shame and guilt issues.

Death is the mother of Beauty.

Beauty has no tongue.

She is the mysterious light. She is a light worker. She sings with her light.

She is a fiction. A white butterfly named Psyche wings her face.

A messenger from higher realms of beauty.

She is a scale. On her scale two are two objects. One is a human heart. A feather.

Season of the witch, all the rabbits running in the ditch.

West child - where did I come from?

East child - how did I grow?

King Louis - TLC 42

In Bursa the wireless signal from the Achebadem hospital emergency room was weaker than a heart monitor in Room 101 where you confront your deepest fear.

It’s the last room you want to enter next to the Genocide Museum in Nom de’ plume, Cambodia filled with 2,000,000 skulls. Ghosts inhabit The Killing Fields.

In the 1527 hammam near Culture Park hairy muscular men using eucalyptus tree bark scrubbed soapy clients and pummeled epidermis into oblivion. Pinpoint light filtered through stain glass. Illuminated businessmen relaxed in arched cubicles. An octagon hot pool rippled reflections of mosaic light.

Across town King Louis, a native barbarian, moved into the teachers’ apartment in a 10,000 year-old neighborhood. He was green, neurotic and angry. A tall invincible insatiable invisibility corrected his mean variation.

He’d escaped to Turkey after selling Chinese appliances and silicone breast of chicken implants in Berkeley-by-the-sea. He hated women. He loved Roman history. His perpetual fantasy was to be a Roman general leading warriors from Troy to Crete to Bursa.

“Take care of my horse,” he ordered the male TLC receptionist.

“Serve my food,” he commanded the female receptionist after a day expanding his imaginary empire.

They despised his attitude and character.

He sat around the apartment watching The History Channel. He loved German U-boats, planes, bombs, destruction, concentration camps, gas chambers, the Holocaust and death. He kept the volume LOUD while eating dill pickles from a jar. He was a big, loud, sad, passive-aggressive lonely jarhead. 

He’d last a month. He made everyone’s life miserable. He expended zero effort to understand the culture because he felt like he was entitled to be stupid and paranoid.

“I’m afraid they put something in my food,” he said one day referring to a restaurant below walls covered with graffiti screaming, “Romans OUT!”

“They’d have a good reason,” said a receptionist.

He washed his plastic clothes every day. He wasted hours, days and his pitiful life in the bathroom coloring his hair, trimming nose debris and afraid of germs, washing his hands until they disappeared.

Dogen Zenshi

That the self advances

and confirms the ten thousand things

is called delusion;

That the ten thousand 

things advance and 

confirm the self is

called enlightenment

- Dogen Zenshi

The ability to be fully present yet not controlled by conditions create a stable mental and emotional foundation even in the midst of turmoil. - Dogen

Blues - TLC 41

In Fujian, China using flakey chalk Lucky wrote Blues Music Story on a broken green board for eighty classless university students.

He spoke of the African Diaspora, history and slavery in America and how indentured humans gathered to make music and dance after long hard days in the sunshine of their love.

The blues manifested stories and songs as men and women left rural villages on economic migrations for city jobs like China now. Floating people in a floating world.

The blues expressed physical and spiritual loss from family, friends and communities. It’s “feeling, emotional, deep in your spirit soul” music. He pulled out his blues harp and they said, “Oh it’s a cochin.”

“Want to hear some blues?” 

“Yes.”

He blew sweet slow stuff, picking up the tempo blasting rifts of wailing train whistles and a sense of loss forever.

“This is called, ‘If you don’t help me I’ll find someone else,’ by Howling Wolf. When you’re a wandering minstrel or a Griot - a West African performer who perpetuates oral traditions of a family or village by singing histories and tales, considered by musicologists to be a link with the acoustic blues - or a Seanachai - a traditional Irish storyteller of truths, myths and legends - or a shaman, seer and adept it’s natural. I am a conduit for music. It comes through me.”

After hearing and feeling the blues students practiced making a Western sandwich: bread, tomatoes, mayo, relish, turkey slices, mustard, onions and lettuce. How do you consume a sand wish with chopsticks?

Let’s eat, said 1.6 billion peasants. We’ll eat anything with wings and legs except tables and planes.

New music echoed outside Room 317. Students ran to painless windows. 

Across the street a young Indonesian boy sat on a piece of plywood in the shadow of a long tall Sally art deco three-story concrete building.

It towered above a gated Jakarta middle-class community filled with designer homes, wild tropical blossoming fruit trees and displaced dysfunctional spoiled offspring spinning yoyos. 

In his left hand he held a silver chisel. In his right a flat edged hammer. He slammed metal against metal on a bronze bridge between stone and iron ages.

Between knowledge and wisdom.

Between an object and a concept.

Tap-tap-tap. Music flaked dust. Wind-spirits carried his chorale and tribal memories of family, rice paddies, nature and seasons.

Accompanying him a girl using a brothel broom of tree branches whisked a gentle rhythm creating their symphony of sadness, loss and neglect. They went on tour. Standing Room Only. Sold out forever and a day.