The Language Company

“So you should view this fleeting world –
A star at dawn, a bubble in a stream,
A flash of lightning in a summer cloud,
A flickering lamp, a phantom, and a dream.” – Diamond Sutra

*

This is what happened, more or less.

One of his names is Lucky Foot. What does that mean?

He elucidates in simple, clear, precise, concise English the language of savage barbarians.

It means, as an experience junky possessing genetic variant DRD4-R7 addicted to new adventures, he brings prosperity to merchants, rest-a-rant owners and nondescript sad, neglected, abandoned and emotionally well adjusted hot to trot red sheen women among humans struggling to survive life’s labyrinth without a center.

He gifts luck to money changers, manicure girls, beggars, banana women, landmine amputee survivors, ice and rice sellers, student-teachers, tinkers, tailors, soldiers, spies, textile merchants, weavers, artistic genius children, orphans, noodle mama, tea and java purveyors, gardeners, gravediggers, literary outlaws and craggy faced Dan, a boat captain in Hoi An who worked as an interpreter at MAC V during the Vietnam War.

Fate chance and destiny.

If he grows up he dies.

Security is an illusion.

He presents good fortune to Rita, author of Ice Girl in Banlung, barbers cleaning his ears, high-heeled sandal ladies, love sock purveyors and rent-a-life companies.

HCE. Here comes everybody.

90% of life is showing up. When he shows up their day, life, fate and glittering fortunes improve. Karmic destiny.

Fate laughed with him in Morocco on 9/11. He was in the Sahara. He did not take possession of that event and perpetual aftermath. Fear sells.

Destiny danced with him on the is-land of Amnesia in Southeast Asia and exploring Turkey, China, Vietnam, Cambodia and Laos.

Before returning to Nam in 2009 he lived on a string of 15,000 archipelago islands between Malaysia and Papa New Genie gathering evidence about the human condition.

Each island is a letter. If you string letters together you create a word. This word depending on your imaginary perception of truth-value may or may not have meaning for you like Beauty - your true reflection in still water.

Beauty needs no tongue.

A small journey expands life’s tapestry.

He’s a needle without a compass. His needle leads a thread. Threads weave a conversation.

Move like a river, rest like a mirror, respond like an echo.

The Language Company

Burma Market

Horse drawn cart traps. One traffic light.

Two motorcycles is a jam. Green for go.

Twenty minutes away on foot, an extensive traditional market covered in rusting PSP sheets is a delightful adventure  - returning to the source of community, dark eyed local curiosity, street photography, laughter and floating babbling tongues inside a labyrinth of narrow uneven dirt paths.

Footprints on stone and dirt meander through forests and mountains of oranges, apples, bananas, red chilies, green vegetables, thin bamboo baskets of garlic and onions, farm implements, 26 varieties of rice, clacking sewing machines, basic commodities, steaming noodles, cracking fires, snorting horses.

Sublime.

Blindfish heads whisper The Sea, The Sea. Silver scales reflect light.

A woman hacks chickens. Blood streams down circular wooden tree rings.

The gravity of thinking sits on a suspended hand held iron pan scale.

A white feather sits in the other pan.

Balance.

Rice mountains peak in round metal containers or scarred wooden boxes.

Horse drawn cart traps unload people and produce. Neck bells tinkle: Star light star bright first star I see tonight, I wish I may I wish I might get the wish I wish tonight. Well. Fed horses paw dirt.

Ancient diesel tractor engines attached to a steel carcass hauling people and produce bellow black smoke.

Old wooden shuttered shops with deep dark interiors display consumables, soap, thread waiting for a conversation, stoic curious dark-eyed women, others laughing at the benign crazy traveler. 

A ghost-self sits in meditative silence, absorbing rainbow sights, sounds, colors, smells, feeling a calm abiding joy.

Tran

Before going to Cambodia I lived in Vietnam for seven months. Five months in Hanoi and two months in Saigon. I first went to Vietnam at nineteen and spent a year with the 101st Airborne near Hue.

I put it in a memoir called ART – Adventure, Risk, Transformation. It was self-published in 2019.

I met Tran Van Minh at the 85th Medical Evacuation Hospital in Da Nang in 1970. I came down for hearing tests.

