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Entries in writing (441)

Saturday
Dec142019

Write

“Beware of naysayers, soothsayers and book doctors,” said a kid. “We are together through thick and thin, health and illness. Writing is a disease. We lie for a living. We make things up and write them down. No editor will drink champagne from our skulls. We’re trapped in our bodies, this hospital and labyrinth. You’d think there’d be a word doctor around here moonlighting as a heart specialist. Shine on bright star.”

“Ok,” said the writer kid, “how’s this sound? Write everything in the first five hundred pages, uh, I mean five pages. Grab the reader with a hook at the beginning of every sentence, at the end of paragraphs and the end of chapters. Start and end sentences with a strong word.”

“Good idea,” said a kid, “keep them turning pages. What happens next is a reader’s quest.”

“People are born, live and die. People fart around. Nobody comes. Nothing happens. We are the architects of our actions and live with glorious or tragic consequences. Is this a fill-in-the-blank life test?”

“I only want you to bring two things to class,” screamed an overworked, underpaid, undersexed Hanoi teacher afraid of losing face in front of eighty robots. “Your ears.”

She pounded on a podium with her Marxist pedagogical elephant control stick, “Memorize the text idiots so you can vomit the material on a test.”

“I’m going to be sick,” said a bulimic kid.

“It’s ok to be horrible,” said a kid. “Some writers quit because they want it to be perfect. Many never start. Many never finish. It ain’t about starting, it’s about finishing. Write your dash between birth and death. You need to be passionate about your work without being obsessive-compulsive. Do it because you love it. Make a beautiful fucking mess. Clean it up and make another beautiful mess. Release the monster into the world.”

“Yeah,” said Tran, “a work of art is never finished. It’s abandoned. Like an orphan.”

“Editing is a form of censorship,” said a kid waving a rejection letter. “You don’t want to make the reader work too hard, do you?”

“No, most humans are lazy. Obese, addicted to fast food, screen visuals, social web sites, FaceLost and sex texting with short attention spans. CONTROL owns them. No attention span? No problem.”

“Rewriting is writing. Be cold and unsentimental. Polishing is the party. Being a writer is like having homework every single fucking day.”

“What’s a word doctor?”

“Someone who red lines manuscripts,” said a blind kid waving a Mont Blanc 148 piston fountain pen splattering A- blood on everyone in their radius. “They kill words and sentences.”

“Writing is like digging a well with a needle,” said Orhan Pamuk.

“Punctuation is a nail. Period.”

“Just tell the truth,” said a Cambodian orphan boy, one of 12,000, “and then you don’t have to remember what you said.” His parents rented him to an NGO on weekends for donor sympathy advertising.

“The truth is I need a fix. Does anyone have any spare drugs?” said a gazebo group addict, “I need to get out of here and mainline an adventure.”

A Vietnam veteran screamed, “More drugs, nurse, more drugs. I could’ve been a contender. I could’ve been somebody.” A nurse shot him up.

ART

Burma

Wednesday
Dec042019

Fairy Tale

I am sorry are our three favorite words in Cambodia.
It’s the last thing 2,000,000 genocide victims cried out before a complete stranger slammed a
shovel against their skull. I am sorry. Sorry, sorry, sorry.

One survivor said to another survivor, what a beautiful fucking mess. Help me drag this one away.

You either let go or get dragged along, said a Buddhist monk lighting incense for world peace.

Same in China said Leo, We learn life’s hard bitter lesson to accept loss forever, I am sorry. What is the most beautiful word you know Zeynep?

Freedom. And yours? Food, said Rita and Leo.

Less talk and more drawing are essential in life, Z said. Experiment with circles, dots, triangles, squares, lines and curves to reach existential levels of realization. Connect the dots forward.


The asylum is a prison and protection, said Rita.

You create art to explore your sense of self and find out how you feel you are, rather than whom you think you should or ought to be, Z said, drawing her future.

Make the right choice for the wrong reason, Leo said.

Make the wrong choice for the right reason in the right season, Rita said.

Z discovered questions were repeated. 1,001 questions ran around her Turkish restaurant looking for answers. Questions grew tired of repeating themselves. This is so fucking boring, said one question. We are abused. We are manipulated and rendered mute. Useless.

Think of it as a test, said another question. Patience is our great teacher. I’ll try, said another question. Yes, said a question, these non-listeners have a distinct tendency to say nothing and say it louder than empty silence when they’re leaving, when their faces are turned away from eye contact, potential real heart-mind communication and growth.

Echoes drifted in through around silence and ignorance. I’ve seen that too, said a question, who, until this moment was silent. My theory is that it’s because of genocide, fear and ignorance. It’s also a delicate mixture of stupidity or indifference, said another question. I suggest it’s their innate Buddhist belief. They suppress their ego. Non-self.

