zen poem
|I asked the boy beneath the pines
He said ” the Master’s gone alone
Herb-picking somewhere on the mount
cloud-hidden, whereabouts unknown”
- Chia Tao
I asked the boy beneath the pines
He said ” the Master’s gone alone
Herb-picking somewhere on the mount
cloud-hidden, whereabouts unknown”
- Chia Tao
Yes my dear friend it is true, or at least as true as can be for he has returned to the beginning - and this is where his small tale begins.
Rickshaw bells and heavy groaning green and purple pedicabs propelled by thick-legged men prowl through humid traffic air. No one sees him. Everyone stares at the ghost. They are oblivious to his existence.
He walks along a broken cracked sidewalk past hammering men. They build a six-story high extension at the high school. Cement mixers, bamboo scaffolding, emaciated men haul crumbling red bricks. Dancing their future immigrants sing in the rain.. The developer drives a shiny black Benz.
Streets are congested with yellow bulldozers, lorries loaded with dirt and salvaged steel pig iron, City Boat blaring bus horns, small red cabs, and tired students trudging to lessons inside cold cramped cement caverns where teachers arrive late, and leave early after smashing wooden sticks on desks to get their attention; men pedal carts of large blue plastic barrels full of leftover restaurant slop for village pigs and children splash water. It is all play on the streets of dreams.
He passes weathered women in dirty white aprons chopping vegetables with sharp cleavers on scarred wood. Girls mop cement passageways from dawn to dusk.
Dutiful daughters sweep floors or laconically stare at deaf dumb blind televisions stacked on bags of rice, boxes of detergent, hairline fractured straw mattress bedding.
This is the entertainment capital of the world.
He passes tables of retired pensioners slapping white marble mahjong pieces into tight manicured rows of strategies as orange vested street cleaning women whisking ornate hard handled bamboo brushes paint the city’s rising dust as a ghost they never imagined dances by, an apparition in their wide eyed wonder.
He speaks the language of silence and this comforts them. His inability to articulate passion and suffering is because, like you, he is a witness, a mirror reflecting reality in humanity’s garden in another incarnation where he trusted you to understand.
Meaning of meaning was obscured by cloudy anger, fear, desire, ignorance and attachment as you waved him away.
You cast him into deep water where he replenished his spirit. His meditation on motivation and intention was clear as he passed through.
In China everyone is safe and happy, Leo said to Ice Girl one torrid day in Banlung, Cambodia.
They sat on an operating table next to a sewing machine and an umbrella.
I cut, you talk, she said. A drop of sweat from her nose landed on a block of ice.
It’s called THE SYSTEM, he said. Brainwashed. You see this in all Asian educational systems. Laconic students shuffle in, remove their brains, soak them in a cleaning solution, which is not the solution for fifty tedious minutes and replace said gray matter at the end of class. It’s endemic.
Big Brother is always watching you.
Save face.
The fear of public humiliation is greater than the fear of death.
Intention is karma.
Tell me about your life in China, said Ice Girl.
After completing five years of a night soil shit job in the Re-Education Through Labor experience for having the courage to question Authority I visited my family graves in Sichuan. I offered prayers and burned incense. I prayed for strength and humility. Then I walked east. Fortune smiled on me.
I worked as a facilitator at a private business university in Fujian. I faced eighty stone-faced freshmen in a long cement tomb. Desks were bolted to the floor in groups of four. It was a required speaking class. They had year zero English skills. I gave two a test. How are you, I asked a boy. I am 18. How old are you, I asked a girl. I’m fine, and you?
I paired eighty off, boy girl, boy girl. They didn’t like this. They got used to it.
Will someone please share a story.
A girl raised her hand.
The less I do, the less likely I am to make mistakes, and the fewer mistakes I make the less I am criticized, then I feel no shame.
It’s easier to do nothing, said one clever robot.
Correct, I said, you’ve both expressed the essence of your cultural and intellectual education.
That’s a long sentence filled with verbs and significant philosophy, Ice Girl sang, waving a Blue Zircon reflecting 10,000 things in an elegant universe. Don’t let school interfere with your education. Say more.
Omar remembered a daughter in Cadiz. Faith worked at Mandarin Duck selling paper and writing instruments. She practiced a calm stationary way.
“May I help you,” she said one morning greeting a bearded stranger. She knew he was a forcestero.
A stranger from outside.
His eyes linked their loneliness minus words. She averted her eyes. He was looking for quick painless intimacy and ink.