Bhaktapur, Nepal

I turned to the traveling tribe of seven storytellers. Tran from Vietnam, Rita from Cambodia, Leo from Tibet, two Zeynep’s from Turkey, Devina from Indonesia and Omar. Survivors. The Magnificent Seven. All of them have poems, stories, and dreams to finish they haven’t started yet.

Tran: I grew up in a village near Da Nang. There was a war in my country. I was five. One day I was playing near my home and stepped on a landmine. It exploded. Someone took me to the hospital. They saved me. I lost my right leg from the knee down. Now I have a plastic leg where my real leg used to be. It was a gift from a kind stranger. I’d like to thank them but I don’t know who they are or where they are. Maybe it was someone who came to the orphanage where I grew up after the war.

Anyway, it’s ok now. At the hospital they fixed me up and gave me crutches so I could get around. I lived on a ward with other Vietnamese kids. One day I was cruising down the hall and saw an American guy. He smiled at me. I smiled back.

He followed me to my ward and talked to a nurse. I’d like to be his friend. What is his name? Tran. Ask him if he’d like to be friends. She asked me and I said yes. Yes is one of my favorite English words. The man and I became friends for three days.

He said he had a hearing problem. I’ve met people with a listening problem.

Sometimes he carried me. It was great. We hung out together eating, watching movies on a big white sheet and playing on the beach. Then he gave me a big hug and left. He said he had to go back to his unit. He said he would always remember me.

I gave him my picture. I’m smiling, wearing blue hospital clothes and sitting on a bed with my missing leg wrapped in white bandages. I felt sad but I understood when he left. I lost my family in the war and I’m an orphan.

WE accept loss forever. That’s a good story, said Rita, I’m an orphan also. We have loss in common.

I met a happy child with courage. Tran was my teacher and connection with the real world. Be a child. We are one with the world around us. Tran survived with confidence, courage, strength and spirit. He taught me how precious life is. Tran is an essential storyteller because he is a survivor.

Tran - I am Bui Doi. This means children of the dust in Vietnamese. We shine shoes, beg, pickpocket and sell postcards and gum near tourist sites.

Bui Doi. Children of the dust.

Book of Amnesia, V1

Freak Show

Gonzo journalism. Creative nonfiction. Jazz prose poetry.

Life experience. System analysis and social autopsy.

Genius kid friends are storytellers.

This is a flawed masterpiece.

Everything you need to know is in this book.

*

... Write about that unpleasant fact, said the literary agent. Literate types want something to read while stranded in a foreign airport when an Icelandic Norse goddess volcano explodes creating a huge swirling cloud of ash complicating their mundane superficial lives with anxiety. Pass me some Xanax please. Life happens where sheep feel anxiety as a subterranean level of FEAR.

Travel isn’t fun. It’s an adventure.

Many humans love living in the past filled with regret and exhausted by their monkey mind where it is very comfortable … They absorb static or moving pictures to escape their terminal condition needing electronic reality and soft machine material…They burn out brain cells staring at little screaming screens … Cheap effective pervasive advertising permeates their consciousness speaking of Faust and making a deal … Dying is a grim comic business … It’s messy. It’s more expensive than anger.

There’s nothing more expensive than poverty.

Ask Grave Digger about plot development, said Rita, Humans suffer from monkey mind. They regret genocides and fear the future. Not me! Why me? The ego loves the CIRCUS of daily distractions … it wears them down … they become lethargic, depressed, suicidal, lazy and so on… lazy people never kill themselves.

They die of boredom, alienation, loneliness and neglect. Fate and Death conversed, I’m a funny thing, said Fate. Yes, you are said Death.

Healthy individuals respect the monkey mind. They are present now. They meditate. They are patient, understanding, tolerant and kind. Sheep don’t read being lazy to face their fears with courage and honesty to learn their truths. Brave ones ask why exploring flow with their microscopic pure energy … A bag of bones … Atoms … WE are pure light.

Everything is energy, frequency and vibrations.

Many are not cosmologically or ontologically or evolutionarily engaged in how the world works on a sub-atomic level. They want fast food and a remote to operate their 46-inch plasma screen with 500 channels … They eat their phone … They enjoy simple stories with simple characters, a hero and a quest … They want happy endings like orgasms. Got it?