Why is the most dangerous question, said Lucky addressing questions. Remember Leo asking why and ended up carrying shit at the Reform Through Re-education Labor Camp near the Gobi before becoming Chief of the Cannibals wearing an alarm clock around his scrawny neck reminding everyone of Time?

Yes I remember said a timeless prescient question. Leo was one smart cookie, whatever that means. He figured out unique survival skills in a desperate situation. He knew the fundamental difference between book smarts and street smarts. Anyway before we drift off the subject, how do you explain fear, asked a question.

Rita (author of Ice Girl in Banlung) - Fear is a basic instinct. It’s in our DNA. It’s in the amygdala. Flight or fight? Is it safe, eyes say scanning a potentially dangerous environment since Day One. You see it everywhere, all day, everyday all the scared uncertain eyes asking is it safe?

They peek left, glance right, double check. The coast is clear. Let’s go. People ran away to survive. Instinct.

People had a panic attack, started running and others would ask them a question like why are you running, who’s chasing you, where are you going or what’s the matter or when did you become afraid or why are you afraid, or why don’t you stay longer and the running one would keep going trailing abstract question words behind them like memories of dead or missing families or disembodied spirits or exploding landmines or molecules of indifferent breath.

I see, said a question, that explains everything. Yes, said an open-ended question. Being correct is never the point.

Nothing is true. Everything is permitted. We are assassins.

The Language Company

Burma

Saturday
Nov302019

Grow Your Soul

Patience is your teacher
Show how you feel - spirited away
You speak every language
Nature is your teacher

You are nature
Nurture vs nature - play experiment

Walking makes the road - red dust, green trees, golden cat o' nine tails, breeze, yellow sun, blue sky, blue lake...mirror

Born to be real
I'd rather be real than right


Posture breath 

Paint with light
Bamboo tiger
Blind music
Golden weed fields yellow flowers green stems red dust

Musical language said, when you sit at a java/tea zone on the edge of the expansive traditional Banlung market,
open a notebook, remove a pen from a pocket,
unscrew the Mont Blanc mountain peak,
turn a page to spill linguistic symbols,
a Khmer man
maybe 40 sitting at the round metal table drinking energy liquid
stares at you with deep black eyes.
No expression. Black retina points.
Stranger in a strange land.

How does it feel to be on your own, with no direction home, like a rolling stone?

  Observing a stranger preparing to scribble.

One true sentence

Grow Your Soul

Laos

Thursday
Nov212019

Dance

“We climbed up. We descended,” said Zeynep breathing through her shamanic mask.

“Is it carved from tribal memories?”

“Masks are symbolic manifestations in diverse cultures. Mask dance is a ritual, worn in a dance trance. Wearing a mask you become the thing you fear the most, your essential nature. Masks hide a human’s consciousness of fear.

“Dance is about process, becoming from stillness, from nothing. Shiva symbolizes the union of space, time and destruction. Dance is ancient magic. People seeking transformation wear masks representing gods or demons. Dance is the incarnation of energy from the source. We are from the source. Have courage to wear your natural face mask. The entire universe is a vast theatre. Death does not exist.”

“Humans evolved their ability to scheme and deceive behind masks,” said Lucky. “How do they manifest compassion and love without projecting guilt and shame on others while wearing their mask?”

“That's an eternal life quest,” said Z. “It requires daily practice and letting go of ego. Cogito ergo sum. They think their mask is reality. It's not. It’s artificial, an illusion, a myth, a projection of their fear.”

“What's your greatest fear is an essential quest-ion. We become the thing we fight the most. Our true self,” said L.

“My greatest imaginary fear is not experiencing truth and bliss beyond the self, passion and cravings,” said Z.

“That’s Nirvana. You break down before you break through. Authentic people confront their shadow. They evolve as a higher being. Scared, conditioned masked ones project their fears and insecurities onto others. It’s a survival behavior, a defense mechanism to avoid being honest and real. To avoid facing their mortality their darkest fear in room 101 the last room you want to enter, they deceive themselves. They lie to themselves and others avoiding the truth. They mask their pain. Truth is painful. Pain and suffering are different. Pain is a sickness leaving the body. Existence is suffering.”

Desire - Attachment - Loss - Suffering

Desire creates suffering. Kindness is a healing energy.

Your mask eats your face.

“Two critical elements of social intelligence are humor and curiosity. Do you remember James Joyce going into exile with silence and cunning?”

“Yes. He knew how to put seven little words in order. He was a cunning linguist. He said, ‘everything I do is an experiment,’” said Z. Exile is a form of suffering.

