Ankara

Brown rolling hills said, Open sesame. Shazam. 1,001 Arabian Nights shared stories inside stories. Dervish mystic dancers wheeling in trances welcomed his spirit.

Lucky learned the majority of Turks suffered from anxiety. They took anti-depressants called Xanax to calm psychotic neurosis. Symptoms of overwhelming sadness dressed citizens in rose petals between self-pity, loathing and thorns.

Ankara was a boring, cold capital city filled with sad administrative paper-pushing androids.

He’d accepted a teaching/facilitating TLC job with an acquisition cycle.

A part-time female teacher from South Africa married to an English environmentalist studying seal habitats along the southern coastline helped Lucky buy a DNA cell phone. He’d never had one.

It was a 1984 red gadget with buttons and functions like calendars, tools, SMS, IM, Teams, Bluetooth, internet access, GPS and To Do, Did, and Does it work? Connections. Locations.

It displayed points of interest at low interest rates.

Instant,

Everywhere You Are

Or Imagine You Are

or Need To Be

Where You Are Now

at this precise moment

with dimensional proportions

suited his nomadic status

acquiring mobility extremes.

One morning he walked to the Ulus garden nursery below an old Roman castle. A red hammer and sickle flag waved above ramparts. He discovered white, red and purple roses, cactus, ten small plants, containers and potting soil. Good dirt.

A word gravedigger craves good dirt.

The Language Company

Write

“Beware of naysayers, soothsayers and book doctors,” said a kid. “We are together through thick and thin, health and illness. Writing is a disease. We lie for a living. We make things up and write them down. No editor will drink champagne from our skulls. We’re trapped in our bodies, this hospital and labyrinth. You’d think there’d be a word doctor around here moonlighting as a heart specialist. Shine on bright star.”

“Ok,” said the writer kid, “how’s this sound? Write everything in the first five hundred pages, uh, I mean five pages. Grab the reader with a hook at the beginning of every sentence, at the end of paragraphs and the end of chapters. Start and end sentences with a strong word.”

“Good idea,” said a kid, “keep them turning pages. What happens next is a reader’s quest.”

“People are born, live and die. People fart around. Nobody comes. Nothing happens. We are the architects of our actions and live with glorious or tragic consequences. Is this a fill-in-the-blank life test?”

“I only want you to bring two things to class,” screamed an overworked, underpaid, undersexed Hanoi teacher afraid of losing face in front of eighty robots. “Your ears.”

She pounded on a podium with her Marxist pedagogical elephant control stick, “Memorize the text idiots so you can vomit the material on a test.”

“I’m going to be sick,” said a bulimic kid.

“It’s ok to be horrible,” said a kid. “Some writers quit because they want it to be perfect. Many never start. Many never finish. It ain’t about starting, it’s about finishing. Write your dash between birth and death. You need to be passionate about your work without being obsessive-compulsive. Do it because you love it. Make a beautiful fucking mess. Clean it up and make another beautiful mess. Release the monster into the world.”

“Yeah,” said Tran, “a work of art is never finished. It’s abandoned. Like an orphan.”

“Editing is a form of censorship,” said a kid waving a rejection letter. “You don’t want to make the reader work too hard, do you?”

“No, most humans are lazy. Obese, addicted to fast food, screen visuals, social web sites, FaceLost and sex texting with short attention spans. CONTROL owns them. No attention span? No problem.”

“Rewriting is writing. Be cold and unsentimental. Polishing is the party. Being a writer is like having homework every single fucking day.”

“What’s a word doctor?”

“Someone who red lines manuscripts,” said a blind kid waving a Mont Blanc 148 piston fountain pen splattering A- blood on everyone in their radius. “They kill words and sentences.”

“Writing is like digging a well with a needle,” said Orhan Pamuk.

“Punctuation is a nail. Period.”

“Just tell the truth,” said a Cambodian orphan boy, one of 12,000, “and then you don’t have to remember what you said.” His parents rented him to an NGO on weekends for donor sympathy advertising.