“I’d like a refill for this,” he said, unscrewing a purple cloud-writing instrument with a white peak.
Recognizing the Swiss rollerball writing tool she opened a cabinet and removed a box of thin and medium cartridges.
“One or many?” she said.
“Many. I don’t want to run dry in the middle of a simple true sentence.”
“I agree. There’s nothing more challenging than running empty while taking a line for a walk.”
“Isn’t that the truth? Why run when you can walk? Are you a writer?”
“Isn’t everyone? I love watercolors, painting, drawing, sketching moistly.”
“Moistly?”
“I wet the paper first. It saturate colors with natural vibrancy.”
“With tears of joy or tears of sadness?”
“Depends on the sensation and the intensity of my feeling. What’s the difference? Tears are tears. The heart is a lonely courageous hunter.”
I twirled a peacock feather. Remembering Omar’s Mont Blanc 149 piston fountain pen, I said, “I also need a bottle of ink.”
“What color? We have black, blue, red. British racing green just came in.”
“Racing green! Cool. Hmm, let’s try it.” Omar would be pleased with this expedient color.
I switched subjects to seduce her with my silver tongue.
“Are you free after work? Perhaps we might share a drink and tapas? Perhaps a little mango tango?”
“I have other plans. I am not sexually repressed. I am liberated. I have a blind secret lover. Here you are,” she said handing me cartridges and inkbottle with a white mountain.
I paid with a handful of tears and a rose thorn. My ink stained fingers touched thin, fine and extra fine points of light. Faith and her extramarital merchandise were thin and beautiful. She was curious.
“If you don’t mind my asking,” she said. “How old are you?”
“Older than yesterday and younger than tomorrow.”
“I see.”
“It was nice meeting you. By the way, have you seen the film, Pan’s Labyrinth, written and directed by Guillermo Del Toro?”
“No, but I’ve heard about it. Something about our Civil War in 1944, repression and a young girl’s fantasy.”
“Yes, that’s right. It’s really a beautiful film on many levels. It reminded me of Alice in Wonderland.”
“Wow,” she said, “I loved that film, especially when Alice meets the Mad Hatter. Poor rabbit, always in a hurry, looking at his watch.”
“Funny you should mention time. A watch plays a small yet significant role in the Pan film.”
“Really? How ironic. I’ll have to see it.”
“Yes, it’ll be good for your spirit.”
I pulled out my Swizz Whizz Army stainless steel, water resistant Victoriabnoxious pocket watch.
“My, look at the time! Tick-tock. Gotta walk. Thanks for the ink. Create with passion.” I disappeared.
Faith sang a lonely echo. “Thanks. Enjoy your word pearls. Safe travels.”
Under a Banyan tree I sat on a park bench in weak sun, fed cartridges into a mirror and clicked off the safety. It was a rock n’ roll manifesto with a touch of razzmatazz jazz featuring Coltrane, Miles, Monk, Mingus and Getz to the verb.
Lucky walked to Ankara from Fujian, China in a convoluted adventure. After Ankara he walked to Bursa.
They were invisible cities in a schizophrenic secular Islamic country trapped between past, and future being petrified ossified present on the Phosphorus.
Preparing for strenuous escapades he performed a Tibetan tantric sitting meditation for three centuries, three decades, three years, three months, three weeks, three days, three moments and three breaths. In-out. Spiritual awareness. Mindfulness.
My body. My breath. My practice.
Tibetans survived with profound sense of humor and resilience considering fifty+ years of Chinese oppression, genocide and nomadic exile from the Land of Snows.
After walking meditations in Lhasa he wandered south of Chengdu to Shuangliu in Sichuan. He facilitated English, meditation, chess tactics/strategy and how to be more human with eighth graders for a year.
One afternoon John, a smart Chinese teacher passed him.
“Where are you going?” said Lucky.
“The Office of Morals and Re-Education. I have to copy tracts and texts.”
“Why?” - the dreaded question word.
“I’ve been removed from my class responsibilities. Not enough students passed their semester exam. It’s myduty to teach them. If they fail it’s my fault.”
“You’re a fine teacher. Duty is a heavy systematic responsibility in a dystopian Communist country. How long will you copy texts and tracts?”
“Who knows? Could be weeks or months. Maybe I will die in The Office of Morals and Re-Education writing an incomplete sentence. This is my life sentence. Tragic. The Teacher Performance Evaluation Committee will decide my destiny.”
“Good luck John. Welcome to the system.”
“Thanks. It’s my fate. I need some luck. See you around.”