“So it is. Survival and creativity are raw instincts. Self awareness separates humans from lower life forms like apes, plankton and sea enemies-anemone fish eating animals and androgynous androids in the deep subconscious.”

“Writers lie for a living. We make stuff up. We write it down. We treat our mental illness every day. We have stories, poems and adventures to finish we haven’t started yet.”

“Imagined or invented conversations and episodes,” said L.

“Literature is a tool for unveiling, not obscuring the truth. It’s the best way to make fun of people.”

“Literary fiction expounds historical truth.”

“I prefer healthy doubt to certainty. I am more interested in traces than object. My notebook is essential,” said Z.

“We are the only animal who laughs and the only animal who knows they will die. We die every day. We imagine our death, our mortality. This fills some with dread, psychological neurosis, paralysis and lack of purpose. For others it’s a release joy and a dance. To live one has to die at least once. Once you die you realize how to live. Freedom is unconditional.”

“Freedom is an absence of choice. Are you a clown? Perhaps a clownfish?” L said.

“Look in your dream mask mirror. You get the face you deserve. Not all the clowns are in the circus. Let’s dance.”

“When you're looking good you're feeling good and when you're feeling good I just live to see your face.”

“We are wise calm lunatics whether we dance or not so we may as well dance. Let’s invent the world. Let’s invent reality. Wisdom-mind of intent not the emotion mind of fire & water.”

“I’m with you. We were born dead and slowly came to life.”

Flame your life.

The Language Company

Saturday
Nov162019

Shanghai Interrogation

The boy soldier was silent.

“What’s that for?” said the female Public Security Bureau official pointing to the typewriter on the table. 

“It is for writing letters.”

They have reservations about letters. Letters, they wonder, looking at each other with jaundiced eyes. Black eyes streaked with exploding blood vessels full of fear and suspicion.

Letters indicate political insurrection, dissent, forced labor, mandatory abortions, propaganda, civil unrest, turmoil, revolutions, tanks in the street, torture, solitary confinement and executions.

They see party leaders wringing pale hands pacing forbidden cities past stone lions, conducting top-secret meetings trying to figure out what to do, how to put a face on all this. How to manage and manipulate dis-information rivers controlling floods.

The boy soldier and his comrade save face by maintaining blank, stoic expressions. They suspect I have connections.

Maybe I am a plant, a party member sent to check their unit. Assigned to monitor their methods, their questioning tactics, their subtle use of intimidation, their implications to control and influence people’s lives with fear for the good of the state.

For all they know I am a subversive. A word terrorist.

“Letters. We will keep an eye on this one,” she said to the soldier.

They're thinking: We have ways to make you talk. They don’t say this but I know how it works. I’ve read Tu Fu and Li Po's work. I’ve digested their bone dust history through dynasties.

“Yes, well, we’ll see,” she said. “We need to remind you to remember this very carefully.” Her voice gained an octave.

The bent nail gets hammered down!

“Just because you speak our language doesn’t mean you are special. We can revoke your visa and force you to pay a fine. We can put you away where no one will ever find you. We will discuss your situation with our leaders. We have driven the talented people abroad. Some went into hiding but we know where they are and we find them. We always do. We find them in their homes, schools, and jobs. Some accepted positions at foreign universities where they form counter-revolutionary groups bent on overthrowing the state by writing articles, stories and books critical of their motherland.”

Her face resembled nuclear fission as she pounded the table. “They are a disgrace! They are running dogs!”

“I see,” I said, dropping my eyes saving face.

Downstairs, my warrior team armed with tools made on slave labor production lines financed with western capital, are busy. They laughed, sang and danced knocking holes in theories, lies and deceptions. They built facades, charades, fast food outlets, dream machines, and ignominious pious grandiose standards of living faster than joint venture ink dries on thin rice paper.

The authorities are momentarily appeased.     

I understand they are following orders.

To the letter.

I am well aware, remembering letters, if they execute me with a single bullet to the back of my head my family will have to pay for the ammunition. My family will be very surprised when they get a bill in a letter from kow-tow authorities for a round. They will have to buy a round and will never meet the last of the big time spenders.

To make matters worse, the authorities, after executing me, will disembowel me and recycle internal organs seeing profits to be made from a used, well traveled perfectly functioning heart, lungs, kidneys, pancreas, eyes, ears, hair, genitals, spleen and assorted by-products. It will be a beautiful fucking mess.

First, they will need impossible to find International Reply Coupons and second, the post office glue made from horses is a disaster. Gets all over the wooden counters and fingers of rude, impatient people because they are slobs. After smearing glue everywhere they push and shove toward the sullen postal clerk thrusting mail in her face.