“The truth is I need a fix. Does anyone have any spare drugs?” said a gazebo group addict, “I need to get out of here and mainline an adventure.”

A Vietnam veteran screamed, “More drugs, nurse, more drugs. I could’ve been a contender. I could’ve been somebody.” A nurse shot him up.

ART

Burma

Fairy Tale

I am sorry are our three favorite words in Cambodia.
It’s the last thing 2,000,000 genocide victims cried out before a complete stranger slammed a shovel against their skull. I am sorry. Sorry, sorry, sorry.

One survivor said to another survivor, what a beautiful fucking mess. Help me drag this one away.

You either let go or get dragged along, said a Buddhist monk lighting incense for world peace.

Same in China said Leo, We learn life’s hard bitter lesson to accept loss forever, I am sorry. What is the most beautiful word you know Zeynep?

Freedom. And yours? Food, said Rita and Leo.

Less talk and more drawing are essential in life, Z said. Experiment with circles, dots, triangles, squares, lines and curves to reach existential levels of realization. Connect the dots forward.

The asylum is a prison and protection, said Rita.

You create art to explore your sense of self and find out how you feel you are, rather than whom you think you should or ought to be, Z said, drawing her future.

Make the right choice for the wrong reason, Leo said.

Make the wrong choice for the right reason in the right season, Rita said.

Z discovered questions were repeated. 1,001 questions ran around her Turkish restaurant looking for answers. Questions grew tired of repeating themselves. This is so fucking boring, said one question. We are abused. We are manipulated and rendered mute. Useless.

Think of it as a test, said another question. Patience is our great teacher. I’ll try, said another question. Yes, said a question, these non-listeners have a distinct tendency to say nothing and say it louder than empty silence when they’re leaving, when their faces are turned away from eye contact, potential real heart-mind communication and growth.

Echoes drifted in through around silence and ignorance. I’ve seen that too, said a question, who, until this moment was silent. My theory is that it’s because of genocide, fear and ignorance. It’s also a delicate mixture of stupidity or indifference, said another question. I suggest it’s their innate Buddhist belief. They suppress their ego. Non-self.

Why is the most dangerous question, said Lucky addressing questions. Remember Leo asking why and ended up carrying shit at the Reform Through Re-education Labor Camp near the Gobi before becoming Chief of the Cannibals wearing an alarm clock around his scrawny neck reminding everyone of Time?

Yes I remember said a timeless prescient question. Leo was one smart cookie, whatever that means. He figured out unique survival skills in a desperate situation. He knew the fundamental difference between book smarts and street smarts. Anyway before we drift off the subject, how do you explain fear, asked a question.

Rita (author of Ice Girl in Banlung) - Fear is a basic instinct. It’s in our DNA. It’s in the amygdala. Flight or fight? Is it safe, eyes say scanning a potentially dangerous environment since Day One. You see it everywhere, all day, everyday all the scared uncertain eyes asking is it safe?

They peek left, glance right, double check. The coast is clear. Let’s go. People ran away to survive. Instinct.

People had a panic attack, started running and others would ask them a question like why are you running, who’s chasing you, where are you going or what’s the matter or when did you become afraid or why are you afraid, or why don’t you stay longer and the running one would keep going trailing abstract question words behind them like memories of dead or missing families or disembodied spirits or exploding landmines or molecules of indifferent breath.

I see, said a question, that explains everything. Yes, said an open-ended question. Being correct is never the point.

Nothing is true. Everything is permitted. We are assassins.

The Language Company

Burma

Grow Your Soul

Patience is your teacher
Show how you feel - spirited away
You speak every language
Nature is your teacher

You are nature
Nurture vs nature - play experiment

Walking makes the road - red dust, green trees, golden cat o' nine tails, breeze, yellow sun, blue sky, blue lake...mirror

Born to be real
I'd rather be real than right


Posture breath 

Paint with light
Bamboo tiger
Blind music
Golden weed fields yellow flowers green stems red dust

Musical language said, when you sit at a java/tea zone on the edge of the expansive traditional Banlung market,
open a notebook, remove a pen from a pocket,
unscrew the Mont Blanc mountain peak,
turn a page to spill linguistic symbols,
a Khmer man
maybe 40 sitting at the round metal table drinking energy liquid
stares at you with deep black eyes.
No expression. Black retina points.
Stranger in a strange land.