Keep it simple stupid. KISS. Experiment with dirty realism. Give me the surface. Be a witness. Throw in some absurd human activities.

            Don’t write about what you know.

            Write about what you need to know, write to find out.

“The role of the writer is not to say what we all can say, but what we are unable to say.” - Nin

Write to discover a new universe, a new skin, a new lover, an old idea with shiny tin foil packaging like a love sock named OK condom. Write about a decisive moment, like the condemned guy stepping around a puddle on his way to the gallows in Burma.

The Savage Detectives by Bolano is about poets searching for a lost Chilean poet in Europe, another quest to consider. Don’t take it too seriously. Everyone dies in the end, one more unpleasant fact about publishing and life. My tedious job is to accept or reject manuscripts. In the food chain I market it to a publisher.

Publishers have editors who read the work. Editors leave or die laughing. New editors read the work. Maybe the first editor helped us. Maybe a new editor thinks it's garbage needing a major rewrite, revisions, deductions and electromagnetic fluctuations.

If so, a narrative HOOK leaves the author in the brothel-publishing graveyard, got it? Yes, said Zeynep, Does that mean or imply you’re really a publishing prostitute with no values, morals or principles?

It’s all about money honey, said agent XYZ, And eyeballs … everything has a price, a user and exchange value in the world market of ideas, weapons, drugs and humans…don’t give me any philosophical arguments.

You’ve been very helpful. What a great saga, said Zeynep, Now let my storyteller friends and an omniscient blind scripter show the tale. Yes. It’s all yours. I have one question, said lit agent, how long have you been here? All fucking day, said Zeynep  ... Here’s your ticket to the greatest freak show on Earth.

Book of Amnesia V1

Hoi An

We took a bus to Hoi An. We passed through Da Nang, a mess of glass and brass mega resorts swallowing farmland with miles of beachfront developments creating imaginary golf courses faster than speeding high finance and rabid speculation.

Up early I am on the street. A winged shadow caressed my forehead. A black and orange butterfly fluttered in front of my eyes. Touched, grazed, blessed by Psyche. Magic.

I am a prime lens on a 35mm tool. I capture soft light inside the old city. I slow down, feeling free, curious and open, wandering. Before noise and lightning bolts of laughter’s language fills the air. All the tourists sleep off heavy European food and distilled beverages. Streets are empty.

A young woman under a bamboo hat shovels sand. It takes her 21 gestures to fill up a wheelbarrow. No more, no less. 21. Blackjack. She pushes it down a street to a new home project. She dumps it. She repeats the process. All day. Every day. Her Tao.

I walk to the river near an ancient Japanese Bridge built in 1593 and sit near two elderly women. They’re surprised to see a foreigner sitting alone with coffee. Black with ice. I smiled. They smiled and whispered  ... strange man alone has a camera it’s so early for him to sit here with us.

We shared humanity, silence and morning light. We communicated without words. I see their lives, childhood, growing up here, families, surviving wars, meeting every morning for conversation, walking and tea.

Supporting each other they walk through quiet streets, past yellow walled homes with red tile roofs protecting long deep brown wooden interiors. Ancestors whisper stories from the 15th-19th century when Hoi An was the major port in Southeast Asia and the first Japanese settlement in southern Vietnam.

Ships unloaded cargo and loaded high-grade silk, paper, porcelain, tea, sugar, molasses, medicines, elephant tusks, Sulphur and mother-of-pearl. Now 400 tailors measure, cut, sew, iron, hang and sell threads.

Women in teddy bear floral pajamas play badminton chasing a shuttlecock. Pajamas make utilitarian sense. Cotton is cheap and easy to wash. You sleep in them, get up, cook, eat, talk to your pajama neighbors, sweep dust, yell at your kids because they are spoiled brats and terrorized since escaping the birth canal, go to the market, buy food, admire new pajamas, return home, eat lunch, talk to your pajama neighbors and take a nap. Pajamas have a warning label on the collar. Remove Before Sex.

Pajamas are cool. One size fits all.

Residents stretch and talk. A leather-faced canoe woman set up her small clay figurines under a tree. The two women finished their tea, gestured goodbye, held hands and walked across a wooden bridge taking care of each other.

Book of Amnesia V1