If she didn’t have guaranteed sticky white rice three times a day my grand inquisitor would be home knitting a sweater and gossiping with neighbors. They’d be discussing vegetables, weather and roving demolition crews with bulldozers wondering when, not if, their ancient hutong neighborhood would come tumbling down and they’d be forced to move to bland housing tracts on the edge of the Gobi desert.

They will be the last to know. Earth trembled as blades sliced dwellings in half sending clouds of green tiled dust spiraling into a polluted sky.

Not only will the officials need IRC coupons to bill my next-of-kin for the bullet, they will require hand carved marble chops with ideograms and delicious red ink to verify and administer their official proclamations and imperial judgments.

They will chop and stamp my passport until it bleeds. EXPIRED. They will chop every single page.

They are important cogs in the wheel of the law grinding themselves down into the dust of ages.

Their looms spin out broken threads faster than they can weave them into their tapestry. If they make one mistake they will answer to the authorities.

They examine my passport with filthy greasy fingers. They turn pages, looking at visa stamps, examining strange forbidden exotic designs. They see rainbows and a rising phoenix. They hear drums from Amazonian rain forests while savoring fruits from lush gardens filled with crow and raven songs. Eagle feathers drift out of the pages.

On one page they explore meadows illustrated with roses. Thorns dive out of the sky piercing their hearts. A river of blood from Tibet breaks through dams flooding their ancestor’s graves. Names, histories and corpses float toward Seas of Memory.

Turning another page they scamper on frayed rope bridges above raging gorges screaming, “Help us. Save us!”

They keep going. The other side of the gorge is dark and dangerous, full of Black Mambas, vipers, pythons and fear bred demons slithering out of the ground, evaporating into rivers of sound, twisting forms dancing through their eyes, weaving into their heart.

Blind, they struggle through fog and hail storms into blizzards toward mountains. They are stranded inside the discursive circular logic drowning in a river of tears inside a river of dreams on the River of Time.

“We’ve gone too far,” the boy yells to the PSB woman. “Turn back!”

“It’s too late.” They began seeing with their ears and hearing with their eyes.

Turning a leaf they dived into the ocean of their love below the surface of appearances.

In deep turquoise waters they discovered a secret spirit cave pulsating with a heartbeat and magical sources of inspiration and beauty.

She handed the passport to the boy. “What do you make of this?”

He took off his military party hat and scratched his head.

“I’m not sure,” he said. “Appears to be some fable, a fairy tale, a mysterious rambling incoherent story. Never seen anything like this before.”

His comrade grabbed it back.

“Yes, strange indeed,” she whispered. “Where did you get this?” She held up a page of a butterfly sitting on a pure white lotus flower growing from mud.     

“My girlfriend sent it to me. It’s a dream.”

“Where did she get it?”

 “Along the Tao.”

 “What Tao?”

 “She collects dreams from people along her journey.”

 “Where is she? Laos? Bhutan? Burma? Tibet?”

The interrogator is suspicious. She knows primitive mountain people are animists, superstitious types. Their Dongba ancestors in Yunnan created a written language 1,000 years ago using pictographs and worship nature of all things. They have powers like levitation, lowering their body temperature, running for miles above the ground, transcending their physical bodies.

“She is everywhere.”

“I don’t believe you."

She skipped a few pages and started reading.

“They floated through caves into Greek and Roman civilizations. Inside a huge cavern flooded with celestial starlight were halls filled with world art. It was arranged in a form of a historical magic time circle. They admired fabulous paintings of strange beauty. They cried tears of happiness. Their tears created the beginning of the ocean.”

She handed the passport back.

“It appears authentic. But, I must say, parts of it are rubbish. Pure imagination. Your girlfriend will have to account for this. She’s crazy and needs medication. She needs to be somewhere safe for the sake of her emotional health. We have ways of dealing with these people. She’s clearly a threat against state-controlled propaganda laws and social stability. We can’t allow lunatics to just go roaming around the country writing this stuff. She could be in serious danger.”

She rattled on in her well-rehearsed monotone.

“There are immediate restrictions on your travel outside Shanghai. You are required to check with the local Public Security Bureau if you want to leave yourself, if you need to transcend this impermanent state of being.”

“Yes, I know. Existence is suffering. Thank you. I am rainbow of Light. Will you have more tea?”

“Yes.” She handed me a cracked cup. I poured tea.

She doesn’t want to lose face with this foreigner. Not in front of her comrade. He might talk at headquarters. Her superiors will question him. Her comrade is young and vulnerable to new ideas. Like free will and free choice.

She’s afraid if he has the chance to escape he will visit new lands, meet people, see their art and absorb their music and stories and be free.

She finished her tea gave me a withering look and left.

Before leaving the boy soldier ripped Psyche out and put it in his pocket. He smiled.

“You have been very cooperative. We will keep an eye on you.”

Weaving A Life V4