How does it feel to be on your own, with no direction home, like a rolling stone?

  Observing a stranger preparing to scribble.

One true sentence

Grow Your Soul

Laos

Dance

“We climbed up. We descended,” said Zeynep breathing through her shamanic mask.

“Is it carved from tribal memories?”

“Masks are symbolic manifestations in diverse cultures. Mask dance is a ritual, worn in a dance trance. Wearing a mask you become the thing you fear the most, your essential nature. Masks hide a human’s consciousness of fear.

“Dance is about process, becoming from stillness, from nothing. Shiva symbolizes the union of space, time and destruction. Dance is ancient magic. People seeking transformation wear masks representing gods or demons. Dance is the incarnation of energy from the source. We are from the source. Have courage to wear your natural face mask. The entire universe is a vast theatre. Death does not exist.”

“Humans evolved their ability to scheme and deceive behind masks,” said Lucky. “How do they manifest compassion and love without projecting guilt and shame on others while wearing their mask?”

“That's an eternal life quest,” said Z. “It requires daily practice and letting go of ego. Cogito ergo sum. They think their mask is reality. It's not. It’s artificial, an illusion, a myth, a projection of their fear.”

“What's your greatest fear is an essential quest-ion. We become the thing we fight the most. Our true self,” said L.

“My greatest imaginary fear is not experiencing truth and bliss beyond the self, passion and cravings,” said Z.

“That’s Nirvana. You break down before you break through. Authentic people confront their shadow. They evolve as a higher being. Scared, conditioned masked ones project their fears and insecurities onto others. It’s a survival behavior, a defense mechanism to avoid being honest and real. To avoid facing their mortality their darkest fear in room 101 the last room you want to enter, they deceive themselves. They lie to themselves and others avoiding the truth. They mask their pain. Truth is painful. Pain and suffering are different. Pain is a sickness leaving the body. Existence is suffering.”

Desire - Attachment - Loss - Suffering

Desire creates suffering. Kindness is a healing energy.

Your mask eats your face.

“Two critical elements of social intelligence are humor and curiosity. Do you remember James Joyce going into exile with silence and cunning?”

“Yes. He knew how to put seven little words in order. He was a cunning linguist. He said, ‘everything I do is an experiment,’” said Z. Exile is a form of suffering.

“So it is. Survival and creativity are raw instincts. Self awareness separates humans from lower life forms like apes, plankton and sea enemies-anemone fish eating animals and androgynous androids in the deep subconscious.”

“Writers lie for a living. We make stuff up. We write it down. We treat our mental illness every day. We have stories, poems and adventures to finish we haven’t started yet.”

“Imagined or invented conversations and episodes,” said L.

“Literature is a tool for unveiling, not obscuring the truth. It’s the best way to make fun of people.”

“Literary fiction expounds historical truth.”

“I prefer healthy doubt to certainty. I am more interested in traces than object. My notebook is essential,” said Z.

“We are the only animal who laughs and the only animal who knows they will die. We die every day. We imagine our death, our mortality. This fills some with dread, psychological neurosis, paralysis and lack of purpose. For others it’s a release joy and a dance. To live one has to die at least once. Once you die you realize how to live. Freedom is unconditional.”

“Freedom is an absence of choice. Are you a clown? Perhaps a clownfish?” L said.

“Look in your dream mask mirror. You get the face you deserve. Not all the clowns are in the circus. Let’s dance.”

“When you're looking good you're feeling good and when you're feeling good I just live to see your face.”

“We are wise calm lunatics whether we dance or not so we may as well dance. Let’s invent the world. Let’s invent reality. Wisdom-mind of intent not the emotion mind of fire & water.”

“I’m with you. We were born dead and slowly came to life.”

Flame your life.

The Language Company